Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of Mal Waldron, Jackie McLean and Joe Henderson

In this edition, Mr. Oakland’s photographs and stories feature Mal Waldron, Jackie McLean and Joe Henderson

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November 18th, 2019

Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of Art Pepper, Joe Williams, and Pat Martino

Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland’s photographs and stories feature Art Pepper, Pat Martino and Joe Williams.

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July 6th, 2019

Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of Stan Getz, Sun Ra, and Carla Bley

Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland’s photographs and stories feature Stan Getz, Sun Ra, and Carla Bley.

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May 5th, 2019

“Cover Stories with Paul Morris,” Vol. 22


Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.
 

In this edition, Paul features album covers of his favorite pop singers of the 1950’s 

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July 29th, 2017

“Cover Stories with Paul Morris,” Vol. 21

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.

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In this edition, Paul features samples of Alex Steinweiss album covers, created during the early 1940’s, at the beginning of his career

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April 26th, 2017

“Cover Stories with Paul Morris,” Vol. 20

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.

In this edition, Paul features examples of vintage kitsch on several themes

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September 6th, 2016

Cover Stories with Paul Morris, Vol. 19

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.

In this edition, Paul features choice selections from Decca Records

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August 9th, 2016

Cover Stories with Paul Morris, Vol. 18

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon. In this edition, Paul writes about album covers picturing designer furniture

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July 8th, 2016

Cover Stories with Paul Morris, Vol. 17

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon. In this edition, Paul writes about the album cover art of Erik Nitsche, a pioneer of modern design

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May 21st, 2016

Cover Stories with Paul Morris, Vol. 16

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon. In this edition, Paul shares some jazz covers from the 1950’s.

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February 26th, 2016

Cover Stories with Paul Morris, Vol. 15

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon. In this edition, Paul looks at the art of London Records.

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December 29th, 2015

Shopping for vinyl in Northeast Portland

“Cover Stories with Paul Morris” is a popular feature found on Jerry Jazz Musician that looks at the serious art – and serious comedy – of vintage album cover art. Paul is a dear friend of mine and fellow Portland resident who happens to be a music scholar and album cover collector. In most cases, it is not the music he seeks, it is the work of the artist who created the design.

Yesterday was a pretty typical late March Portland day – cool, gray and drizzly with an occasional dose of sunshine. It was “jacket weather” but no umbrella was necessary. It was a great day to hit a few record stores, of which there are many in this amazing town. Portland has more record stores (predominantly selling vinyl) than any other

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March 26th, 2015

Cover Stories with Paul Morris, Vol. 9

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.

This edition features a selection of RCA Victor album covers from Paul’s collection

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November 1st, 2014

Cover Stories with Paul Morris, Vol. 8

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon. This humorous edition features a “disturbing” and fascinating trend in 1950’s album art — Records on the Floor!

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August 20th, 2014

The Negro League baseball photographs of Charles “Teenie” Harris — A Photo Exhibit

In 2004, I had the privilege of interviewing Neil Lanctot, whose history of baseball’s Negro Leagues entitled Negro League Baseball: The Rise and Ruin of a Black Institution had just been published.

While preparing for the interview, the work of the noted Pittsburgh Courier photographer Charles “Teenie” Harris came to my attention. Among his many contributions to America’s archives are his photographs of the Negro Leagues, taken during the League’s pre-war and wartime era, mostly in Pittsburgh’s Forbes Field, where the Pittsburgh Crawfords played many of their games.

With baseball’s All Star Game scheduled for Tuesday evening in Minneapolis, it feels like a good time to revisit some baseball (and American) history, and there is no better way than to view some of Harris’ amazing work.  

With grateful appreciation to Pittsburgh’s Carnegie Museum of Art — who granted us permission to use these historic images — we present a photo gallery of rarely seen Harris photos,

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July 13th, 2014

Cover Stories with Paul Morris, Vol. 7

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.

This edition features Alex Steinweiss album covers from his prime period — the late 1940’s and early 1950’s.

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July 6th, 2014

Jazz: Through the Life and Lens of Milt Hinton — A Photo Exhibit

As a jazz musician for seven decades, and as a chronicler of its intellectual and spiritual development through his fascinating, award-winning photography, Milt Hinton acts as an essential connecting point for the music and its associated culture. Hinton played bass alongside iconic figures like Cab Calloway, Dizzy Gillespie, and Louis Armstrong, and, as a photographer, brought these men and a host of others into focus as musicians, artists, and vital contributors to twentieth-century American life.

With the generous consent of David G. Berger and Holly Maxson, who along with Milt Hinton co-authored Playing the Changes: Milt Hinton’s Life in Stories and Photographs, Jerry Jazz Musician presents a photo exhibit, “Jazz: Through the Life and Lens of Milt Hinton.”

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May 9th, 2014

Cover Stories with Paul Morris, Vol. 6

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.

This edition features teenagers of the 1950’s enjoying their music!

