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Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features 1999 photographs of the saxophonist Joe Lovano.
...March 19th, 2025
Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features 1999 photographs of the bassists Reggie Workman and Steve Swallow, and the multi-instrumentalist Joseph Jarman.
...January 22nd, 2025
.The Jazz Dive is the website of the musician and artist Allen Mezquida, whose work is described as “an independent art studio at the intersection of jazz and mid-century modern design” that is inspired by the counterculture music from the 1950s and 60s, and creates art “that resonates with both eyes and ears.” It is unique and creative and worth a look…
...December 18th, 2024
Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition is of saxophonists Johnny Griffin and Von Freeman, who appeared together at the at Bimhuis on June 25/26, 1999.
...November 7th, 2024
Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition is of the eminent free jazz violinist Leroy Jenkins, taken at Bimhuis in 1999.
...August 13th, 2024
Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition is of the saxophonist Archie Shepp, taken at Bimhuis in 2001.
...May 30th, 2024
Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition is of the pianist/composer Mal Waldron, taken on three separate appearances at Bimhuis (1996, 2000 and 2001).
...January 23rd, 2024
Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition is of the saxophonist Anthony Braxton, taken in January, 2015.
...November 14th, 2023
Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition is of the saxophonist Arthur Blythe and his trio, taken on the evening of June 24, 1999.
...October 6th, 2023
An exhibit of Giovanni Piesco’s photographs of the late free jazz cellist and performance artist Tristan Honsinger
...September 9th, 2023
Rosalinda Kolb’s art is filled with creative energy and spirit that uniquely connects viewers to the soul, inner beauty, and complexity of jazz musicians.
...February 13th, 2023
Light sculptures made up of a variety of found objects, including musical instruments, are the focus of Sanford Kogan’s work
...November 2nd, 2022
In this edition, the jazz photographer Veryl Oakland’s photographs and stories feature John McLaughlin and Carlos Santana
...June 10th, 2022
The two versions of the 1965 album The Heliocentric Worlds of Sun Ra (Vol. 1) were part of the inspiration for Meisha Synnott’s enlightening artistic exploration
...March 20th, 2022
Duke Ellington, Dizzy Gillespie, Quincy Jones and Toots Thielemans are featured in this edition of photographs and stories from Veryl Oakland’s book
...February 26th, 2022
In this edition, Veryl Oakland’s photographs and stories feature the singers Sarah Vaughan and Betty Carter
...November 29th, 2021
In this edition, “Keeping Jazz Alive in the Desert,” Mr. Oakland’s photographs and stories focus on Monk Montgomery’s efforts to bring jazz to Las Vegas, and the notable jazz musicians who played in that city
...August 12th, 2021
In September, 2017, the photographer and writer John McCluskey took several photos of Chick Corea during a performance at New York’s Blue Note.
...May 7th, 2021
In this edition, Mr. Oakland’s photographs and stories feature drummers Jo Buddy Rich, Louie Bellson/Tony Williams and Shelly Manne in “A Succession of Battery Mates, Part 2”
...April 19th, 2021
Hunkered down
listening to Coltrane’s
Once in a While
and the smooth flow
of his sax, a whiskey
beside me, thinking
of those Jazz-infused
moments before life
began to drift away.
February 23rd, 2021
In this edition, Mr. Oakland’s photographs and stories feature drummers Jo Jones, Art Blakey and Elvin Jones.
...February 12th, 2021
Feelin’ Kind of Blue.
Improvised textures,
made in heaven,
escape elucidation
and drift off
into the ethereal.
February 3rd, 2021
Ingham’s photo-narrative was created utilizing Nina Simone’s introduction to her live performance of “Mississippi Goddam” at Carnegie Hall, 1964.
...January 5th, 2021
Gift offer on Veryl Oakland’s book Jazz in Available Light, one of the most impressive jazz photography books to be published in a long time.
...December 8th, 2020
Nineteen fifty-nine –
1-9-5-9 – things changed.
Coltrane took Giant Steps –
Miles was Kind of Blue
and Brubeck played
with Time.
