Interview with Jeffrey Stewart, author of The New Negro: The Life of Alain Locke

Jeffrey Stewart, National Book Award-winning author of The New Negro: The Life of Alain Locke,” discusses the life of the man known as the father of the Harlem Renaissance

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May 12th, 2019

A Women’s History Month profile: American women during World War II

In an interview originally published on Jerry Jazz Musician in 2004, Emily Yellin, author of Our Mother’s War: American Women at Home and at the Front During World War II, talks about the historic contributions women made toward the war effort

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March 28th, 2019

Interview with Mary Schmidt Campbell, author of An American Odyssey: The Life and Work of Romare Bearden

Mary Schmidt Campbell, author of .An American Odyssey: The Life and Work of Romare Bearden,discusses the remarkable life of this important American artist in a Jerry Jazz Musician interview.

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March 9th, 2019

A Black History Month Profile: Jack Johnson

In an interview originally published on Jerry Jazz Musician in 2004, Jack Johnson  biographer Geoffrey Ward talks about the first black heavyweight champion in history, the celebrated — and most reviled — African American of his age. 

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February 21st, 2019

Interview with Thomas Brothers, author of Help! The Beatles, Duke Ellington and the Magic of Collaboration

In Help! The Beatles, Duke Ellington, and the Magic of Collaboration, Duke University musicologist Thomas Brothers – author of two essential studies of Louis Armstrong – tells a fascinating account of how creative cooperation inspired two of the world’s most celebrated groups.

The following interview with Mr. Brothers about his book — hosted and produced by Jerry Jazz Musician. publisher Joe Maita — was conducted on December 10, 2018.

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February 5th, 2019

A Roundtable conversation — “Religion ‘around’ Langston Hughes, Billie Holiday and Ralph Ellison”

. . Ralph Ellison Billie Holiday Langston Hughes   . …..While Langston Hughes, Billie Holiday and Ralph Ellison are not known as being “religious” figures, they have, in a way, become “sacred” figures. Revered, iconic and inspirational, their essential work contributed mightily to the creative climate of twentieth-century America, and did so in the midst … Continue reading “A Roundtable conversation — “Religion ‘around’ Langston Hughes, Billie Holiday and Ralph Ellison””

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January 7th, 2019

Interview with Bing Crosby biographer Gary Giddins

Gary Giddins, his generation’s most eminent jazz writer and author of the award winning biography Bing Crosby: A Pocketful of Dreams: The Early Years, 1903 – 1940, talks with us about his brilliant second book on Crosby, Swinging on a Star: The War Years, 1940 – 1946. The interview is a fascinating read — a virtual history of Crosby’s life and his impact on America during its most consequential decade. Featuring photos, music and film clips, and information about Giddins’ experience studying Crosby for 25 years.

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October 25th, 2018

Nat Hentoff’s childhood hero

The topic of “childhood heroes” almost always makes a great conversation.  It is a highly personal discussion and often provides a revealing window into a person’s past and character development.  For many years, I have asked those I interview this basic question:

“Who was your childhood hero?”

The recently deceased jazz advocate and journalist Nat Hentoff was a frequent contributor to Jerry Jazz Musician, and an early admirer of the work of this website.  I had the privilege of getting to know him a little bit over the years, and interviewed him several times, as did my friend and contributing writer Paul Morris, who, during his 2001 interview with Hentoff, asked him who his childhood hero was…Here is that conversation:

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July 17th, 2018

Housing affordability and discrimination — a continuing worldwide problem

“Dear God! Must we not live? And when a whole city of white folk led and helped by banks, Chambers of Commerce, mortgage companies and ‘realtors’ are combing the earth for every bit of residential property for whites, where in the name of God are we to live and live decently if not by these same whites?”

– W. E. B. Dubois

 

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Lack of affordable housing — and housing discrimination — is a worldwide problem…From Hamburg to Seattle, this is an issue that challenges even the best of communities.  People who have lived in “inner-city” neighborhoods for generations are being displaced by young professionals, leaving them a long distance from where the good jobs are, with access to public transportation and essential services not always a practical option.

This is nothing new, of course.  Economics and race have long been at the center of the quest for affordable housing and continues to play a major role in housing discrimination.

Several years ago I was fortunate to interview the author Kevin Boyle, winner of the National Book Award for his book Arc of Justice, which told the story of an African American doctor named Ossian Sweet who attempted to move his family into an all-white, 1925 Detroit neighborhood.  The story is

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July 10th, 2018

Revisiting Gil Evans

     An early interview I conducted as publisher of Jerry Jazz Musician was with Stephanie Stein Crease, whose 2002 biography of Gil Evans, Out of the Cool, was an illuminating history of a man the jazz writer Gary Giddins refers to as “one of the great figures in American music, a composer and orchestrator of breathtaking originality.”

     In the interview, Crease talks of Evans’ life as having

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May 14th, 2018

A Black History Month Profile: Charlie Parker

In an interview originally published on Jerry Jazz Musician in 2014, Charlie Parker biographer Stanley Crouch talks about the great saxophonist’s life and his book, Kansas City Lightening:  The Rise and Times of Charlie Parker

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February 28th, 2018

A Black History Month Profile: Louis Armstrong

In an interview originally published on Jerry Jazz Musician in 2014, Louis Armstrong biographer Thomas Brothers talks about his second volume devoted to the most eminent jazz musician’s life, Louis Armstrong:  Master of Modernism.

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February 21st, 2018

A Black History Month Profile: Madam C.J. Walker

In an interview originally published on Jerry Jazz Musician in 2004, Madam C.J. Walker biographer A’Lelia Bundles talks about  Ms. Walker, who established herself as a pioneer of the modern black hair-care and cosmetics industry, set standards in the African-American community for corporate and community giving, and helped create the role of the 20th Century, self-made American businesswoman.

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February 13th, 2018

Revisiting interviews with Vietnam War writers Karl Marlantes and David Maraniss

In the midst of the Ken Burns’ film The Vietnam War (so far, sensational),  I am reminded of my own experience with the war, which, as an 18-year- old in 1972, left me, fortunately, untouched physically but engaged in other ways.  My big brother was in the very first draft lottery, and the image of our family sitting around our TV set, anxiously awaiting the results of the lottery and the impact it could have on my brother and so many of his friends, is burned in my memory.  (Miraculously, he drew #355!)

Growing up in the San Francisco Bay area meant I had a front row seat during Cal’s Free Speech Movement, San Francisco State (where my brother attended and provided our family with daily reports about the turmoil there), Haight-Ashbury, Berkeley’s People’s Park, and ongoing events associated with the civil rights movement.  It was a powder keg time with Vietnam at the centerpiece, and we all grew up pretty quickly.

Music, of course, was a key component of the Vietnam generation, and San Francisco was loaded with

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September 26th, 2017

“Up From New Orleans: Life Before, During and After Hurricane Katrina” — A conversation with transplanted New Orleans musicians Mark DiFlorio and Devin Phillips

Watching the impact Hurricane Irma is having on countless lives this week brought back memories of stories that came out of New Orleans in the wake of Hurricane Katrina in August of 2005.  In the midst of all the devastation, many people left the Crescent City permanently, including a handful of jazz musicians who made the move to Portland at the invitation of the Portland Jazz Festival organization (now known as PDX Jazz).

