“C’est Si Bon” – at trip’s end, a D-Day experience, and an abundance of gratitude

June 6th, 2023

.

.

“These endured all and gave all that justice among nations might prevail and that mankind might enjoy freedom and inherit peace.”

(Inscribed on the chapel at the Normandy American Cemetery and Memorial in Colleville-sur-Mer, France.  Author unknown)

.

.

___

.

.

 

 

The headstone of Private Calvin C. Gist in the Normandy American Cemetery and Memorial; Colleville-sur-Mer, France

May 30, 2023

.

___

.

.

 

…..I don’t know much of anything about Calvin C. Gist.  I do know he was from Daviess County, Kentucky, and that he was a private in the 502nd Parachute Infantry Regiment Division in the 101st Airborne.  And, since I stood at his grave last week while visiting the Normandy American Cemetery and Memorial in Colleville-sur-Mer, France, I know that he died on June 6, 1944. D-Day.  Seventy-nine years ago today.

…..I also don’t know how old he was on that day, but judging by his photograph he was likely around the average age of the 9,386 soldiers buried there, which is 23.  Prime-of-life time, when a spirit for adventure and the thrill of the unknown mingles with a curiosity about life, and about love.  Ordinarily, thoughts of death would be decades away.

…..No doubt well-trained in the art of parachuting and fighting, and best-prepared for his mission as possible, Calvin had to have felt the chill of it.  Imagine, the weight of the world on the shoulders of 23-year-old men.

…..As we know, Private Gist was part of a mission to ultimately liberate whole countries from the tyranny Nazi Germany wrought on Europe so that people could one day return to enjoying the benefits of freedom and contentment.  People like me.  I’ve just concluded a five-week vacation in Europe, culminating in the fulfillment of a life-long desire to feel the enormity of the history on the beaches of Normandy.

…..During my European travels, I visited some of the continent’s most beautiful museums, nourished myself on its classic wine and cuisine, and sampled its thriving contemporary culture.  I strolled through the historic centers of its great cities and villages, and biked along urban paths and in classic inner-city parks.  It was a perpetually rich experience that allowed me to fulfill my own personal pre-trip mission to activate my underutilized “exterior” – to emerge from an “interior” that has been dominating my life since COVID, and especially since the June, 2022 termination of my 34-year marriage.

…..We tend to take the freedoms allowing this kind of personal travel experience for granted, even in the face of centuries of history on the European continent where corrupt monarchs, political tyrants and their murderous sycophants made the prospects for living in freedom a far-fetched notion.  This painful history is evident everywhere.  It doesn’t take a lot of effort to be consumed by it – you can often feel it by merely walking the streets.

…..Among the many museums I visited was Munich’s NS-Dokumentationszentrum (Documentation center), which focuses on the history and consequences of Germany’s National Socialist (Nazi) regime, as well as the role Munich played as the “capital of the movement.”  The four-floor museum exhibits the shocking details that created the environment in which Hitler rose – the breaking down of democratic institutions (i.e. the judiciary) and the ginning up of grievances built on outrageous lies about the blameless and most vulnerable and cultivating the ordinary citizenry to participate in a wholesale discrimination that ultimately normalized the mass murder of innocents.  It was a powerful exhibit and a blunt reminder of how this can happen anywhere if we allow ignorance and fear to overcome our humanity. (The museum is also a fine example of how Germany has embraced the telling of its complex history)..

…..Toward the end of my trip I spent some time in Rouen, the capital city of France’s Normandy region.  Much of Rouen was devastated during World War II, but charm and character is easily revealed, and in the historic center I was able to find a table for dinner outside the lovely Victorine Jazz and Wine café.  It was a classic European setting, with diners seated in the presence of an immense gothic cathedral and bathed in the light of a heavenly sunset while bustling waiters delivered a bounty of delicious food and wine.

…..What especially stood out in this moment was the music that emanated from the small club and drifted dreamlike out its front door to the sidewalk where I sat. First it was Louis and Ella’s famous recording of “They Can’t Take That Away From Me,” followed by Lady Day singing Gershwin’s “Summertime.”  Then the live band began playing.  Consisting of two elder gentlemen – a pianist (Philippe Ecrepont) who also sang a credible Armstrong, and a multi-instrumentalist who did a wondrous imitation of Sidney Bechet – their tender renditions of jazz classics warmed every molecule, and reminded me of the music’s universal appeal.  When the duo played the beloved French tune “C’est Si Bon” (“It’s So Good”), I felt the abundance of this experience, and all was right with the world.

…..It was a moment that encapsulated so much about my trip, and also what attracts me to jazz  – the emotion of the music, the community inspired by it, and its history and meaning.  All of it was laid out before me in that Rouen club, and on that sidewalk.

