Poetry by John Kaniecki

March 5th, 2013

 

The Cross

I was not in Mississippi when the crosses were burning.
My eyes were not even born to see history’s page turning.
A time, a distance far from me and you,
Like Columbus in fourteen ninety two.

I look out the window,
A church built with ancient stone.
So many things to know,
Too much for one alone.

So I rely on the Word
And the thing I have heard.
I knew Emit Till,
His blood cries out still.
All the sins that man has done,
To list every one,
Would take an eternity.
A journey of misery.

I was not in Mississippi when the crosses were burning,
But the honest are still learning.

Would you take my hand?
And try to understand,
The inner workings of the brain
And why I went insane.

Jesus hanging on your cross.
Was your mind at loss?
When the soldier pierced your side
And Mother Mary cried.
“My son, my son, he was crucified?”

I was there
on that terrible day
I was aware!
What a price to pay!

Bi Polar disorder is the proper term.
Give a little smile and a handshake firm.
And they world will never know
The madness that lurks below.

I think of my fellow kin
Sufferers of all walks and not one skin
The vacant lost look in our eyes
The distraught appearance none can disguise.
We walk in a shuffle clothes torn
We talk in a mumble as we mourn.

I have seen the rich
I have seen the poor
I have felt the pain
Of that I am sure.
Mister money bags delights in his possessions
Never learning life’s most sacred lessons.
Like the Love of Tom who I will never forget
Who gave me his last cigarette.
God have mercy on my friend
I cannot see and now pretend
That all is splendid and all is well
Cause many of us are living in hell.

John he was in the Korean War
Something that hurt him I am sure.
We’d throw our butts on the ground
As least when John wasn’t around.
John would come with his broom
He’d sweep the lot and every room
He’d ask us all to spare a dime
Since when is being poor a crime?
Yeah John he’d sweep and sweep and sweep
Others would just sadly weep
We had nothing all blessings were gone
But we stood together even with John.
John would collect the butts you know
And collect all the extra tobacco
If it wasn’t so sad it would be a joke
But John always managed to get one more smoke.

Smoke that would rise to sting our eyes
As crosses were burning fueled by lies.

Look at me I am a man
Going crazy was not my plan
Why do you laugh at what God made?
Why when we are near are you afraid?

Jesus cast out Legion they were much
Oh sweet Lord I need your touch
Crucifying you Jesus that was enough shame
Must they add to your torment with flame?

Just because they were black?
Just because of the sanity I lack?
Burn o cross, burn and tell
Why those who lit you deserve hell

I have seen the man with money
He laughs a lot but nothings funny
Always thinks about material things
Can’t understand the King of Kings

Was there something I want said?
Before they come to bury the dead
Manic Depression is bad Schizophrenia is worse
But it all don’t matter when you’re in a hearse

Like King Tut you can have a coffin of gold
Perhaps you’ll be a legend and your tale told
But when King Jesus looks you in the eye
He will know the truth from a lie
As ye have done to them you have done to me
How please tell me what is your plea?
Guilty,
Guilty of greed
Guilty hoarding while so many in need
Guilty, Guilty of shame
Not caring for the homeless when they came
Guilty, Guilty of a stare
When you looked at a mad man and didn’t care.
Oh and Jesus one more charge to hold to me
I burned a cross in Mississippi

Wrath of man availeth naught
As all the battles man has fought
I wage a war deep inside
A battle that I cannot hide

Psychiatrists, blood tests and all the colorful pills
Slows down my thought and my organs it kills
But anything is better than being locked away
And not see the sun shine in the day

We are sensitive creatures we insane
We the hidden horrors so vivid and plane
We suffer at words harsh and bitter
We weep for the animals and mourn for the litter
And nothing can make us well
Nothing can cure our hell
Yet we go on with our life
Though some give up by pill or knife

When I was a child I was abused
Now as a man I am all confused
But I thank God as I look above
That Jesus came and taught me Love
He taught me to forgive
So in grace I live

In this war we take many a loss
It all just part of bearing our cross
Words on the pages, words on the pages
To be tossed in the garbage or to live for ages?

I look again at the church of stone
Trees tower over it long have they grown
A tree is something good
From it we get our wood
Would it build a house or a store
May we build crosses no more

Do not make me a winner
Do not tell me you are not a sinner
Do not give me your prize
Do not tell me your lies
In Mississippi they say things are better
That the people they all live together
I know the truth for I have my curse
I don’t know you, BUT YOU DON’T KNOW ME.
But I believe we all struggle to be free
And that is why I write my verse

I look at the church with many a stone
Hoping deep down that we have indeed grown
We all are in chains none are without sin
Will crosses burn once more in flame?
Will a fourth Reich rise in shame?
I know not but I know where you’ve been.

