On America’s 242nd birthday, this humanitarian quote from the Spanish cellist, composer and conductor Pablo Casals – written in his 90th year and published in his 1970 memoir, Joys and Sorrows: Reflections by Pablo Casals – seems like a timely philosophy for our difficult times:
“The love of one’s country is a splendid thing. But why should...
July 4th, 2018
“Ring out the false, ring in the true.”
– Alfred Lord Tennyson...
January 1st, 2018
“Drumming, which does not speak the language of the head, appeals to an even deeper layer than the language of the heart. It speaks the most ‘ancient language of the belly and solar plexus’ right from the deepest layers of the human soul: the layer of the primeval ancestors and the layers below.”
– Carl Jung (founder of analytical psychology)...
May 30th, 2017
Memorable Quotes — Wayne Shorter on Ornette Coleman, and the need for the courage to create thought-provoking music
“What Ornette was actually doing is something that is still needed in this country — the same thing. It’s not considered popular, but he had a sense of mission. A lot of the great stuff is not the best-seller — it’s interesting or thought-provoking, stuff that makes you want to transfer [ideas] from music to something that you do in another profession.
“We need someone to do that. If everyone was doing the same thing, like the same thing pop-wise, that’s like a lake without any outlet: everything in there gets poisoned and dies. [People like Coleman] work as antidotes to the sleeping powder that we drink…think…ingest.
“I think the music that’s called “future stuff” is the soundtrack to the...
July 8th, 2015
“Making music is like a form of religion for me, because it soothes your heart and increases the pleasure of your brain. Most of all, it’s very enjoyable to express something that you can only hear and not see, which is not bad.”
– Ornette Coleman
1930 – 2015...
June 11th, 2015
Paul Chambers, the bassist on many of Miles Davis’ most important recordings — including all that Gil Evans and Miles Davis collaborated on — fulfilled, according to Stephanie Stein Crease, author of Gil Evans: Out of the Cool, “an important role in Gil’s writing. The bass provided a harmonic color base as well as a rhythmic one, a foundation for the shifting polyrhythms among the brass and woodwinds.”
Here is what Evans said about Chambers:
“There was nobody ever before or after Paul Chambers, he was such a glorious player. When he played up-tempo it was never the least bit choppy – he could hang onto the preceding note as long as possible before the next...
November 7th, 2014
In his 1973 autobiography Music is My Mistress, Duke Ellington writes about his admiration for Lena Horne. In a footnote to Ellington’s thoughts on Horne, he wrote that he inherited the line he was known to use when telling a woman he thought she was beautiful — “You Make That Hat Look Pretty!” — from his father.
Lena Horne is such a delicate beauty. When she decided it was show business for her, before she became of age, she had to be accompanied by her mother when she came to work at the Cotton Club. From bandstands with Charlie Barnet, she went on to movies, and always with a dignity that...
October 26th, 2014
“Perhaps the hours of greatest pleasure in my life have come about as a result of the capacity of the piano to be in itself a complete expressive musical medium. In retrospect, I think that these countless hours of aloneness with music unified the directive energy of my life. At those times when I have achieved this sense of oneness while playing alone, the many technical or analytic aspects of the music happened of themselves with positive rightness which always served to remind me that to understand music most profoundly one only has to be listening well. Perhaps it is a peculiarity of mine that despite the fact that...
October 2nd, 2014
In the late 1970’s, the great trumpeter Roy Eldridge wrote of his experience mentoring Dizzy Gillespie during the 1930’s.
“I was with my own band at the Savoy. And Dizzy, Charlie Shavers, Bama, Joe Guy, and another little cat that was bad, named Bobby Moore, all used to come around. They could play all the things that I had made better than I could, you know. But Dizzy had his thing going. I talked to him once down at Minton’s and he was asking me how I did certain things and I told him. And the one thing I appreciate about Diz, even though he used to play something like me, is that he went on and...
July 11th, 2014
“Everybody has the blues. Everybody longs for meaning. Everybody needs to love and be loved. Everybody needs to clap hands and be happy. Everybody longs for faith. In music, especially this broad category called jazz, there is a stepping-stone to all of these.”
— Martin Luther King...
March 19th, 2014
One of the things I like about jazz, kid, is I don’t know what’s going to happen next. Do you?
– Bix Beiderbecke
A great symbol of the Jazz Age, Bix Beiderbecke was one of the era’s most influential soloists, and remains one of jazz music’s most enduring and colorful personalities.
This short biography of Beiderbecke (followed by a fantastic listening guide of his performance on “Singin’ the Blues”) as published in the most complete and entertaining history on jazz music, Jazz, by Gary Giddins and Scott DeVeaux, tells a concise, interesting story of Beiderbecke’s life....
February 20th, 2014
“I’m glad [Ornette Coleman] is such an individualist. I like the firmness of thought and purpose that goes into what he’s doing, even though I don’t always like to listen to it. It’s like living in a house where everything’s painted red.”
– Paul Desmond...
January 30th, 2014
“Louis Armstrong changed all the brass players around, but after Bird, all of the instruments had to change — drums, piano, bass, trombones, trumpets, saxophones, everything.”
– Trumpeter Cootie Williams...
January 2nd, 2014