Newport Jazz founder George Wein, author of Myself Among Others: My Life in Music

No one has had a better seat in the house than George Wein. The legendary impresario has known some of the most celebrated figures of jazz — from Duke Ellington to Count Basie, and from Thelonious Monk to Miles Davis. As a founder of the Newport Jazz Festival and countless other festivals around the world, Wein has brought a broad spectrum of musical artists to millions, forever changing the country’s cultural landscape.

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June 18th, 2003

Alfred Appel, author of Jazz Modernism

How does the jazz of Louis Armstrong, Duke Ellington, Fats Waller, Billie Holiday, and Charlie Parker fit into the great tradition of the modern arts between 1920 and 1950? In his book Jazz Modernism, cultural historian Alfred Appel compares the layering of sex, vitality, and the vernacular in jazz with the paper collages of Picasso, and the vital mix of high and low culture found in Joyce.

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June 2nd, 2003

Vincent Cannato, author of The Ungovernable City: John Lindsay and His Struggle to Save New York

When liberal Republican John Lindsay was elected mayor of New York in 1965, political observers described him as a White Knight, the best hope for a stagnant and troubled city. A reformer with movie-star looks, Lindsay brought glamour and hope to City Hall. At the height of his appeal, leading politicians from both parties, including Nelson Rockefeller and Robert Kennedy, feared Lindsay’s growing popularity. Some even pegged him for the White House.

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May 10th, 2003

“Blues for Clement Greenberg,” a Jerry Jazz Musician hosted roundtable on jazz criticism, with Stanley Crouch, Martha Bayles and Loren Schoenberg

The fact that writer Stanley Crouch is willing to speak his mind has been known to readers of cultural criticism for three decades. Depending on one’s outlook, his views on jazz, politics, and race often spark outrage, applause, or provoke debate. In April, 2003, Jazz Times magazine, host to Crouch’s monthly column “Jazz Alone,” published “Putting the White Man in Charge,” a provocative essay covering topics familiar to Crouch readers, most notably his aggressive defense of the jazz idiom and its African American heritage. In the essay he wrote that critics like respected Atlantic Monthly writer Francis Davis see “jazz that is based on swing and blues as the enemy and, therefore, lifts up someone like, say, Dave Douglas as an antidote to too much authority from the dark side of the tracks.”

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May 4th, 2003

David Colley, author of Blood For Dignity: The Story of the First Integrated Combat Unit in the U.S. Army

Prior to the closing months of World War II, American military doctrine had long held that blacks were inferior fighters who fled under fire and lacked the intelligence, reliability, and courage of white fighters. That changed in early March 1945, when, for the first time, more than two thousand African-American infantrymen entered the front lines in Germany to fight alongside white soldiers in infantry and armored divisions engaged in the final battles of World War II in Europe.

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March 30th, 2003

Conversations with Gary Giddins: on pianist Cecil Taylor

Village Voice writer Gary Giddins, who was prominently featured in Ken Burns’ documentary Jazz, and who is the country’s preeminent jazz critic, joins us in a March 13, 2003 conversation about pianist Cecil Taylor.

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March 13th, 2003

Jerry Zolten, author of Great God A’Mighty – The Dixie Hummingbirds: Celebrating the Rise of Soul Gospel Music

From the Jim Crow world of 1920s Greenville, South Carolina, to Greenwich Village’s Café Society in the ’40s, to their 1974 Grammy-winning collaboration on “Loves Me Like a Rock,” the Dixie Hummingbirds have been one of gospel’s most durable and inspiring groups.

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March 10th, 2003

Douglas Brinkley, author of Rosa Parks

Rosa Parks, an African American seamstress in 1955 Alabama, had no idea she was changing history when, work-weary, she refused to surrender her seat to a white passenger on a segregated bus. Now she is immortalized for the defiance that sent her to jail and triggered a bus boycott that catapulted Martin Luther King, Jr., into the national spotlight. Who was she, before and after her historic act?* Douglas Brinkley, a familiar and respected television commentator on a wide range of historical, documentary, and news programs

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February 18th, 2003

John Szwed, author of So What: The Life of Miles Davis

More than half a century after his bebop debut, and more than eleven years after his death, Miles Davis lives on. His music is used to pitch jeans, shape films, and personify an era. To this day, he is revered as the archetype of cool.

While several books have been written about Davis, including his own autobiography, due to his passion for reinvention and his extreme reticence the real story of Miles Davis has been obscured by the legend and widely misunderstood.

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January 27th, 2003

Ben Ratliff, author of Jazz: A Critics Guide to the 100 Most Important Recordings

In the preface to his book Jazz: A Critics Guide to the 100 Most Important Recordings, New York Times jazz critic Ben Ratliff writes, “You oughtn’t look at jazz only by its corners, its Hot Fives and Seven’s, its Kind of Blue’s and Love Supreme’s. You have to look at what the corners surround.”

In this spirit, his book is an exploration of jazz in its many varied forms, and opens the reader’s ears to quite surprising recordings comfortably overlooked by other guides.

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January 27th, 2003

Negro League Baseball legend Buck O’Neil

The charismatic Buck O’Neil is truly an American hero. His eloquence, grace and genuine love for people have captured the hearts and imaginations of kindred spirits worldwide. His illustrious baseball career spans seven decades and has helped make him a foremost authority and the game’s greatest ambassador.

