“No Hiding Place” — a short story by Chris LaMay-West

June 18th, 2018

 

“No Hiding Place,” a story by Chris LaMay-West, was a finalist in our recently concluded 47th Short Fiction Contest.  It is published with the permission of the author.

 

 

 

 

 

No Hiding Place

by

Chris LaMay West

 

_____

 

Seen from above, the motion probably exhibited some coherence. Like how the particles on the surface of a liquid jiggled around each other. What did they call it? Brownian motion. Seen from a distance, the mass of people no doubt also swirled in patterns that had a great deal of regularity. Was there perhaps even a meaning in the group activity, a secret swaying cadence that couldn’t be discerned just from watching the constituent parts?

Carl found how he engaged in metaphysical speculations when in these situations distressing.

But God, you had to do something.

Or else this dance club, The Edge of The World, the apotheosis of all that he had come to hate during this year and a half spent in Japan following his graduation from Berkeley, would be unbearable. Here in the club, his goatee and the short hair that he had cropped in order to not offend Japanese sensibilities, stood out in sharp contrast to the clean-shaven faces and lanky blonde hair that the sunny giants who came to Japan unfurled as they sailed through the room, catching up little dark haired girls in their wake. Sweaty gaijin, tall, booming and friendly, stood in clusters by the bar or out on the dance floor, surrounded by Japanese girls in ratios of two or three to one.

He never really felt comfortable with the foreigners here in Fukuoka, the largest city on the southern island of Kyushu in Japan, as they danced, laughed and beautifulled their way through life in each other’s giddy presence.

All the girls at the school where he taught thought he was English because he wasn’t the six-foot tall husky Midwesterner named Scott that they hoped would magically transform them into Americans. Well so what if he wasn’t one of them? He came here for haiku. For pine-tree capped islands wrapped in mist. For the bright red arch of the torii gates in front of Shinto shrines in the chill of morning. For the chance to benkyoosuru some Japanese while he got his graduate school applications together. Right?

And now, after a year and a half in Japan, he would meet Louella in Hong Kong for their trip around Asia in just one week. The trip they had planned ever since they came to teach English in Japan after graduating from Berkeley. China, Thailand, Vietnam, India— a whole world beyond Japan and these predatory gaijin. The thought of getting away acted like a milky pinkish balmative on the unease in his stomach. And besides offering escape, the trip meant he would be with Louella again for the first time in the three months since she had gone back to San Francisco to spend some time with her parents. Seeing her again would be like a shot of sanity, a confirmation of his existence. Loved. By a woman. And therefore real. Whole.

But first the next seven days. Including tonight, his friend Cedric’s going-away party. Cedric was departing from the same language school that Carl taught at just a few days after Carl. And so they were here at the Edge of the World. They’d certainly named it right. The small box-shaped dance club sat two blocks from the city’s waterfront, with all the lights of Fukuoka behind it and ahead only the darkness of the ocean that stretched out toward Korea and China.

Tonight, as usual, the Edge was standing room only. Implausibly perfect gaijin guys and impossibly cute Japanese girls circled each other, hunting and being hunted, in a kaleidoscope of music and movement that, seen from above, no doubt revealed a coherent pattern—

Damn it! It was his head that circled around and around.

Carl shook himself out of his internal monologue and went over to talk to Cedric. It was his farewell party, after all. Cedric, geez. Did people really give their kids names like that in New Zealand? Apparently so. But however antiquated Carl found the name, Cedric himself was all right. For one thing, although laughably tall— did foreigners self-select to come to Japan based on height? — Cedric had a gentle manner, unlike the cocksure extroverts who made up most of the foreign population in Japan. With his gangly height and a pageboy haircut that Carl had never seen outside of Prince Valiant in the Sunday comics, Cedric might even be called goofy.

