Cover Stories with Paul Morris, Vol. 14

August 20th, 2015


Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.

In this edition, Paul shares some of his personal jazz record collection, concentrating on the lesser known and sometimes quirky covers that emphasize photographs

 

 

 

__________

 

 

 

In this column I have a personal selection of 1950s jazz covers that emphasize photographs. This is a large field, documented by numerous coffee table books. Most of my selections are not the iconic Blue Notes by Coltrane and Rollins that are in any jazz collection. These are lesser known and sometimes quirky.

Below is trumpeter Shorty Rogers shot by William Claxton, one of the deans of jazz photography. Another Atlantic release was Bags & Flutes, with Milt Jackson (Bags) playing with Frank Wess and Bobby Jaspars on flute. Putting the flutes in the satchel isn’t the cleverest visual pun, but at least they put a bird on it. Photo by Elbert Budin, design by Marvin Israel.

paul-1

paul-2

__________

Here are two portraits of photogenic jazzmen.  For the 1957 Bobby Short album, photo by William Helburn, the designer Robert Guidi uses no background. For Horace Silver’s 1956 album, Francis Wolff’s photo, shot from a low angle, places the serious young man in a busy urban setting. The designer was Reid Miles, Blue Note’s mainstay.

paul-3

paul-4

__________

This has been called the definitive Joe Henderson album. He’s backed by Lee Morgan, trumpet, Curtis Fuller, trombone, Bobby Hutcherson, vibes, Cedar Walton, piano, Ron Carter, bass, and Joe Chambers on drums. The 1966 Reid Miles design lets the photos by Wolff do the talking, with unobtrusive typography and a plain black background. The swirl of smoke was a common detail in jazz photos during that window in cultural history when smoking was cool.

Interestingly, Reid Miles was not a jazz fan. When Blue Note gave him free copies of records he’d worked on, he traded them for classical disks. Sometimes his designs emphasized type used in inventive arrangements, with less prominent photos. Click here for examples:

paul-5

__________

In the 1950s pianist Errol Garner recorded frequently for Columbia. This orange cover (1956) is typical of the style they used. The album Contrasts, from 1954, uses a negative image and a typically cheerful Garner photo.

paul-6

paul-7

__________

Mercury had a series of albums named “in the Land of Hi-Fi” to tune into the newest audio innovation. The music companies were trying to persuade customers to replace their old LPs with the latest technology, high fidelity. It had been just a few years since listeners had moved on from 78s, and in about five years they would be urged again to buy new albums in the stereo format. On this 1955 album a young Cannonball Adderley accompanied Sarah Vaughan.

Next is a rare 1958 release by Della Reese before she became a star on the night club circuit. It includes narration of the history of the blues written by Mort Goode. Reese looks uncertain about the pose she is asked to assume. I’m uncertain why they used a banjo instead of a guitar to illustrate the blues. Design by Sy Leichman, photo by Charles Varon. Stamped on the back is the name of the retailer, House of Sound, a record store on North Williams Avenue in Portland where the African-American music scene thrived in years past.

paul-8

paul-9

__________

Clarinetist Jimmy Giuffre joined the Modern Jazz Quartet for a 1956 recording. This cover is from the British release on London. It uses the same Jay Maisel photo as on the U.S. Atlantic pressing, but with a different design. Music Inn was a resort in the Berkshires that sponsored seminars and concerts in the summers. I like seeing these jazz guys posed in a meadow. In the close-up I believe that’s John Lewis in the shorts taking notes, Connie Kay smoking his pipe, and Giuffre checking his watch. Design by Marvin Israel.

paul-10

paul-11

__________

Here are two attempts to market jazz to the uninitiated. The Columbia compilation shows jazz fans in all walks of life (though not all ethnicities). Notice that the uncredited designer used typefaces associated with the occupations: the secretary has American Typewriter, the greengrocer has a stencil font that might be on a crate of vegetables. The grandma uses a Victorian script font and the rich woman has a typeface used in Broadway advertising. The photo is by Alfred Gescheidt.

“TV Jazz Themes” tried to interest TV viewers in jazz, with music from several current shows that used jazzy scores. The cheesy design by George Pico portrays a woman who I assume is doing jazz dance.

paul-12

paul-13

__________

William Claxton’s Clifford Brown portrait is well known. On this 1954 recording (released 1960) he was backed by some Los Angeles players.

The Louis Bellson album (1957) features a fun photo by Phil Stern, shot from overhead. Stern worked for Look magazine and was known for his portraits of Hollywood stars.

paul-14

paul-15

__________

I felt lucky the day I found this 10-inch Roost LP from 1954. The designer and photographer was Bert Goldblatt, on whom I’ll concentrate one of these days. The theme of this release was a common one: Johnny Smith is a jazz musician, but this one is mellow and beautiful, not weird.

paul-16

__________

To conclude this small selection of jazz photos I have a 1957 album from the small Dawn label. The musicians are almost lost in this shot of a train station dubbed “Jazzville.” The photographer was Fran Scott (later Fran Attaway), who was art director for Impulse Records and created the orange and black format used by this jazz label for years. Zoot Sims is nearest us; next to him is John Williams in his jazz piano days, before he composed for the movies.

paul-17

paul-18

*

Next time…The Art of London Records

__________

In Volume 1 of “Cover Stories,” Paul shared his collection of covers by Alex Steinweiss, known as the father of the record album cover, and for many years in charge of Columbia Records’ art department.