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January 23rd, 2003

Conversations with Gary Giddins: on Thelonious Monk

Village Voice writer Gary Giddins, who was prominently featured in Ken Burns’ documentary Jazz, and who is the country’’s preeminent jazz critic, joins us in a December 23, 2002 conversation about jazz legend Thelonious Monk.

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December 23rd, 2002

Scott Simon, author of Jackie Robinson and the Integration of Baseball

The integration of baseball in 1947 had undeniable significance for the civil rights movement and American history. Thanks to Jackie Robinson, a barrier that had once been believed to be permanent was shattered — paving the way for scores of African Americans who wanted nothing more than to be granted the same rights as any other human being.*

In an interview with Jerry Jazz Musician publisher Joe Maita, NPR Weekend Edition host Scott Simon, author of Jackie Robinson and the Integration of Baseball, discusses how Robinson’s heroism — and that of Dodger general manager Branch Rickey — got America to face the question of racial equality.

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December 18th, 2002

Carla Kaplan, editor of Zora Neale Hurston: A Life in Letters

Alice Walker’s 1975 Ms. magazine article “Looking for Zora” and Robert Hemenway’s 1977 biography reintroduced Zora Neale Hurston to the American landscape and ushered in a renaissance for a writer who was a bestselling author at her peak in the 1930’s, but died penniless and in obscurity some three decades later.

Since that rediscovery of novelist, anthropologist, playwright, folklorist, essayist and poet Hurston, her books — from the classic love story Their Eyes Were Watching God to her controversial autobiography, Dust Tracks on a Road — have sold millions of copies. Hurston is now taught in American, African American, and Women’s Studies courses in high schools and universities from coast to coast.

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December 10th, 2002

Conversations with Gary Giddins: on Sonny Rollins

Village Voice writer Gary Giddins, winner of the National Book Critics Circle Award, and who is the country’s preeminent jazz critic, joins us in an October 21, 2002 conversation about jazz legend Sonny Rollins.

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October 21st, 2002

David Skover, author of The Trials of Lenny Bruce: The Fall and Rise of an American Icon

Lenny Bruce’s words had the power to provoke laughter and debate — as well as shock and outrage. It was the force of his voice that would place him on the wrong side of the law in San Francisco, Los Angeles, Chicago and New York.

Lenny committed his life to telling the truth. But the truth he told infuriated those in power, and authorities in the largest, most progressive cities in the country worked effortlessy to put him in jail. To them, Lenny’s words were filthy and depraved. But to his friends — the hip, the discontented, the fringe — his words were not only sharp and hilarious, they were a light in the dark to the repressed society of the early 1960’s.

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October 4th, 2002

Robert Cohen, author of The Free Speech Movement: Reflections on Berkeley in the 1960’s

“Berkeley in the sixties.” Depending on your point of view, that phrase may recall thoughts of a place and time to run toward with enthusiasm, or flee from in fear. It was a place where the traditional university curriculum gave way to the students’ pursuit of the free exchange of ideas, and was the birthplace of the Free Speech Movement of 1964.

The Movement was the event that ignited the first clash of generations in a turbulent, historic decade. Its values shaped who many in America are today, its actions the genesis of the new left and new right.

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September 23rd, 2002

“The A Love Supreme Interviews” — Ashley Kahn, author of A Love Supreme: The Story of John Coltrane’s Signature Album

A successful recording generally entertains and communicates passion on an earthly, mortal level. We typically respond to an effective performance by humming the melody, tapping our feet, and sharing it with friends. It might even “stomp the blues,” as the critic Albert Murray suggests.

Few recordings, however, actually challenge a listener to address one’s personal essence.

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September 16th, 2002

Loren Schoenberg, author of The NPR Curious Listener’s Guide to Jazz

Loren Schoenberg is a noted conductor, saxophonist and author who has appeared internationally and won the 1994 Grammy Award for Best Album Notes. He has recorded several albums with his own big band, and also with Benny Goodman, Benny Carter and Bobby Short. He is on the faculties of the Juilliard School, the Manhattan School of Music, Jazz at Lincoln Center’s Essentially Ellington Band Director’s Academy, and is program director of the Jazz Aspen Snowmass Jazz Colony and is Executive Director of The Jazz Museum In Harlem.

He is the author of The NPR Curious Listener’s Guide to Jazz, a book Wynton Marsalis describes as a “thorough guide to the music from a few basic perspectives: what it is and how it’s made, its history, the people who made and continue to make it, some suggestions on how to approach it — and a whole pile of ideas.”

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September 9th, 2002

The Ralph Ellison Project: Robert O’Meally, editor of Living With Music, discusses Invisible Man author Ralph Ellison

While Ralph Ellison will forever be best remembered as author of the classic American novel of identity, Invisible Man, he also contributed significant essays on jazz that stand as compelling testaments to his era. His work included an homage to Duke Ellington, stinging critiques of Charlie Parker and Miles Davis, and recognition of the changing-of-the-guard taking place at Harlem’s Minton’s in the 1940’s. He wrote on musical topics from flamenco to Charlie Christian, and from Jimmy Rushing to Mahalia Jackson.

