It was 50 years ago today — the anniversary of the A Love Supreme recording date

Ask just about any jazz musician, scholar or fan for a list of the greatest jazz albums ever recorded, and John Coltrane’s A Love Supreme — recorded 50 years ago today — resides on it. My own first experience with it was in 1975, on a late evening in a dark, smoke-filled, back alley cottage on North Oakland’s Alcatraz Avenue. My listening was guided by a dear friend who understood that this was not just music — it is what happens when musical genius meets intensity, sensitivity, and spirituality. So many details of that evening remain with me 40 years later, not the least of which was how I sunk into the couch, eyes closed, the worn Impulse album jacket never leaving my grip. I was amazed and I was hooked.

Over the years, I have found that a favorite discussion among jazz fans is their recollections of their first experience with this album. When I began developing content for Jerry Jazz Musician, one of the first ideas I had was to interview people who were either

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December 9th, 2014

“The A Love Supreme Interviews” — Ashley Kahn, author of A Love Supreme: The Story of John Coltrane’s Signature Album

A successful recording generally entertains and communicates passion on an earthly, mortal level. We typically respond to an effective performance by humming the melody, tapping our feet, and sharing it with friends. It might even “stomp the blues,” as the critic Albert Murray suggests.

Few recordings, however, actually challenge a listener to address one’s personal essence.

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September 16th, 2002

The A Love Supreme Interviews: Poet Michael Harper discusses John Coltrane

Brown University professor Michael Harper, the first Poet Laureate of the State of Rhode Island, and author of the National Book Award nominated collection, Dear John, Dear Coltrane, discusses John Coltrane and reads his poems.

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January 24th, 2002

The A Love Supreme Interviews: Saxophonist Joshua Redman on John Coltrane

Joshua Redman entered the jazz world with tons of expectation and perhaps an unreasonable amount of hope. Pat Metheny went so far as to suggest Redman is “the most important new musician in twenty years.”

While Metheny’s point can be argued, Redman has created some of the most consistently compelling jazz during the last ten years. His music borrows from a storied past and experiments with an elegant future.”

While Metheny’s point can be argued, Redman has created some of the most consistently compelling jazz during the last ten years. His music borrows from a storied past and experiments with an elegant future.

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December 12th, 2001

Francis Davis on his career as a critic, and on John Coltrane

Philadelphian Francis Davis is the author of several books, including The History of the Blues, Bebop and Nothingness and a forthcoming biography of John Coltrane. A contributing editor of The Atlantic Monthly, he also writes regularly about music for the New York Times, among others.

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December 10th, 2001

Nat Hentoff: on his life as a jazz critic, and memories of John Coltrane’s A Love Supreme

Nat Hentoff was born in Boston in 1925 and lived there until he moved to New York City at the age of twenty-eight. For many years he has written a weekly column for the Village Voice. His column for the Washington Times is syndicated nationally, and he writes regularly about music for the Wall Street Journal. His numerous books cover subjects ranging from jazz to civil rights and civil liberties to First Amendment issues.

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November 20th, 2001

The A Love Supreme Interviews: pianist McCoy Tyner

Few musicians have had the impact on the world of music that McCoy Tyner has. His sound has influenced pianists in each of his six decades as a performer. Noted jazz critic Scott Yanow says, “Along with Bill Evans, Tyner has been the most influential pianist in jazz of the past 40 years with his chord voicings being adopted and utilized by virtually every younger pianist.”

While his career continues to move ahead, he will forever be best known as the pianist in John Coltrane’s famed Quartet of the early 1960’s, a group long since recognized as the ultimate jazz combo, whose eclectic, spirited work constantly demanded listeners to reach well beyond their safest star. A Love Supreme, recorded in 1964, is a landmark in music, and to this day the centerpiece to the Quartet’s vast, unparalled universe.

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November 8th, 2001

In This Issue

This issue features an interview with Thomas Brothers, author of Help! The Beatles, Duke Ellington, and the Magic of Collaboration…Also, previous winners of the Jerry Jazz Musician Short Fiction Contest reflect on their winning story; two new podcasts from Bob Hecht; a new collection of poetry; recommendations of recently release jazz recordings, and lots more…

Poetry

"The Thing of it Is" -- a poem by Alan Yount

Short Fiction

In celebration of our upcoming 50th Short Fiction Contest, previous winners reflect on their own winning story, and how their lives have unfolded since.

Poetry

Twelve poets contribute 15 poems to the February collection

Interviews

In Help! The Beatles, Duke Ellington, and the Magic of Collaboration, Duke University musicologist Thomas Brothers – author of two essential studies of Louis Armstrong – tells a fascinating account of how creative cooperation inspired two of the world’s most celebrated groups. He joins us in an interview to discuss his book, described by the Wall Street Journal as “a historically masterly and musically literate unraveling of some of the most-admired credits in 20th-century popular music.”

The Joys of Jazz

In this podcast, Bob Hecht tells the story of the song now synonymous with Feb. 14

Poetry

Steve Dalachinsky's poem of John Coltrane is dedicated to Amiri Baraka

Black History Month Profile

The life of Rosa Parks is discussed with biographer Douglas Brinkley

On the Turntable

Recommended listening…20 recently released jazz tunes by, among others, Brad Mehldau, Matt Penman, Ethan Iverson/Mark Turner, Ben Wendel, Julian Lage, and Don Byron

Great Encounters #54

In this edition, Joe Hagan, author of STICKY FINGERS: .The Life and Times of Jann Wenner and Rolling Stone Magazine, writes about how co-founders Wenner and legendary San Francisco music critic Ralph Gleason came upon the name for their revolutionary publication, Rolling Stone magazine.

“What are 3 or 4 of your favorite recordings of the 1940s?”

Chick Corea, Rickie Lee Jones, Gary Giddins, Michael Cuscuna, Randy Brecker and Tom Piazza are among those responding to our question, "What are 3 or 4 of your favorite jazz recordings of the 1940's?"

Cover Stories with Paul Morris

In this edition, Paul writes about the album art of the 1950's classical label Westminster Records

Coming Soon

Romare Bearden biographer Mary Schmidt Campbell is interviewed about the great American artist; Maxine Gordon discusses her biography of Dexter Gordon, her late husband... . . .

In the previous issue

This issue features a roundtable discussion among religious scholars Tracy Fessenden, Wallace Best and M. Cooper Harriss, who talk about how the world of religion may have impacted the creative lives of Billie Holiday, Langston Hughes and Ralph Ellison; also a new collection of poetry; previous winners of the Jerry Jazz Musician Short Fiction Contest reflect on their winning stories; three podcasts from Bob Hecht; recommended jazz listening; and lots more

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