In 2006 I interviewed two of those musicians — Devin Phillips, who has become a fixture on Portland’s jazz scene and is its most popular and accomplished saxophonist, and Mark DiFlorio, a drummer who lived in Portland before moving to Seattle (his website indicates he is now living in Los Angeles).  Their stories are remarkable, and this interview is worth revisiting…

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September 11th, 2017

“Civil Liberties and Jazz — Past, Present and Future” — A 2005 Jerry Jazz Musician conversation with journalist Nat Hentoff

In honor of the great American journalist Nat Hentoff — who died yesterday at age 91 — I am publishing a 2005 interview I conducted with him as he turned 80.

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January 8th, 2017

Gary Giddins discusses Thelonious Monk

If you do a blindfold test and play Monk, the listener is likely going to know it’s him after about two bars. Everything about the way he approaches the piano and music is so distinctive. People used to use words like idiosyncratic and eccentric, but there is, of course, more than that — there is a tremendous beauty in Monk’s music, and it is peculiar to him. Everything about his attack, the particular percussiveness of his style, his use of chords, his astonishing time, can only be described as “Monkian.” And in terms of his almost exclusive reliance on jazz, most great jazz pianists have some

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October 17th, 2016

Interview with Thelonious Monk biographer Robin D.G. Kelley

“The piano ain’t got no wrong notes!” So ranted Thelonious Sphere Monk, who proved his point every time he sat down at the keyboard. His angular melodies and dissonant harmonies shook the jazz world to its foundations, ushering in the birth of “bebop” and establishing Monk as one of America’s greatest composers. Yet throughout much of his life, his musical contribution took a backseat to tales of his reputed behavior. Writers tended to obsess over Monk’s hats or his proclivity to dance on stage. To his fans, he was the ultimate hipster; to his detractors, he was temperamental, eccentric, taciturn, or childlike. But these labels tell us little about the man or his

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October 14th, 2016

Ben Ratliff on John Coltrane

Longtime accomplished New York Times music critic Ben Ratliff has left the paper. He was a terrific writer who had the ability to pique my interest in an artist in short, reliable, and often brilliant reviews.

I had the privilege of meeting him a few times over the telephone and in person. He joined me in a 2003 conversation with Bruce Lundvall and Joshua Redman about the business of jazz music, talked with Paul Morris about his book Jazz: A Critic’s Guide to the 100 Most Important Recordings, and in 2008, we talked about his book on John Coltrane, The Story of a Sound, which is published

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August 12th, 2016

Gary Giddins on jazz criticism

Jazz history is filled with great moments and musicians, reported on over the years by critics whose work influenced the music’s path. Rudi Blesh, Martin Williams, Albert Murray, Dan Morgenstern, Nat Hentoff, Gene Lees, Leonard Feather, Whitney Balliett, and Stanley Crouch are just a handful of the critics whose liner notes, columns, opinions and histories we read while deepening our desires to grow with the music. The writer whose work is perhaps most renown is Gary Giddins, the award-winning writer who for years wrote about jazz for the Village Voice, and who I was privileged to interview several times about a variety of interesting topics in our Conversations with Gary Giddins series.

In June, 2003, Giddins and I talked about his ascension as a jazz writer, and included his candid observations of other prominent critics. The discussion concluded with a unique “Blindfold Test” that asked Giddins to name the jazz writer responsible for the essay excerpt he is spontaneously shown. It is a timeless view of

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May 24th, 2016

JJM interviews on Chet Baker and Miles Davis

With the Miles Davis and Chet Baker films now in distribution, there is a marked increase in traffic on this website’s content that is devoted to them, including several interviews that we conducted with biographers and family members. I have chosen five of them for you to consider spending some time with, featuring Ashley Kahn, James Gavin, John Szwed, Carol Baker and Gerald Early.

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April 18th, 2016

Gary Giddins on underrated saxophonists

Fans of the saxophone may enjoy reading a January, 2004 interview I did with critic Gary Giddins on underrated jazz musicians. (This was part of my 15 part series of interviews with him called “Conversations with Gary Giddins.”) In this snippet from the interview, Giddins talks about George Coleman, Booker Ervin, Paul Gonsalves, Charlie Rouse and others who he considered “underrated.”

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April 14th, 2016

Jazz writer Gary Giddins on underrated jazz guitarists

“If you look at the Grove Dictionary of Jazz, it is three volumes of jazz history and it embodies a never-ending challenge to discover all those artists. I think the important thing is to look beyond the most celebrated names. In this regard, jazz is profoundly different from nineteenth century classical music, where the pantheon has proven remarkably stable. A jazz listener will want to hear Miles Davis — his reputation is there for a reason — but so much of the fun in jazz lies in finding those distinct personalities who were extremely individual and inventive, yet abide in relative obscurity.”

This comment was made by the most eminent jazz writer Gary Giddins during our “Conversations with Gary Giddins” series, in which he talked about underrated jazz musicians. This particular conversation — from 2004 — concerns underrated jazz guitarists.

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January 26th, 2016

Booker Ervin and other “underrated” saxophonists

I got caught up into listening to Booker Ervin this morning, and was reminded about my first experience listening to him as a leader — on a big band session he led called Booker ‘n’ Brass, a 1967 Pacific Jazz recording that has found its way to my turntable for the first time in probably 25 years. Forty-eight years since its recording, Ervin’s crisp attack over the top of the stalwart Teddy Edwards-led band on songs like “St. Louis Blues,” “Baltimore Oriole,” and “Harlem Nocturne” sounds as good as it did when I first discovered this record in a Portland used record shop for $2.99 , c. 1980.

Getting into Ervin again reminds me of a conversation I hosted in January, 2004, with the most eminent jazz critic of his era, Gary Giddins, who shared his thoughts with me in a three part series regarding the jazz musicians he deemed as being “underrated.” Here is the part where he talks about

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April 28th, 2015

Celebrating African American History Month — Exclusive Jerry Jazz Musician interviews with and about prominent African Americans

Historian Douglas Brinkley discusses the life of Rosa Parks _____ For years, we have published exclusive interviews with prominent historians on a variety of figures and topics essential to American history that can also be put into the “American American History” category. Some examples: Musicians: Biographers discuss John Coltrane, Miles Davis, Charlie Parker, Louis Armstrong, … Continue reading “Celebrating African American History Month — Exclusive Jerry Jazz Musician interviews with and about prominent African Americans”

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February 2nd, 2015

It was 50 years ago today — the anniversary of the A Love Supreme recording date

Ask just about any jazz musician, scholar or fan for a list of the greatest jazz albums ever recorded, and John Coltrane’s A Love Supreme — recorded 50 years ago today — resides on it. My own first experience with it was in 1975, on a late evening in a dark, smoke-filled, back alley cottage on North Oakland’s Alcatraz Avenue. My listening was guided by a dear friend who understood that this was not just music — it is what happens when musical genius meets intensity, sensitivity, and spirituality. So many details of that evening remain with me 40 years later, not the least of which was how I sunk into the couch, eyes closed, the worn Impulse album jacket never leaving my grip. I was amazed and I was hooked.

Over the years, I have found that a favorite discussion among jazz fans is their recollections of their first experience with this album. When I began developing content for Jerry Jazz Musician, one of the first ideas I had was to interview people who were either

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December 9th, 2014

In honor of jazz historian Dan Morgenstern — at age 85

The critic Gary Giddins once told me that fellow jazz writer Dan Morgenstern has the “best ears in the business.” Morgenstern’s work as editor of Down Beat during the 1960’s and 70’s (when it was jazz music’s premier magazine) and as the director of the Institute of Jazz Studies at Rutgers, according to writer Sheldon Mayer helped direct “a generation of jazz scholars and broadened the discussion and range of the discipline.”

