“All Blues: The Story of a Lost Friendship” — a true jazz story by Bob Hecht

December 19th, 2018

.

.

.

 

.

All Blues: the Story of a Lost Friendship

by Bob Hecht

.

_____

.

 

…..I have to wonder how many friendships have been forged over mutual love of Miles Davis’ album, Kind of Blue. The one I want to tell you about came to pass in an unlikely setting back during the winter of 1963…

 

…..Fort Dix, New Jersey was, in my view at least, a surreal kind of place to be at any time; but to be there in Basic Training at the moment when President John F. Kennedy was assassinated was especially bizarre. When the shocking news was announced to us ‘troops’ as we stood frozen in formation and when “Taps” had been played over loud speakers mounted high on telephone poles, the entire base seemed stunned into silence. At least momentarily, that is, before the relentlessly noisy, self-propulsion of the military machine kicked back in after that brief silent stutter, and things once more returned to the Army’s version of normal.

 

…..That all happened just days after the start of my time at Fort Dix. I had entered the Army, like many, with extreme reluctance and trepidation, and with deep feelings of alienation, not being of a military ‘bent’ shall we say, and viscerally opposed to the growing military involvement in Vietnam. I just wanted to be back in New York bopping around jazz clubs and continuing to do my jazz radio shows… but the U.S. Army had other plans, and rather than be drafted for two years, I had enlisted in the Army Reserves, requiring only six months of active duty. Nonetheless, Basic Training was quite an endurance test for me, physically and psychologically, and honestly, I wasn’t cutting it too well. All that shouting and shooting—some guys ate it up but it was stress city for me.

 

…..And then a friendship came along out of the blue—or out of the blues really—and things became a little bit more tolerable.

 

…..Here’s how it all went down…

 

…..I was sitting on my footlocker in the barracks one night before lights out, polishing my boots and buckles for an inspection in the morning, when I got to talking with a fellow soldier-in-training. He was a tall, handsome black man named John Evans, who hailed from Boston and was a recent English Lit graduate from an Ivy League college. We chatted about some authors we admired but when the subject came around to music, we quickly discovered we had something even bigger in common than literature—a deep love of jazz.

 

…..But it wasn’t just that we both adored jazz in general; it was also that we both considered Miles Davis’ Kind of Blue to be our all-time favorite jazz record. The album had come out a few years before; I knew virtually every note of it and regarded it as a high-water mark not only in jazz but in the realm of high art in general.

 

…..Looking back now—given that the album is the best selling jazz album of all time, and still sells over 5,000 copies a month these nearly sixty years after being recorded—I suppose it’s not all that uncommon for two jazz fans to have that record in common as their favorite, but right there at that moment, in the context of our shared daily adversities courtesy of the U.S. Army, our synchrony seemed significant. It felt like a kind of life raft to hold onto in the midst of all that military turbulence and chaos.

 

…..John and I talked enthusiastically about some of the great tunes on Kind of Blue: including “All Blues,” “So What,” and “Blue in Green,” and about the exquisite beauty of both the ensemble work and the solos. Miles had assembled one of the most perfect teams, with John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers and Jimmy Cobb; and as pianist Bill Evans wrote in the liner notes for the album, “…you will hear something close to pure spontaneity in these performances.”

 

…..I told John that just a few days before, shortly after the assassination, I had been talking with my girlfriend on the phone and she had told me that on the day of Kennedy’s death, the big middle-of-the-road radio station in New York City, WNEW—not a jazz station in any way—had played “Blue in Green,” that most poignant, elegiac piece from Davis’ album.

 

…..As the weeks of basic training dragged grindingly on, John and I developed a nice friendship and talked whenever we had any down time. I was increasingly impressed by what an admirable guy he was—smart, sensitive and charismatic. Soon, his obvious leadership abilities and maturity resulted in his being named a platoon leader.