Volume 2 focused on Columbia covers

 

Volume 3 featured jazz illustrations from the early years of the record album

 

Volume 4 revisited the 1950’s with images of fans holding and enjoying their albums

 

Volume 5 explored the work of Alex Steinweiss when he used the pseudonym “Piedra Blanca”

 

Volume 6 featured teenagers of the 1950’s enjoying their music

 

Volume 7 featured Steinweiss album covers from his prime period — the late 1940’s and early 1950’s

 

Volume 8 featured a “disturbing” and fascinating trend in 1950’s album art — Records on the Floor!

 

Volume 9 featured a selection of RCA Victor album covers from Paul’s collection

 

Volume 10 featured a selection of covers by Curt John Witt, the prolific illustrator for mid-century budget record labels

 

Volume 11 featured a selection of “glamour girl” covers

 

Volume 12 featured the “late Columbia” era of master designer Alex Steinweiss

 

Volume 13 focused on Everest Records, the last of several new labels that Alex Steinweiss helped launch

 

 

Share this:

4 comments on “Cover Stories with Paul Morris, Vol. 14”

  1. Another great entry by P. Morris. Interesting, the photos aren’t as daring as film noir could’ve led them to be.

  2. Another great entry by P. Morris. Interesting, the photos aren’t as daring as film noir could’ve led them to be.

Comment on this article:

Your email address will not be published. Required fields are marked *

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Site Archive

In This Issue

Announcing the book publication of Kinds of Cool: An Interactive Collection of Jazz Poetry...The first Jerry Jazz Musician poetry anthology published in book form includes 90 poems by 47 poets from all over the world, and features the brilliant artwork of Marsha Hammel and a foreword by Jack Kerouac’s musical collaborator David Amram. The collection is “interactive” (and quite unique) because it invites readers – through the use of QR codes printed on many of the book’s pages – to link to selected readings by the poets themselves, as well as to historic audio and video recordings (via YouTube) relevant to many of the poems, offering a holistic experience with the culture of jazz.

Feature

“What one song best represents your expectations for 2025?” Readers respond...When asked to name the song that best represents their expectations for 2025, respondents often cited songs of protest and of the civil rights era, but so were songs of optimism and appreciation, including Bob Thiele and George David Weiss’ composition “What a Wonderful World,” made famous by Louis Armstrong, who first performed it live in 1959. The result is a fascinating and extensive outlook on the upcoming year.

The Sunday Poem

art by Allen Mezquida

“Jazz clouds under the undulating sky of Riga while digging the Epistrophy of Thelonious Monk” by Namaya


The Sunday Poem is published weekly, and strives to include the poet reading their work....

Namaya reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Feature

photo of Rudy Van Gelder via Blue Note Records
“Rudy Van Gelder: Jazz Music’s Recording Angel” – by Joel Lewis...For over 60 years, the legendary recording engineer Rudy Van Gelder devoted himself to the language of sound. And although he recorded everything from glee clubs to classical music, he was best known for recording jazz – specifically the musicians associated with Blue Note and Prestige records. Joel Lewis writes about his impact on the sound of jazz, and what has become of his Englewood Cliffs, New Jersey studio.

Poetry

photo of Charlie Parker by William Gottlieb/Library of Congress; Design by Rhonda R. Dorsett
Jerrice J. Baptiste’s 2025 Jazz Poetry Calendar...Jerrice J. Baptiste’s 12-month 2025 calendar of jazz poetry winds through the upcoming year with her poetic grace while inviting us to wander through music by the likes of Hoagy Carmichael, Antonio Carlos Jobim, Sarah Vaughan, Melody Gardot and Charlie Parker.

Interview

Interview with Jonathon Grasse: author of Jazz Revolutionary: The Life and Music of Eric Dolphy....The multi-instrumentalist Eric Dolphy was a pioneer of avant-garde technique. His life cut short in 1964 at the age of 36, his brilliant career touched fellow musical artists, critics, and fans through his innovative work as a composer, sideman and bandleader. Jonathon Grasse’s Jazz Revolutionary is a significant exploration of Dolphy’s historic recorded works, and reminds readers of the complexity of his biography along the way. Grasse discusses his book in a December, 2024 interview.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 9: “Heroic Quests”...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this ninth edition of excerpts from his book, Rife writes about the “quest” theme in contemporary jazz fiction, where long-lost instruments and rumored recordings take the place of more dramatic artifacts like the Holy Grail.

