Poet Myra Litton writes of Rita Hayworth and Sophia Loren

January 25th, 2016

 

 

 

Put the Blame on Mame Rita Hayworth in Gilda (1946)

There was never quite a dame as hot as Rita in Put the Blame on Mame
Gilda with luscious red locks
And strapless slit dress
We can imagine her while dancing in a state of undress -but I digress
Hair wanton and free expressing sexuality
In ample quantity
Gilda/Rita undulating to jazzy accompaniment in sultry climes
A time capsule of those forties’ times
Gilda grinds to the beat
In real life she liked the bottle and often drank neat
She adorned wartime fighter planes, married Orson Welles
Lived a life insane
Throwing her hair back, quite a gal
Gilda/Rita you were the ultimate femme fatale

 

 

 

 

 

Sophia Loren in Tu vuo fa l’Americano from It Started in Naples (1960)

 

Sophia Loren in Tu vuo fa l’Americano
Dances in a sweaty 1950’s nightclub
Undulating to a song that worships American Culture
Rock’n’Roll, Baseball and whiskey and soda
She showed us the rest of Europe’s female population the meaning of sex appeal
Probably inciting copycat sex-kitten solo dances all over Europe and the Western world
In her tasseled dress
And long leg machinations
Sophia Loren who started out winning a beauty contest and in magazine photo-strips
demonstrates her unique star quality and larger than life talent
In this jazzy number

 

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Myra Litton lives in London and has been published on Potluck Magazine and Second Light Live. She enjoys jazz and blues of the mid-twentieth century, as well as the culture of that time period.

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The story of “Put the Blame on Mame” and “Tu vuo fa l’Americano” on Wikipedia

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