In addition to his work at Down Beat and the Institute, I associate Morgenstern’s career with his defense of the latter-day Louis Armstrong, and for the many great liner notes he penned. In the introduction to my 2005 interview with Morgenstern (at the time of the release of his book Living With Music), I wrote: “Dan Morgenstern was the

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October 29th, 2014

Interview with Cary Ginell — author of Walk Tall: The Music and Life of Julian “Cannonball” Adderley

Julian “Cannonball” Adderley’s stellar career began in the era of hard bop and ended (far too soon) during the time of jazz fusion. In between, he played on some of the most prominent recordings in the history of jazz — Miles Davis’ Kind of Blue and his own Somethin’ Else among them — and ultimately became what the critic Gary Giddins described as “the patron saint of the soul-hymn movement,” a music that would reach a broad affluent audience while also keeping jazz relevant in the African-American neighborhoods.

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August 26th, 2014

Interview with saxophonist Kevin Flanagan on the convergence of poetry and jazz

The convergence of poetry and jazz has long been a part of the counterculture, and it has always interested me. An early interview I did for Jerry Jazz Musician was with David Amram, once known as Jack Kerouac’s musical collaborator. In the interview he talked about Kerouac’s love of music, telling me that “he had an enormous memory for music and for jazz and the classics. He could sing the melodies from different Haydn and Beethoven string quartets. He was like an encyclopedia of music and classic literature from Europe. He also had an enormous knowledge of Buddhism. He had a tremendous knowledge of Judaism, as well as the writings from the Old and New Testaments as well as from the Mass. He had this knowledge of so many different things. When he was reading, I would submerge myself into whatever it was he was reading, and I tried to anticipate what would happen next.”

     So, the collaboration of words and music is fascinating, and has deep and intellectual roots. It was the basis for my interest in an email I received a while ago from reed player Kevin Flanagan who, like Kerouac, is a Lowell, Massachusetts native. Flanagan’s Riprap Quartet recordings, he informed me, “feature compositions by the band setting the works of Pulitzer Prize winning-poet Gary Snyder” and is

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July 3rd, 2014

Louis Armstrong – the genesis of his “crossover” appeal

Breaking into the white market without losing his African-American vernacular identity was an amazing achievement for Louis Armstrong — particularly during his era. I talk about this in an excerpt from my recent interview with Thomas Brothers, author of Louis Armstrong: Master Of Modernism.

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JJM In the winter of 1925 – 26, while making a name for himself at classy venues like the Dreamland Café and the Vendome Theater, Armstrong was also extending his reputation thanks to the Hot Five series on OKeh Records. The recordings sold in Chicago, but the main target audience was African Americans in the Deep South, where “race records” were immensely popular. What was OKeh’s marketing strategy for this series?

TB Yes, they certainly sold in Chicago, and they sold in all northern cities where there were African-American communities from the Great Migration. The target of these “race records” was of course to appeal to the African-American mass audience, and to do so in a low-budget way. They were not interested in paying musicians any royalties – they would get a flat fee

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June 25th, 2014

Interview with Thomas Brothers — author of Louis Armstrong: Master of Modernism

In Louis Armstrong: Master of Modernism, Thomas Brothers picks up where he left off with the acclaimed Louis Armstrong’s New Orleans, following the story of the great jazz musician into his most creatively fertile years in the 1920s and early 1930s, when Armstrong created not one but two modern musical styles. Brothers wields his own tremendous skill in making the connections between history and music accessible to everyone as Armstrong shucks and jives across the page. Through Brothers’s expert ears and eyes we meet an Armstrong whose quickness and sureness, so evident in his performances, served him well in his encounters with racism while his music soared across the airwaves into homes all over America.

Brothers discusses his book with Jerry Jazz Musician publisher Joe Maita in an April, 2014 interview.

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June 15th, 2014

Celebrating African American History Month — Exclusive Jerry Jazz Musician interviews with and about prominent African Americans

For years, we have published exclusive interviews with prominent historians on a variety of figures and topics essential to American history that can also be put into the “American American History” category. Some examples:

Musicians:

Biographers discuss John Coltrane, Miles Davis, Charlie Parker, Louis Armstrong, Fletcher Henderson, Thelonious Monk, W. C. Handy, Cab Calloway, Sam Cooke, Lena Horne, Dizzy Gillespie, Dinah Washington, Robert Johnson, Bessie Smith, Lester Young, Charles Mingus, Bud Powell, Jelly Roll Morton, Billie Holiday, Sonny Rollins, and Josephine Baker

Civil Rights:

Historians — including National Book Award and Pulitzer Prize winners — talk about the lives of Rosa Parks, Ralph Ellison, Madame C.J. Walker, Zora Neale Hurston, Richard Wright, Reverend C.L. Franklin, Bayard Rustin, the Reverend Ralph Abernathy, and the events of the Tulsa race riots of 1921, 1960’s Birmingham, Alabama

Sports:

Including interviews about Satchel Paige, The Harlem Globetrotters, Joe Louis, Negro League Baseball, Jack Johnson, Curt Flood and Jacke Robinson

There are countless other interviews and subjects to be discovered…If you are looking to do research for papers or to simply enjoy a favorite topic of history, we invite you to click here to get to a comprehensive list of interviews. Alternatively, you can find these interviews by doing a basic search.

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February 9th, 2014

Interview with Marc Myers, author of Why Jazz Happened

Marc Myers is a busy guy…In addition to being a frequent contributor to the Wall Street Journal (where he writes about jazz, rock, and other culture), he also posts daily on his award-winning blog Jazz Wax and travels around the world promoting his pursuits. Perhaps his most important contribution is his book Why Jazz Happened, described by his publisher (University of California Press) as “the first comprehensive social history of jazz.” Myers’ perspective is fresh and thorough and wonderfully entertaining. For those who love the history of this music, it should be on your night table.

I recently interviewed Myers about his book, which he took the time to converse in great detail about — topics like how the G.I. Bill altered the direction of jazz; the advent of the extended jazz solo that came with the introduction of the LP; and how the suburbanization of Southern California ushered in a new harmony-rich jazz style in contrast to the music played in urban markets. It is a great read!

What follows is part conversation/part history class about Myers’ fascinating cultural study of why, in his opinion, “jazz happened.”

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February 7th, 2014

Interview with Stanley Crouch, author of Kansas City Lightning: The Life and Times of Charlie Parker

Described by the New York Times as a “bebop Beowulf,” Stanley Crouch’s Kansas City Lightning: The Life and Times of Charlie Parker is a love song to the life and times of Bird, one of jazz music’s most critically important figures. Mr. Crouch, himself an essential participant in both contemporary criticism and in the delivery of live performance (through his work with Jazz at Lincoln Center), discusses his long-anticipated biography with Jerry Jazz Musician in a recently conducted interview.

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January 22nd, 2014

Coming Soon: An Interview with Charlie Parker biographer Stanley Crouch

I am delighted to report that I have scheduled an interview with Stanley Crouch, author of Kansas City Lightening, The Rise and Times of Charlie Parker, and for many years one of jazz music’s most outspoken and influential intellectuals. The interview will take place later this month, and my hope is to publish it over the holidays.

We recently published an excerpt from the first chapter of his book…In case you missed it, here it is again. Crouch describes the scene in New York’s Savoy Ballroom when Jay McShann (Parker on alto) dueled Lucky Millinder’s band, as well as Parker’s need for getting high, and doing so prior to the evening’s performance…

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November 8th, 2013

Excerpt of our interview with Why Jazz Happened author Marc Myers

Marc Myers is a busy guy…In addition to being a frequent contributor to the Wall Street Journal (where he writes about jazz, rock, and other culture), he also posts daily on his award-winning blog Jazz Wax. Perhaps his most important contribution is his book Why Jazz Happened, described by his publisher (University of California Press) as “the first comprehensive social history of jazz.” Myers’ perspective is fresh and thorough and wonderfully entertaining. For those who love the history of this music, it should be on your night table.