…..I thought about that moment while walking the Normandy American Cemetery three days later.  And I also thought about other joyous pleasures of my trip – the gelato in Verona; the pasta in Matera; the fish in Bari; the jazz in Prague and Vienna; the piazza in Lecce; the wild enthusiasm of Venice; the opera in Innsbruck; the bike ride through Munich’s English Garden; the Paris patisseries; the string quartet in Salzburg; the Chagall exhibit in Otranto.  These moments were my unforgettable interactions with the exterior world Europe offered – all experienced in the peace and quiet of my own time.

…..Standing before his grave, I understood that none of this would have been possible without the heroism of Private Calvin C. Gist, whose acts of supreme courage allowed me to immerse myself in this freedom.  My love and deep appreciation for him and all the heroes sharing this solemn place on Earth will be forever abundant.

.

Joe Maita
Editor/Publisher

 

.

.

.

.

___

,

,

Click to listen to the final bars of “C’est Si Bon” coming from the Victorine Jazz and Wine Cafe; Rouen, France.  May 27, 2023

.

.

Listen to the 1994 recording of Abbey Lincoln, accompanied by pianist Hank Jones, sing (in French) the Henri Betti/Andre Hornez composition “C’est Si Bon” [Universal Music Group]

.

___

.

Other posts about and from my European journey

.

Click here to read “My pursuit of the exterior”

Click here to read “In Prague, things just sort of worked out”

Click here to read “Beyond Category…Two Vienna jazz clubs”

Click here to read “A friendship made in Verona”

 

.

.

___

.

.

Click here to subscribe to the Jerry Jazz Musician quarterly newsletter (it’s free)

 

.

.

___

.

.

 

Jerry Jazz Musician…human produced (and AI-free) since 1999

.

.

.

 

.

 

 

 

Share this:

One comments on ““C’est Si Bon” – at trip’s end, a D-Day experience, and an abundance of gratitude”

  1. Joe, A very heartfelt article. The sadness of the 23 year old young men and their sacrifice and the beauty and resilience that was allowed to grow because of them is expressed perfectly. In my own life my Uncle landed at Normandy was almost killed by a landmine and while he was a nice man with a great sense of humor he was an alcoholic who could hardly hold down a job because of post traumatic stress.
    Of course ending with Abby Lincoln was perfect. Even her name resonates freedom.

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

In This Issue

painting of Clifford Brown by Paul Lovering
A Collection of Jazz Poetry — Spring/Summer, 2024 Edition...In this, the 17th major collection of jazz poetry published on Jerry Jazz Musician, 50 poets from all over the world again demonstrate the ongoing influence the music and its associated culture has on their creative lives.

(featuring the art of Paul Lovering)

Feature

photo of Rudy Van Gelder via Blue Note Records
“Rudy Van Gelder: Jazz Music’s Recording Angel” – an essay by Joel Lewis...For over 60 years, the legendary recording engineer Rudy Van Gelder devoted himself to the language of sound. And although he recorded everything from glee clubs to classical music, he was best known for recording jazz – specifically the musicians associated with Blue Note and Prestige records. Joel Lewis writes about his impact on the sound of jazz, and what has become of his Englewood Cliffs, New Jersey studio.

The Sunday Poem

photo of Woody Shaw by Brian McMillan, CC BY-SA 3.0 , via Wikimedia Commons

”Every Time” by Michel Krug


The Sunday Poem is published weekly, and strives to include the poet reading their work.... Michel Krug reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Interview

Interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lost Empire of Cool...The esteemed writer tells a vibrant story about the jazz world before, during, and after the 1959 recording of Kind of Blue, and how the album’s three genius musicians came together, played together, and grew together (and often apart) throughout the experience.

Publisher’s Notes

photo by Rhonda Dorsett
On turning 70, and contemplating the future of Jerry Jazz Musician...

Essay

“Gone Guy: Jazz’s Unsung Dodo Marmarosa,” by Michael Zimecki...The writer remembers the late jazz musician Michael “Dodo” Marmarosa, awarded Esquire Magazine’s New Star Award in 1947, and who critics predicted would dominate the jazz scene for the next 30 years.

Book Excerpt

Book Excerpt from Jazz Revolutionary: The Life & Music of Eric Dolphy, by Jonathon Grasse...In this first full biography of Eric Dolphy, Jonathon Grasse examines Dolphy’s friendships and family life, and his timeless musical achievements. The introduction to this outstanding book is published here in its entirety.

Short Fiction

Impulse! Records and ABC/Dunhill Records. Photographer uncredited/via Wikimedia Commons
Short Fiction Contest-winning story #66 — “Not From Around Here” by Jeff Dingler...The author’s award-winning story is about a Jewish kid coming of age in Alabama and discovering his identity through music, in particular the interstellar sound of Sun Ra..

Click here to read more short fiction published on Jerry Jazz Musician

Playlist

“‘Different’ Trios” – a playlist by Bob Hecht...A 27-song playlist that focuses on non-traditional trio recordings, featuring trios led by the likes of Carla Bley, Ron Miles, Dave Holland and Jimmy Giuffre...

