“Why should love stop at the border?”

On America’s 242nd birthday, this humanitarian quote from the Spanish cellist, composer and conductor Pablo Casals – written in his 90th year and published in his 1970 memoir, Joys and Sorrows: Reflections by Pablo Casals – seems like a timely philosophy for our difficult times:

 

“The love of one’s country is a splendid thing. But why should

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July 4th, 2018

Carl Jung on Drumming

“Drumming, which does not speak the language of the head, appeals to an even deeper layer than the language of the heart. It speaks the most ‘ancient language of the belly and solar plexus’ right from the deepest layers of the human soul: the layer of the primeval ancestors and the layers below.”

– Carl Jung (founder of analytical psychology)

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May 30th, 2017

Memorable Quotes — Wayne Shorter on Ornette Coleman, and the need for the courage to create thought-provoking music

“What Ornette was actually doing is something that is still needed in this country — the same thing. It’s not considered popular, but he had a sense of mission. A lot of the great stuff is not the best-seller — it’s interesting or thought-provoking, stuff that makes you want to transfer [ideas] from music to something that you do in another profession.

“We need someone to do that. If everyone was doing the same thing, like the same thing pop-wise, that’s like a lake without any outlet: everything in there gets poisoned and dies. [People like Coleman] work as antidotes to the sleeping powder that we drink…think…ingest.

“I think the music that’s called “future stuff” is the soundtrack to the

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July 8th, 2015

Memorable Quotes — Ornette Coleman

“Making music is like a form of religion for me, because it soothes your heart and increases the pleasure of your brain. Most of all, it’s very enjoyable to express something that you can only hear and not see, which is not bad.”

– Ornette Coleman

1930 – 2015

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June 11th, 2015

Memorable Quotes: Gil Evans on Paul Chambers

Paul Chambers, the bassist on many of Miles Davis’ most important recordings — including all that Gil Evans and Miles Davis collaborated on — fulfilled, according to Stephanie Stein Crease, author of Gil Evans: Out of the Cool, “an important role in Gil’s writing. The bass provided a harmonic color base as well as a rhythmic one, a foundation for the shifting polyrhythms among the brass and woodwinds.”

Here is what Evans said about Chambers:

There was nobody ever before or after Paul Chambers, he was such a glorious player. When he played up-tempo it was never the least bit choppy – he could hang onto the preceding note as long as possible before the next

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November 7th, 2014

In This Issue

In this issue, 25 noted critics, writers, musicians and artists answer the question, “What are some of your all-time favorite record album covers?”…Also, an interview with Romare Bearden biographer Mary Schmidt Campbell; ”And so we left for Paris” a short story by Sophie Jonas-Hill; two new podcasts by Bob Hecht (one on Paul Desmond, the other on Art Farmer); 18 poets contribute 20 poems to our March poetry collection; new jazz listening recommendations; and lots more…

“What are some of your all-time favorite record album covers?”

Gary Giddins, Jimmy Heath, Fred Hersch, Joe Hagan, Maxine Gordon, Neil Tesser, Tim Page, Veronica Swift and Marcus Strickland are among the 25 writers, musicians, poets, educators, and photographers who write about their favorite album cover art

Short Fiction

"And so we went to Paris," a short story by Sophie Jonas-Hill

Poetry

Eighteen poets contribute 20 poems in the March collection

Interviews

Romare Bearden biographer Mary Schmidt Campbell discusses the life of the important 20th century American artist

The Joys of Jazz

Two new podcasts from Bob Hecht -- on Paul Desmond, and Art Farmer

Poetry

“King Louis en le toilette” — a poem (and collage) by Steven Dalachinsky

On the Turntable

Recommended listening…Check out these 18 recently released jazz recordings by Branford Marsalis, Anna Maria Jopek, Ralph Alessi, Larry Grenadier, Jon Cowherd, Stephane Galland, Mathias Eick and the Jimbo Tribe

Art

“Thinking about Robert Johnson” — a photo narrative by Charles Ingham

Great Encounters #54

In this edition, Joe Hagan, author of STICKY FINGERS: .The Life and Times of Jann Wenner and Rolling Stone Magazine, writes about how co-founders Wenner and legendary San Francisco music critic Ralph Gleason came upon the name for their revolutionary publication, Rolling Stone magazine.

Cover Stories with Paul Morris

In this edition, Paul writes about jazz album covers that offer glimpses into intriguing corners of the culture of the 1950’s

Coming Soon

An interview with Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon

In the previous issue

The February, 2019 issue features an interview with Thomas Brothers, author of Help! The Beatles, Duke Ellington, and the Magic of Collaboration…Also, previous winners of the Jerry Jazz Musician Short Fiction Contest reflect on their winning story; two new podcasts from Bob Hecht; a new collection of poetry; recommendations of recently release jazz recordings, and lots more…

Contributing writers

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