Carl and Cedric stood at the bar, and over beer plunged into a conversation on the linguistic differences between Chinese and Japanese. Cedric, who lived in China for several years before coming to Japan, explained that Chinese grammar was quite a bit simpler than Japanese, but the pronunciation of Japanese was much easier for foreigners because it has the same vowel base as Spanish and wasn’t tonal like Chinese. Or something like that. For the most part the loud music forced Carl to smile, nod and pretend to hear Cedric well enough to understand.

In-between pseudo-conversational outbursts, Carl downed gulps of beer from the cold hard green bottle. Carlsberg. A nice smooth beer, light enough to down quickly and fill up the hollow space inside when you’re in public feeling nervous because you don’t like crowds and desperately want every girl in the place but are afraid to act and anyway how can you when you have a girlfriend back home. So you just stand around and seethe with envy at the other guys.

Oh God, did he really just think that? It must be the beer. After all, he had a girlfriend and he was satisfied, right? Satisfied despite the thing that stirred in the pit of his belly.

It must be the beer. Yes, he just shouldn’t drink.

Shouldn’t drink like the generic beer he downed in the dorm room hall after that thing with Gina. Shouldn’t drink the vodka that started off that night with Elizabeth. Shouldn’t drink the Everclear he used to chase down the mushrooms after the morning with her in the café. Shouldn’t drink Carlsberg, a nice smooth beer, here among the swirling masses of people. Whose motion, seen from above, must have some coherence.

Oh fuck, enough of this circular bullshit!

He scanned the room and found Cedric, who had slipped away to the dance floor with a group of people during Carl’s descent into introversion. He caught sight of Carl and waved him out to join them. Carl always felt that dancing made him look like he had unknowingly grabbed an electric fence. But it was either the dance floor or stewing in his thoughts at the bar. So he joined them.

He soon forgot himself, and watched the women. And then a sound lifted him even further out of himself. A metal cowbell rattle kicked off the Bob Marley track the DJ had just put on.

                    I want to love you,

                    Love and treat you right

                   Every day and every night.

Who was that girl Cedric was talking to? Man, catch the plaintive wail of those two guitars on the last “love and treat you right.” Little girls with straight black hair and dark serious eyes ran like water here, but she was different. He dug her unruly mass of short dark curly hair. And felt a heart-flutter at the sight of her full lips, slightly parted thanks to her prominent teeth, which gave her beauty an almost comical undertone. But that only made the question in the lyrics of Marley’s next song even more urgent: Could she be, could she be, could she be love?

Next the church choral strains of the organ on “No Woman, No Cry” lit up the club. Here Marley’s voice was an incantation announcing that something portentous and holy was at hand. At hand in the prismatic golden-brown of the girl’s skin. Immanent in her darkness, which broke the pale conformity that reigned in Japan. Definitely not Japanese. Maybe she was Chinese? Or Korean?

At the bridge to the next song the organ and bass went up-tempo and the crowd started to move in a whole new way. He drew closer to her and made eye contact. Her eyes were extraordinary, drowsy and heavy lidded, which made her face seem lost and unfocused. They were the calm surface, it seemed, of something much deeper. The same kind of depth that billowed underneath his own façade of quiet invisibility. He saw the flash of recognition that he was watching glitter in her dark eyes. She smiled.

The guitar of the next song started far off, coming toward them with its insistent bum bum bum bu-bum-bum. He smiled back and moved closer to her. His shoulders started to groove. He danced near her now. Danced with her. At the break between songs he bent toward her.

“Do you know Cedric?”

“What?” She smiled a nervous smile of incomprehension at his question.

“Cedric. Over there,” he pointed. “Do you know him?”

“Do you know your friend?”

Sheesh, language problem. Maybe this wasn’t worth it. He shouldn’t do it anyway. Louella, and on top of that he was leaving in just seven days. And he could feel that once the pin of giving in to the constant longing inside pricked, there would be no stopping the leak. But God, he loved that metal drum rattle. And her eyes.

“Yes, I work with him.”