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April 9th, 2014

Cover Stories with Paul Morris, Vol. 5

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.

In this edition, Paul returns to the work of Alex Steinweiss, when he used the pseudonym “Piedra Blanca.”

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March 6th, 2014

Cover Stories with Paul Morris, Vol. 4

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.

In this edition, Paul invites readers to revisit the 1950s with images of fans holding and enjoying their albums.

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January 24th, 2014

Cover Stories with Paul Morris, Vol. 3

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.

In this edition, Paul features jazz illustrations from the early years of the record album

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December 22nd, 2013

Cover Stories with Paul Morris, Vol. 2

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.

In this edition, Paul focuses on the art of Columbia

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November 11th, 2013

Cover Stories with Paul Morris, Vol. 1

Album covers: to those who grew up in the vinyl era, the images printed on the sleeves of LPs were closely linked in our imaginations with the music they represented. The iconic covers of the ’60s – Sgt. Pepper, The Band at Big Pink, Cheap Thrills drawn by R. Crumb – put an enduring visual stamp on the pop culture of the time.


This art form has a relatively short history – only in the ’40s were 78 rpm album covers routinely decorated with art.

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October 8th, 2013

Coming Soon: Cover Stories with Paul Morris

           Fans of album cover art are in for a unique and entertaining experience — “Cover Story with Paul Morris” will debut on Jerry Jazz Musician on Tuesday, October 8. Morris is an avid Portland, Oregon collector who, in his words, will “share his enthusiasm for the artists who created album covers in the ‘40s and ‘50s.”

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October 6th, 2013

Kansas City Jazz: A Pictorial Tour

In cooperation with Frank Driggs and Chuck Haddix, authors of Kansas City Jazz: From Ragtime to Bebop — a look at the fascinating historyof Kansas City’s golden age through book excerpts, photos and music

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April 15th, 2013

Paul Desmond:  A Life Told in Pictures, Music and Memories

Doug Ramsey’s biography of saxophonist Paul Desmond is a lavish, detailedwork of art, filled with photographs, letters, and memories of a complexand frequently inspiring life. “Paul Desmond: A Life Told in Pictures,Music and Memories,” a Jerry Jazz Musician production published in cooperation with Ramsey and Parkside Publications, features photographs and excerpts from the book, as well as sound samples of Desmond’s music.

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April 6th, 2013

Historic Harlem Tour

Although it only encompasses about six square miles, the New York City neighborhood of Harlem has played a central role in the development of American culture. Originally rural farmland, then an affluent suburb, since 1911 Harlemhas been predominantly an African American community. Its residents havehad a disproportionately large impact on all aspects of American culture,leaving their mark on literature, art, comedy, dance, theater, music, sports, religion and politics.

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March 18th, 2013

The Art of Romare Bearden

Romare Bearden (1911 – 1988) was one of America’s great artistic innovators,blazing his own trail in a time of turbulent cultural change. Whilehis work offers an invaluable view of mid-twentieth-century African-Americanexperience, it has also come to occupy a significant place in the wider historyof American art and speaks to the universal concerns of artists everywhere.

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February 10th, 2013

The Jazz Album Art of Jim Flora

Vintage record buffs have long been bedazzled by the bizarre, cartoonish album covers tagged with the signature “Flora.” For Columbia in the 1940s and RCA Victor in the mid-1950s, James (Jim) Flora (1914-1998) designed diabolic and hallucinatory covers that enticed music shop habitués browsing in the jazz, ethnic, and classical aisles. His jaw-dropping boldness and savory color combinations invited lingering glances. Although you shouldn’t judge an album by its cover, in the case of Flora’s work, the disc inside almost seemed an afterthought.

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March 2nd, 2002

In this Issue

Interviews with three outstanding, acclaimed writers and scholars who discuss their books on Irving Berlin, George Gershwin, and Cole Porter, and their subjects’ lives in and out of music. These interviews – which each include photos and several full-length songs – provide readers easy access to an entertaining and enlightening learning experience about these three giants of American popular music.

Poetry

The winter collection of poetry offers readers a look at the culture of jazz music through the imaginative writings of its 32 contributors. Within these 41 poems, writers express their deep connection to the music – and those who play it – in their own inventive and often philosophical language that communicates much, but especially love, sentiment, struggle, loss, and joy.

Interview

NBC Radio-photo by Ray Lee Jackson / Public domain
In a Jerry Jazz Musician interview, acclaimed biographer James Kaplan (Frank: The Voice and Sinatra: The Chairman) talks about his book, Irving Berlin: New York Genius, and Berlin's unparalleled musical career and business success, his intense sense of family and patriotism during a complex and evolving time, and the artist's permanent cultural significance.

Book Excerpt

In the introduction to Maria Golia’s Ornette Coleman: The Territory and the Adventure – excerpted here in its entirety – the author takes the reader through the four phases of the brilliant musician’s career her book focuses on.

