• Eight poets connect their poems to the spirit of jazz in this eight page collection
  • The Piano Whisperer” is the 14th in a series of short stories Ms. Jenkins has been commissioned to write for Jerry Jazz Musician.

     

  • In this edition, the writer Francis Paudras tells a short story about a backstage encounter between Bud Powell and Charles Mingus following a 1964 performance in Paris

     

     

     

  • “The Wailing Wall” is the winner of the 48th Jerry Jazz Musician Short Fiction Contest

  • Poems by eight poets
  • "The Piano Whisperer" - a story by Arya Jenkins
  • Great Encounters #53
  • "The Wailing Wall" - a story by Justin Short
Literature

Short Fiction Contest-winning story #8: “Natural Selection,” Jackson Lassiter

The rigid wooden slats of the park bench press relentlessly against the length of my goose-pimpled back. A stocking cap rides low over my ears and most of my forehead, and a wool blanket — cocooned around my prone body — laps over my chin and tucks snugly around the sides of my face. Only my eyes, nose, and weather-cracked lips brave the raw chill. I gaze skyward as the frozen minutes slowly pass. I wouldn’t normally choose to rest here in the dead of winter, but tonight I didn’t have a choice. In life you are either a have or a have-not. Mike and I are have-not’s. […] Continue reading »

Interviews » Biographers

Michael Dregni, author of Django: The Life and Music of a Gypsy Legend

Django Reinhardt was arguably the greatest guitarist who ever lived, an important influence on Les Paul, Charlie Christian, B.B. King, Jerry Garcia, Chet Atkins, and many others. Handsome, charismatic, childlike, and unpredictable, Reinhardt was a character out of a picaresque novel. Born in a gypsy caravan at a crossroads in Belgium, he was almost killed in a freak fire that burned half of his body and left his left hand twisted into a claw. But with this maimed left hand flying over the frets and his right hand plucking at dizzying speed, Django became Europe’s most famous jazz musician, commanding exorbitant fees — and spending the money as fast as he made it. […] Continue reading »

Interviews

Jazz historian Dan Morgenstern, author of Living with Jazz

Buying a vinyl long playing jazz album in the format’s heyday — from the 1950s through the 1980s — was a three-step sensual process that stirred an almost irrational enthusiasm for the entire culture the music ignited. The record industry’s flair for creating passionate cover art seduced the imagination, the sounds etched into the grooves promised diversion and surprise, and the densely-typed liner notes on the back cover fired up an eagerness for enlightenment. The process continued at the turntable, where the cut of a stylus transformed the listener into an aural witness to the performer’s character and improvisational skills. It was, quite simply, a bonding experience. […] Continue reading »

Interviews

Kevin Boyle, author of Arc of Justice

In 1925, Detroit was a smoky swirl of jazz and speakeasies, assembly lines and fistfights. The advent of automobiles had brought workers from around the globe to compete for manufacturing jobs, and tensions often flared with the KKK in ascendance and violence rising. Ossian Sweet, a proud Negro doctor — the grandson of a slave […] Continue reading »