Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of Stan Getz, Sun Ra, and Carla Bley

Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland’s photographs and stories feature Stan Getz, Sun Ra, and Carla Bley.

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May 5th, 2019

“Thinking about Ida B. Wells” — a photo-narrative by Charles Ingham

“Thinking About Ida B. Wells” is the second image published on Jerry Jazz Musician from Ingham’s seven work series “Scenes From the Gallant South” (from Billie Holiday’s “Strange Fruit”)

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April 5th, 2019

“Jazz in Available Light” — photos by Veryl Oakland, Vol. 1

In this edition of Veryl Oakland’s “Jazz in Available Light,” photographs of Red Garland, Dizzy Gillespie and Rahsaan Roland Kirk are featured.

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March 27th, 2019

“SAY WHAT!: A Geriatric Proposal” – a short film by Aaron Weinstein

The short film follows the story of a young jazz musician who attempts to survive aggressive grannies and other terrifying beasts at a post-concert reception. “Say What!” features voice acting from Tony-nominee Charles Busch, original artwork by iconic American illustrator, Bob Ziering, and music performed by top New York’s jazz musicians including guitar legend, Bucky Pizzarelli.

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March 8th, 2019

The Photography of Sigitas Kondratas

The photography of Sigitas Kondratas — a resident of Vilnius, Lithuania — caught my eye this week.  His interesting technique conveys the music’s movement, artistry and intimacy.  It is refreshing to see contemporary jazz musicians interpreted by an artist from Eastern Europe.

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February 17th, 2019

(More of) “A Great Day in Harlem”

An iconic image of music history is Art Kane’s August 12, 1958 photograph of 57 of the music’s most important (and now beloved) figures in jazz music, who congregated on the curb and stairs at 17 East 126th Street, between Fifth and Madison Avenue.

Forever known simply as “A Great Day in Harlem,” the photograph was taken, as John Leland reminds us in the September 28 edition of the New York Times, in the era when “the generation of Count Basie and Duke Ellington was yielding to the newer bebop players, who in turn were starting to be challenged by the next wave, not seen in this shot.”  Many in New York’s scene came that morning, among them Monk, Basie, Dizzy,

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October 3rd, 2018

The Memorial for Peace and Justice — a critic’s analysis

     In the June 4 New York Times, the art critic Holland Cotter describes the new National Memorial for Peace and Justice in Montgomery, Alabama as an artistic opportunity to “encourage truth-telling far and wide.”

     The Memorial is one of two newly opened sites in the city (the other is the Legacy Museum: From Enslavement to Mass Incarceration) created by Bryan Stevenson, director of the non-profit advocacy group the Equal Justice Initiative and author of the best-selling book

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June 4th, 2018

The art of John Allinson

In his description of Welsh painter John Allinson’s work “House of Dreams” – a mural in progress “celebrating a viewpoint of entertainment as an art form” that will eventually be 1000 feet wide – the art critic Rex Harley wrote that “a host of artists and entertainers emerge from a swirl of colours, in the same way that their counterparts stepped out from the stream of history to entertain and enrich our lives.” 

This is also an apt view of Allinson’s prolific and noteworthy interpretations of jazz ensembles.  His work evokes appropriate nostalgia and sentimentality while expressing passion for the culture of jazz music by

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May 18th, 2018

Masters of Jazz Photography: Paul Hoeffler

Photographer Paul Hoeffler, who studied with the likes of Ansel Adams, Alfred Eisenstadt, and Nancy Newhall, discovered an interest in photographing jazz musicians through his regular attendance at Rochester, New York jazz clubs the Pythodd, the Ridgecrest Inn, the Auditorium Theater, the Eastman Theater, and the University of Rochester auditoriums.  He cites Louis Armstrong as an early inspiration, and he subsequently photographed Duke Ellington, Count Basie, Billie Holiday, Chet Baker, Dave Brubeck and a variety of others during their tours through

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March 17th, 2018

“All is Heard in Painting” — the art of Jazzamoart

The visual artist Jazzamoart of Guanajuato, Mexico has long enticed serious jazz collectors with his uncommon, audacious, and joyful paintings. Possibly the most important expressionist artist interpreting jazz, the critic Antonio Rodriguez wrote that Jazzamoart’s paintings “are reminiscent of Jackson Pollock’s style and the expression takes from the horrorific elements of Willem de Kooning’s work,” while Jose Luis Cuevas describes it as “if he were a mad jazz dancer who discovers the origins of the earth every time his toe dips into it.”  His color-filled work includes abstract interpretations of musicians and the settings they perform in.  The musicians often wear masks which symbolize, according to the artist, “the multiplicity of human identity, that life is improvisation and invention.”