“Oh, you are a teacher?”

“Yes. How about you?”

“I am a student.”

“What do you study?” Uggh. This whole trite game made him feel like a jerk. Feel like one of them.

“I study Japanese. But I also study English.”

A-ha. So his earlier suspicion had been correct. There was something different about her. She wasn’t part of the vast boopy female horde of Japan. She must be—

“Are you from Korea?”

“How did you know!” Her face lit up.

“You look Korean. You’re very pretty.” Oh God, so cheesy.

She beamed at this. It struck him that this was probably more from pride at being told she looked Korean than being told she was pretty.

They talked back and forth as they danced. Her name was Soon-sung. From a town somewhere near Seoul. In Fukuoka for over a year now, the same as him. Twenty-five. Two years older than him. Sexy. She wanted to be a teacher some day. The image of her with children in a class elicited a burst of fondness from him. That, and her smooth neck, with its light blue veins showing through golden skin, which just begged to be bitten and sucked upon. Her budding lips and heavy-lidded eyes seemed to be signposts. So too her lanky body and its awkward poise. She was—

Not Louella. But that voice submerged back into the dark pool of Soon-sung’s eyes a second after it surfaced.

When the next song ended she introduced him to one of her friends, another Korean girl. She had long straight hair, brighter eyes, and a more conventionally pretty face. But she didn’t begin to compare to Soon-sung in Carl’s eyes. He didn’t catch her name, but he saw her eyes narrow on his arrival. She had probably been fending off stupid guys all night, the way pretty girls have to. He decided to be polite and ask her real questions about herself to show her he was a decent guy.

As the next song started, the three of them danced together. The bass-line itself demanded motion and unity. The song galvanized the crowd into a whole new level of movement. They pulsed, the music pulsed, his body pulsed, and somehow in the midst of this frenetic energy, it was like he was alone with Soon-sung. The irregular movement of her body mapped their rhythms together in some way that escaped conscious comprehension.

He vaguely noticed Cedric on the other side of the room, in rapt conversation with a long-haired girl. Carl realized he had left their group. He’d bailed on him! Well, fair enough, he bailed on Cedric too. Anyway, how mad could he get? He shouldn’t even be doing this.

But he wasn’t. The diaphragm thump of the music was doing it. Or maybe the thickness of her hair, the coarseness he could almost feel. And his imagination of the half-dry warmth of her golden-brown lips. This was better than beer, the cure to all his discomfort; this was the elixir that would fill him up.

The piano chords of the next song started off so gently that he was lured like a fox into the steel jaws of the trap:

                    Have pity on those

                    whose chances grow thinner.

                    There ain’t no hiding place

                    from the father of creation.

Yes, no hiding place! This was wrong. Just like Gina was wrong. He knew he was doing it all again. The same shit he did with Gina that incurred a karmic load that he paid back by pining for Elizabeth while she wasn’t really there for him, and then— Did he really want to give this particular wheel another turn? And it was even more ridiculous in the face of the fact that he was leaving in just a few days.

But some movement on the dance floor stirred Soon-sung’s scent toward him and the thought went unheeded. He was so close to her now that—

“Hey man, how you doing? Long time no see!”

Carl jumped, and then saw where the greeting had erupted from. A short and thin figure stood behind him, sandy hair almost imperceptibly tinted with gray, with a face that was a mask of outer friendliness over an internal avaricious calculation of maximum gain.

Shit. Deke.

A former marine who had washed up in Fukuoka and now operated his own English school there, Deke owned the condo in Chikuzen Fukae that Carl had stayed in up until three months ago.

“Oh, hey.”

“Man, my respect for you has just gone up incredibly.” Deke delivered the line with a leer and a nod toward the girls.

Carl despised Deke’s disrespect for women: the children he abandoned in the Philippines, the Japanese wife he dismissed as “too strong and independent” because she worked, the pregnant Korean girlfriend he had on the side. And now this man, this very same despised man, complimented him. Carl felt the moral equivalent of an urgent need to vomit.