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August 20th, 2002

Will Friedwald, author of Stardust Melodies: A Biography of Twelve of America’s Most Popular Songs

In Stardust Melodies: A Biography of Twelve of America’s Most Popular Songs, author Will Friedwald takes these legendary songs apart and puts them together again, with unprecedented detail and understanding. Each song’s history is explored — the circumstances under which it was written and first performed — and then its musical and lyric content.

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August 2nd, 2002

Jazz Photographer Lee Tanner discusses his life in jazz

Lee Tanner began using a camera as a teenager in New York City. An avid jazz fan from the age of eight and inspired by the jazz photography of Gjon Mili, Bill Claxton, Herb Snitzer, and Herman Leonard, he turned to documenting the jazz scene with a love for the music comparable only to his creative drive for visual expression. Photography, however, was only an avocation.

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July 29th, 2002

Pulitzer Prize winning author Diane McWhorter, author of Carry Me Home, The Climactic Battle of the Civil Rights Movement

For Birmingham, Alabama native Diane McWhorter, growing up in the city Edward R. Murrow described as the “Johannesburg of America” was “pleasant, because we were the privileged people.” While privilege has its rewards, even as a young girl McWhorter sensed the segregated society that supported this privilege was anything but normal.

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July 29th, 2002

Sue Mingus, author of Tonight at Noon: A Love Story

In Tonight at Noon, Sue Graham Mingus gives us an elegant and unsparingly honest memoir of a romance between American opposites: she, a product of privilege, a former midwestern WASP debutante and Smith College graduate who worked as a journalist in Europe and in New York; he (Charles Mingus), an authentic jazz titan, a brilliant, eccentric, difficult artist, a scion of Watts, Los Angeles, who would become one of America’s foremost composers.*

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July 24th, 2002

Richard Sudhalter, author of Stardust Melody: The Life and Music of Hoagy Carmichael

Hoagy Carmichael remains, for millions, the enduring voice of heartland America, a beloved counterpoint to the urban sensibility of Cole Porter and George Gershwin. The author William Zinsser said of Carmichael ,”Play me a Hoagy Carmichael song and I hear the banging of a screen door and the whine of an outboard motor on a lake — sounds of summer in a small-town America that is long gone but still longed for.”

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July 23rd, 2002

David Amram, author of Offbeat: Collaborating with Kerouac

The composer David Amram has been hailed by the Washington Post as “one of the most versatile and skilled musicians America has ever produced.” Since Leonard Bernstein appointed Amram as first composer-in-residence with the New York Philharmonic in 1966-67, he has become one of the most acclaimed composers of his generation, listed by BMI as one of the Twenty Most Performed Composers of Concert Music in the United States since 1974.

Amram is also known as the musical collaborator of the great mid-century American author Jack Kerouac, whose book On the Road is considered to be the artistic soul of the 1950’s.

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July 17th, 2002

The Ralph Ellison Project: interview with Lawrence Jackson, author of Ralph Ellison: Emergence of Genius

Author, intellectual and social critic, Ralph Ellison was a pivotal figure in American literature and history, and arguably the father of African-American modernism. Universally acclaimed for Invisible Man, a masterpiece of modern fiction, and more recently for the posthumously edited and published Juneteenth, Ellison was recognized with a succession of honors, including the 1953 National Book Award.

Lawrence Jackson’s Ralph Ellison: Emergence of Genius is the first thoroughly researched biography of Ellison.

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July 8th, 2002

Keith Shadwick, author of Bill Evans: Everything Happens to Me

Bill Evans (1929 – 1980) played a major role in the history of modern jazz. The New Jersey-born pianist’s groundbreaking ideas were so widely absorbed by his peers and subsequently by every new generation of musicians that he can be classed among the most influential figures in post-war jazz, ranking alongside Thelonious Monk, Charles Mingus, Miles Davis, John Coltrane, Charlie Parker and Dizzy Gillespie.

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June 24th, 2002

Farah Griffin, author of In Search of Billie Holiday: If You Can’t Be Free, Be a Mystery

More than four decades after her death, Billie Holiday remains one of the most gifted artists of our time, and also one of the most elusive. Because of who she was and how she chose to live her life, Holiday has been the subject of both intense adoration and wildly distorted legends.

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June 24th, 2002

Conversations with Gary Giddins: on John Coltrane

Village Voice writer Gary Giddins, winner of the National Book Critics Circle Award, and who is the country’s eminent jazz critic, joins us in a June 21, 2002 conversation about jazz great John Coltrane.

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June 21st, 2002

Conversations with Gary Giddins: on Ralph Ellison

Village Voice writer Gary Giddins, winner of the National Book Critics Circle Award, and who is the country’s preeminent jazz critic, joins us in a June 21, 2002 conversation about Invisible Man author Ralph Ellison.

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June 21st, 2002

James Gavin, author of Deep in a Dream: The Long Night of Chet Baker

That trumpeter Chet Baker was a sensitive musician whose sound is a cherished part of the jazz landscape is well known. That he led a hard life is also pretty well known, perhaps even to the most casual music fan. His 1988 death from a fall out an Amsterdam window only added to the sad mystery surrounding his persona.