 

Examples of his work follow…

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November 28th, 2017

Chick Corea at the Blue Note — photos by John McCluskey

Photographer, writer John McCluskey contributes these photographs he took while attending the Chick Corea show on Saturday, September 30 at the Blue Note in New York. 
 
“At the end of the performance Chick’s wife Gayle Moran joined them onstage and sang,” McCluskey wrote in his email to me.  “It was a very intimate scene with Chick and Gayle collaborating and exchanging

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October 3rd, 2017

Nancy Ostrovsky — performance artist inspired by jazz music

Jazz music has long been inspiration for artists, poets, and writers (Romare Bearden, Jack Kerouac and Langston Hughes are some obvious examples)…For more contemporary evidence, check out these remarkable videos featuring performance artist Nancy Ostrovsky, who creates wondrous paintings while accompanied by 1) the Roswell Rudd Trio, 2) saxophonist Patrick Cress, 3) saxophonist Stan Strickland, and 4) by a

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September 13th, 2017

“Cover Stories with Paul Morris,” Vol. 22


Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.
 

In this edition, Paul features album covers of his favorite pop singers of the 1950’s 

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July 29th, 2017

“Cover Stories with Paul Morris,” Vol. 21

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.

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In this edition, Paul features samples of Alex Steinweiss album covers, created during the early 1940’s, at the beginning of his career

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April 26th, 2017

“Jazz in the Schools”

Many thanks to Doug Ramsey, honored jazz journalist and publisher of the blog Rifftides, who during his visit to Portland to cover the PDX Jazz Festival, took the time to meet with me and learn about the “Jazz in the Schools” program we instituted at PDX Jazz.  You can read his report and get information about the program by clicking here.

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February 22nd, 2017

Photographer Lee Santa’s “Journey Into Jazz”

In the introduction to his book Journey Into Jazz, photographer Lee Santa shares his earliest and fascinating experiences with jazz music…A sampling of his photographs follow.

 

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I’m not a musician. I’m not a music critic. And you’ll soon find out I’m not a writer. I am simply a fan of jazz who is also a photographer.

 

Though I didn’t know what it was called at the time, my earliest recollection of jazz was growing up in 1950s Indiana. My father had a couple of LP albums I liked listening to; one was by Stan Kenton and the other was the sound track from the film

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February 5th, 2017

“Royal Street, New Orleans, April 2016” — photos by John McCluskey

John McCluskey, a contributing poet to Jerry Jazz Musician, submitted six photographs of jazz musicians he took while recently visiting New Orleans. John writes that the shots were “deliberately processed…in the most colorful way possible to illustrate the sensibility of the performers.”

These photos feature musicians performing on Royal Street, New Orleans, in April 2016.

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September 29th, 2016

Photographer Chuck Krall: Jazz in Images

In a 2013 podcast, photographer Chuck Krall – notable for his photos of Rahsaan Roland Kirk, Dizzy Gillespie and legendary musicians of the 1970’s – talks with KMHD (Portland) radio personality Jessica Rand. Krall’s remembrance of his time with Dizzy is worth the (free) price of admission! Go here to hear the podcast, and stick around for a

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September 26th, 2016

“Cover Stories with Paul Morris,” Vol. 20

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.

In this edition, Paul features examples of vintage kitsch on several themes

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September 6th, 2016

Cover Stories with Paul Morris, Vol. 19

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.

In this edition, Paul features choice selections from Decca Records

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August 9th, 2016

Cover Stories with Paul Morris, Vol. 18

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon. In this edition, Paul writes about album covers picturing designer furniture

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July 8th, 2016

Cover Stories with Paul Morris, Vol. 17

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon. In this edition, Paul writes about the album cover art of Erik Nitsche, a pioneer of modern design

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May 21st, 2016

Masters of Jazz Photography — Tad Hershorn

In honor of the late jazz photographer Lee Tanner, Jerry Jazz Musician presents a number of editions of “Master of Jazz Photography,” featuring a work by one of the photographers featured in Tanner’s book The Jazz Image.