 

…..However, some of the other white soldiers in the unit were not so pleased at John’s advancement, nor at my obvious friendship with him. On one occasion, several complained to me that he was promoted when there were white soldiers who were “more qualified.”  I also overheard the term “n-lover” used to describe me, and once an ignorant young kid, egged on by several of his pals, actually went with that old racist trope and asked me if I “would want one of them to marry my sister.” (I recall replying with something along the lines of “that would be up to my sister,” and thereafter made a point to avoid that group for the rest of Basic.)

 

…..An intense experience like being in the Army can forge friendships that can last a lifetime. In fact, John and I remained close during our time together in Basic, and even kept up an active correspondence over the next year and a half. But then something happened…

 

…..When I completed my active duty at Fort Dix, I got a cheap apartment with my girlfriend in Manhattan (in those days it was still possible to find a cheap pad, especially if you were willing to share it with the colonies of cockroaches, who were, after all, there first.) John, meanwhile, had been shipped off to Fort Hood, Texas, to serve out the remainder of his two-year commitment as a medic.

 

…..To support myself, I had settled for a job in the public relations department of a monolithic New York life insurance company, writing news releases no one would read about the successes of life insurance salesmen no one cared about.

 

…..Before the Army I had been a jazz disc jockey for a radio station in Newark, New Jersey—my dream job in many ways—but family pressure had convinced me I should find a more ‘respectable’ profession that also paid an actual living wage. I would not, however, last long in the corporate world.

 

…..During the same period I bought an alto saxophone and began regular lessons with a saxophonist friend who was a disciple of Lee Konitz, one of my jazz heroes. Starting so late in life, at 22, I had no illusions about becoming a real musician; I just wanted to get a little closer to the music I adored. So, by night I was an aspiring saxophonist—much to the dismay of my neighbors who heard me playing endless scales—and jazz club-hopping hipster… and by day I was a corporate publicity flack.

 

…..This was not exactly a balanced, healthy lifestyle, to say the least, and after a year or so of seriously burning the candle at both ends, my body surrendered: I came down with a severe case of mononucleosis, resulting in a hospitalization followed by months of recovery at home. My girlfriend and soon-to-be first wife, Lynnette, gradually nursed me back to health.

 

…..Meanwhile, my correspondence with John had continued during this time and was a real tonic, as we regularly exchanged news and our thoughts on books and music. He had gotten married while serving in Texas, and one day I got a letter saying that he would soon be discharged, and that he and his wife would like to stop in New York for a couple of days to see us on their way north to his family home in Boston.

 

…..When the time came for their visit, I was between jobs, having quit the insurance company gig after my prolonged illness. Lynnette and I were living in a small, extremely cramped one-bedroom apartment in an old tenement building on the Upper East Side (picture bathtub in the kitchen and toilet down the hall). Regardless, we welcomed John and his wife to our humble pad, and to try to make them as comfortable as possible for their two-night stay we gave them the bedroom, and Lynnette and I crashed on a daybed in the living room.

 

…..They had made the long drive from Texas in their station wagon, which was packed to the max with their essential belongings: clothes, records, books, etc. When they arrived, John parked outside our building on East 75th Street, and said he hoped it would be okay to leave their voluminous stuff in the car. We discussed it and figured that since everything was carefully covered with blankets and nothing was visible (and also considering that there was no space for any of it in our tiny apartment), that it would likely be all right. After all, this was the Upper East Side…

 

…..And thankfully, all was well in the morning. We hung out for the day and that evening John and I went downtown and heard Thelonious Monk at the Five Spot. It felt great to see each other again and to dig Monk’s music together.

 

…..But the next morning John went out to get some coffee, and when he returned to the apartment he looked stricken. In the night, thieves had smashed most of the windows of his station wagon and removed every single one of their possessions—his entire jazz record collection, all their books, everything they owned. With tears welling up in his eyes, he looked at me as if I had totally betrayed him. And I suppose in a sense that was true, as I had been part of an extremely unwise decision. With hardly another word spoken, he and his wife left to return home in their empty and mostly windowless station wagon.

 

…..I never heard from John again after that terrible day, and had no way to reach him. Even now in the age of digital contacts, I have not been able to locate him.