What was not known by most of us is the haunting depth of Baker’s self-destructive life; that he was an arsonist, a thief, a second-story man, a drug addict, an abusive husband and lover, a philanderer, a liar…need we go on? We could, you know.

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June 12th, 2002

Max Morath, author of The NPR Curious Listener’s Guide to Popular Standards

American Popular Standards have become a vital part of our cultural heritage. They are the show tunes of Broadway and Hollywood, which – taken up by swing bands, jazz singers, and countless other performers of every description – were for decades the sound of popular music.

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June 5th, 2002

Hazel Rowley, author of Richard Wright: The Life and Times

The child of the fundamentalist South with an eighth-grade education, a self-taught intellectual in the working-class Communist Party of the 1930s, a black man married to a white woman, and an expatriate in France after World War II, Richard Wright was always an outsider. He went well beyond the limits of the times in which he lived, and sought to reconcile opposing cultures in his work.

“How the hell did you happen?” the Chicago sociologist Robert Park once asked Wright. In Richard Wright: His Life and Times, biographer Hazel Rowley shows how, chronicling with the dramatic drive of a novel Wright’s extraordinary journey from a sharecropper’s shack in Mississippi to international renown as a writer, fiercely independent thinker, and outspoken critic of racism.

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May 28th, 2002

Kind of Blue: The Making of the Miles Davis Masterpiece author Ashley Kahn

In the spring of 1959, seven musicians got together in a converted church on 30th Street in Manhattan and made jazz history. Over forty years have passed since Miles Davis assembled his famed sextet to record Kind of Blue, and in that time the album has risen to the level of masterpiece.

In Kind of Blue: The Making of the Miles Davis Masterpiece, Ashley Kahn gives readers the unprecedented opportunity to enter the 30th Street studio and witness the creation of this remarkable album

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April 29th, 2002

Peter Levinson, author of September in the Rain: The Life of Nelson Riddle

Nelson Riddle will forever be linked with the music and recordings of such unforgettable vocalists as Frank Sinatra, Ella Fitzgerald, Judy Garland, Rosemary Clooney, Linda Ronstadt, and dozens of others. Riddle not only helped to establish Nat “King” Cole’s career in the 1950s, but was also a major participant in reviving Sinatra’s career. He served as arranger of many classic Sinatra albums, including Only the Lonely and In the Wee Small Hours.

September in the Rain is the first biography of the most highly-respected arranger in the history of American popular music.

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April 19th, 2002

The Ralph Ellison Project: Horace Porter, author of Jazz Country: Ralph Ellison in America

The first book to reassess Ralph Ellison after his death and the posthumous publication of Juneteenth, his second novel, Jazz Country: Ralph Ellison in America explores Ellison’s writings and views on American culture through the lens of jazz music.

In Jazz Country, Porter addresses Ellison’s jazz background, including his essays and comments about jazz musicians such as Louis Armstrong, Duke Ellington, and Charlie Parker. Porter further examines the influences of Ellington and Armstrong as sources of the writer’s personal and artistic inspiration and highlights the significance of Ellison’s camaraderie with two African American friends and fellow jazz fans — the writer Albert Murray and the painter Romare Bearden.

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April 15th, 2002

Tim Madigan, author of The Burning: Massacre, Destruction, and the Tulsa Race Riot of 1921

On the morning of June 1, 1921, a white mob numbering in the thousands marched across the railroad tracks dividing black from white in Tulsa, Oklahoma, and obliterated a black community then celebrated as one of America’s most prosperous. Thirty-four square blocks of Tulsa’s Greenwood community, known then as the “Negro Wall Street of America,” were reduced to smoldering rubble.

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April 12th, 2002

Bill Moody, author of Looking for Chet Baker

Bill Moody’s background as a musician and his talents as a writer have made the Evan Horne Mysteries a favorite of jazz aficionados and crime-fiction fans alike. Investigating the death of Chet Baker, a major cult figure in the world of music, brings out the best in both the author and his pianist sleuth, Evan Horne. Looking for Chet Baker is his fifth Evan Horne mystery.

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April 10th, 2002

Poet Gary Glazner

Gary Mex Glazner makes his living as a poet. He is a graduate of Sonoma State University’s Expressive Arts program with an emphasis in poetry. In 1990, Glazner produced the first National Poetry Slam in San Francisco. His poetry has appeared in anthologies, periodicals, on CD, radio, television, and underwater on the Bay Area Rapid Transit system. His poems have been translated into Chinese, Moldavian, Nepali, and Vietnamese. In 1997, Poets and Writers Inc. awarded him a grant to work with Alzheimer patients using poetry. Glazner is the Minister of Fun for Poetry Slam Incorporated.

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April 3rd, 2002

Tom Smothers discusses his life in comedy

Time has been an essential ingredient in the Smothers Brothers’ success. They have been considered ahead of their time, masters of timing and practitioners of timeless comedy. Now as they mark over 42 years in show business, the Smothers Brothers are being saluted as time-honored legends whose lengthy career has surpassed all other comedy teams in history.

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February 20th, 2002

The Ralph Ellison Project: filmmaker Avon Kirkland discusses the author of Invisible Man

Filmmaker Avon Kirkland’s career as a chemist was cut short by his desire to create social change. The path he chose led to filmmaking, and along the way he has profiled great men, among them Booker T. Washington and Thurgood Marshall.