This edition: Tad Hershorn

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April 27th, 2016

Cover Stories with Paul Morris, Vol. 16

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon. In this edition, Paul shares some jazz covers from the 1950’s.

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February 26th, 2016

Cover Stories with Paul Morris, Vol. 15

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon. In this edition, Paul looks at the art of London Records.

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December 29th, 2015

Masters of Jazz Photography — Ray Avery

In honor of the late jazz photographer Lee Tanner, Jerry Jazz Musician presents a number of editions of “Master of Jazz Photography,” featuring a work by one of the photographers featured in Tanner’s book The Jazz Image.



This edition: Ray Avery

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November 24th, 2015

Masters of Jazz Photography — Val Wilmer

In honor of the late jazz photographer Lee Tanner, Jerry Jazz Musician presents a number of editions of “Master of Jazz Photography,” featuring a work by one of the photographers featured in Tanner’s book The Jazz Image.



This edition: Val Wilmer

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April 17th, 2015

Shopping for vinyl in Northeast Portland

“Cover Stories with Paul Morris” is a popular feature found on Jerry Jazz Musician that looks at the serious art – and serious comedy – of vintage album cover art. Paul is a dear friend of mine and fellow Portland resident who happens to be a music scholar and album cover collector. In most cases, it is not the music he seeks, it is the work of the artist who created the design.

Yesterday was a pretty typical late March Portland day – cool, gray and drizzly with an occasional dose of sunshine. It was “jacket weather” but no umbrella was necessary. It was a great day to hit a few record stores, of which there are many in this amazing town. Portland has more record stores (predominantly selling vinyl) than any other

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March 26th, 2015

Masters of Jazz Photography — Esmond Edwards

In honor of the late jazz photographer Lee Tanner, Jerry Jazz Musician presents a number of editions of “Master of Jazz Photography,” featuring a work by one of the photographers featured in Tanner’s book The Jazz Image.



This edition: Esmond Edwards

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February 19th, 2015

Masters of Jazz Photography — Francis Wolff

In honor of the late jazz photographer Lee Tanner, Jerry Jazz Musician presents a number of editions of “Master of Jazz Photography,” featuring a work by one of the photographers featured in Tanner’s book The Jazz Image.



This edition: Francis Wolff

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January 6th, 2015

“Such Sweet Thunder” — a boxed portfolio of classic jazz photographs by Herb Snitzer

I received an email yesterday from noted photographer (and friend) Herb Snitzer, who is announcing the distribution of “Such Sweet Thunder,” a boxed portfolio containing 10 of his finest iconic photographs. The collection of 16″ x 20″ silver gelatin prints includes photographs of artists like Louis Armstrong, Nina Simone, Miles Davis, and John Coltrane. Snitzer wrote that this portfolio is “a wonderful investment for children and grandchildren as the value increases with each passing year.” Originally valued at $1500, the collection is now worth

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November 4th, 2014

Cover Stories with Paul Morris, Vol. 9

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.

This edition features a selection of RCA Victor album covers from Paul’s collection

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November 1st, 2014

Masters of Jazz Photography — Chuck Stewart

In honor of the late jazz photographer Lee Tanner, Jerry Jazz Musician presents a number of editions of “Master of Jazz Photography,” featuring a work by one of the photographers featured in Tanner’s book The Jazz Image.



This edition: Chuck Stewart

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October 18th, 2014

Cover Stories with Paul Morris, Vol. 8

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon. This humorous edition features a “disturbing” and fascinating trend in 1950’s album art — Records on the Floor!

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August 20th, 2014

Masters of Jazz Photography — Herb Snitzer

In honor of the late jazz photographer Lee Tanner, Jerry Jazz Musician presents a number of editions of “Master of Jazz Photography,” featuring a work by one of the photographers featured in Tanner’s book The Jazz Image.



This edition: Herb Snitzer

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August 15th, 2014

The Negro League baseball photographs of Charles “Teenie” Harris — A Photo Exhibit

In 2004, I had the privilege of interviewing Neil Lanctot, whose history of baseball’s Negro Leagues entitled Negro League Baseball: The Rise and Ruin of a Black Institution had just been published.