I recently interviewed Myers about his book, which he took the time to converse in great detail about — topics like how the G.I. Bill altered the direction of jazz; the advent of the extended jazz solo that came with the introduction of the LP;

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November 5th, 2013

Excerpt of our interview with The Amazing Bud Powell author Guthrie Ramsey

We recently published an interview with Guthrie Ramsey, author of The Amazing Bud Powell: Black Genius, Jazz History, and the Challenge of Bebop, a thought provoking read that explores the history of jazz and jazz criticism through the life of the bop legend. In this interview excerpt, Ramsey discusses the concept of jazz manhood and how bop’s move from Harlem to 52nd Street impacted the way the music was critiqued.

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October 31st, 2013

Interview with Guthrie Ramsey, author of The Amazing Bud Powell: Black Genius, Jazz History, and the Challenge of Bebop

Bud Powell was not only one of the greatest bebop pianists of all time, he stands as one of the twentieth century’s most dynamic and fiercely adventurous musical minds. His expansive musicianship, riveting performances, and inventive compositions expanded the bebop idiom and pushed jazz musicians of all stripes to higher standards of performance. Yet Powell remains one of American music’s most misunderstood figures, and the story of his exceptional talent is often overshadowed by his history of alcohol abuse, mental instability, and brutalization at the hands of white authorities.

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October 22nd, 2013

On the Influence of Albert Murray

One of my more interesting experiences as publisher of Jerry Jazz Musician was producing a series of interviews that focused on the work of the novelist Ralph Ellison. Invisible Man was a favorite novel of mine as a young man, but it wasn’t until I reread it in the 1990’s before I began to understand the enormity of its cultural significance. At that time, Ellison’s second (and unfinished) novel Juneteenth was being published, and a variety of books on Ellison were released at the same time – among them Living with Music, a collection of Ellison’s writings on jazz music edited by Columbia University scholar Robert O’Meally, and Trading Twelves: The Selected Letters of Ralph Ellison and Albert Murray.

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October 2nd, 2013

John Goodman on Charles Mingus — An Interview Fragment

I recently published an interview with John Goodman, author of Mingus Speaks, a terrific book of interviews Goodman conducted with Mingus in the early ’70’s.

The following is an interview fragment…

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September 25th, 2013

John Goodman, author of Charles Mingus Speaks

As a writer for Playboy, John F. Goodman reviewed Mingus’s comeback concert in 1972 and went on to achieve an intimacy with the composer that brings a relaxed and candid tone to the ensuing interviews. Much of what Mingus shares shows him in a new light: his personality, his passions and sense of humor, and his thoughts on music. The conversations are wide-ranging, shedding fresh light on important milestones in Mingus’s life such as the publication of his memoir, Beneath the Underdog, the famous Tijuana episodes, his relationships, and the jazz business.

Goodman discusses his book in a July, 2013 interview with Jerry Jazz Musician publisher Joe Maita.

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September 6th, 2013

Ben Ratliff, author of Coltrane: The Story of a Sound

What was the essence of John Coltrane’s achievement that makes him so prized forty years after his death? What was it about his improvising, his bands, his compositions, his place within his era of jazz that left so many musicians and listeners so powerfully drawn to him? What would a John Coltrane look like now — or are we looking for the wrong signs?

The acclaimed jazz writer Ben Ratliff addresses these questions in Coltrane. First Ratliff tells the story of Coltrane’s development, from his first recordings as a no-name navy bandsman to his last recordings as a near-saint, paying special attention to the last ten years of his life, which contained a remarkable series of breakthroughs in a nearly religious search for deeper expression.

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June 9th, 2013

Karl Marlantes, author of Matterhorn: A Novel of the Vietnam War

Intense, powerful, and compelling, Matterhorn is an epic war novel in the tradition of Norman Mailer’s The Naked and the Dead and James Jones’s The Thin Red Line. It is the timeless story of a young Marine lieutenant, Waino Mellas, and his comrades in Bravo Company, who are dropped into the mountain jungle of Vietnam as boys and forced to fight their way into manhood. Standing in their way are not merely the North Vietnamese but also monsoon rain and mud, leeches and tigers, disease and malnutrition. Almost as daunting, it turns out, are the obstacles they discover between each other: racial tension, competing ambitions, and duplicitous superior officers. But when the company finds itself surrounded and outnumbered by a massive enemy regiment, the Marines are thrust into the raw and all-consuming terror of combat. The experience will change them forever.

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May 4th, 2013

Robin D.G. Kelley, author of Thelonious Monk: The Life and Times of an American Original

“The piano ain’t got no wrong notes!” So ranted Thelonious Sphere Monk, who proved his point every time he sat down at the keyboard. His angular melodies and dissonant harmonies shook the jazz world to its foundations, ushering in the birth of “bebop” and establishing Monk as one of America’s greatest composers. Yet throughout much of his life, his musical contribution took a backseat to tales of his reputed behavior. Writers tended to obsess over Monk’s hats or his proclivity to dance on stage. To his fans, he was the ultimate hipster; to his detractors, he was temperamental, eccentric, taciturn, or childlike. But these labels tell us little about the man or his music.

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April 15th, 2013

Doug Ramsey, author of Take Five: The Public and Private Lives of Paul Desmond

Take Five: The Public and Private Lives of Paul Desmond is the story of a jazz artist who transcended genres to establish one of the most immediately recognizable sounds in all of music. Long before his success as the alto saxophonist with the Dave Brubeck Quartet, decades before he wrote “Take Five ,” Desmond determined that he would be himself, never a disciple or an imitator, whatever the cost.

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March 1st, 2013

Alyn Shipton, author of Hi-De-Ho: The Life of Cab Calloway

Clad in white tie and tails, dancing and scatting his way through the “Hi-de-ho” chorus of “Minnie the Moocher,” Cab Calloway exuded a sly charm and sophistication that endeared him to legions of fans.

In Hi-de-ho, author Alyn Shipton offers the first full-length biography of Cab Calloway, whose vocal theatrics and flamboyant stage presence made him one of the highest-earning African American bandleaders. Shipton sheds new light on Calloway’s life and career, explaining how he traversed racial and social boundaries to become one of the country’s most beloved entertainers.

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April 6th, 2011

Conversations with Gary Giddins: On his books Jazz and Warning Shadows

Giddins has been a frequent contributor to Jerry Jazz Musician. This is the 15th interview in our “Conversations with Gary Giddins” series. He joins us in a June 1, 2010 discussion about his two new books.

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June 1st, 2010

James Gavin, author of Stormy Weather: the Life of Lena Horne

Drawing on a wealth of unmined material and hundreds of interviews – one of them with Lena Horne herself – critically acclaimed author James Gavin gives us a “deftly researched” (The Boston Globe) and authoritative portrait of the American icon. Horne broke down racial barriers in the entertainment industry in the 1940s and ’50s even as she was limited mostly to guest singing appearances in splashy Hollywood musicals. Incorporating insights from the likes of Ruby Dee, Tony Bennett, Diahann Carroll, and Bobby Short, Stormy Weather reveals the many faces of this luminous, complex, strong-willed, passionate, even tragic woman – a stunning talent who inspired such giants as Barbra Streisand, Eartha Kitt, and Aretha Franklin.#

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September 18th, 2009

David Robertson, author of W.C. Handy: The Life and Times of the Man Who Made the Blues

Before there was Elvis, there was W.C. Handy, “the man who made the blues.” Here is the first major biography in decades of the man who gave us such iconic songs as “St. Louis Blues,” “The Memphis Blues,” and “Beale Street Blues,” and who was responsible, more than any other musician, for bringing the blues into the American mainstream.