His latest film is on Ralph Ellison, the great American writer whose classic book of identity, Invisible Man, stands as a monument in literature. Ellison’s wide range of intellectual breadth and profundity surprised even Kirkland, and is documented in Ralph Ellison: An American Journey, the Sundance Film Festival nominated film that has found an audience via PBS.

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February 15th, 2002

Douglas Daniels, author of Lester Leaps In: The Life and Times of Lester “Pres” Young

ester Young was jazz music’s first hipster. He performed onstage in sunglasses and coined and popularized the enigmatic slang “that’s cool” and “you dig?” He was a snazzy dresser who always wore a suit and his trademark porkpie hat. He influenced everyone from B. B. King to Stan Getz to Allen Ginsberg. When he died, he was the subject of musical tributes by Charles Mingus (“Goodbye Pork Pie Hat”) and Wayne Shorter (“Lester Left Town”), and incidents from his life were featured in the movie ‘Round Midnight.

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February 14th, 2002

Jazz Critic Gene Lees

Gene Lees is a well-known jazz chronicler. He is also a song lyricist, composer, singer, and author of more than a dozen volumes of jazz history and criticism, including the highly acclaimed Cats of Any Color: Jazz Black and White.

In You Can’t Steal a Gift, Lees writes of his encounters with four great black musicians: Dizzy Gillespie, Clark Terry, Milt Hinton, and Nat King Cole. Equal parts memoir, oral history, and commentary, each of the main chapters is a minibiography weaving together conversations Lees had with the musicians and their families, friends and associates over several decades.

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February 6th, 2002

The Ralph Ellison Project: Poet Michael Harper on Ralph Ellison

Brown University professor Michael Harper, the first Poet Laureate of the State of Rhode Island, shares his personal perspectives on Ralph Ellison.

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January 24th, 2002

The A Love Supreme Interviews: Poet Michael Harper discusses John Coltrane

Brown University professor Michael Harper, the first Poet Laureate of the State of Rhode Island, and author of the National Book Award nominated collection, Dear John, Dear Coltrane, discusses John Coltrane and reads his poems.

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January 24th, 2002

Jazz at Lincoln Center Board Chairman Lisa Schiff

  On December 12, 2001, Jazz At Lincoln Center, the world’s largest not-for-profit arts organization dedicated to jazz, announced their Board of Directors had unanimously elected longtime member Lisa Schiff as the organization’s new Chairman of the Board. Jazz at Lincoln Center Artistic Director Wynton Marsalis said, “We are all excited about Lisa Schiff becoming … Continue reading “Jazz at Lincoln Center Board Chairman Lisa Schiff”

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January 15th, 2002

Ralph Blumenthal, author of The Stork Club: America’s Most Famous Nightspot and the Lost World of Cafe Society

For an entire generation, when Cafe Society was at its pinnacle, New York’s Stork Club was the world’s most storied night spot. It’s walls housed glamour and celebrities waited in line for the chance to be seen. Americans from all over the country, and soldiers fighting overseas, dreamed of visiting New York and being among the witnesses to the Stork Club’s elegant culture.

From its inception in the Roaring Twenties as a speakeasy for Jazz Age gangsters to its heyday in the 50’s when Jack wooed Jackie there, and headwaiters reaped $20,000 tips, everyone from Marilyn Monroe to J. Edgar Hoover gathered at the Stork Club.

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January 14th, 2002

Phil Pastras, author of Dead Man Blues: Jelly Roll Morton Way Out West

When Ferdinand “Jelly Roll” Morton sat at the piano in the Library of Congress in May of 1938 to begin his monumental series of interviews with Alan Lomax, he spoke of his years on the West Coast with the nostalgia of a man recalling a golden age, a lost Eden. He had arrived in Los Angeles more than twenty years earlier, but he recounted his losses as vividly as though they had occurred just recently. The greatest loss was his separation from Anita Gonzales, by his own account “the only woman I ever loved,” to whom he left almost all of his royalties in his will.

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January 7th, 2002

Stephanie Stein Crease, author of Gil Evans: Out of the Cool

When Stephanie Stein Crease was a child, and her older brother started bringing home records by Gil Evans and Miles Davis, her world turned. Fascinated by the colorful orchestrations found on Miles Ahead, Porgy and Bess and Sketches of Spain, recorded between 1957 and 1960, Crease began a life long affair with the music of Evans, a man noted critic Gary Giddins has called “one of the great figures in American music.” Gil Evans, Out of the Cool, is a culmination of her fascination of and appreciation for the work of Gil Evans.

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December 17th, 2001

The A Love Supreme Interviews: Saxophonist Joshua Redman on John Coltrane

Joshua Redman entered the jazz world with tons of expectation and perhaps an unreasonable amount of hope. Pat Metheny went so far as to suggest Redman is “the most important new musician in twenty years.”

While Metheny’s point can be argued, Redman has created some of the most consistently compelling jazz during the last ten years. His music borrows from a storied past and experiments with an elegant future.”

While Metheny’s point can be argued, Redman has created some of the most consistently compelling jazz during the last ten years. His music borrows from a storied past and experiments with an elegant future.