While preparing for the interview, the work of the noted Pittsburgh Courier photographer Charles “Teenie” Harris came to my attention. Among his many contributions to America’s archives are his photographs of the Negro Leagues, taken during the League’s pre-war and wartime era, mostly in Pittsburgh’s Forbes Field, where the Pittsburgh Crawfords played many of their games.

With baseball’s All Star Game scheduled for Tuesday evening in Minneapolis, it feels like a good time to revisit some baseball (and American) history, and there is no better way than to view some of Harris’ amazing work.  

With grateful appreciation to Pittsburgh’s Carnegie Museum of Art — who granted us permission to use these historic images — we present a photo gallery of rarely seen Harris photos,

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July 13th, 2014

Cover Stories with Paul Morris, Vol. 7

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.

This edition features Alex Steinweiss album covers from his prime period — the late 1940’s and early 1950’s.

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July 6th, 2014

Masters of Jazz Photography — Charles Peterson

In honor of the late jazz photographer Lee Tanner, Jerry Jazz Musician presents a number of editions of “Master of Jazz Photography,” featuring a work by one of the photographers featured in Tanner’s book The Jazz Image.



This edition: Charles Peterson

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June 27th, 2014

Masters of Jazz Photography — Carole Reiff

In honor of the late jazz photographer Lee Tanner, Jerry Jazz Musician presents a number of editions of “Master of Jazz Photography,” featuring a work by one of the photographers featured in Tanner’s book The Jazz Image.

This edition: Carole Reiff

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May 20th, 2014

Jazz: Through the Life and Lens of Milt Hinton — A Photo Exhibit

As a jazz musician for seven decades, and as a chronicler of its intellectual and spiritual development through his fascinating, award-winning photography, Milt Hinton acts as an essential connecting point for the music and its associated culture. Hinton played bass alongside iconic figures like Cab Calloway, Dizzy Gillespie, and Louis Armstrong, and, as a photographer, brought these men and a host of others into focus as musicians, artists, and vital contributors to twentieth-century American life.

With the generous consent of David G. Berger and Holly Maxson, who along with Milt Hinton co-authored Playing the Changes: Milt Hinton’s Life in Stories and Photographs, Jerry Jazz Musician presents a photo exhibit, “Jazz: Through the Life and Lens of Milt Hinton.”

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May 9th, 2014

Cover Stories with Paul Morris, Vol. 6

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.

This edition features teenagers of the 1950’s enjoying their music!

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April 9th, 2014

Masters of Jazz Photography — Hugh Bell

The great improvisational American jazz musicians of the mid-20th century inspired a generation of photographers to develop a looser, moodier style of visual expression. That evocative approach is on striking display in The Jazz Image: Masters of Jazz Photography. Covering six decades of performers — from Louis Armstrong and Duke Ellington to John Coltrane and Miles Davis — this unique collection is as much a comprehensive catalogue of jazz greats as it is a salute to the photographers who captured them.

Jerry Jazz Musician presents a number of editions of “Master of Jazz Photography,” featuring a work by one of the photographers featured in The Jazz Image

This edition: Hugh Bell

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April 2nd, 2014

The Photography of Carl Van Vechten

The publication of a new biography on Carl Van Vechten has sparked a renewed interest in his work. Critic, author and patron of many a Harlem Renaissance artist, Van Vechten was also an accomplished photographer, whose work was described by a New York Telegraph reporter in 1933 as “breathtaking…each [photo] with life and sparkle, vision and intelligence.”

His access to the artists led to a portfolio of what he called “purely documentary” photographs of a “who’s who” of early-to-mid 20th Century American cultural icons — including some of the era’s finest writers and musicians. Emily Bernard, author of Carl Van Vechten and the Harlem Renaissance writes that “Van Vechten always saw the act of taking a photograph as

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March 12th, 2014

Cover Stories with Paul Morris, Vol. 5

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.

In this edition, Paul returns to the work of Alex Steinweiss, when he used the pseudonym “Piedra Blanca.”

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March 6th, 2014

Masters of Jazz Photography — Jim Marshall

The great improvisational American jazz musicians of the mid-20th century inspired a generation of photographers to develop a looser, moodier style of visual expression. That evocative approach is on striking display in The Jazz Image: Masters of Jazz Photography. Covering six decades of performers — from Louis Armstrong and Duke Ellington to John Coltrane and Miles Davis — this unique collection is as much a comprehensive catalogue of jazz greats as it is a salute to the photographers who captured them.

