Poetry by Andrew H. Oerke

ELEGY FOR HART, IN THE KEY OF CRANE

The pipe-organ sea on-drones a dirge for you
as it will for the last whale’s final soundings.
Deep in the ocean’s heart, Hart has found a home.

Before his final voyage, from the shore he watched
the breakers as they slipped each blow, master

...

February 10th, 2012

Poetry by Frank De Canio

Naming of Hops
(July 30, 2009)

Today there will be naming of hops.
Today they’ll have a beer outside
the oval office of the White House.
Likewise our planet rotates with an oval orbit
around the sun of no determinate God,
whose purity and innocence informs
the white bars on the American flag.

...

January 12th, 2012

Poetry by Kathy Coman

Comprehension of Music

You understand me
every emotion that’s buried into my heart
that lives in my soul trying to find
the right way to express itself to a world
that lacks true understanding of someone’s feelings
so I turn to you to create life into misunderstanding
and o how I love how you grasp it

...

September 7th, 2011

Poetry by Bill Freedman

Something You Can Count On

I had, once, a Captain Midnight ring
that told the weather, or so they said.
Frankly, I don’t remember Captain Midnight,
didn’t listen to him much.
Don’t know what made him special,
what made him Captain Midnight, for that matter.
But I didn’t need to, knew in my 1947 heart of hearts

...

December 27th, 2009

Poetry by Tim Greenwood

THE BUNKER

An overgrown trail is abruptly halted by a set of rusting metal gates,
Secured to a crooked post by a battered padlock and feeble chain.
A grey guard tower lies out of sight, studying the unfolding scene intently,
From the dense undergrowth where fresh raindrops glisten in the new-born sunlight.

...

January 22nd, 2009

Poetry by Bobbi Dykema

My father was a Catholic jazz musician

Say one Our Father, two Hail Marys,
and listen to twelve recordings of John Coltrane.

Dip your fingers in the font of holy water,
cross yourself,
make your way to a pew,
genuflect, take your seat,
and meditate on the perfection of Thelonious’ chords.

...

August 6th, 2008

Poetry by Suzanne Richardson Harvey

BLACK SONG FOR BILLIE HOLIDAY

The night the blue saxophones died
You still remain in the spotlight’s ivory heat
A riddle that puzzles the heart
Snatching from the soil of catastrophe
A nugget of perfect sound
Glowing like an iridescent candle

...

January 5th, 2008

“MATCHBOOK: The Spinnaker (Sausalito): in memory of Bill Evans,” a poem by Michael Harper

MATCHBOOK: The Spinnaker (Sausalito)
in memory of Bill Evans

by Michael Harper

Adrift in your own spittle
(eyebrows on vibrato knuckles)

we are across the bay
from reality;

but reality hits in waves

...

May 22nd, 2007

Poetry by Sandra Ervin Adams

FOR COUNT BASIE

On this day, your birthday, I want
to celebrate, although you passed last
century. I crave some birthday cake,
so I put on “One O’clock Jump”
one more time to soothe my soul, allow
your fingers to loosen my tight, sore
muscles that have taken hold, the ones

...

February 22nd, 2007

“The Life of Jackie McLean” a poem by Michael Harper

The Life of Jackie Mclean
by Michael Harper

A critic ‘trying to pass’ writes me about crossover played some
couldn’t make it got his Ph. D
(he’s onto new changes an advance man now active in grants
from corporations)

...

August 8th, 2006

“Because I Am” by Hayden Carruth

Because I Am
In mem. Sidney Bechet, 1897-1959

Because I am a memorious old man
I’ve been asked to write about you, Papa Sidney,
Improvising in standard meter on a well-known
Motif, as you did all those nights in Paris
And the world. I remember once in Chicago

...

June 29th, 2005

Soul Make a Path Through Shouting, by Cyrus Cassells

Soul Make a Path Through Shouting
for Elizabeth Eckford

Little Rock, Arkansas, 1957

Thick at the schoolgate are the ones
Rage has twisted
Into minotaurs, harpies
Relentlessly swift;
So you must walk past the pincers,

...

October 17th, 2004

“BETWEEN TWO WARS” a poem by Kenneth Rexroth

Between Two Wars

Remember that breakfast one November —
Cold black grapes smelling faintly
Of the cork they were packed in.
Hard rolls with hot, white flesh,
And thick, honey sweetened chocolate?
And the parties at night; the gin and the tangos?
The torn hair nets, the lost cuff links?

...

April 29th, 2002

In this Issue

A Collection of Jazz Poetry – Spring, 2020 Edition There are many good and often powerful poems within this collection, one that has the potential for changing the shape of a reader’s universe during an impossibly trying time, particularly if the reader has a love of music. 33 poets from all over the globe contribute 47 poems. Expect to read of love, loss, memoir, worship, freedom, heartbreak and hope – all collected here, in the heart of this unsettling spring. (Featuring the art of Martel Chapman)

Interview

photo by Fred Price
Bob Hecht and Grover Sales host a previously unpublished 1985 interview with the late, great jazz saxophonist Lee Konitz, who talks about Miles, Kenton, Ornette, Tristano, and the art of improvisation...

Features

Red Meditation by James Brewer
Creative artists and citizens of note respond to the question, "During this time of social distancing and isolation at home, what are examples of the music you are listening to, the books you are reading, and/or the television or films you are viewing?”

Book Excerpt

In the introduction to Dave Brubeck: A Life in Time – the author Philip Clark writes about the origins of the book, and his interest in shining a light on how Brubeck, “thoughtful and sensitive as he was, had been changed as a musician and as a man by the troubled times through which he lived and during which he produced such optimistic, life-enhancing art.”