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December 12th, 2001

Francis Davis on his career as a critic, and on John Coltrane

Philadelphian Francis Davis is the author of several books, including The History of the Blues, Bebop and Nothingness and a forthcoming biography of John Coltrane. A contributing editor of The Atlantic Monthly, he also writes regularly about music for the New York Times, among others.

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December 10th, 2001

Eric Nisenson, author of Open Sky: Sonny Rollins and His World of Improvisation

Author Eric Nisenson has devoted much of his adult life to reporting jazz. The genesis of his passion for jazz was his introduction to Miles Davis’ Kind of Blue at an early age – a passion so strong it eventually led to a friendship with Miles. The subjects for his three biographies are no less than Miles, John Coltrane, and now, Sonny Rollins, all key musicians and all strong, unique personalities worthy of icon status in the world of music. Nisenson discusses his friendship with Miles and his new book, Open Sky : Sonny Rollins and His World of Improvisation

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November 29th, 2001

Nat Hentoff: on his life as a jazz critic, and memories of John Coltrane’s A Love Supreme

Nat Hentoff was born in Boston in 1925 and lived there until he moved to New York City at the age of twenty-eight. For many years he has written a weekly column for the Village Voice. His column for the Washington Times is syndicated nationally, and he writes regularly about music for the Wall Street Journal. His numerous books cover subjects ranging from jazz to civil rights and civil liberties to First Amendment issues.

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November 20th, 2001

The A Love Supreme Interviews: pianist McCoy Tyner

Few musicians have had the impact on the world of music that McCoy Tyner has. His sound has influenced pianists in each of his six decades as a performer. Noted jazz critic Scott Yanow says, “Along with Bill Evans, Tyner has been the most influential pianist in jazz of the past 40 years with his chord voicings being adopted and utilized by virtually every younger pianist.”

While his career continues to move ahead, he will forever be best known as the pianist in John Coltrane’s famed Quartet of the early 1960’s, a group long since recognized as the ultimate jazz combo, whose eclectic, spirited work constantly demanded listeners to reach well beyond their safest star. A Love Supreme, recorded in 1964, is a landmark in music, and to this day the centerpiece to the Quartet’s vast, unparalled universe.

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November 8th, 2001

Gerald Early, author of Miles Davis and American Culture

Gerald Early is Merle Kling Professor of Modern Letters at Washington University in St. Louis, and is one of America’s most respected essayists. His work on American and African American culture is collected in Tuxedo Junction, The Culture of Bruising (National Book Award), and One Nation Under a Groove, a book on Motown.

He has edited collections on African American rhetoric, black consciousness, sports, Muhammad Ali, and African American writing about St. Louis.

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October 10th, 2001

The Ralph Ellison Project: Stanley Crouch discusses Invisible Man author Ralph Ellison

Stanley Crouch is an essayist, poet, former musician, jazz critic and author of the novel Don’t the Moon Look Lonesome. He is outspoken, controversial, clever, and right more often than many seem willing to admit. He is also a very thoughtful admirer of Invisible Man author Ralph Ellison, whose work and friendship touched Crouch enough that, when asked if he considered Ellison a mentor, without hesitation answered “Yes!” Crouch takes part in a very lively conversation about Ellison and a variety of associated topics, including Charlie Parker, and music’s place in American ritual.

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September 14th, 2001

The Ralph Ellison Project: Albert Murray, author of Trading Twelves: The Selected Letters of Ralph Ellison and Albert Murray

When Albert Murray arrived at Tuskeegee Institute in 1935, Ralph Ellison was an upperclassman who was, in Murray’s words, “dressed like a ‘Joe College’ right out of Esquire magazine.” According to Murray, Ellison “represented the type of aspirations that I had been expecting for myself.”

While their paths split geographically, the two kindled an emotional and intellectual friendship that gained momentum during the era of Ellison’s creative peak, when his timeless novel of identity Invisible Man was being written, distributed, reviewed, and rewards reaped upon. They honored successes, encouraged intellectual growth, and shared a deep love of music. They were best friends.

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August 29th, 2001

Tony Award winning playwright Warren Leight

The Tony Award winning play Side Man dramatizes the emotional elements of a dying jazz culture and its effects on an American family whose very soul depended on it. Playwright Warren Leight’s fascinating dark comedy chronicles three decades of living through the lives of jazz sidemen, and is filled with humor, honor, passion and pain.

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August 29th, 2001

The Ralph Ellison Project: Literary Executor John Callahan is interviewed about the author of Invisible Man

Being named literary executor of any writer’s estate would be quite an honor, let alone if the writer whose works you now caretake is Ralph Ellison, author of one of the 20th century’s greatest novels, Invisible Man. For long time Ellison friend John Callahan, “It was a challenge, and it was intimidating, exhilirating…”

Among the work left for Callahan was editing Ellison’s long awaited second novel, released as Juneteenth in 1999.

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July 18th, 2001

Whitney Balliet, author of Collected Works: A Journal of Jazz, 1954-2000

As jazz critic for the New Yorker magazine since 1957, and author of fifteen books, Whitney Balliett has spent a lifetime listening to and writing about jazz. Generations of readers have learned to listen to the music with his graceful guidance.