 

 

John Kaniecki describes himself:

 

John Kaniecki is a poet and science fiction writer. His poems have appeared in over fifty venues including Jerry Jazz. He views words not only to have a beauty but also the power to transform society for the better. His poetry book Murmurings of a Mad Man and his science fiction book Words of the Future are exciting reads. John has been married to his lovely bride Sylvia from Grenada for over ten years. The couple is very active in the Church of Christ at Chancellor Avenue which is located in the South Ward of Newark, New Jersey.

 

Share this:

3 comments on “Poetry by John Kaniecki”

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Publisher’s Notes

Creatives – “This is our time!“…A Letter from the Publisher...A call to action to take on political turmoil through the use of our creativity as a way to help our fellow citizens “pierce the mundane to find the marvelous.”

In This Issue

Announcing the book publication of Kinds of Cool: An Interactive Collection of Jazz Poetry...The first Jerry Jazz Musician poetry anthology published in book form includes 90 poems by 47 poets from all over the world, and features the brilliant artwork of Marsha Hammel and a foreword by Jack Kerouac’s musical collaborator David Amram. The collection is “interactive” (and quite unique) because it invites readers – through the use of QR codes printed on many of the book’s pages – to link to selected readings by the poets themselves, as well as to historic audio and video recordings (via YouTube) relevant to many of the poems, offering a holistic experience with the culture of jazz.

Interview

photo Louis Armstrong House Museum
Interview with Ricky Riccardi, author of Stomp Off, Let’s Go: The Early Years of Louis Armstrong...The author discusses the third volume of his trilogy, which includes the formation of the Armstrong-led ensembles known as the Hot Five and Hot Seven that modernized music, the way artists play it, and how audiences interact with it and respond to it.

The Sunday Poem

photo of Billy Wilder via Wikimedia Commons


“You Know by the Laughter,” by Joan E. Bauer


The Sunday Poem is published weekly, and strives to include the poet reading their work....

Joan E. Bauer reads her poem at its conclusion


Click here to read previous editions of The Sunday Poem

Feature

“What one song best represents your expectations for 2025?” Readers respond...When asked to name the song that best represents their expectations for 2025, respondents often cited songs of protest and of the civil rights era, but so were songs of optimism and appreciation, including Bob Thiele and George David Weiss’ composition “What a Wonderful World,” made famous by Louis Armstrong, who first performed it live in 1959. The result is a fascinating and extensive outlook on the upcoming year.

Poetry

Sax in a Blue Suit by Samuel Dixon
21 jazz poems on the 21st of March, 2025...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician by poets sharing their relationship to the music, and with the musicians who perform it.

Interview

photo by Brian McMillen
Interview with Phillip Freeman, author of In the Brewing Luminous: The Life and Music of Cecil Taylor...The author discusses Cecil Taylor – the most eminent free jazz musician of his era, whose music marked the farthest boundary of avant-garde jazz.

Feature

photo of Rudy Van Gelder via Blue Note Records
“Rudy Van Gelder: Jazz Music’s Recording Angel” – by Joel Lewis...For over 60 years, the legendary recording engineer Rudy Van Gelder devoted himself to the language of sound. And although he recorded everything from glee clubs to classical music, he was best known for recording jazz – specifically the musicians associated with Blue Note and Prestige records. Joel Lewis writes about his impact on the sound of jazz, and what has become of his Englewood Cliffs, New Jersey studio.

Poetry

photo of Charlie Parker by William Gottlieb/Library of Congress; Design by Rhonda R. Dorsett
Jerrice J. Baptiste’s 2025 Jazz Poetry Calendar...Jerrice J. Baptiste’s 12-month 2025 calendar of jazz poetry winds through the upcoming year with her poetic grace while inviting us to wander through music by the likes of Hoagy Carmichael, Antonio Carlos Jobim, Sarah Vaughan, Melody Gardot and Charlie Parker.

Playlist

“Sextets: The Joy of Six” – a playlist by Bob Hecht...The cover of the 1960 debut album by the Jazztet, co-founded by the trumpeter Art Farmer and the tenor saxophonist Benny Golson, and which always featured a trombonist and a piano-bass-drums rhythm section. Golson wrote much of the music, but “Hi-Fly” – a tune featured on Bob Hecht’s two-hour playlist devoted to sextets – was written by pianist Randy Weston, and appears on the 1960 album Big City Sounds.

Interview

Interview with Jonathon Grasse: author of Jazz Revolutionary: The Life and Music of Eric Dolphy....The multi-instrumentalist Eric Dolphy was a pioneer of avant-garde technique. His life cut short in 1964 at the age of 36, his brilliant career touched fellow musical artists, critics, and fans through his innovative work as a composer, sideman and bandleader. Jonathon Grasse’s Jazz Revolutionary is a significant exploration of Dolphy’s historic recorded works, and reminds readers of the complexity of his biography along the way. Grasse discusses his book in a December, 2024 interview.

