Archive for “Features”

Features

How Billie became “Lady Day”

Having just published Arya Jenkins’ excellent new short story “Foolish Love,” in which Billie Holiday’s music plays a central role in the life of the story’s main character, this piece, excerpted from Bill Crow’s 1990 book, Jazz Anecdotes, is a wonderful reminder of how Ms. Holiday became known as “Lady Day.”  The story is set up by Crow and stories about nicknames created by “Prez.”

 

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Lester Young made up names for many of his friends, and everyone used them.  He called Count Basie “The Holy Man,” (shortened by the band to “Holy”) because he was the

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Features

Carl Jung on Drumming

“Drumming, which does not speak the language of the head, appeals to an even deeper layer than the language of the heart. It speaks the most ‘ancient language of the belly and solar plexus’ right from the deepest layers of the human soul: the layer of the primeval ancestors and the layers below.”

– Carl Jung (founder of analytical psychology)

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Features

Ella is 100

2017 is the 100th birthday year of several jazz immortals – among them Thelonious Monk, Dizzy Gillespie, Buddy Rich, and, today, Ella Fitzgerald.

As a young and naïve jazz fan in the 1960’s, like Louis Armstrong, Ella seemed “square” to me – her voice too sweet and happy for my ears, especially when compared to the singer who most moved my soul to discover more of the music, Billie Holiday.   Plus, the Songbook series she became internationally famous for seemed too smartly packaged, slick in a Madison-Avenue-way that tore me away from the bins that stocked her record albums.

Over the years, however, I eventually came to appreciate and cherish her, especially as I learned the courageous and inspirational nature of her biography, and played her recordings with Chick Webb, and dug the collaborations with the Ink Spots, Louis Jordan, and eventually, of course,

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Features

Satchmo’s Stamp

During a recent stroll through the Internet, I was reminded of the story of Louis Armstrong requesting the use of Yogi Berra’s catcher’s mask during a 1960’s State Department tour of South America, “to fend off,” according to Armstrong’s widow Lucille, “the [enthusiastic South American] fans who wanted to touch his face and lips.”

Lucille’s recollection was disclosed in a December 10, 1981 letter to the U.S. Postal Service as part of a 14-year effort to have a postage stamp created in her husband’s honor.  Duke Ellington’s stamp was issued in 1986, and the likes of Elvis Presley, Bessie Smith, Nat Cole and Billie Holiday had commemorative stamps well before Armstrong.  How come?  Was it politics?

To read about it, check out the two stories below…The first is the letter of advocacy

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Features

A Moment in Time: Billie Holiday in Studio 58, New York, December 8, 1957

In Martin Torgoff’s brilliant new book Bop Apocalypse — an extensive exploration of the connections of jazz, literature and drugs, and how drugs impacted the lives and work of people like Charlie Parker, Jack Kerouac, Lester Young, William Burroughs and Allen Ginsberg — Torgoff devotes a chapter to Billie Holiday’s struggle with drug abuse, and the public airing of it when her 1956 autobiography Lady Sings the Blues was published.  

While her book had errors that have since caused critics and biographers to cast doubt on the book’s veracity, as Torgoff writes, in many respects, “the book is remarkably frank about her early years in Baltimore and her time as a prostitute.  It is also replete with information about her

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Features

“To Russia, Without Love”

You may have noticed that Russia is in the news a bit these days. (It is tough to avoid). So, while revisiting James Lincoln Collier’s 1989 biography Benny Goodman and the Swing Era, the story of Goodman’s 1962 U.S. State Department sponsored tour of the Soviet Union caught my eye.

Collier reminds us that Goodman and his group – the first American band to tour the Soviet Union since the 1920’s – was considered by many to be too “old fashioned” for the times and that “many critics felt that the Ellington band, playing a more complicated and perhaps more worthy kind of music” should have been chosen for the tour instead. Nonetheless, given Goodman’s popularity around the world, he was considered a

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Features

On Nat Hentoff’s memorial service

Nat Hentoff’s memorial service was held at St. Peter’s Church in New York on Friday, February 24. Aidan Lee reported on the service for the Jazz Journalists Association, and the Village Voice — a longtime employer of Hentoff — provided an extensive photographic account of the day’s events. Click through to the next page to view a performance of pianist Joe Alterman playing Errol Garner’s “Gaslight” at the memorial

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Features

A memory of Nat Hentoff

Paul Morris is a longtime friend and contributing writer of Jerry Jazz Musician.  He currently writes “Cover Stories with Paul Morris,” a frequent column about classic record album art and design.

Paul shares a memory of the legendary jazz writer and journalist Nat Hentoff, who died on January 7 at the age of 91.

 

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     In the late 1970’s I was a jazz fan who liked reading about the music as much as listening to it. My next music choice often came from a recommendation from a jazz critic’s liner notes or articles. Nat Hentoff proved to be a reliable guide in his early jazz books and the occasional article. 

     These years were the heyday of the Village Voice, where Hentoff was a regular. He concentrated on First Amendment issues in his Voice column, but from time to time he would mention

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