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 5: “Scott Joplin: King of Ragtime”...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this seventh edition of excerpts from his book, Rife writes about jazz novels and short stories that feature stories about women, written by women.

Interview

Interview with Larry Tye, author of The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America...The author talks about his book, an intensely researched, spirited, and beautifully told story – and an important reminder that Armstrong, Ellington, and Basie all defied and overcame racial boundaries “by opening America’s eyes and souls to the magnificence of their music.”

Poetry

John Coltrane, by Martel Chapman
Four poets, four poems…on John Coltrane

Feature

What we discover about Kamala Harris from an armful of record albums...Like her or not, readers of this site will enjoy learning that Vice President Kamala Harris is a fan of jazz music. Witness this recent clip (via Youtube) of her emerging from a record shop…

Short Fiction

Munich University of Music and Theater/© Raimond Spekking/via Wikimedia Commons
“The Pianist (Part One)” – a short story by J. C. Michaels...The story – finalist in the recently concluded 66th Short Fiction Contest – describes the first lesson at a music conservatory of a freshman piano-performance major who is more accustomed to improvising than reading music. It is an excerpt from a novel-in-progress.

Poetry

“Revival” © Kent Ambler.
If You Want to Go to Heaven, Follow a Songbird – Mary K O’Melveny’s album of poetry and music...While consuming Mary K O’Melveny’s remarkable work in this digital album of poetry, readings and music, readers will discover that she is moved by the mastery of legendary musicians, the wings of a monarch butterfly, the climate and political crisis, the mysteries of space exploration, and by the freedom of jazz music that can lead to what she calls “the magic of the unknown.” (with art by Kent Ambler)

Interview

The Marvelettes/via Wikimedia Commons
Interview with Laura Flam and Emily Sieu Liebowitz, authors of But Will You Love Me Tomorrow?: An Oral History of the 60’s Girl Groups...Little is known of the lives and challenges many of the young Black women who made up the Girl Groups of the ‘60’s faced while performing during an era rife with racism, sexism, and music industry corruption. The authors discuss their book’s mission to provide the artists an opportunity to voice their experiences so crucial to the evolution of popular music.

Short Fiction

Photo by Stockcake
“Melody and Counterpoint” – a short story by Joshua Dyer...In this story - a short-listed entry in our recently concluded 66th Short Fiction Contest - Tucker works as a jazz pianist aboard the deep space luxury cruiser, the Royal Nebula. A flirtatious interlude pushes his new emotional software to its limits and beyond, and he learns the hard way what it means to be human.

Art

photo of Johnny Griffin by Giovanni Piesco
The Photographs of Giovanni Piesco: Johnny Griffin and Von Freeman...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition is of saxophonists Johnny Griffin and Von Freeman, who appeared together at the at Bimhuis on June 25/26, 1999.

Short Fiction

bshafer via FreeImages.com
“And All That Jazz” – a short story by BV Lawson...n this story – a short listed entry in our recently concluded 66th Short Fiction Contest – a private investigator tries to help a homeless friend after his saxophone is stolen.

Essay

“Like a Girl Saying Yes: The Sound of Bix” – an essay by Malcolm McCollum...The first time Benny Goodman heard Bix Beiderbecke play cornet, he wondered, “My God, what planet, what galaxy, did this guy come from?” What was it about this musician that captivated and astonished so many for so long – and still does?

Trading Fours with Douglas Cole

Trading Fours, with Douglas Cole, No. 21: “The Blue Truth”...In this edition, the poet riffs on Oliver Nelson’s classic 1961 album The Blues and the Abstract Truth as if a conversation between conductor and players were caught on tape along with the inner monologue of some mystery player/speaker of the poem.

In Memoriam

Hans Bernhard (Schnobby), CC BY-SA 3.0, via Wikimedia Commons
“Remembering Joe Pass: Versatile Jazz Guitar Virtuoso” – by Kenneth Parsons...On the 30th anniversary of the guitarist Joe Pass’ death, Kenneth Parsons reminds readers of his brilliant career

Book Excerpt

Book excerpt from Jazz with a Beat: Small Group Swing 1940 – 1960, by Tad Richards

Click here to read more book excerpts published on Jerry Jazz Musician

Jazz History Quiz #176

photo of Lester Young by William Gottlieb/Library of Congress
While legendary as a saxophonist, his first instrument was a violin and his second the piano — which he played well enough to work as an accompanist to silent movies. Ultimately it was Lester Young’s father who taught him the saxophone well enough that he switched instruments for good. (It was during this time that he also saved Lester from drowning in a river). Who is he?

Community

photo via Picryl.com
“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March – September, 2024)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Larry Tye, author of The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America; an interview with Jonathon Grasse, author of Jazz Revolutionary: The Life & Music of Eric Dolphy; A new collection of jazz poetry; a collection of jazz haiku; a new Jazz History Quiz; short fiction; poetry; photography; interviews; playlists; and lots more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.