In our interview with Balliett, he discusses his latest book, Collected Works: A Journal of Jazz, 1954-2000 (St. Martin’s Press), which collects a bounty of his reviews, reporting and portraits.

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May 24th, 2001

Martha Bayles, author of Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music

Few observers of cultural history articulate their viewpoints quite like Martha Bayles. Her opinions on popular culture are intelligent, controversial, and in demand. Her essay on Miles Davis recently appeared in the New York Times, and for years she was the television and arts critic for the Wall Street Journal, where her work still appears. Her book, Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music, was hailed by the Chicago Tribune as an “important book.” The New York Times said, “Ms. Bayles tells a morality tale of how culture lost its way by adopting attitudes that undermine its finest achievements.”

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April 7th, 2001

Jeroen de Valk, author of Chet Baker: His Life and Music

Chet Baker was a star at 23 years old, winner of the Critics as well as Readers Poll in Down Beat. But much of his later life was shadowed by his drug use and problems with the law.

Chet Baker: His Life and Music gives an account of the famous trumpeter – famous as much for his tragic life as his beautiful music. In our interview, conducted via e-mail, author Jeroen de Valk talks about Baker, the life he led, the people he touched, and the legacy he left.

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March 29th, 2001

Conversations with Gary Giddins: on Bing Crosby

When Gary Giddins, the jazz critic and columnist for the Village Voice, began work on an in-depth biography of Bing Crosby, many asked him, “Why?” He has explained that Crosby, perhaps the most famous entertainer in America between 1927 and 1956, has been unjustly forgotten since his death in 1977.

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March 22nd, 2001

Ean Wood, author of The Josephine Baker Story

The effervescent smile of Josephine Baker is easily recognizable. The mellifluous tone of her voice is legendary. Epitomizing the adage “all that glitters is not gold,” her life was plagued with broken marriages, discrimination, poverty, and eventually illness.

In his book, The Josephine Baker Story, author Ean Wood, who previously wrote of George Gershwin’s life, presents us with a portrait of a truly remarkable woman whose charm, vivacity and captivating personality live on long after her death.

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September 2nd, 2000

William Zinsser, author of Mitchell and Ruff: An American Profile in Jazz

Since 1955, Dwike Mitchell and Willie Ruff have been performing, teaching, and sharing jazz with the country and the world. William Zinsser, best-selling author of On Writing Well, follows the duo to China, to the American Midwest, to New York City, and to Venice (where Ruff travels back to the roots of Western music in order to explore jazz’s heritage).

Zinsser tells how these two men, raised in small towns in the South in the 1930s and 40s, struggled and persevered to become masters of their craft–and how they came to embrace the tradition of jazz as it is handed down from one generation to the next.

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August 30th, 2000

Cherie Nutting, author of Yesterday’s Perfume: An Intimate Portrait of Paul Bowles

Fifteen years ago, Cherie Nutting returned to Morocco. She had first visited it as a child with her mother, and the images of mystery and the desert had stayed with her, fueled over the years by accounts of expatriate life and by the literature created there. In Tangier again, she met the most famous of the expatriates and author of the classic The Sheltering Sky. Cherie became a friend of Paul Bowles and part of his circle. Over the years, the friendship deepened and widened.

Yesterday’s Perfume is a memoir of that friendship and of Cherie’s love of Morocco. Cherie discusses her friendship with this extraordinary artist in an interview with Jerry Jazz Musician publisher Joe Maita.

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August 23rd, 2000

Nick Catalano, author of Clifford Brown : The Life and Art of the Legendary Jazz Trumpeter

Few enthusiasts and scholars would argue the place trumpeter Clifford Brown holds in jazz history. His work, sadly cut short by his death in 1956, is dramatic, creative, revered. Until now, there has not been a body of work on his life to better acquaint us with his play, his life in and out of jazz, and his enthusiasm for life. Author Nick Catalano, whose love for Brownie had its beginnings at age 14 when he briefly shared a bandstand with him, has given us Clifford Brown : The Life and Art of the Legendary Jazz Trumpeter, a critically-acclaimed, newly released biography

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August 22nd, 2000

Jazz Poet Sascha Feinstein

Jazz and poetry seem intertwined somehow, not just because of its historical union, but because of their immense opportunity for self-expression. Sascha Feinstein has written extensively about jazz poetry, and most recently he has published Misterioso , a collection of his own work which won the Hayden Carruth Award. Sascha was kind enough to share his thoughts with Jerry Jazz Musician during a July, 2000 interview.

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July 6th, 2000

John Kruth, author of Bright Moments: The Life and Legacy of Rahsaan Roland Kirk

Bright Moments, the first biography of the legendary jazz musician Rahsaan Roland Kirk, establishes once and for all the brilliant multi-instrumentalist’s place in the pantheon of jazz giants alongside Charlie Parker, Miles Davis and Thelonious Monk. Culled from three years of in-depth interviews and research, Bright Moments chronicles the tumultuous life of the neglected genius through enlightening observations and hilarious anecdotes by Kirk’s friends and family, as well as by famous contemporaries such as Quincy Jones, Allen Ginsberg, Yusef Lateef, Eric Burdon, Ken Kesey and Jethro Tull’s Ian Anderson.

