“A Moment in Time” — January 12, 1975…The last Super Bowl halftime show featuring jazz music

I could make the argument that jazz being marketed as a “popular music” officially died on January 12, 1975. Why? Because that was the date of the last Super Bowl halftime show that featured jazz music, in this case a “Tribute to Duke Ellington” performed by the Grambling State University Marching Band and Mercer Ellington.

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February 1st, 2020

Where Erroll Garner wrote “Misty”

The legendary pianist Erroll Garner’s most famous composition, “Misty,” was written as an instrumental in 1954 for his 1955 album Contrasts.  Lyrics were added in 1959 by Johnny Burke and it became the signature song of Johnny Mathis, and was subsequently recorded by Sinatra, Sarah Vaughan, Etta James, and countless others.  Garner’s version was inducted into the Grammy Hall of Fame in 1991.

In this excerpt from an interview with the drummer Art Taylor, Garner describes how he wrote “Misty:”

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November 16th, 2017

A Moment in Time: Artie Shaw and Roy Eldridge, 1944

In the fall of 1944, shortly following his medical discharge from the Navy, Artie Shaw formed a 17 piece band (without strings) that featured Barney Kessel on guitar, Dodo Marmarosa on piano, Ray Coniff on trombone, and the brilliant trumpeter Roy Eldridge, famous for his work with Gene Krupa’s band in the early 1940’s.  The band, according to noted critic Leonard Feather, was “quite impressive” and exhibited “a refreshing lack of bad taste and bombast.”

This era of Shaw’s band resulted in several excellent recordings, among them

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October 21st, 2017

A Moment in Time — Ella Fitzgerald and Dizzy Gillespie, 1947

In November, 1946, at the height of his popularity, Dizzy Gillespie took his big band out on the road, and in 1947 hired Ella Fitzgerald to tour the South. According to Ella’s biographer Stuart Nicholson, she had been added to this tour in response to Gillespie’s Hepsations tour in 1945, whose groundbreaking sound “had confused and confounded the southerners,” and because Ella could “create balance after the unrelieved diet of bop…The Gillespie band saw Ella as a former swing era star, light-years removed from what they were doing, a palliative to help their music go down with the public.”

Even with Ella, however, things could be challenging. The audience would “listen, stand around and applaud,” band member Howard Johnson said,” and try and pretend they dug it. I think they appreciated the artistry of Dizzy because

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August 17th, 2015

A Moment in Time — John Coltrane and Eric Dolphy, 1961

In 1960, Eric Dolphy told Down Beat magazine, “At home I used to play, and the birds always used to whistle with me. I would stop what I was working on and play with the birds.” This imitation of birds (who, according to Dolphy, sing in “quarter tones”) was embraced by none other than John Coltrane, who said that the addition of Dolphy — and his philosophy — to his quartet “turned [the quartet] all around.” Dolphy’s playing helped set the stage for the music Coltrane would create later.

Also critical was their friendship, which was especially important to Coltrane since he was so consumed at the time by his alcohol and heroin abuse. Quoting a Coltrane friend, John Fraim writes in his 1996 biography Spirit Catcher: The Life and Art of John Coltrane that “outside of Sonny Rollins, Eric Dolphy was his [Coltrane’s] only true

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December 12th, 2014

A Moment in Time — Monk and Coltrane at the Five Spot, 1957

The Five Spot Café, a club located in New York City’s Bowery neighborhood, was the site of a six month gig for the quartet of Thelonious Monk, John Coltrane, drummer Shadow Wilson, and bassist Wilbur Ware. This engagement — coming on the heels of Monk’s cabaret card reinstatement — marked the merging of two of the most original voices in American music, Monk and Coltrane, in a space where cheap beer and good music attracted some of the city’s most influential artists and writers. Regulars included Larry Rivers, Willem de Kooning, Franz Kline, Jack Kerouac, Frank O’Hara and Allen Ginsberg.

In Thelonious Monk: The Life and Times of an American Original, author Robin D.G. Kelley quotes Five Spot co-owner Joe Termini remembering the impact Monk’s quartet had on his club: “Once we hired Monk, all of a sudden the place was crowded every night. And frankly, in the beginning, I just didn’t understand any of it.”

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October 30th, 2014

A Moment in Time — Dizzy Gillespie, 1956

Dizzy Gillespie, with Yugoslav composer Nikica Kaogjera in tow, cycle the streets of Zagreb during a State Department tour designed to counter Soviet propaganda.

