• This edition of “Great Encounters” tells the story of the evening in c. 1930 that Louis Armstrong taught Buck Clayton how to perform a trumpet technique known as the “gliss”

  • In an excerpt from an interview with the drummer Art Taylor, Garner describes how he wrote his most famous composition, “Misty”

  • From red kite country, driving South,
    Dai Grandpa, fresh from yesterday,
    such yesterday. Only when the
    June sun sank, had Dai – dudein’
    up my shirt front, puttin’ on
    the shirt studs – reached evening’s land

     

     

  • “Cotton Candy on Alto Sax” by Julie Parks is the winner of the 46th Jerry Jazz Musician Short Fiction Award

  • Great Encounters #51
  • Where Erroll Garner wrote "Misty"
  • Two poems by Robert Nisbet
  • "Cotton Candy on Alto Sax" - by Julie Parks
Interviews » Biographers

Chris Albertson, author of Bessie

Considered by many to be the greatest blues singer of all time, Bessie Smith was also a successful vaudeville entertainer who became the highest paid African-American performer of the roaring twenties.

First published in 1971, author Chris Albertson ‘s Bessie was described at the time by critic Leonard Feather as “the most devastating, provocative, and enlightening work of its kind ever contributed to the annals of jazz literature.” New Yorker critic Whitney Balliett called it “the first estimable full-length biography not only of Bessie Smith, but of any black musician.”
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Interviews

Fire in a Canebrake author Laura Wexler

“Fire in a Canebrake” is a phrase Walton County, Georgians used to describe the sound of fatal gunshots, and the title of Laura Wexler’s critically acclaimed book on the Moore’s Ford lynching of 1946, the last mass lynching in America.

While the book is a moving and frightening tale of violence, sex and lies, it is also a disturbing snapshot of a divided nation on the brink of the civil rights movement and a haunting meditation on race, history, and the struggle for truth. […] Continue reading »

Interviews

Arthur Kempton, author of Boogaloo: The Quintessance of American Popular Music

“Boogaloo” is a term author Arthur Kempton suggests as an alternative to what was conventionally described as soul music, and a word to distinguish black popular music from jazz. Boogaloo encompassed three generations of signal personalities, from Thomas A. Dorsey, the so-called Father of Gospel Music, to Sam Cooke, Motown’s Berry Gordy, Stax Record’s Al Bell, and to the ascendency of hip-hop entrepreneurs Shug Knight and Russell Simmons. Their interconnections and influence on the art and commerce of black American popular music is the theme of his book, Boogaloo: The Quintessance of American Popular Music. […] Continue reading »

Interviews

Gerald Nachman, author of Seriously Funny: The Rebel Comedians of the 1950’s and 1960’s

The comedians of the 1950’s and 1960’s were a totally different breed of relevant, revolutionary performer from any that came before or after, comics whose humor did much more than pry guffaws out of audiences.

“The new post-Korean War comedy poked and prodded and observed, demolishing fond shibboleths left and right; it didn’t just pulverize with a volley of joke-book gags,” critic Gerald Nachman writes in Seriously Funny; The Rebel Comedians of the 1950’s and 1960’s.
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Interviews

Sam Hamill, editor of The Complete Poems of Kenneth Rexroth

Kenneth Rexroth was a central figure in the San Francisco Renaissance and influenced generations of readers with his essays and consummate translations of Japanese and Chinese poetry.

Born in 1905, Rexroth’s career spans almost the entire century. Although forty of his seventy-seven years as poet, translator, essayist, playwright, and revolutionary activist were spent in San Francisco, his intellectual and artistic formative years occurred in the Midwest, mainly in Chicago, where he associated with artists, writers, and theorists of radical politics and philosophies.
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