November 9th, 2020
In this edition of photographs and stories from Mr. Oakland’s book, Thelonious Monk, Paul Bley and Cecil Taylor are featured.
...October 17th, 2020
“Nah,” Mucka says to the guy in the funny hat, a couple of seats down. “We’re from Massachusetts, an hour or so from here. My friend here….” He leans back so the guy can look around him to see me….”he wanted to come down, see if we could, you know, the whole jazz thing . . . . festival …. thing.”
...October 8th, 2020
In this edition of photographs and stories from Mr. Oakland’s book, Dexter Gordon, Art Farmer and Johnny Griffin are featured.
...July 21st, 2020
“Charles Ingham’s Jazz Narratives” connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history. This edition’s narratives are “Nat King Cole: The Shadow of the Word,” “Slain in Cold Blood” and “Local 767: The Black Musicians’ Union”
...July 8th, 2020
“Charles Ingham’s Jazz Narratives” connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history. This edition’s narratives are “The Entrance of Bessie Smith into San Diego”, “Lionel Hampton Is Coming to Dinner at Dr. Gordon’s House”, and
“Lionel Hampton: Central Avenue Breakdown”
June 15th, 2020
. . Charles Ingham’s photo-narratives connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing music history. . . ___ . . Indianola Is a Place Apart (Church and Second Streets, Indianola, Mississippi) 2020 . . Charles describes the work . ….If … Continue reading ““Indianola Is a Place Apart”– a photo-narrative by Charles Ingham”
...June 4th, 2020
Mosaic Records is offering prints of entire contact sheets of classic Blue Note recording sessions that, as described by Mosaic owner Michael Cuscuna, shows Francis Wolff’s “thought process and the progression of shots that lead to his final best image.”
...May 21st, 2020
Charles Ingham’s “Jazz Narratives” connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history. This edition’s narratives are “Torn from Its Moorings”, “Watching the Sea” and “Plantations”
...May 16th, 2020
Charles Ingham’s “Jazz Narratives” connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history. This edition’s narratives are “”The Artists Salute Each Other”, “Monk’s Mood at the It Club” and “Communing with Ghosts”
...May 1st, 2020
In this edition of photographs and stories from Mr. Oakland’s impressive book, Frank Morgan, Michel Petrucciani, Charles Lloyd, and Emily Remler are featured…
...April 24th, 2020
Ingham’s “Jazz Narratives” connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history. This edition’s narratives are “The Annunciation of Chet Baker,” “Frank O’Hara Whispers to Scott LaFaro,” and “Blessing the Child.”
...April 17th, 2020
Ingham’s “Jazz Narratives” connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history. This edition’s narratives are “Released from Camarillo State Hospital, Charlie Parker Plays Jack’s Basket Room,” “Diz Railing at the Cosmos,” and “Speaking in Tongues”
...April 3rd, 2020
Ingham’s “Jazz Narratives” connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history. This edition’s narratives are “”Exactly Where She Is Supposed to Be,” “In Memory of Clora Bryant, Standing Outside the Downbeat,” and “Out West, Thinking About Miles Davis”
...March 20th, 2020
Ingham’s “Jazz Narratives” connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history. This edition’s narratives are “The Death of Chet Baker, 13 May 1988,” “Out There Somewhere,” and “Dreaming of Bird”
...March 5th, 2020
These photo-narratives are provocative, meaningful and brilliant – connecting time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history.
...February 17th, 2020
. . . …..Jazz in Available Light, Illuminating the Jazz Greats from the 1960s, ’70s, and ’80s is one of the most impressive jazz photo books to be published in a long time. Featuring the brilliant photography of Veryl Oakland — much of which has never been published — it is also loaded with his … Continue reading “Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of violinists Joe Venuti, Stephane Grappelli, Jean-Luc Ponty, Zbigniew Seifert, and Leroy Jenkins”
...February 15th, 2020
The “before and after” work featured in this post utilizes a combination of Russell Dupont’s love for jazz, art, and photography, and when combined with modern digital technology, results in a rare way to experience the art of the music.