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During the peak of the Cold War, propaganda was king, and was especially played out in the non-aligned, emerging nation regions of the Middle East, Africa and Asia. Responding to what was termed by the U.S. State Department as the Soviet Union’s “gigantic propaganda offensive,” in 1954 President Eisenhower created the Emergency Fund for International Affairs, whose role would be to present American culture abroad for the purpose of demonstrating the benefits of freedom (and capitalism) on artistic expression. According to Penny Von Eschen, author of Satchmo Blows Up the World: Jazz Ambassadors Play the Cold War, “Eisenhower resented Europeans’ depiction of the country as a ‘race of materialists’ and was distressed that ‘our successes are described in terms of automobiles and not in terms of worthwhile culture of any kind.'”

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February 19th, 2014

In This Issue

Painting of Clifford Brown by Warren Goodson
The 43 poets who contribute to the Summer Collection of jazz poetry communicate their heartfelt passion for the artistry and inspiration found in jazz music, and help readers, in the words of Art Blakey, “wash away the dust of everyday life” – a special gift to share during this restless summer of discontent…and hope.

Interview

photo courtesy John Bolger Collection
Philip Clark, author of Dave Brubeck: A Life in Time, discusses the enigmatic and extraordinary pianist, composer, and band leader, whose most notable achievements came during a time of major societal and cultural change, and often in the face of critics who at times found his music too technical and bombastic.

Publisher’s Notes

Grant Park, Portland, Sep 16, 2020
On a challenging summer in Portland, the passing of Stanley Crouch, and upcoming opportunities for writers

Great Encounters

photo by William Gottlieb/Library of Congress
“Great Encounters” are book excerpts that chronicle famous encounters among twentieth-century cultural icons. In this edition, Will Friedwald, author of Straighten Up and Fly Right: The Life and Music of Nat King Cole, writes about the 1940 Lionel Hampton/King Cole Trio RCA Victor recording sessions.

Interview

photo of James Baldwin by Allan Warren
In our interview with Nicholas Buccola, author of The Fire is Upon Us: James Baldwin, William F. Buckley Jr., and the Debate over Race in America, the author tells the story of the historic 1965 Cambridge Union debate between Baldwin, the leading literary voice of the civil rights movement, and Buckley, a staunch opponent of the movement and founder in 1955 of the leading conservative publication, National Review. The evening’s debate topic? “The American dream is at the expense of the American Negro.”

Poetry

Mood Indigo by Matthew Hinds
An invitation was extended recently for poets to submit work that reflects this time of COVID, Black Lives Matter, and a heated political season. 14 poets contribute to the first volume of collected poetry.

Poetry

photo by Russell duPont
The second volume of poetry reflecting this time of COVID, Black Lives Matter, and a heated political season features the work of 23 poets

Poetry

Dreams of Freedom, by Vakseen
Thirty-three poets contribute to the third volume of "Poetry reflecting the era of COVID, Black Lives Matter, and a heated political season"

Short Fiction

photo FDR Presidential Library & Museum
Short Fiction Contest-winning story #54 — “A Failed Artist’s Paradise” by Nathaniel Neil Whelan

Features

Red Meditation by James Brewer
Creative artists and citizens of note respond to the question, "During this time of social distancing and isolation at home, what are examples of the music you are listening to, the books you are reading, and/or the television or films you are viewing?”

Interview

Ornette Coleman 1966/photo courtesy Mosaic Images
In a Jerry Jazz Musician interview, Ornette Coleman: The Territory And The Adventure author Maria Golia discusses her compelling and rewarding book about the artist whose philosophy and the astounding, adventurous music he created served to continually challenge the skeptical status quo, and made him a guiding light of the artistic avant-garde throughout a career spanning seven decades.

Short Fiction

Image by Martin Briones from Pixabay
“Balboa," a short story by Matt Sweeney, was a short-listed entry in our recently concluded 54th Short Fiction Contest

Photography

photo by Veryl Oakland
In this edition of photographs and stories from Veryl Oakland’s book Jazz in Available Light, Dexter Gordon, Art Farmer and Johnny Griffin are featured

Poetry

Frits De Jong / CC0
“Nocturne in a Whirling Fan” — a poem by Joel Glickman

Humor

painting of Louis Armstrong by Vakseen
In Dig Wayne's "Iconolast," Louis Armstrong is responsible for saving the lives of every man, woman and child on the ball bearing line at the Radio Flyer wagon factory...

Poetry

photo by John Vachon/Library of Congress
“Climate Change” — Ten poems in sequence by John Stupp

Book Excerpt

In the introduction to Dave Brubeck: A Life in Time – the author Philip Clark writes about the origins of the book, and his interest in shining a light on how Brubeck, “thoughtful and sensitive as he was, had been changed as a musician and as a man by the troubled times through which he lived and during which he produced such optimistic, life-enhancing art.”