 

…..Now and then, especially when I hear something from Kind of Blue, I find myself wondering if John still listens to that music, too… or if he is even alive. To this day, more than fifty years after his fateful visit to New York, I can feel the searing guilt of his awful loss, as well as my own—the loss of a friend whom I admired so much.

 

………………..The blues are more than a color
………………..They’re a moan of pain
………………..A Taste of strife
………………..And a sad refrain*

.

.

 

* from the lyrics to Miles Davis’ “All Blues” by Oscar Brown, Jr..

copyright 2018 Bob Hecht

 

.

 

Click to listen to “All Blues”.

.

.

_____________

.

.

Bob Hecht’s love of jazz music has, as he writes on his website, The Joys of Jazz, “sustained” him for over seven decades.   As a former prominent jazz radio host, writer, producer, and film editor, he is uniquely qualified to tell the abundant history of jazz — and his personal experiences with it — in rich, polished and entertaining podcasts that are wonderfully rewarding.

His work will periodically appear on the pages of Jerry Jazz Musician, for which we are grateful.  For complete listings of available programs, and to subscribe to his podcast series, we encourage you to visit his website.

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

In This Issue

painting of Clifford Brown by Paul Lovering
A Collection of Jazz Poetry — Spring/Summer, 2024 Edition...In this, the 17th major collection of jazz poetry published on Jerry Jazz Musician, 50 poets from all over the world again demonstrate the ongoing influence the music and its associated culture has on their creative lives.

(featuring the art of Paul Lovering)

Feature

photo of Rudy Van Gelder via Blue Note Records
“Rudy Van Gelder: Jazz Music’s Recording Angel” – an essay by Joel Lewis...For over 60 years, the legendary recording engineer Rudy Van Gelder devoted himself to the language of sound. And although he recorded everything from glee clubs to classical music, he was best known for recording jazz – specifically the musicians associated with Blue Note and Prestige records. Joel Lewis writes about his impact on the sound of jazz, and what has become of his Englewood Cliffs, New Jersey studio.

The Sunday Poem

photo of Woody Shaw by Brian McMillan, CC BY-SA 3.0 , via Wikimedia Commons

”Every Time” by Michel Krug


The Sunday Poem is published weekly, and strives to include the poet reading their work.... Michel Krug reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Interview

Interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lost Empire of Cool...The esteemed writer tells a vibrant story about the jazz world before, during, and after the 1959 recording of Kind of Blue, and how the album’s three genius musicians came together, played together, and grew together (and often apart) throughout the experience.

Publisher’s Notes

photo by Rhonda Dorsett
On turning 70, and contemplating the future of Jerry Jazz Musician...

Essay

“Gone Guy: Jazz’s Unsung Dodo Marmarosa,” by Michael Zimecki...The writer remembers the late jazz musician Michael “Dodo” Marmarosa, awarded Esquire Magazine’s New Star Award in 1947, and who critics predicted would dominate the jazz scene for the next 30 years.

Short Fiction

Impulse! Records and ABC/Dunhill Records. Photographer uncredited/via Wikimedia Commons
Short Fiction Contest-winning story #66 — “Not From Around Here” by Jeff Dingler...The author’s award-winning story is about a Jewish kid coming of age in Alabama and discovering his identity through music, in particular the interstellar sound of Sun Ra..

Click here to read more short fiction published on Jerry Jazz Musician

Playlist

“‘Different’ Trios” – a playlist by Bob Hecht...A 27-song playlist that focuses on non-traditional trio recordings, featuring trios led by the likes of Carla Bley, Ron Miles, Dave Holland and Jimmy Giuffre...

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 5: “Scott Joplin: King of Ragtime”...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this seventh edition of excerpts from his book, Rife writes about jazz novels and short stories that feature stories about women, written by women.

Interview

Interview with Larry Tye, author of The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America...The author talks about his book, an intensely researched, spirited, and beautifully told story – and an important reminder that Armstrong, Ellington, and Basie all defied and overcame racial boundaries “by opening America’s eyes and souls to the magnificence of their music.”