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May 29th, 2000

Mark Isham Interview

What music would you take to a remote island? It would be wise to consider taking the catalog of Mark Isham. Not only would you have a Grammy and Emmy Award winning film composer of over 50 films, there is a solo career that spans from New Age Windham Hill recordings such as 1983’s VAPOR DRAWINGS to the decidedly cool acoustic jazz of 1995’s BLUE SUN featuring Charles Lloyd. Not to mention all Isham’s recorded guest appearances. Now add to that, the often raucous MILES REMEMBERED: THE SILENT WAY PROJECT, a live album culled from some 30 hours of recorded performance.

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April 29th, 2000

Interview with jazz photographer Herman Leonard

For many of us, the photography of Herman Leonard is our first link to jazz culture. Ellington in Paris, Dexter with a Chesterfield, a youthful Miles, Satchmo in Birdland…These images, in some cases more so than the music, are responsible for our devotion to preserving and protecting the art the musicians of mid 20th Century America created, and Herman Leonard reported on.

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March 6th, 2000

Pianist Kenny Barron

If you looked up the word ubiquitous in some cosmic jazz dictionary, you’re likely to find “Kenny Barron” as its definition. Long considered one of the finest jazz pianists of his generation, Barron has forged celebrated collaborations as a sideman with such luminaries as Dizzy Gillespie, Freddie Hubbard, Yusef Lateef, Ron Carter, Stan Getz, to name but a few.

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November 28th, 1999

John Fraim, author of Spirit Catcher: The Life and Art of John Coltrane

Author John Fraim is a very interesting man. Taking on a subject like John Coltrane is not a left-brain experience. He knew wisdom and historical perspective were required before writing about a complex, musical prophet, and wrote this biography the way Coltrane lived his life…In his award-winning book, Spirit Catcher, The Life and Art of John Coltrane, he presents Coltrane’s life as spiritual quest, and in it creates a piece of art not often found in biographical form.

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October 29th, 1999

Larry Jansen interview

“I just wish I could pitch for one year!”, former Major League pitcher Larry Jansen says when asked about today’s salaries. But you get the sense he wouldn’t trade today’s money for a single memory of his life long career in baseball. Jansen was a 1950 All-Star pitcher (he induced Joe Dimaggio to hit a fly ball), a two time 20 game winner, and the winning pitcher in perhaps the greatest baseball game ever played, Game 3 of the 1951 playoff between the New York Giants and Brooklyn Dodgers.

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April 9th, 1999

Matt Glaser, advisor to Ken Burns’ Jazz

Matt Glaser is the only tenured professor of violin in the United States who specializes in jazz, folk and swing instead of classical music. Matt has appeared on over thirty recordings, is the head of the string department at Boston’s Berklee College of Music, and co-authored the book “Jazz Violin” with legendary jazz violinist Stephane Grappelli.

A close friend of Ken Burns, Glaser has played on numerous Burns documentaries. He was a Senior Advisor to Burns during the filming of Jazz – A Film by Ken Burns. Glaser’s colorful interviews throughout the film are a dynamic part of the experience.

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February 12th, 1999

T.S. Monk on father Thelonious Monk and his music

T.S. Monk has done what few children of cultural genius’ have done before him….forge a successful, highly respected career of his own. His current release, the enhanced CD “Monk on Monk”, is not only one of the best Monk tribute albums ever recorded, critics have mentioned it as among the best jazz releases of 1997.

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February 9th, 1998

In this Issue

“The Jazz Photography Issue” features an interview with today’s most eminent jazz portrait photographer Carol Friedman, news from Michael Cuscuna about newly released Francis Wolff photos, as well as archived interviews with William Gottlieb, Herman Leonard, Lee Tanner, a piece on Milt Hinton, a new edition of photos from Veryl Oakland, and much more…

On the Turntable

This month, a playlist of 18 recently released jazz recordings by six artists -- Joshua Redman, Joe Lovano. Matt Brewer, Tom Harrell, Zela Margossian, and Aaron Burnett

Short Fiction

"Crossing the Ribbon" by Linnea Kellar is the winning story of the 51st Jerry Jazz Musician Short Fiction Contest

Poetry

Seventeen poets contribute to the Summer, 2019 collection of jazz poetry reflecting an array of energy, emotion and improvisation

“What are 4 or 5 of your all-time favorite Blue Note albums?”

Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

Pressed for All Time

In an excerpt from his book Pressed for All Time, Michael Jarrett interviews producer John Snyder about the experience of working with Ornette Coleman at the time of his 1977 album Dancing in Your Head

Art

“Charles Ingham’s Jazz Narratives” — a continuing series

Poetry

Poetry by John Stupp and Michael L. Newell

Art

Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland's photographs and stories feature Art Pepper, Pat Martino and Joe Williams.

Interviews

Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon, discusses her late husband’s complex, fascinating life.

Short Fiction

“A Viennese Tale,” a story by Matias Travieso-Diaz, was a finalist in our recently concluded 51st Short Fiction Contest.

In the previous issue

Michael Cuscuna, Mosaic Records co-founder, is interviewed about his successful career as a jazz producer, discographer, and entrepreneur...

Coming Soon

An interview with Nate Chinen, director of editorial content at WBGO Radio, former New York Times jazz writer, and the author of Playing Changes: Jazz in the New Century.

Contributing writers

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