Interview

NBC Radio-photo by Ray Lee Jackson / Public domain
In a Jerry Jazz Musician interview, acclaimed biographer James Kaplan (Frank: The Voice and Sinatra: The Chairman) talks about his book, Irving Berlin: New York Genius, and Berlin's unparalleled musical career and business success, his intense sense of family and patriotism during a complex and evolving time, and the artist's permanent cultural significance.

Book Excerpt

In the introduction to Maria Golia’s Ornette Coleman: The Territory and the Adventure – excerpted here in its entirety – the author takes the reader through the four phases of the brilliant musician’s career her book focuses on.

Art

Art by Charles Ingham
Charles Ingham’s “Jazz Narratives” connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history. Volume 7 of the narratives are “Torn from Its Moorings", "Watching the Sea" and "Plantations" (featuring west coast stories of Ornette Coleman and Billie Holiday)

Interview

Library of Congress, Prints & Photographs Division, Carl Van Vechten Collection
Richard Crawford’s Summertime: George Gershwin’s Life in Music is a rich, detailed and rewarding musical biography that describes Gershwin's work throughout every stage of his career. In a Jerry Jazz Musician interview, Crawford discusses his book and the man he has described as a “fresh voice of the Jazz Age” who “challenged Americans to rethink their assumptions about composition and performance, nationalism, cultural hierarchy, and the racial divide.”

Jazz History Quiz #138

photo by William Gottlieb/Library of Congress
Shortly following their famed 1938 Carnegie Hall performance, Benny Goodman’s drummer Gene Krupa left the band to start his own. Who replaced Krupa?

Interview

photo unattributed/ Public domain
In a Jerry Jazz Musician interview with The Letters of Cole Porter co-author Dominic McHugh, he explains that “several of the big biographical tropes that we associate with Porter are either modified or contested by the letters,” and that “when you put together these letters, and add our quite extensive commentary between the letters, it creates a different picture of him.” Mr. McHugh discusses his book, and what the letters reveal about the life – in-and-out of music – of Cole Porter.

Book Excerpt

The introduction to John Burnside's The Music of Time: Poetry in the Twentieth Century – excerpted here in its entirety with the gracious consent of Princeton University Press – is the author's fascinating observation concerning the idea of how poets respond to what the Russian poet Osip Mandelstam called “the noise of time,” weaving it into a kind of music.

Short Fiction

photo Creative Commons CC0
Short Fiction Contest-winning story #53 — “Market & Fifth, San Francisco, 1986,” by Paul Perilli

Photography

photo by Veryl Oakland
In this edition of photographs and stories from Veryl Oakland’s book Jazz in Available Light, Frank Morgan, Michel Petrucciani/Charles Lloyd, and Emily Remler are featured

Poetry

photo Bret Stewart/Wikimedia Commons
“Afterwards — For the Spring, 2020” — a poem by Alan Yount

Book Excerpt

A ten page excerpt from The Letters of Cole Porter by Cliff Eisen and Dominic McHugh that features correspondence in the time frame of June to August, 1953, including those Porter had with George Byron (the man who married Jerome Kern’s widow), fellow writer Abe Burrows, Noel Coward, his secretary Madeline P. Smith, close friend Sam Stark, and his lawyer John Wharton.

Interview

photo by William Gottlieb/Library of Congress
Con Chapman, author of Rabbit's Blues: The Life and Music of Johnny Hodges discusses the great Ellington saxophonist

Humor

photo by William Gottlieb/Library of Congress
"Louis Armstrong on the Moon," by Dig Wayne

Book Excerpt

This story, excerpted from Irving Berlin: New York Genius by James Kaplan, describes how Berlin came to write his first major hit song, “Alexander’s Ragtime Band,” and speaks to its historic musical and cultural significance.

Pressed for All Time

In this edition, producer Tom Dowd talks with Pressed for All Time: Producing the Great Jazz Albums author Michael Jarrett about the genesis of Herbie Mann’s 1969 recording, Memphis Underground, and the executives and musicians involved

Interview

photo by Bouna Ndaiye
Interview with Gerald Horne, author of Jazz and Justice: Racism and the Political Economy of the Music

Great Encounters

photo of Sidney Bechet by William Gottlieb/Library of Congress
In this edition of "Great Encounters," Con Chapman, author of Rabbit’s Blues: The Life and Music of Johnny Hodges, writes about Hodges’ early musical training, and the first meeting he had with Sidney Bechet, the influential and legendary reed player who Hodges called “tops in my book.”

Poetry

The winter collection of poetry offers readers a look at the culture of jazz music through the imaginative writings of its 32 contributors. Within these 41 poems, writers express their deep connection to the music – and those who play it – in their own inventive and often philosophical language that communicates much, but especially love, sentiment, struggle, loss, and joy.

“What are 4 or 5 of your all-time favorite Blue Note albums?”

"What are 4 or 5 of your all-time favorite Blue Note albums?"
Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

In the Previous Issue

Interviews with three outstanding, acclaimed writers and scholars who discuss their books on Irving Berlin, George Gershwin, and Cole Porter, and their subjects’ lives in and out of music. These interviews – which each include photos and several full-length songs – provide readers easy access to an entertaining and enlightening learning experience about these three giants of American popular music.

In an Earlier Issue

photo by Carol Friedman
“The Jazz Photography Issue” features an interview with today’s most eminent jazz portrait photographer Carol Friedman, news from Michael Cuscuna about newly released Francis Wolff photos, as well as archived interviews with William Gottlieb, Herman Leonard, Lee Tanner, a piece on Milt Hinton, a new edition of photos from Veryl Oakland, and much more…

Contributing writers

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