Interview

NBC Radio-photo by Ray Lee Jackson / Public domain
In a Jerry Jazz Musician interview, acclaimed biographer James Kaplan (Frank: The Voice and Sinatra: The Chairman) talks about his book, Irving Berlin: New York Genius, and Berlin's unparalleled musical career and business success, his intense sense of family and patriotism during a complex and evolving time, and the artist's permanent cultural significance.

Book Excerpt

In the introduction to Maria Golia’s Ornette Coleman: The Territory and the Adventure – excerpted here in its entirety – the author takes the reader through the four phases of the brilliant musician’s career her book focuses on.

Art

Art by Charles Ingham
"Charles Ingham's Jazz Narratives" connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history. This edition's narratives are "Nat King Cole: The Shadow of the Word," "Slain in Cold Blood" and "Local 767: The Black Musicians’ Union"

Interview

Library of Congress, Prints & Photographs Division, Carl Van Vechten Collection
Richard Crawford’s Summertime: George Gershwin’s Life in Music is a rich, detailed and rewarding musical biography that describes Gershwin's work throughout every stage of his career. In a Jerry Jazz Musician interview, Crawford discusses his book and the man he has described as a “fresh voice of the Jazz Age” who “challenged Americans to rethink their assumptions about composition and performance, nationalism, cultural hierarchy, and the racial divide.”

Jazz History Quiz #140

photo by William Gottlieb/Library of Congress
Although he had success as a bandleader in the 1930’s, he is best known for being manager of Harlem’s Minton’s Playhouse (where Thelonious Monk was the pianist) during the birth of bebop. Who was he?

Interview

photo unattributed/ Public domain
In a Jerry Jazz Musician interview with The Letters of Cole Porter co-author Dominic McHugh, he explains that “several of the big biographical tropes that we associate with Porter are either modified or contested by the letters,” and that “when you put together these letters, and add our quite extensive commentary between the letters, it creates a different picture of him.” Mr. McHugh discusses his book, and what the letters reveal about the life – in-and-out of music – of Cole Porter.

Interview

photo by Fred Price
Bob Hecht and Grover Sales host a previously unpublished 1985 interview with the late, great jazz saxophonist Lee Konitz, who talks about Miles, Kenton, Ornette, Tristano, and the art of improvisation...

Pressed for All Time

A&M Records/photo by Carol Friedman
In this edition, producer John Snyder recalls Sun Ra, and his 1990 Purple Night recording session

Interview

photo by Bouna Ndaiye
Interview with Gerald Horne, author of Jazz and Justice: Racism and the Political Economy of the Music

Poetry

The winter collection of poetry offers readers a look at the culture of jazz music through the imaginative writings of its 32 contributors. Within these 41 poems, writers express their deep connection to the music – and those who play it – in their own inventive and often philosophical language that communicates much, but especially love, sentiment, struggle, loss, and joy.

Spring Poetry Collection

A Collection of Jazz Poetry – Spring, 2020 Edition There are many good and often powerful poems within this collection, one that has the potential for changing the shape of a reader’s universe during an impossibly trying time, particularly if the reader has a love of music. 33 poets from all over the globe contribute 47 poems. Expect to read of love, loss, memoir, worship, freedom, heartbreak and hope – all collected here, in the heart of this unsettling spring. (Featuring the art of Martel Chapman)

“What are 4 or 5 of your all-time favorite Blue Note albums?”

"What are 4 or 5 of your all-time favorite Blue Note albums?"
Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

In the Previous Issue

Interviews with three outstanding, acclaimed writers and scholars who discuss their books on Irving Berlin, George Gershwin, and Cole Porter, and their subjects’ lives in and out of music. These interviews – which each include photos and several full-length songs – provide readers easy access to an entertaining and enlightening learning experience about these three giants of American popular music.

In an Earlier Issue

photo by Carol Friedman
“The Jazz Photography Issue” features an interview with today’s most eminent jazz portrait photographer Carol Friedman, news from Michael Cuscuna about newly released Francis Wolff photos, as well as archived interviews with William Gottlieb, Herman Leonard, Lee Tanner, a piece on Milt Hinton, a new edition of photos from Veryl Oakland, and much more…

Coming Soon

photo of Erroll Garner by William Gottlieb/Library of Congress
The historian and most eminent jazz writer of his generation Dan Morgenstern joins pianist Christian Sands -- the Creative Ambassador of the Erroll Garner Jazz Project -- in a conversation about Garner's historic legacy. Also…an autumn collection of poetry; Will Friedwald, author of Straighten Up and Fly Right: The Life and Music of Nat King Cole is interviewed about the legendary pianist and vocalist; a new Jazz History Quiz; short fiction, poetry, and lots more in the works...

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