• In a critical essay, Matt Sweeney writes how John Coltrane and Dave Brubeck transform the blues into a musical experience way beyond its very simple three-chord structure

     

  • Eight poets connect their poems to the spirit of jazz in this eight page collection

     

  • In this edition, the writer Francis Paudras tells a short story about a backstage encounter between Bud Powell and Charles Mingus following a 1964 performance in Paris

     

     

     

  • “The Wailing Wall” is the winner of the 48th Jerry Jazz Musician Short Fiction Contest

  • "Transcending the Blues" - by Matt Sweeney
  • Poems by eight poets
  • Great Encounters #53
  • "The Wailing Wall" - a story by Justin Short
Features » Historic Journalism

William Gottlieb’s “Elusive Pianist”

Jazz photography has played an important role in the development of jazz, and, along with the art found on the record albums of the 1940’s – 60’s, is a visual window into the history of the culture.  The work of photographers like Herman Leonard, William Claxton and Lee Tanner impacted me pretty deeply, and led me deep into the record bins in search of the music they so effectively portrayed.  Leonard and Tanner, in fact, were major influences on my work on this site, and Tanner was indeed a personal mentor whose voice of encouragement remains in my head long after his 2013 passing.

Among the first interviews I ever did was in 1997 with William Gottlieb, best known as a

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Literature » Poetry

Yusef Lateef’s poetic description of music

     As his website reminds us, the late Yusef Lateef was “universally acknowledged as one of the greatest masters and innovators in the African American tradition of autophysiopsychic music – that which comes from one’s spiritual, physical and emotional self.”  He defined music as “a medium through which we express our feelings of love, sorrow, and joy.”

     Lateef, who died in 2013, was a virtuoso musician on a multitude of international instruments

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Quiz Show » Jazz History Quiz

Jazz History Quiz #113

Before recording his most notable work (to that point) as a saxophonist in Miles Davis’ “Birth of the Cool” nonet, his initial reputation was as an arranger, including a stint in 1946 as the staff arranger in Gene Krupa’s Orchestra.  He would eventually become one of the leading voices on his instrument for almost 50 years.  Who is he?

 

Kai Winding

Gil Evans

Lee Konitz

Gerry Mulligan

J.J. Johnson

Al McKibbon

Max Roach

Sonny Stitt

 

Go to the next page for the answer!

 

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