David Robertson charts W.C. Handy’s rise from a rural Alabama childhood in the last decades of the nineteenth century to become one of the most celebrated songwriters of the twentieth century. The child of former slaves, Handy was first inspired by spirituals and folk songs, and his passion for music pushed him to leave home as a teenager, despite opposition from his preacher father.

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September 4th, 2009

Larry Tye, author of Satchel Paige: The Life and Times of an American Legend

Leroy “Satchel” Paige was the most sensational pitcher ever to throw a baseball. During his years in the Negro Leagues he fine-tuned a pitch so scorching that catchers tried to soften the sting by cushioning their gloves with beefsteaks. His career stats — 2,000 wins, 250 shutouts, three victories on the same day — are so eye-popping they seem like misprints. But bigotry kept big league teams from signing him until he was forty-two, at which point he helped propel the Cleveland Indians to the World Series. Over a career that spanned four decades, Satchel pitched more baseballs, for more fans, in more ballparks, for more teams, than any player in history.

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August 29th, 2009

Graham Lock and David Murray, editors of Thriving on a Riff: Jazz & Blues Influences in African American Literature and Film

The widespread presence of jazz and blues in African American visual art has long been overlooked. The Hearing Eye makes the case for recognizing the music’s importance, both as formal template and as explicit subject matter. Moving on from the use of iconic musical figures and motifs in Harlem Renaissance art, this groundbreaking collection explores the more allusive — and elusive — references to jazz and blues in a wide range of mostly contemporary visual artists.

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August 14th, 2009

Marybeth Hamilton, author of In Search of the Blues

Leadbelly, Robert Johnson, Charley Patton — we are all familiar with the story of the Delta blues. Fierce, raw voices; tormented drifters; deals with the devil at the crossroads at midnight.

In an extraordinary reconstruction of the origins of the Delta blues, historian Marybeth Hamilton demonstrates that the story as we know it is largely a myth. The idea of something called Delta blues only emerged in the mid-twentieth century, the culmination of a longstanding white fascination with the exotic mysteries of black music.

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May 23rd, 2008

Brad Snyder, author of A Well Paid Slave: Curt Flood’s Fight for Free Agency in Professional Sports

Upon being traded to the Philadelphia Phillies in 1969, Curt Flood, an All-Star center fielder for the St. Louis Cardinals, wanted nothing more than to stay with St. Louis. But his only options were to report to Philadelphia or retire. Instead, Flood sued Major League Baseball for his freedom, hoping to invalidate the reserve clause in his contract, which bound a player to his team for life.

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February 25th, 2008

The Ralph Ellison Project — Arnold Rampersad, author of Ralph Ellison: A Biography

Ralph Ellison is justly celebrated for his epochal novel Invisible Man, which won the National Book Award in 1953 and has become a classic of American literature. But Ellison’s strange inability to finish a second novel, despite his dogged efforts and soaring prestige, made him a supremely enigmatic figure. In Ralph Ellison: A Biography, Arnold Rampersad skillfully tells the story of a writer whose thunderous novel and astute, courageous essays on race, literature, and culture assure him of a permanent place in our literary heritage.

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August 20th, 2007

Conversations with Gary Giddins: on his book, Natural Selection

Long recognized as America’s most brilliant jazz writer, the winner of many major awards — including the prestigious National Book Critics Circle Award — and author of a highly popular biography of Bing Crosby, Gary Giddins has also produced a wide range of stimulating and original cultural criticism in other fields. With Natural Selection, he brings together the best of these previously uncollected essays, including a few written expressly for this volume.

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June 22nd, 2007

An Online Story of Jazz in New Orleans – Chapter 5

An Online Story of Jazz in New Orleans With an introduction by Nat Hentoff __________ Featuring the complete text of chapters 1 – 5 from Hear Me Talkin’ To Ya: The Story of Jazz As Told By the Men Who Made It, a 1955 book by Nat Shapiro and Nat Hentoff (Published with the consent … Continue reading “An Online Story of Jazz in New Orleans – Chapter 5”

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March 26th, 2007

An Online Story of Jazz in New Orleans – Chapter 4

Featuring the complete text of chapter 4 rom “Hear Me Talkin’ To Ya: The Story of Jazz As Told By the Men Who Made It”, a 1955 book by Nat Shapiro and Nat Hentoff

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March 26th, 2007

An Online Story of Jazz in New Orleans – Chapter 2

Featuring the complete text of chapters 2 from “Hear Me Talkin’ To Ya: The Story of Jazz As Told By the Men Who Made It,” a 1955 book by Nat Shapiro and Nat Hentoff

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March 26th, 2007

An Online Story of Jazz in New Orleans – Chapter 1

Featuring the complete text of chapter 1 from “Hear Me Talkin’ To Ya: The Story of Jazz As Told By the Men Who Made It,” a 1955 book by Nat Shapiro and Nat Hentoff

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March 26th, 2007

Joshua Prager, author of The Echoing Green:The Untold Story of Bobby Thomson, Ralph Branca and the Shot Heard Round the World

The 1951 regular season was as good as over. The Brooklyn Dodgers led the New York Giants by three runs with just three outs to go in their third and final playoff game. And not once in major league baseball’s 278 preceding playoff and World Series games had a team overcome a three-run deficit in the ninth inning. But New York rallied, and at 3:58 p.m. on October 3, 1951, Bobby Thomson hit a home run off Ralph Branca. The Giants won the pennant.

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November 29th, 2006

Dunstan Prial, author of The Producer: John Hammond and the Soul of American Music

John Hammond is one of the most charismatic figures in American music, a man who put on record much of the music we cherish today. A pioneering producer and talent spotter, Hammond discovered and championed some of the most gifted musicians of early jazz — Billie Holliday, Count Basie, Charlie Christian, Benny Goodman — and staged the legendary “From Spirituals to Swing” concert at Carnegie Hall in 1939, which established jazz as America’s indigenous music. Then as jazz gave way to pop and rock Hammond repeated the trick, discovering Bob Dylan, Aretha Franklin, Bruce Springsteen, and Stevie Ray Vaughan in his life’s extraordinary second act.

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November 20th, 2006

Conversations with Gary Giddins: on Jazz Festivals

In a wide-ranging conversation, Gary Giddins — for many years the country’s most eminent jazz critic whose most recent collection of cultural criticism is titled Natural Selection — talks about his recent trip to Brazil’s Ouro Preto International Jazz Festival, the business of jazz festivals and touring, jazz education, and the debate concerning where today’s cutting-edge of jazz resides.

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October 30th, 2006

Rick Coleman, author of Blue Monday: Fats Domino and the Lost Dawn of Rock ‘n’ Roll

While many think of Elvis Presley as rock ’n’ roll’s driving force, the truth is that Fats Domino, whose records have sold more than 100 million copies, was the first to put it on the map with such hits as “Ain’t That a Shame” and “Blueberry Hill.”

In Blue Monday, acclaimed R&B scholar Rick Coleman draws on a multitude of new interviews with Fats Domino and many other early musical legends to create a definitive biography of not just an extraordinary man but also a unique time and place: New Orleans at the birth of rock ’n’ roll.