...January 3rd, 2020
From the artist’s series Pastoral Scenes of the Gallant South, this edition features the Brooklyn-based photographer and visual artist Nona Faustine.
...November 26th, 2019
In this edition, Mr. Oakland’s photographs and stories feature Mal Waldron, Jackie McLean and Joe Henderson
...November 18th, 2019
From the series Pastoral Scenes of the Gallant South
...September 14th, 2019
Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland’s photographs and stories feature Art Pepper, Pat Martino and Joe Williams.
...September 11th, 2019
. . Carol Friedman’s 1976 photograph of Chet Baker . _____ . …..For many of us who revere jazz music – especially those fortunate enough to have grown up during the era of the 12 x 12 record album jacket and coffee table photography books– the images of great musicians taken by photographers like William … Continue reading “The Jazz Photography Issue”
...August 11th, 2019
. . William Gottlieb, c. 1940 . . ___ . …..The first interview I ever hosted for .Jerry Jazz Musician was in 1997 with William Gottlieb, best known as a jazz photographer but who only came into that field when the Washington Post — for whom he wrote a jazz column — determined they could … Continue reading “Interview with jazz photographer William Gottlieb”
...August 8th, 2019
Mosaic Records co-founder Michael Cuscuna shares news concerning the availability of previously unreleased photographs of Blue Note Records sessions taken by Francis Wolff
...August 8th, 2019
From Ingham’s series Pastoral Scenes of the Gallant South
...July 24th, 2019
Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland’s photographs and stories feature Art Pepper, Pat Martino and Joe Williams.
...July 6th, 2019
“Thinking about the Truesdells,” comes from a seven-work series entitled Pastoral Scenes from the Gallant South (from Billie Holiday’s “Strange Fruit”).
...July 1st, 2019
“Thinking about Charlie Parker,” comes from a series entitled Pastoral Scenes from the Gallant South (from Billie Holiday’s “Strange Fruit”).
...May 31st, 2019
Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland’s photographs and stories feature Stan Getz, Sun Ra, and Carla Bley.
...May 5th, 2019
“Thinking about Homer Plessy,” comes from a seven-work series entitled Pastoral Scenes from the Gallant South (from Billie Holiday’s “Strange Fruit”).
...April 29th, 2019
“Thinking About Ida B. Wells” is the second image published on Jerry Jazz Musician from Ingham’s seven work series “Scenes From the Gallant South” (from Billie Holiday’s “Strange Fruit”)
...April 5th, 2019
In this edition of Veryl Oakland’s “Jazz in Available Light,” photographs of Red Garland, Dizzy Gillespie and Rahsaan Roland Kirk are featured.
...March 27th, 2019
“Thinking about Robert Johnson,” comes from a seven-work series entitled Pastoral Scenes from the Gallant South (from Billie Holliday’s “Strange Fruit”).
...March 9th, 2019
The short film follows the story of a young jazz musician who attempts to survive aggressive grannies and other terrifying beasts at a post-concert reception. “Say What!” features voice acting from Tony-nominee Charles Busch, original artwork by iconic American illustrator, Bob Ziering, and music performed by top New York’s jazz musicians including guitar legend, Bucky Pizzarelli.
...March 8th, 2019
In this edition, Paul writes about jazz album covers that offer glimpses into intriguing corners of the 1950’s culture
...February 20th, 2019
The photography of Sigitas Kondratas — a resident of Vilnius, Lithuania — caught my eye this week. His interesting technique conveys the music’s movement, artistry and intimacy. It is refreshing to see contemporary jazz musicians interpreted by an artist from Eastern Europe.
...February 17th, 2019
In this edition, Paul writes about the album art of classical label Westminster Records
...January 31st, 2019
Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.
In this edition, Paul features album covers of his favorite pop singers of the 1950’s
July 29th, 2017
Five stylized photographs taken during an April, 2017 Blue Note performance…
...April 30th, 2017
Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.