And then the start of “I Shot the Sheriff,” so familiar and upbeat, wiped the thoughts away. The original, with the line that Eric Clapton left out, the line a white boy would leave out:

                   If I am guilty I will pay!

That line echoed unheeded into metallic infinity. Have pity on those whose chances grow thinner…

Deke worked hard to pick up Soon-sung’s friend, who was going back to Korea on Monday. He offered to go to the airport with her. He leaned toward Carl and shouted in his ear.

“Man, I am not having any luck. I’ve got to learn Korean.”

Oh God. But then Carl’s gaze alighted on Soon-sung, with her dreamy half-closed eyes, and his attention was captured by how the funky guitar, moving, moving, moving of the next song synchronized their bodies in a back and forth motion. It was impossible not to be drawn in by it. Her naïve beauty stalked him. No hiding place.

Carl didn’t want to leave the girls with Deke, but he had been there for hours and he was too tired to try to outwait him any longer. Cedric was still talking with the long-haired girl way on the other side of the club. Well, he didn’t have to say goodbye to him now, he would see him at work tomorrow anyway. It was time to go.

Soon-sung went out front with him to say goodbye as he waved down a taxi. He turned to her, heart aflutter, but so charged up by her sweet scent in the night breeze that he proceeded.

“I want to see you again.” Wow. That really was what he wanted.

“Yes. Me too!”

All right! Shit. Now what?

“Can I get your phone number before I go?”

As she wrote it down, he decided to warn her about Deke.

“You know the man that we were dancing with?”

“Your friend?”

“Yes, but he is not my friend. He is a bad man. Don’t trust him.”

“Really?”

“Yes, be careful, okay?”

“OK.”

Confronted by her wide eyes, he felt foolish. A taxi arrived. He better fill the gap with something positive before he went.

“I’ll call you tomorrow, okay?”

“Yes!” She waved as he got in the cab.

A smile at the so rare confidence that a woman really liked him stayed plastered on his face during the ride home. A smile enervated by the jittery knowledge that he belonged to someone else, and shouldn’t spend time with Soon-sung. Shouldn’t. But his heart beat like drums, disturbing dark still water inside as something like electricity moist rich earth and distant whispers rustled in the night and poured in to him.

Back in the rickety brown wooden box of a room that he rented, he settled down under the covers of the futon. The thin mattress, secure against the firmness of the tatami mats on the floor, buoyed him as he floated on an ear-ringing dance-tinged alcoholic buzz. He thumbed through a guidebook on Thailand for a few minutes and then turned off the light.

This was always when he felt saddest. Eyelids heavy, alone in his little room, huddled in night clothes. But tonight there was no loneliness, no emptiness; he could just collapse onto the pillow. He turned on the radio in the darkness, as he often did when he slept. He flipped to the AM, where Korean radio from the lovely hilly port of Pusan buzzed across the strait from Fukuoka. The soft static hiss and incomprehensible stream of Korean promised something. Something beyond.

His mind drifted to the trip with Louella and dreams of golden Buddhas in crumbling stone temples nestled among steaming malarial jungles. And then it strayed to thoughts of the dance club and dreams possessed by thick short curls and dark eyed beauty. The choice had been made.

As his consciousness got more and more diffuse, something from earlier in the evening played back in his mind:

                    Have pity on those whose chances grow thinner.

                    There ain’t no hiding place from the father of creation.

No there isn’t. Indeed there isn’t.