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October 20th, 2006

Stanley Crouch, author of Considering Genius: Writings on Jazz

Stanley Crouch — MacArthur “genius” award recipient, co-founder of Jazz at Lincoln Center, National Book Award nominee, and perennial bull in the china shop of black intelligentsia — has been writing about jazz and jazz artists for over thirty years. His reputation for controversy is exceeded only by a universal respect for his intellect and passion. As Gary Giddins notes: “Stanley may be the only jazz writer out there with the kind of rhinoceros hide necessary to provoke and outrage and then withstand the fulminations that come back.”

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September 10th, 2006

John Gennari, author of Blowin’ Hot and Cool: Jazz and its Critics

In the illustrious and richly documented history of American jazz, no figure has been more controversial than the jazz critic. Jazz critics can be revered or reviled — often both — but they should not be ignored. And while the tradition of jazz has been covered from seemingly every angle, until now, nobody has ever turned the pen back on itself to chronicle the many writers who have helped define how we listen to and how we understand jazz. In Blowin’ Hot and Cool: Jazz and its Critics, John Gennari provides a definitive history of jazz criticism from the 1920s to the present.

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August 21st, 2006

Harlem of the West: The San Francisco Fillmore Jazz Era author Elizabeth Pepin

Billie Holiday singing at the New Orleans Swing Club. Dexter Gordon hanging out at Bop City. Dizzy Gillespie, Lionel Hampton, Charlie Parker, John Coltrane all swinging through town for gigs. Sound like a nostalgic snapshot from the New York jazz scene, or perhaps New Orleans? Nope. This particular sentimental journey describes San Francisco’s Fillmore District in its heyday.

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August 16th, 2006

Ashley Kahn, author of The House That Trane Built: The Story of Impulse Records

Following the path of its star musician John Coltrane, Impulse Records cut a creative swath through the 1960s and 1970s with the politically charged avant-garde jazz that defined the label’s musical and spiritual identity. Ashley Kahn’s The House That Trane Built tells the story of the label, balancing tales of individual passion, artistic vision, and commercial motivation.

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July 29th, 2006

Thomas Brothers, author of Louis Armstrong’s New Orleans

New Orleans at the turn of the twentieth century was a complicated city, a rough and beautiful place bursting with energy and excitement. It was a city marked by racial tensions, where the volatile interactions between blacks and whites were further confounded by a substantial Creole population. Yet it was also a city of fervent religious beliefs, where salvation manifested itself in a number of ways. Perhaps abolve all else, New Orleans was a city of music: funeral bands marched through the streets; professional musicians played the popular tunes of the day in dance halls and cabarets; sanctified parishioners raised church roofs with their impassioned voices; and early blues musicians moaned their troubles on street corners and in honky-tonks, late into the night.

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June 12th, 2006

David Maraniss, author of Clemente: The Passion and Grace of Baseball’s Last Hero

On New Year’s Eve 1972, following eighteen magnificent seasons in the major leagues, Roberto Clemente died a hero’s death, killed in a plane crash as he attempted to deliver food and medical supplies to Nicaragua after a devastating earthquake. Author David Maraniss now brings the great baseball player brilliantly back to life in Clemente: The Passion and Grace of Baseball’s Last Hero.

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April 4th, 2006

“Up From New Orleans: Life Before, During and After Hurricane Katrina” — A conversation with transplanted New Orleans musicians Devin Phillips and Mark DiFlorio

“I’m always wondering,” Louis Armstrong wrote in 1966, “if it would have been best in my life if I’d stayed like I was in New Orleans, having a ball.”

In 1922, Armstrong left his city of New Orleans by choice, boarding a Chicago-bound train in his long underwear, carrying a “little” suitcase with a “few” clothes in it, his cornet, and a trout sandwich packed by mother Mayann.

In late August of 2005, an unimaginable number of New Orleans residents in the path of an oncoming Hurricane Katrina were left with little choice but to flee the city. One can only assume that few had the luxury of leisurely packing a suitcase, let alone a trout sandwich

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February 7th, 2006

Brian Priestley, author of Chasin’ The Bird : The Life and Legacy of Charlie Parker

Charlie Parker has been idolized by generations of jazz musicians and fans. Indeed, his spectacular musical abilities — his blinding speed and brilliant improvisational style — made Parker a legend even before his tragic death at age thirty-four.

In Chasin’ The Bird, Brian Priestley tells Parker’s life story, from his Kansas City childhood to his final harrowing days in New York. Priestley offers new insight into Parker’s career, beginning as a teenager single-mindedly devoted to mastering the saxophone, to his first trip to New York, where he washed dishes for $9.00 a week at Jimmy’s Chicken Shack, a favorite hangout of the great pianist Art Tatum, whose stunning speed and ingenuity were an influence on the young musician.

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February 6th, 2006

Peter Guralnick, author of Dream Boogie: The Triumph of Sam Cooke

      He was the biggest star in gospel music before he ever crossed over into pop. His first single under his own name, “You Send Me,” was an historic success, going to number one on the charts and selling two million copies. He wrote his own songs, hired his own musicians, and started … Continue reading “Peter Guralnick, author of Dream Boogie: The Triumph of Sam Cooke

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December 12th, 2005

Peter Levinson, author of Tommy Dorsey: Livin’ in a Great Big Way

No musician evokes the time of the Big Band era more strikingly than Tommy Dorsey (1905 – 1956), whose towering trombone style and smash hits created legions of fans and influenced popular music for decades. Peter Levinson, the author of criticially acclaimed biographies of Harry James and Nelson Riddle, has now written the definitive account of this icon of jazz, drawing on exhaustive new research and scores of interviews with the musicians and others who knew him best.

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November 5th, 2005

Conversations with Gary Giddins: A History of Jazz in New Orleans

This edition of “Conversation with Gary Giddins” is the first of three Jerry Jazz Musician features devoted to the importance of New Orleans culture. In an enlightening, passionate conversation, Giddins — for many years the country’s most eminent jazz critic — discusses the beginnings of jazz in the city of New Orleans, its prominent figures, and what needs to be done to properly market jazz in a city that has contributed so much toward shaping the soul of America.

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October 31st, 2005

Book Review/”Weatherbird,” by Gary Giddins

The world of jazz criticism is enriched every time Gary Giddins brings out a new book, and Weather Bird: Jazz at the Dawn of its Second Century, bulges with riches. The collection is mostly drawn from his recently-ended Village Voice column (also called “Weather Bird”), with the addition of significant essays published elsewhere. Even faithful readers of the Voice will find ample new Giddins material here.

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October 29th, 2005

“Civil Liberties and Jazz — Past, Present and Future” — A conversation with journalist Nat Hentoff

at Hentoff, a prolific author and journalist whose work has been published for many years in, among other publications, the Village Voice, the New Yorker, the Atlantic Monthly, the Wall Street Journal, and Jazz Times, has been described by one of his publishers, DaCapo Press, as “a man of passion and insight, of streetwise wit and polished eloquence — a true American original.” This “passion of insight” is particularly apparent in his lifelong devotion to the chronicling of jazz music — a pursuit that began even before he became editor of Downbeat in 1953 — and in his steadfast defense of the Constitution.

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October 6th, 2005

Chuck Haddix, author of Kansas City Jazz: From Ragtime to Bebop

There were but four major galaxies in the early jazz universe, and three of them — New Orleans, Chicago, and New York — have been well documented in print. But there has never been a serious history of the fourth, Kansas City, until the recent publication of Kansas City Jazz: From Ragtime to Bebop — A History, by Frank Driggs and Chuck Haddix.