Feature

Dmitry Rozhkov, CC BY-SA 4.0 via Wikimedia Commons
“Thoughts on Matthew Shipp’s Improvisational Style” – an essay by Jim Feast..Short of all the musicians being mind readers, what accounts for free jazz musicians’ – in this instance those playing with the pianist Matthew Shipp – incredible ability for mutual attunement as they play?

Art

Photo of Joe Lovano by Giovanni Piesco
The Photographs of Giovanni Piesco: Joe Lovano...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features 1999 photographs of the saxophonist Joe Lovano.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 11: “Chick” and “Hen” Lit...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 11th edition, Rife writes about the “chicks” (energetic women, attractive, and open to experience) and “hens” (older women who have either buried or lost a loved one, and who seem content with their lives) who are at the center of stories with jazz within its theme.

Interview

photo by Carl Van Vechten, Library of Congress
A Black History Month Profile: The legendary author Richard Wright...In a 2002 Jerry Jazz Musician interview, Richard Wright biographer Hazel Rowley discusses the life and times of legendary author Richard Wright, whose work included the novels Native Son andBlack Boy

Feature

On the Turntable — The “Best Of the ‘Best Of’” in 2024 jazz recordings...Our annual year-end compilation of jazz albums oft mentioned by a wide range of critics as being the best of 2024

In Memoriam

photo via Pexels.com
“Departures to the Final Arms Hotel in 2024” – poetic tributes, by Terrance Underwood...2024 produced its share of losses of legendary jazz musicians. Terrance Underwood pays poetic homage to a handful who have touched his life, imagining their admittance to the Final Arms Hotel, a destination he introduces in his prelude.

Community

Stewart Butterfield, CC BY 2.0, via Wikimedia Commons
Community Bookshelf #4...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2024 – March, 2025)

Feature

Trading Fours, with Douglas Cole, No. 23: “The Wave”...In this edition of an occasional series of the writer’s poetic interpretations of jazz recordings and film, Douglas’ poem is written partly as a reference to the Antonio Carlos Jobin song “Wave,” but mostly to get in the famed Japanese artist Hokusai’s idea of the wave as being a huge, threatening thing. (The poem initially sprang from listening to Cal Tjader’s “Along Came Mary”).

Short Fiction

Stan Shebs, CC BY-SA 3.0 , via Wikimedia Commons/blur effect added
Short Fiction Contest-winning story #67 — “Bluesette,” by Salvatore Difalco...The author’s award-winning story is a semi-satirical mood piece about a heartbroken man in Europe listening to a recording by the harmonica player Toots Thielemans while under the influence of a mind-altering substance.

Interview

Interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lost Empire of Cool...The esteemed writer tells a vibrant story about the jazz world before, during, and after the 1959 recording of Kind of Blue, and how the album’s three genius musicians came together, played together, and grew together (and often apart) throughout the experience.

Feature

photo of Lester Young by William Gottlieb/Library of Congress
Jazz History Quiz #179...Throughout his career, this saxophonist was known as the “Vice Prez” because he sounded so similar to “Prez,” Lester Young (pictured). Who was he?

Community

Nominations for the Pushcart Prize XLIX...Announcing the six writers nominated for the Pushcart Prize v. XLIX, whose work was published in Jerry Jazz Musician during 2024.

Publisher’s Notes

photo by Rhonda Dorsett
On turning 70, and contemplating the future of Jerry Jazz Musician...

Feature

“Are Jazz-Hop Instrumentals Jazz?” – an observation (and playlist) by Anthony David Vernon...Google “what is jazz-hop?” and the AI overview describes it is “a subgenre of hip-hop that combines jazz and hip-hop music. It developed in the late 1980s and early 1990s.” In Mr. Vernon’s observation, he makes the case that it is also a subgenre of jazz.

Community

Notes on Bob Hecht’s book, Stolen Moments: A Photographer’s Personal Journey...Some thoughts on a new book of photography by frequent Jerry Jazz Musician contributing writer Bob Hecht

Art

“The Jazz Dive” – the art of Allen Mezquida...The artist's work is inspired by the counterculture music from the 1950s and 60s, resulting in art “that resonates with both eyes and ears.” It is unique and creative and worth a look…

True Jazz Stories

Columbia Records; via Wikimedia Commons
“An Evening with Michael Bloomfield” – a true blues story by David Eugene Everard...The author recounts his experience meeting and interviewing the great blues guitarist Mike Bloomfield in 1974…

Short Fiction

photo via PxHere
“The Magic” – a story by Mark Bruce...Most bands know how to make music. They learn to play together so that it sounds good and maybe even get some gigs. Most bands know that you have your chord progressions and your 4/4 beat and your verses and bridges. Some bands even have a guy (or a woman, like Chrissy Hynde) who writes songs. So what gives some bands the leg up into the Top 40?

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers;, Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.