 

 

_____

 

 

Chris LaMay-West believes in the power of rock music, Beat poetry, and the sanctity of Star Trek. He has appeared in Kitchen Sink and Morbid Curiosity, in various online venues including the Rumpus and Opium, and in the “Mortified” reading series. A California native, Chris is currently expatriated to Vermont, where he writes, works for a college, recently served as the poetry editor for Mud Season Review, and lives with his lovely bride, two cats, a dog, and several chickens. His literary exploits can be followed at: https://chrislamaywest.com/

 

 

 

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

In This Issue

painting of Clifford Brown by Paul Lovering
A Collection of Jazz Poetry — Spring/Summer, 2024 Edition...In this, the 17th major collection of jazz poetry published on Jerry Jazz Musician, 50 poets from all over the world again demonstrate the ongoing influence the music and its associated culture has on their creative lives.

(featuring the art of Paul Lovering)

Feature

photo of Rudy Van Gelder via Blue Note Records
“Rudy Van Gelder: Jazz Music’s Recording Angel” – an essay by Joel Lewis...For over 60 years, the legendary recording engineer Rudy Van Gelder devoted himself to the language of sound. And although he recorded everything from glee clubs to classical music, he was best known for recording jazz – specifically the musicians associated with Blue Note and Prestige records. Joel Lewis writes about his impact on the sound of jazz, and what has become of his Englewood Cliffs, New Jersey studio.

The Sunday Poem

photo of Woody Shaw by Brian McMillan, CC BY-SA 3.0 , via Wikimedia Commons

”Every Time” by Michel Krug


The Sunday Poem is published weekly, and strives to include the poet reading their work.... Michel Krug reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Interview

Interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lost Empire of Cool...The esteemed writer tells a vibrant story about the jazz world before, during, and after the 1959 recording of Kind of Blue, and how the album’s three genius musicians came together, played together, and grew together (and often apart) throughout the experience.

Publisher’s Notes

photo by Rhonda Dorsett
On turning 70, and contemplating the future of Jerry Jazz Musician...

Essay

“Gone Guy: Jazz’s Unsung Dodo Marmarosa,” by Michael Zimecki...The writer remembers the late jazz musician Michael “Dodo” Marmarosa, awarded Esquire Magazine’s New Star Award in 1947, and who critics predicted would dominate the jazz scene for the next 30 years.

Short Fiction

Impulse! Records and ABC/Dunhill Records. Photographer uncredited/via Wikimedia Commons
Short Fiction Contest-winning story #66 — “Not From Around Here” by Jeff Dingler...The author’s award-winning story is about a Jewish kid coming of age in Alabama and discovering his identity through music, in particular the interstellar sound of Sun Ra..

Click here to read more short fiction published on Jerry Jazz Musician

Playlist

“‘Different’ Trios” – a playlist by Bob Hecht...A 27-song playlist that focuses on non-traditional trio recordings, featuring trios led by the likes of Carla Bley, Ron Miles, Dave Holland and Jimmy Giuffre...

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 5: “Scott Joplin: King of Ragtime”...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this seventh edition of excerpts from his book, Rife writes about jazz novels and short stories that feature stories about women, written by women.

Interview

Interview with Larry Tye, author of The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America...The author talks about his book, an intensely researched, spirited, and beautifully told story – and an important reminder that Armstrong, Ellington, and Basie all defied and overcame racial boundaries “by opening America’s eyes and souls to the magnificence of their music.”

Poetry

John Coltrane, by Martel Chapman
Four poets, four poems…on John Coltrane

Feature

What we discover about Kamala Harris from an armful of record albums...Like her or not, readers of this site will enjoy learning that Vice President Kamala Harris is a fan of jazz music. Witness this recent clip (via Youtube) of her emerging from a record shop…

Short Fiction

Munich University of Music and Theater/© Raimond Spekking/via Wikimedia Commons
“The Pianist (Part One)” – a short story by J. C. Michaels...The story – finalist in the recently concluded 66th Short Fiction Contest – describes the first lesson at a music conservatory of a freshman piano-performance major who is more accustomed to improvising than reading music. It is an excerpt from a novel-in-progress.