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September 30th, 2005

Ben Green, author of Spinning the Globe: The Rise, Fall, and Return to Greatness of the Harlem Globetrotters

Before Wilt Chamberlain, Bill Russell, Julius Erving, or Michael Jordan — before Magic Johnson and Showtime — the Harlem Globetrotters revolutionized basketball and spread the game around the world. In Spinning the Globe: The Rise, Fall, and Return to Greatness of the Harlem Globetrotters, author Ben Green tells the story of this extraordinary franchise and iconic American institution.

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September 26th, 2005

Penny Von Eschen, author of Satchmo Blows Up the World

At the height of the ideological antagonism of the Cold War, the U.S. State Department unleashed an unexpected tool in its battle against Communism: jazz. From 1956 through the late 1970s, America dispatched its finest jazz musicians to the far corners of the earth, from Iraq to India, from the Congo to the Soviet Union, in order to win the hearts and minds of the Third World and to counter perceptions of American racism.

In Satchmo Blows Up the World: Jazz Ambassadors Play the Cold War, Penny Von Eschen escorts readers across the globe, backstage and onstage, as Dizzy Gillespie, Louis Armstrong, Duke Ellington, and other jazz luminaries spread their music and their ideas further than the State Department anticipated.

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August 22nd, 2005

William Kenney, author of Jazz on the River

Just after World War I, the musical style called jazz began a waterborne journey outward from that quintessential haven of romance and decadence, New Orleans. For the first time in any organized way, steam-driven boats left town during the summer months to tramp the Mississippi River, bringing an exotic new music to the rest of the nation. For entrepreneurs promoting jazz, this seemed a promising way to spread northward the exciting sounds of the Crescent City. And the musicians no longer had to wait for folks upriver to make their way down to New Orleans to hear the vibrant rhythms, astonishing improvisations, and new harmonic idioms being created.

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July 15th, 2005

Louis Armstrong biographer Terry Teachout

“I suppose you could say that the seeds of my next book, a full-length biography of Louis Armstrong, were planted three years ago, when I was writing an essay for the New York Times about Armstrong’s centenary in which I called him “jazz’’s most eminent Victorian,” Terry Teachout wrote in his August 17, 2004 Arts Journal blog.

Three years after the Times piece was published, he took a tour of the Louis Armstrong House in Queens and came away with the enthusiasm required of such an endeavor.

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June 27th, 2005

David Evanier, author of Roman Candle: The Life of Bobby Darin

As a performer, Bobby Darin rivaled Frank Sinatra. Energizing the early rock-and-roll scene with his rollicking classic “Splish Splash,” Darin then became a top-draw nightclub act. Chronic illness dogged him from childhood, setting the tone of urgency that inspired a career full of dizzying twists and turns: from teen idol to Vegas song-and-dance man, and from hipster to folkie and back.

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June 20th, 2005

Nick Salvatore, author of Singing in a Strange Land: C.L. Franklin, the Black Church, and the Transformation of America

There are few American lives more powerful or more moving than that of C. L. Franklin. Born in rural Mississippi, he would go on to become the most famous African American preacher in America. His style of preaching revolutionized the art, and his call for his fellow African Americans to proclaim both their faith and their rights helped usher in the civil rights movement. Booming, soaring, flashy, and intense, C.L. was one of a kind. And yet Franklin was, like many great public figures, immensely complicated. A beacon of faith and light, he also knew the shadows. He knew the power of the Lord, yet he was no saint. In Singing in a Strange Land, Bancroft Prize-winning historian Nick Salvatore tells Franklin’s story for the first time.

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May 23rd, 2005

Conversations with Gary Giddins: on Big Bands

In the final column of his thirty year career as jazz critic of the Village Voice, Gary Giddins wrote, “I’m as besotted with jazz as ever, and expect to write about it till last call, albeit in other formats. Indeed, much in the way being hanged is said to focus the mind, this finale has made me conscious of the columns I never wrote.”

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May 10th, 2005

Michael Dregni, author of Django: The Life and Music of a Gypsy Legend

Django Reinhardt was arguably the greatest guitarist who ever lived, an important influence on Les Paul, Charlie Christian, B.B. King, Jerry Garcia, Chet Atkins, and many others. Handsome, charismatic, childlike, and unpredictable, Reinhardt was a character out of a picaresque novel. Born in a gypsy caravan at a crossroads in Belgium, he was almost killed in a freak fire that burned half of his body and left his left hand twisted into a claw. But with this maimed left hand flying over the frets and his right hand plucking at dizzying speed, Django became Europe’s most famous jazz musician, commanding exorbitant fees — and spending the money as fast as he made it.

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March 9th, 2005

Jazz historian Dan Morgenstern, author of Living with Jazz

Buying a vinyl long playing jazz album in the format’s heyday — from the 1950s through the 1980s — was a three-step sensual process that stirred an almost irrational enthusiasm for the entire culture the music ignited. The record industry’s flair for creating passionate cover art seduced the imagination, the sounds etched into the grooves promised diversion and surprise, and the densely-typed liner notes on the back cover fired up an eagerness for enlightenment. The process continued at the turntable, where the cut of a stylus transformed the listener into an aural witness to the performer’s character and improvisational skills. It was, quite simply, a bonding experience.

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February 4th, 2005

Kevin Boyle, author of Arc of Justice

In 1925, Detroit was a smoky swirl of jazz and speakeasies, assembly lines and fistfights. The advent of automobiles had brought workers from around the globe to compete for manufacturing jobs, and tensions often flared with the KKK in ascendance and violence rising. Ossian Sweet, a proud Negro doctor — the grandson of a slave … Continue reading “Kevin Boyle, author of Arc of Justice”

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February 4th, 2005

Jeffrey Magee, author of Fletcher Henderson and Big Band Jazz: The Uncrowned King of Swing

If Benny Goodman was the “King of Swing,” then Fletcher Henderson was the power behind the throne. Not only did Henderson arrange the music that powered Goodman’s meteoric rise, he also helped launch the careers of Louis Armstrong and Coleman Hawkins, among others. In Fletcher Henderson and Big Band Jazz: The Uncrowned King of Swing, Jeffrey Magee offers a fascinating account of this pivotal bandleader, throwing new light on the emergence of modern jazz and the world that created it.

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January 29th, 2005

John Leland, author of Hip: The History

John Leland’s Hip: The History is the story of an American obsession. Derived from the Wolof word hepi or hipi (“to see,” or “to open one’s eyes”), which came to America with West African Slaves, hip is the dance between black and white — or insider and outsider — that gives America its unique flavor and rhythm. It has created fortunes, destroyed lives and shaped the way millions of us talk, dress, dance, make love or see ourselves in the mirror. Everyone knows what hip is.

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January 3rd, 2005

Thomas Webber, author of Flying over 96th Street: Memoir of an East Harlem White Boy

Tommy Webber is nine years old when his father, a founding minister of the East Harlem Protestant Parish, moves the family of six from a spacious apartment in an ivy-covered Gothic-style seminary on New York City’s Upper West Side to a small one in a massive public-housing project on East 102nd Street. But it isn’t the size of the apartment, the architecture of the building, or the unfamiliar streets that make the new surroundings feel so strange. While Tommy’s old neighborhood was overwhelmingly middle class and white, El Barrio is poor and predominantly black and Puerto Rican. In Washington Houses, a complex of over 1,500 apartments, the Webbers are now one of only a small handful of white familes.

