Poetry by Bill Freedman

Something You Can Count On

I had, once, a Captain Midnight ring
that told the weather, or so they said.
Frankly, I don’t remember Captain Midnight,
didn’t listen to him much.
Don’t know what made him special,
what made him Captain Midnight, for that matter.
But I didn’t need to, knew in my 1947 heart of hearts

...

December 27th, 2009

Poetry by Tim Greenwood

THE BUNKER

An overgrown trail is abruptly halted by a set of rusting metal gates,
Secured to a crooked post by a battered padlock and feeble chain.
A grey guard tower lies out of sight, studying the unfolding scene intently,
From the dense undergrowth where fresh raindrops glisten in the new-born sunlight.

...

January 22nd, 2009

Poetry by Bobbi Dykema

My father was a Catholic jazz musician

Say one Our Father, two Hail Marys,
and listen to twelve recordings of John Coltrane.

Dip your fingers in the font of holy water,
cross yourself,
make your way to a pew,
genuflect, take your seat,
and meditate on the perfection of Thelonious’ chords.

...

August 6th, 2008

Poetry by Suzanne Richardson Harvey

BLACK SONG FOR BILLIE HOLIDAY

The night the blue saxophones died
You still remain in the spotlight’s ivory heat
A riddle that puzzles the heart
Snatching from the soil of catastrophe
A nugget of perfect sound
Glowing like an iridescent candle

...

January 5th, 2008

“MATCHBOOK: The Spinnaker (Sausalito): in memory of Bill Evans,” a poem by Michael Harper

MATCHBOOK: The Spinnaker (Sausalito)
in memory of Bill Evans

by Michael Harper

Adrift in your own spittle
(eyebrows on vibrato knuckles)

we are across the bay
from reality;

but reality hits in waves

...

May 22nd, 2007

Poetry by Sandra Ervin Adams

FOR COUNT BASIE

On this day, your birthday, I want
to celebrate, although you passed last
century. I crave some birthday cake,
so I put on “One O’clock Jump”
one more time to soothe my soul, allow
your fingers to loosen my tight, sore
muscles that have taken hold, the ones

...

February 22nd, 2007

“The Life of Jackie McLean” a poem by Michael Harper

The Life of Jackie Mclean
by Michael Harper

A critic ‘trying to pass’ writes me about crossover played some
couldn’t make it got his Ph. D
(he’s onto new changes an advance man now active in grants
from corporations)

...

August 8th, 2006

“Because I Am” by Hayden Carruth

Because I Am
In mem. Sidney Bechet, 1897-1959

Because I am a memorious old man
I’ve been asked to write about you, Papa Sidney,
Improvising in standard meter on a well-known
Motif, as you did all those nights in Paris
And the world. I remember once in Chicago

...

June 29th, 2005

Soul Make a Path Through Shouting, by Cyrus Cassells

Soul Make a Path Through Shouting
for Elizabeth Eckford

Little Rock, Arkansas, 1957

Thick at the schoolgate are the ones
Rage has twisted
Into minotaurs, harpies
Relentlessly swift;
So you must walk past the pincers,

...

October 17th, 2004

“BETWEEN TWO WARS” a poem by Kenneth Rexroth

Between Two Wars

Remember that breakfast one November —
Cold black grapes smelling faintly
Of the cork they were packed in.
Hard rolls with hot, white flesh,
And thick, honey sweetened chocolate?
And the parties at night; the gin and the tangos?
The torn hair nets, the lost cuff links?

...

April 29th, 2002

In this Issue

Art by Russell Dupont
Twenty-eight poets contribute 37 poems to the Jerry Jazz Musician Fall Poetry Collection, living proof that the energy and spirit of jazz is alive — and quite well.

Interview

photo by Francis Wolff/© Mosaic Images
Interview with Paul Lopes, author of Art Rebels: Race, Class and Gender in the Art of Miles Davis and Martin Scorsese

Short Fiction

Photo/CC0 Public Doman
Short Fiction Contest-winning story #52 — “Random Blonde,” by Zandra Renwick

Poetry

Photo by. Adrianna Calvo from Pexels
“Sandra’s Vigil” — a poem by Robert Nisbet

Great Encounters

photo by William Gottlieb/Library of Congress
In this edition, Con Chapman, author of Rabbit’s Blues: The Life and Music of Johnny Hodges, writes about Hodges’ early musical training, and the first meeting he had with Sidney Bechet, the influential and legendary reed player who Hodges called “tops in my book.”

Jazz History Quiz #132

photo of Dizzy Gillespie by Brian McMillen
This legendary saxophonist has worked with Lionel Hampton, Johnny Hodges, Dizzy Gillespie (pictured), Art Blakey, and Art Farmer, and has become known as much for his compositions as the greatness of his horn playing, having written standards like “I Remember Clifford,” “Killer Joe,” and “Along Came Betty.” Who is he?

Essay

photo of Esbjorn Svensson Trio/Pkobel/Creative Commons
“The Trio That Should Have Reshaped Jazz” — an essay by Scott Archer Jones

Photography

Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of Mal Waldron, Jackie McLean and Joe Henderson

Interview

photo by Michael Lionstar
In a wide-ranging interview, Nate Chinen, former New York Times jazz critic and currently the director of editorial content for WBGO (Jazz) Radio, talks about his book Playing Changes: Jazz for the New Century,, described by Herbie Hancock as a “fascinating read” that shows Chinen’s “firm support of the music

“What are 4 or 5 of your all-time favorite Blue Note albums?”

"What are 4 or 5 of your all-time favorite Blue Note albums?"
Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

Pressed for All Time

"Jazz Samba"/Verve Records
In this edition, excerpted from Michael Jarrett's Pressed For All Time, legendary producer Creed Taylor remembers the 1962 Stan Getz recording, Jazz Samba

Interview

Photographer Carol Friedman
In an entertaining conversation that also features a large volume of her famous photography, Carol Friedman discusses her lifelong work of distinction in the world of jazz photography

Art

"Dreaming of Bird at Billy Bergs" - by Charles Ingham
“Charles Ingham’s Jazz Narratives” — a continuing series

Humor

photo by William Gottlieb/Library of Congress
"Every Soul is a Circus," by Dig Wayne

Short Fiction

photo/Creative Commons CC0.
Con Chapman, author of Rabbit's Blues: The Life and Music of Johnny Hodges, contributes a humorous short story, "Father Kniest: Jazz Priest"

In the Previous Issue

photo of Sullivan Fortner by Carol Friedman
“The Jazz Photography Issue” features an interview with today’s most eminent jazz portrait photographer Carol Friedman, news from Michael Cuscuna about newly released Francis Wolff photos, as well as archived interviews with William Gottlieb, Herman Leonard, Lee Tanner, a piece on Milt Hinton, a new edition of photos from Veryl Oakland, and much more…

Contributing writers

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