Jerry Jazz Musician presents a number of editions of “Master of Jazz Photography,” featuring a work by one of the photographers featured in The Jazz Image

This edition: Jim Marshall

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February 28th, 2014

Masters of Jazz Photography — Gjon Mili

Jerry Jazz Musician presents a number of editions of “Masters of Jazz Photography,” featuring a work by one of the photographers featured in The Jazz Image, by Lee Tanner.

This edition: Gjon Mili

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January 29th, 2014

Cover Stories with Paul Morris, Vol. 4

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.

In this edition, Paul invites readers to revisit the 1950s with images of fans holding and enjoying their albums.

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January 24th, 2014

Cover Stories with Paul Morris, Vol. 3

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.

In this edition, Paul features jazz illustrations from the early years of the record album

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December 22nd, 2013

Cover Stories with Paul Morris, Vol. 2

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.

In this edition, Paul focuses on the art of Columbia

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November 11th, 2013

Coming Soon: Cover Stories with Paul Morris, Vol. 2

We recently introduced Cover Stories with Paul Morris, a feature devoted to record album art of the ’40’s and 50’s. In Volume 1, Paul presented some of the great art of Alex Steinweiss, known as the father of the record album cover. In Volume 2 (to be published soon), Paul shares a selection of his collection of covers from the Columbia label, home to one of the top art departments in the heyday of the LP, including “Dixie by Dorsey,” a cover by Jim Flora.

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November 3rd, 2013

Cover Stories with Paul Morris, Vol. 1

Album covers: to those who grew up in the vinyl era, the images printed on the sleeves of LPs were closely linked in our imaginations with the music they represented. The iconic covers of the ’60s – Sgt. Pepper, The Band at Big Pink, Cheap Thrills drawn by R. Crumb – put an enduring visual stamp on the pop culture of the time.


This art form has a relatively short history – only in the ’40s were 78 rpm album covers routinely decorated with art.

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October 8th, 2013

Coming Soon: Cover Stories with Paul Morris

           Fans of album cover art are in for a unique and entertaining experience — “Cover Story with Paul Morris” will debut on Jerry Jazz Musician on Tuesday, October 8. Morris is an avid Portland, Oregon collector who, in his words, will “share his enthusiasm for the artists who created album covers in the ‘40s and ‘50s.”

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October 6th, 2013

An Exhibition Featuring Romare Bearden’s Art

One of the most consistently popular pages on Jerry Jazz Musician over the years has been “The Art of Romare Bearden,” an exhibition devoted to the work of the famous Harlem Renaissance artist. I was originally drawn to his work because of the artistic continuity of his images and the sounds of the culture he portrays.

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September 26th, 2013

Kansas City Jazz: A Pictorial Tour

In cooperation with Frank Driggs and Chuck Haddix, authors of Kansas City Jazz: From Ragtime to Bebop — a look at the fascinating historyof Kansas City’s golden age through book excerpts, photos and music

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April 15th, 2013

Paul Desmond:  A Life Told in Pictures, Music and Memories

Doug Ramsey’s biography of saxophonist Paul Desmond is a lavish, detailedwork of art, filled with photographs, letters, and memories of a complexand frequently inspiring life. “Paul Desmond: A Life Told in Pictures,Music and Memories,” a Jerry Jazz Musician production published in cooperation with Ramsey and Parkside Publications, features photographs and excerpts from the book, as well as sound samples of Desmond’s music.

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April 6th, 2013

Historic Harlem Tour

Although it only encompasses about six square miles, the New York City neighborhood of Harlem has played a central role in the development of American culture. Originally rural farmland, then an affluent suburb, since 1911 Harlemhas been predominantly an African American community. Its residents havehad a disproportionately large impact on all aspects of American culture,leaving their mark on literature, art, comedy, dance, theater, music, sports, religion and politics.

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March 18th, 2013

The Art of Romare Bearden

Romare Bearden (1911 – 1988) was one of America’s great artistic innovators,blazing his own trail in a time of turbulent cultural change. Whilehis work offers an invaluable view of mid-twentieth-century African-Americanexperience, it has also come to occupy a significant place in the wider historyof American art and speaks to the universal concerns of artists everywhere.