_____
In this edition, Paul features samples of Alex Steinweiss album covers, created during the early 1940’s, at the beginning of his career
...April 26th, 2017
Many thanks to Doug Ramsey, honored jazz journalist and publisher of the blog Rifftides, who during his visit to Portland to cover the PDX Jazz Festival, took the time to meet with me and learn about the “Jazz in the Schools” program we instituted at PDX Jazz. You can read his report and get information about the program by clicking here.
...February 22nd, 2017
John McCluskey, a contributing poet to Jerry Jazz Musician, submitted six photographs of jazz musicians he took while recently visiting New Orleans. John writes that the shots were “deliberately processed…in the most colorful way possible to illustrate the sensibility of the performers.”
These photos feature musicians performing on Royal Street, New Orleans, in April 2016.
...September 29th, 2016
Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.
In this edition, Paul features examples of vintage kitsch on several themes
...September 6th, 2016
Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.
In this edition, Paul features choice selections from Decca Records
...August 9th, 2016
Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon. In this edition, Paul writes about album covers picturing designer furniture
...July 8th, 2016
Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon. In this edition, Paul writes about the album cover art of Erik Nitsche, a pioneer of modern design
...May 21st, 2016
Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon. In this edition, Paul shares some jazz covers from the 1950’s.
...February 26th, 2016
Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon. In this edition, Paul looks at the art of London Records.
...December 29th, 2015
Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.
August 20th, 2015
Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.
May 9th, 2015
Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.
April 1st, 2015
“Cover Stories with Paul Morris” is a popular feature found on Jerry Jazz Musician that looks at the serious art – and serious comedy – of vintage album cover art. Paul is a dear friend of mine and fellow Portland resident who happens to be a music scholar and album cover collector. In most cases, it is not the music he seeks, it is the work of the artist who created the design.
Yesterday was a pretty typical late March Portland day – cool, gray and drizzly with an occasional dose of sunshine. It was “jacket weather” but no umbrella was necessary. It was a great day to hit a few record stores, of which there are many in this amazing town. Portland has more record stores (predominantly selling vinyl) than any other
...March 26th, 2015
Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.
February 11th, 2015
Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.
December 18th, 2014
I received an email yesterday from noted photographer (and friend) Herb Snitzer, who is announcing the distribution of “Such Sweet Thunder,” a boxed portfolio containing 10 of his finest iconic photographs. The collection of 16″ x 20″ silver gelatin prints includes photographs of artists like Louis Armstrong, Nina Simone, Miles Davis, and John Coltrane. Snitzer wrote that this portfolio is “a wonderful investment for children and grandchildren as the value increases with each passing year.” Originally valued at $1500, the collection is now worth
...November 4th, 2014
Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.
This edition features a selection of RCA Victor album covers from Paul’s collection
...November 1st, 2014
Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon. This humorous edition features a “disturbing” and fascinating trend in 1950’s album art — Records on the Floor!
...August 20th, 2014
In 2004, I had the privilege of interviewing Neil Lanctot, whose history of baseball’s Negro Leagues entitled Negro League Baseball: The Rise and Ruin of a Black Institution had just been published.
While preparing for the interview, the work of the noted Pittsburgh Courier photographer Charles “Teenie” Harris came to my attention. Among his many contributions to America’s archives are his photographs of the Negro Leagues, taken during the League’s pre-war and wartime era, mostly in Pittsburgh’s Forbes Field, where the Pittsburgh Crawfords played many of their games.
With baseball’s All Star Game scheduled for Tuesday evening in Minneapolis, it feels like a good time to revisit some baseball (and American) history, and there is no better way than to view some of Harris’ amazing work.
With grateful appreciation to Pittsburgh’s Carnegie Museum of Art — who granted us permission to use these historic images — we present a photo gallery of rarely seen Harris photos,
...July 13th, 2014
Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.
This edition features Alex Steinweiss album covers from his prime period — the late 1940’s and early 1950’s.