Interview

Library of Congress, Prints & Photographs Division, Carl Van Vechten Collection
Richard Crawford’s Summertime: George Gershwin’s Life in Music is a rich, detailed and rewarding musical biography that describes Gershwin's work throughout every stage of his career. In a Jerry Jazz Musician interview, Crawford discusses his book and the man he has described as a “fresh voice of the Jazz Age” who “challenged Americans to rethink their assumptions about composition and performance, nationalism, cultural hierarchy, and the racial divide.”

Interview

photo unattributed/ Public domain
In a Jerry Jazz Musician interview with The Letters of Cole Porter co-author Dominic McHugh, he explains that “several of the big biographical tropes that we associate with Porter are either modified or contested by the letters,” and that “when you put together these letters, and add our quite extensive commentary between the letters, it creates a different picture of him.” Mr. McHugh discusses his book, and what the letters reveal about the life – in-and-out of music – of Cole Porter.

Book Excerpt

The introduction to John Burnside's The Music of Time: Poetry in the Twentieth Century – excerpted here in its entirety with the gracious consent of Princeton University Press – is the author's fascinating observation concerning the idea of how poets respond to what the Russian poet Osip Mandelstam called “the noise of time,” weaving it into a kind of music.

Short Fiction

photo Creative Commons CC0
Short Fiction Contest-winning story #53 — “Market & Fifth, San Francisco, 1986,” by Paul Perilli

Poetry

photo by Eric Frommer (transformed from color)/CC BY-SA 2.0
Two poems of reflection and remembrance, by Michael L. Newell and Russell DuPont

Art

"Speaking in Tongues" by Charles Ingham
Charles Ingham’s “Jazz Narratives” connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history This edition’s narratives are “Released from Camarillo State Hospital, Charlie Parker Plays Jack’s Basket Room,”“Diz Railing at the Cosmos,” and “Speaking in Tongues”

Book Excerpt

A ten page excerpt from The Letters of Cole Porter by Cliff Eisen and Dominic McHugh that features correspondence in the time frame of June to August, 1953, including those Porter had with George Byron (the man who married Jerome Kern’s widow), fellow writer Abe Burrows, Noel Coward, his secretary Madeline P. Smith, close friend Sam Stark, and his lawyer John Wharton.

Interview

photo by William Gottlieb/Library of Congress
Con Chapman, author of Rabbit's Blues: The Life and Music of Johnny Hodges discusses the great Ellington saxophonist

Jazz History Quiz #134

Photo by Brian McMillen/Brian McMillen Photography
Influenced by Charlie Parker and Phil Woods (pictured), before forming his own group this alto player got his start in Buddy Rich’s Big Band, and shortly thereafter played with Lionel Hampton. While leading his own band, he was famous for playing bebop covers of songs such as “The I Love Lucy Theme,” “Come Fly With Me,” and “Hooray for Hollywood,” and often performed with singer Eddie Jefferson. Who is he?

Book Excerpt

This story, excerpted from Irving Berlin: New York Genius by James Kaplan, describes how Berlin came to write his first major hit song, “Alexander’s Ragtime Band,” and speaks to its historic musical and cultural significance.

Pressed for All Time

In this edition, producer Tom Dowd talks with Pressed for All Time: Producing the Great Jazz Albums author Michael Jarrett about the genesis of Herbie Mann’s 1969 recording, Memphis Underground, and the executives and musicians involved

Interview

photo by Bouna Ndaiye
Interview with Gerald Horne, author of Jazz and Justice: Racism and the Political Economy of the Music

Photography

photo of Stephane Grappelli by Veryl Oakland
Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of violinists Joe Venuti, Stephane Grappelli, Jean-Luc Ponty, Zbigniew Seifert, and Leroy Jenkins

Great Encounters

photo of Sidney Bechet by William Gottlieb/Library of Congress
In this edition of "Great Encounters," Con Chapman, author of Rabbit’s Blues: The Life and Music of Johnny Hodges, writes about Hodges’ early musical training, and the first meeting he had with Sidney Bechet, the influential and legendary reed player who Hodges called “tops in my book.”

Book Excerpt

In the introduction to Jazz and Justice: Racism and the Political Economy of the Music, author Gerald Horne writes about the severe cultural and economic obstacles jazz musicians have encountered since the music's inception

“What are 4 or 5 of your all-time favorite Blue Note albums?”

"What are 4 or 5 of your all-time favorite Blue Note albums?"
Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

Humor

photo by William Gottlieb/Library of Congress
"Every Soul is a Circus," by Dig Wayne

In the Previous Issue

photo by Carol Friedman
“The Jazz Photography Issue” features an interview with today’s most eminent jazz portrait photographer Carol Friedman, news from Michael Cuscuna about newly released Francis Wolff photos, as well as archived interviews with William Gottlieb, Herman Leonard, Lee Tanner, a piece on Milt Hinton, a new edition of photos from Veryl Oakland, and much more…

Contributing writers

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