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December 16th, 2004

Anthony Bianco, author of Ghosts of 42nd Street

Beginning in 1899, a burst of construction on the mid-Manhattan block of West 42nd Street between Broadway and Eighth Avenue created the greatest concentration of theaters America had ever seen, giving birth to today’s Broadway theater district. When the New York Times built a slender twenty-five-story tower on an odd, triangular site formed by the convergence of 42nd Street, Broadway, and Seventh Avenue, the city named the square facing the tower Times Square, which quickly became New York’s gathering place for all important civic events.

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December 3rd, 2004

Don’t the Moon Look Lonesome: A roundtable discussion with Stanley Crouch, Gerald Early and Kitty Margolis

Although it has had its share of detractors, critical acclaim for Stanley Crouch’s first novel, Don’t the Moon Look Lonesome, is quite impressive — particularly among scholars and fellow writers. For example, Susan di Sesa, former Executive Editor of The Modern Library called it “one of the most profound novels in the English language,” while Pulitzer Prize-winning author James Alan McPherson wrote, “In attempting to employ ‘riffs’ to explore the emotional and psychological dimensions of his characters, Stanley Crouch has evolved a new narrative technique.”

Crouch — known primarily as an outspoken New York cultural critic — clearly understands that a serious writer’s role is to provoke his audience with potentially new avenues of thought

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November 23rd, 2004

Geoffrey Ward, author of Unforgivable Blackness: The Rise and Fall of Jack Johnson

Jack Johnson was the first black heavyweight champion in history, the celebrated — and most reviled — African American of his age. Prizewinning biographer Geoffrey Ward tells Johnson’s story in Unforgivable Blackness, which reveals a far more complex and compelling life than the newspaper headlines he inspired could ever convey.

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November 15th, 2004

Conversations with Gary Giddins: on Jazz Vocalists

In the final column of his thirty year career as jazz critic of the Village Voice, Gary Giddins wrote, “I’m as besotted with jazz as ever, and expect to write about it till last call, albeit in other formats. Indeed, much in the way being hanged is said to focus the mind, this finale has made me conscious of the columns I never wrote.”

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October 25th, 2004

Gene Lees, author of Portrait of Johnny: The Life of John Herndon Mercer

“Moon River,” “Laura,” “Skylark,” “That Old Black Magic,” “One For My Baby,” “Accentuate the Positive,” “Satin Doll,” “Days of Wine and Roses,” “Something’s Gotta Give,” — the honor roll of Johnny Mercer’s songs is endless. Both Oscar Hammerstein II and Alan Jay Lerner called him the greatest lyricist in the English language, and he was perhaps the best-loved and certainly the best-known songwriter of his generation. But Mercer was also a complicated and private man.

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October 6th, 2004

Joshua Berrett, author of Louis Armstrong and Paul Whiteman: Two Kings of Jazz

Joshua Berrett’s Louis Armstrong and Paul Whiteman: Two Kings of Jazz is a dual biography of two great innovators in the history of jazz. One was black, one was white — one is now legendary, the other nearly forgotten. Berrett offers a provocative revision of the history of early jazz by focusing on two of its most notable practioners — Whiteman, legendary in his day, and Armstrong, a legend ever since.

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October 4th, 2004

Nadine Cohodas, author of Queen: The Life and Music of Dinah Washington

Nadine Cohodas’s Queen: The Life and Music of Dinah Washington, is the landmark biography of the brief, intensely lived life and soulful music of the great Dinah Washington. A gospel star at fifteen, she was discovered by jazz great Lionel Hampton at eighteen, and for the rest of her life was on the road, playing clubs, or singing in the studio — making music one way or another. Dinah’s tart and heartfelt voice quickly became her trademark; she was a distinctive stylist, crossing over from the “race” music category to the pop and jazz charts.

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September 13th, 2004

Martin Torgoff, author of Can’t Find My Way Home: America in the Great Stoned Age

Illicit drugs have transfigured the American cultural landscape in the past half-century, leaving their mark on everything from art, music, literature, sexuality, spirituality, pop culture, the economy, and politics, to crime, public health, and national law enforcement policy. In Can’t Find My Way Home: America in the Great Stoned Age, 1945 – 2000, documentary filmmaker and writer Martin Torgoff traces the tangled trajectory of illegal drug use in America, as it spread post-World War II from the Beats and bebop musicians, all the way to the Ecstasy-fueled rave culture.

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August 27th, 2004

Our Mother’s War: American Women at Home and at the Front During World War II author Emily Yellin

Emily Yellin’s Our Mothers’ War: American Women at Home and at the Front During World War II is a stunning and unprecedented portrait of women during World War II, a war that forever transformed the way women participate in American society. It is a long overdue examination that re-creates what American women from all walks of life were doing and thinking, on the home front and abroad.

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June 29th, 2004

In This Issue

Jeffrey Stewart, National Book Award and Pulitzer Prize-winning author of The New Negro: The Life of Alain Locke, is interviewed about Locke (pictured), the father of the Harlem Renaissance.

Also in this issue…A new collection of jazz poetry; "On the Turntable," a new playlist of 19 recommended recordings by five jazz artists; three new podcasts by Bob Hecht; a new “Great Encounters”; several short stories; the photography of Veryl Oakland and Charles Ingham; a new Jazz History Quiz; and lots more…

On the Turntable

This month, a playlist of 19 recently released jazz recordings, including those by Branford Marsalis, Joe Martin, Scott Robinson, Allison Au and Warren Vache

Poetry

In a special collection of poetry, eight poets contribute seventeen poems focused on stories about family, and honoring mothers and fathers

The Joys of Jazz

In this new volume of his podcasts, Bob Hecht presents three very different stories; on Harlem Stride piano, Billy Strayhorn's end-of-life composition "Blood Count," and "Lester-ese," Lester Young’s creative verbal wit and wordplay.

Short Fiction

We had many excellent entrants in our recently concluded 50th Short Fiction Contest. In addition to publishing the winning story on March 11, with the consent of the authors, we have published several of the short-listed stories...

“What are some of your all-time favorite record album covers?”

Gary Giddins, Jimmy Heath, Fred Hersch, Joe Hagan, Maxine Gordon, Neil Tesser, Tim Page, Veronica Swift and Marcus Strickland are among the 25 writers, musicians, poets, educators, and photographers who write about their favorite album cover art

Art

“Thinking about Homer Plessy” — a photo narrative by Charles Ingham

Jazz History Quiz #127

Before his tragic early death, this trumpeter played with Max Roach, Abbey Lincoln, and John Coltrane, and most famously during a 1961 Five Spot gig with Eric Dolphy (pictured). Who is he?

Great Encounters

In this edition, Bob Dylan recalls what Thelonious Monk told him about music at New York’s Blue Note club in c. 1961.

Art

Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland's photographs and stories feature Stan Getz, Sun Ra, and Carla Bley.

Interviews

Romare Bearden biographer Mary Schmidt Campbell discusses the life of the important 20th century American artist

Cover Stories with Paul Morris

In this edition, Paul writes about jazz album covers that offer glimpses into intriguing corners of the culture of the 1950’s

Coming Soon

Michael Cuscuna, the legendary record producer and founder of Mosaic Records, is interviewed about his life in jazz...Award-winning photographer Carol Friedman, on her career in the world of New York jazz photography

In the previous issue

Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon, talks about her book, and the complex life of her late husband.

Also in this issue…A new collection of jazz poetry; "On the Turntable," a new playlist of 22 recommended recordings by seven jazz artists; three new podcasts by Bob Hecht; a new “Great Encounters”; several short stories; the photography of Veryl Oakland and Charles Ingham; a new Jazz History Quiz; and lots more…

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