Poetry

“Revival” © Kent Ambler.
If You Want to Go to Heaven, Follow a Songbird – Mary K O’Melveny’s album of poetry and music...While consuming Mary K O’Melveny’s remarkable work in this digital album of poetry, readings and music, readers will discover that she is moved by the mastery of legendary musicians, the wings of a monarch butterfly, the climate and political crisis, the mysteries of space exploration, and by the freedom of jazz music that can lead to what she calls “the magic of the unknown.” (with art by Kent Ambler)

Book Excerpt

A book excerpt from Designed for Success: Better Living and Self-Improvement with Midcentury Instructional Records, by Janet Borgerson and Jonathan Schroeder...In this excerpt, the authors write extensively about music instruction and appreciation records dealing with the subject of jazz.

Interview

The Marvelettes/via Wikimedia Commons
Interview with Laura Flam and Emily Sieu Liebowitz, authors of But Will You Love Me Tomorrow?: An Oral History of the 60’s Girl Groups...Little is known of the lives and challenges many of the young Black women who made up the Girl Groups of the ‘60’s faced while performing during an era rife with racism, sexism, and music industry corruption. The authors discuss their book’s mission to provide the artists an opportunity to voice their experiences so crucial to the evolution of popular music.

Short Fiction

Photo by Stockcake
“Melody and Counterpoint” – a short story by Joshua Dyer...In this story - a short-listed entry in our recently concluded 66th Short Fiction Contest - Tucker works as a jazz pianist aboard the deep space luxury cruiser, the Royal Nebula. A flirtatious interlude pushes his new emotional software to its limits and beyond, and he learns the hard way what it means to be human.

Art

photo of Johnny Griffin by Giovanni Piesco
The Photographs of Giovanni Piesco: Johnny Griffin and Von Freeman...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition is of saxophonists Johnny Griffin and Von Freeman, who appeared together at the at Bimhuis on June 25/26, 1999.

Short Fiction

bshafer via FreeImages.com
“And All That Jazz” – a short story by BV Lawson...n this story – a short listed entry in our recently concluded 66th Short Fiction Contest – a private investigator tries to help a homeless friend after his saxophone is stolen.

Essay

“Like a Girl Saying Yes: The Sound of Bix” – an essay by Malcolm McCollum...The first time Benny Goodman heard Bix Beiderbecke play cornet, he wondered, “My God, what planet, what galaxy, did this guy come from?” What was it about this musician that captivated and astonished so many for so long – and still does?

Trading Fours with Douglas Cole

Trading Fours, with Douglas Cole, No. 21: “The Blue Truth”...In this edition, the poet riffs on Oliver Nelson’s classic 1961 album The Blues and the Abstract Truth as if a conversation between conductor and players were caught on tape along with the inner monologue of some mystery player/speaker of the poem.

In Memoriam

Hans Bernhard (Schnobby), CC BY-SA 3.0, via Wikimedia Commons
“Remembering Joe Pass: Versatile Jazz Guitar Virtuoso” – by Kenneth Parsons...On the 30th anniversary of the guitarist Joe Pass’ death, Kenneth Parsons reminds readers of his brilliant career

Book Excerpt

Book excerpt from Jazz with a Beat: Small Group Swing 1940 – 1960, by Tad Richards

Click here to read more book excerpts published on Jerry Jazz Musician

Jazz History Quiz #176

photo of Lester Young by William Gottlieb/Library of Congress
While legendary as a saxophonist, his first instrument was a violin and his second the piano — which he played well enough to work as an accompanist to silent movies. Ultimately it was Lester Young’s father who taught him the saxophone well enough that he switched instruments for good. (It was during this time that he also saved Lester from drowning in a river). Who is he?

Community

photo via Picryl.com
“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March – September, 2024)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Larry Tye, author of The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America; an interview with Jonathon Grasse, author of Jazz Revolutionary: The Life & Music of Eric Dolphy; A new collection of jazz poetry; a collection of jazz haiku; a new Jazz History Quiz; short fiction; poetry; photography; interviews; playlists; and lots more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.