Feature

On the Turntable — The “Best Of the ‘Best Of’” in 2024 jazz recordings...Our annual year-end compilation of jazz albums oft mentioned by a wide range of critics as being the best of 2024

In Memoriam

photo via Pexels.com
“Departures to the Final Arms Hotel in 2024” – poetic tributes, by Terrance Underwood...2024 produced its share of losses of legendary jazz musicians. Terrance Underwood pays poetic homage to a handful who have touched his life, imagining their admittance to the Final Arms Hotel, a destination he introduces in his prelude.

Short Fiction

Stan Shebs, CC BY-SA 3.0 , via Wikimedia Commons/blur effect added
Short Fiction Contest-winning story #67 — “Bluesette,” by Salvatore Difalco...The author’s award-winning story is a semi-satirical mood piece about a heartbroken man in Europe listening to a recording by the harmonica player Toots Thielemans while under the influence of a mind-altering substance.

Interview

Interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lost Empire of Cool...The esteemed writer tells a vibrant story about the jazz world before, during, and after the 1959 recording of Kind of Blue, and how the album’s three genius musicians came together, played together, and grew together (and often apart) throughout the experience.

Community

Nominations for the Pushcart Prize XLIX...Announcing the six writers nominated for the Pushcart Prize v. XLIX, whose work was published in Jerry Jazz Musician during 2024.

Publisher’s Notes

photo by Rhonda Dorsett
On turning 70, and contemplating the future of Jerry Jazz Musician...

Feature

“Gone Guy: Jazz’s Unsung Dodo Marmarosa,” by Michael Zimecki...The writer remembers the late jazz musician Michael “Dodo” Marmarosa, awarded Esquire Magazine’s New Star Award in 1947, and who critics predicted would dominate the jazz scene for the next 30 years.

Community

Notes on Bob Hecht’s book, Stolen Moments: A Photographer’s Personal Journey...Some thoughts on a new book of photography by frequent Jerry Jazz Musician contributing writer Bob Hecht

Art

“The Jazz Dive” – the art of Allen Mezquida...The artist's work is inspired by the counterculture music from the 1950s and 60s, resulting in art “that resonates with both eyes and ears.” It is unique and creative and worth a look…

True Jazz Stories

Columbia Records; via Wikimedia Commons
“An Evening with Michael Bloomfield” – a true blues story by David Eugene Everard...The author recounts his experience meeting and interviewing the great blues guitarist Mike Bloomfield in 1974…

Playlist

“Quintets – Gimme Five!” – a playlist by Bob Hecht...The Cannonball Adderley Quintet, on the cover of their 1960 Riverside Records album Live at the Lighthouse. The ensemble – including Cannonball’s brother Nat on cornet, Victor Feldman on piano, Sam Jones on bass, and Louis Hayes on drums – is a classic hard bop band, and their performance of “Blue Daniel” is part of the 22-song playlist consisting of memorable quintet performances assembled by jazz scholar Bob Hecht.

Interview

Interview with Larry Tye, author of The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America...The author talks about his book, an intensely researched, spirited, and beautifully told story – and an important reminder that Armstrong, Ellington, and Basie all defied and overcame racial boundaries “by opening America’s eyes and souls to the magnificence of their music.”

Feature

photo of Art Tatum by William Gottlieb/Library of Congress
Trading Fours, with Douglas Cole, No. 22: “Energy Man, or, God is in the House”...In this edition of an occasional series of the writer’s poetic interpretations of jazz recordings and film, Douglas Cole writes about the genius of Art Tatum. His reading is accompanied by the guitarist Chris Broberg.

Short Fiction

photo by Jes Mugley/CC BY-SA 2.0
“The Dancer’s Walk” – a short story by Franklyn Ajaye...The world-renowned saxophonist Deja Blue grew up a sad, melancholy person who could only express his feelings through his music. When he meets a beautiful woman who sweeps him off his feet, will his reluctance to share his feelings and emotion cost him the love of his life?

Feature

photo of Zoot Sims by Brian McMillen
Jazz History Quiz #178...In addition to co-leading a quintet with Zoot Sims (pictured), this tenor saxophonist may be best known as the man who replaced Herbie Steward as one of the “Four Brothers” in Woody Herman’s Second Herd. Who is he?

Art

photo of Johnny Griffin by Giovanni Piesco
The Photographs of Giovanni Piesco: Johnny Griffin and Von Freeman...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition is of saxophonists Johnny Griffin and Von Freeman, who appeared together at the at Bimhuis on June 25/26, 1999.

Essay

“Like a Girl Saying Yes: The Sound of Bix” – an essay by Malcolm McCollum...The first time Benny Goodman heard Bix Beiderbecke play cornet, he wondered, “My God, what planet, what galaxy, did this guy come from?” What was it about this musician that captivated and astonished so many for so long – and still does?

Community

photo via Picryl.com
“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March – September, 2024)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Phil Freeman, author of In the Brewing Luminous: The Life & Music of Cecil Taylor...An interview with Ricky Riccardi, author of Stomp Off, Let's Go: The Early Years of Louis Armstrong. Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.