...July 6th, 2014
As a jazz musician for seven decades, and as a chronicler of its intellectual and spiritual development through his fascinating, award-winning photography, Milt Hinton acts as an essential connecting point for the music and its associated culture. Hinton played bass alongside iconic figures like Cab Calloway, Dizzy Gillespie, and Louis Armstrong, and, as a photographer, brought these men and a host of others into focus as musicians, artists, and vital contributors to twentieth-century American life.
With the generous consent of David G. Berger and Holly Maxson, who along with Milt Hinton co-authored Playing the Changes: Milt Hinton’s Life in Stories and Photographs, Jerry Jazz Musician presents a photo exhibit, “Jazz: Through the Life and Lens of Milt Hinton.”
...May 9th, 2014
Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.
This edition features teenagers of the 1950’s enjoying their music!
...April 9th, 2014
Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.
In this edition, Paul returns to the work of Alex Steinweiss, when he used the pseudonym “Piedra Blanca.”
...March 6th, 2014
Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.
In this edition, Paul invites readers to revisit the 1950s with images of fans holding and enjoying their albums.
...January 24th, 2014
Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.
In this edition, Paul features jazz illustrations from the early years of the record album
...December 22nd, 2013
Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.
In this edition, Paul focuses on the art of Columbia
...November 11th, 2013
Album covers: to those who grew up in the vinyl era, the images printed on the sleeves of LPs were closely linked in our imaginations with the music they represented. The iconic covers of the ’60s – Sgt. Pepper, The Band at Big Pink, Cheap Thrills drawn by R. Crumb – put an enduring visual stamp on the pop culture of the time.
This art form has a relatively short history – only in the ’40s were 78 rpm album covers routinely decorated with art.
October 8th, 2013
Fans of album cover art are in for a unique and entertaining experience — “Cover Story with Paul Morris” will debut on Jerry Jazz Musician on Tuesday, October 8. Morris is an avid Portland, Oregon collector who, in his words, will “share his enthusiasm for the artists who created album covers in the ‘40s and ‘50s.”
...October 6th, 2013
In cooperation with Frank Driggs and Chuck Haddix, authors of Kansas City Jazz: From Ragtime to Bebop — a look at the fascinating historyof Kansas City’s golden age through book excerpts, photos and music
...April 15th, 2013
Doug Ramsey’s biography of saxophonist Paul Desmond is a lavish, detailedwork of art, filled with photographs, letters, and memories of a complexand frequently inspiring life. “Paul Desmond: A Life Told in Pictures,Music and Memories,” a Jerry Jazz Musician production published in cooperation with Ramsey and Parkside Publications, features photographs and excerpts from the book, as well as sound samples of Desmond’s music.
...April 6th, 2013
Although it only encompasses about six square miles, the New York City neighborhood of Harlem has played a central role in the development of American culture. Originally rural farmland, then an affluent suburb, since 1911 Harlemhas been predominantly an African American community. Its residents havehad a disproportionately large impact on all aspects of American culture,leaving their mark on literature, art, comedy, dance, theater, music, sports, religion and politics.
...March 18th, 2013
Romare Bearden (1911 – 1988) was one of America’s great artistic innovators,blazing his own trail in a time of turbulent cultural change. Whilehis work offers an invaluable view of mid-twentieth-century African-Americanexperience, it has also come to occupy a significant place in the wider historyof American art and speaks to the universal concerns of artists everywhere.
...February 10th, 2013
The Negro League Baseball Photographs of Charles “Teenie” Harris, published with the permission of the Carnegie Museum.
...February 10th, 2013
Kansas City Jazz: A Pictorial Tour _____ In cooperation with Frank Driggs and Chuck Haddix, authors of Kansas City Jazz: From Ragtime to Bebop — a look at the fascinating history of Kansas City’s golden age through book excerpts, photos and music * All photos and book excerpts used with the permission of Frank Driggs, … Continue reading “Kansas City Jazz: A Pictorial Tour”
...August 29th, 2006
“The Köln Concert,” by Martin Agee
The Sunday Poem is published weekly, and strives to include the poet reading their work....
Martin Agee reads his poem at its conclusion
Click here to read previous editions of The Sunday Poem
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