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February 10th, 2013

Kansas City Jazz: A Pictorial Tour

  Kansas City Jazz: A Pictorial Tour _____ In cooperation with Frank Driggs and Chuck Haddix, authors of Kansas City Jazz: From Ragtime to Bebop — a look at the fascinating history of Kansas City’s golden age through book excerpts, photos and music * All photos and book excerpts used with the permission of Frank Driggs, … Continue reading “Kansas City Jazz: A Pictorial Tour”

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August 29th, 2006

The Jazz Album Art of Jim Flora

Vintage record buffs have long been bedazzled by the bizarre, cartoonish album covers tagged with the signature “Flora.” For Columbia in the 1940s and RCA Victor in the mid-1950s, James (Jim) Flora (1914-1998) designed diabolic and hallucinatory covers that enticed music shop habitués browsing in the jazz, ethnic, and classical aisles. His jaw-dropping boldness and savory color combinations invited lingering glances. Although you shouldn’t judge an album by its cover, in the case of Flora’s work, the disc inside almost seemed an afterthought.

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March 2nd, 2002

In This Issue

Michael Cuscuna, Mosaic Records co-founder, is interviewed about his successful career as a jazz producer, discographer, and entrepreneur...Also in this issue, in celebration of Blue Note’s 80th year, we asked prominent writers and musicians the following question: “What are 4 or 5 of your all-time favorite Blue Note albums; a new collection of jazz poetry; “On the Turntable,” is a new playlist of 18 recently released jazz recordings from six artists – Joshua Redman, Joe Lovano, Matt Brewer, Tom Harrell, Zela Margossian and Aaron Burnett; two new podcasts by Bob Hecht; a new “Jazz History Quiz”; a new feature called “Pressed for All Time,”; a new photo-narrative by Charles Ingham; and…lots more.

On the Turntable

This month, a playlist of 18 recently released jazz recordings by six artists -- Joshua Redman, Joe Lovano. Matt Brewer, Tom Harrell, Zela Margossian, and Aaron Burnett

Poetry

In this month’s collection, with great jazz artists at the core of their work, 16 poets remember, revere, ponder, laugh, dream, and listen

The Joys of Jazz

In this new volume of his podcasts, Bob presents two stories, one on Clifford Brown (featuring the trumpeter Charlie Porter) and the other is part two of his program on stride piano, including a conversation with Mike Lipskin

Short Fiction

We had many excellent entrants in our recently concluded 50th Short Fiction Contest. In addition to publishing the winning story on March 11, with the consent of the authors, we have published several of the short-listed stories...

“What are 4 or 5 of your all-time favorite Blue Note albums?”

Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

Pressed for All Time

In an excerpt from his book Pressed for All Time, Michael Jarrett interviews producer Creed Taylor about how he came to use tape overdubs during the 1957 Lambert, Hendricks, and Ross Sing a Song of Basie recording session

Art

"Thinking About Charlie Parker" -- a photo narrative by Charles Ingham

Jazz History Quiz #128

Although he was famous for modernizing the sound of the Tommy Dorsey Orchestra -- “On the Sunny Side of the Street” was his biggest hit while working for Dorsey (pictured) -- this arranger will forever be best-known for his work with the Jimmie Lunceford Orchestra. Who is he?

Great Encounters

In this edition, Bob Dylan recalls what Thelonious Monk told him about music at New York’s Blue Note club in c. 1961.

Art

Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland's photographs and stories feature Stan Getz, Sun Ra, and Carla Bley.

Interviews

Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon, discusses her late husband’s complex, fascinating life.

Cover Stories with Paul Morris

In this edition, Paul writes about jazz album covers that offer glimpses into intriguing corners of the culture of the 1950’s

Coming Soon

"The Photography Issue" will feature an interview with jazz photographer Carol Friedman (her photo of Wynton Marsalis is pictured), as well as with Michael Cuscuna on unreleased photos by Blue Note's Francis Wolff.

In the previous issue

Jeffrey Stewart, National Book Award and Pulitzer Prize-winning author of The New Negro: The Life of Alain Locke, is interviewed about Locke (pictured), the father of the Harlem Renaissance. Also in this issue…A new collection of jazz poetry; "On the Turntable," a new playlist of 19 recommended recordings by five jazz artists; three new podcasts by Bob Hecht; a new “Great Encounters”; several short stories; the photography of Veryl Oakland and Charles Ingham; a new Jazz History Quiz; and lots more…

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