Poetry

John Coltrane, by Martel Chapman
Four poets, four poems…on John Coltrane

Feature

What we discover about Kamala Harris from an armful of record albums...Like her or not, readers of this site will enjoy learning that Vice President Kamala Harris is a fan of jazz music. Witness this recent clip (via Youtube) of her emerging from a record shop…

Short Fiction

Munich University of Music and Theater/© Raimond Spekking/via Wikimedia Commons
“The Pianist (Part One)” – a short story by J. C. Michaels...The story – finalist in the recently concluded 66th Short Fiction Contest – describes the first lesson at a music conservatory of a freshman piano-performance major who is more accustomed to improvising than reading music. It is an excerpt from a novel-in-progress.

Poetry

“Revival” © Kent Ambler.
If You Want to Go to Heaven, Follow a Songbird – Mary K O’Melveny’s album of poetry and music...While consuming Mary K O’Melveny’s remarkable work in this digital album of poetry, readings and music, readers will discover that she is moved by the mastery of legendary musicians, the wings of a monarch butterfly, the climate and political crisis, the mysteries of space exploration, and by the freedom of jazz music that can lead to what she calls “the magic of the unknown.” (with art by Kent Ambler)

Book Excerpt

A book excerpt from Designed for Success: Better Living and Self-Improvement with Midcentury Instructional Records, by Janet Borgerson and Jonathan Schroeder...In this excerpt, the authors write extensively about music instruction and appreciation records dealing with the subject of jazz.

Interview

The Marvelettes/via Wikimedia Commons
Interview with Laura Flam and Emily Sieu Liebowitz, authors of But Will You Love Me Tomorrow?: An Oral History of the 60’s Girl Groups...Little is known of the lives and challenges many of the young Black women who made up the Girl Groups of the ‘60’s faced while performing during an era rife with racism, sexism, and music industry corruption. The authors discuss their book’s mission to provide the artists an opportunity to voice their experiences so crucial to the evolution of popular music.

Short Fiction

Photo by Stockcake
“Melody and Counterpoint” – a short story by Joshua Dyer...In this story - a short-listed entry in our recently concluded 66th Short Fiction Contest - Tucker works as a jazz pianist aboard the deep space luxury cruiser, the Royal Nebula. A flirtatious interlude pushes his new emotional software to its limits and beyond, and he learns the hard way what it means to be human.

Art

photo of Johnny Griffin by Giovanni Piesco
The Photographs of Giovanni Piesco: Johnny Griffin and Von Freeman...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition is of saxophonists Johnny Griffin and Von Freeman, who appeared together at the at Bimhuis on June 25/26, 1999.

Short Fiction

bshafer via FreeImages.com
“And All That Jazz” – a short story by BV Lawson...n this story – a short listed entry in our recently concluded 66th Short Fiction Contest – a private investigator tries to help a homeless friend after his saxophone is stolen.

Essay

“Like a Girl Saying Yes: The Sound of Bix” – an essay by Malcolm McCollum...The first time Benny Goodman heard Bix Beiderbecke play cornet, he wondered, “My God, what planet, what galaxy, did this guy come from?” What was it about this musician that captivated and astonished so many for so long – and still does?

Trading Fours with Douglas Cole

Trading Fours, with Douglas Cole, No. 21: “The Blue Truth”...In this edition, the poet riffs on Oliver Nelson’s classic 1961 album The Blues and the Abstract Truth as if a conversation between conductor and players were caught on tape along with the inner monologue of some mystery player/speaker of the poem.

In Memoriam

Hans Bernhard (Schnobby), CC BY-SA 3.0, via Wikimedia Commons
“Remembering Joe Pass: Versatile Jazz Guitar Virtuoso” – by Kenneth Parsons...On the 30th anniversary of the guitarist Joe Pass’ death, Kenneth Parsons reminds readers of his brilliant career

Book Excerpt

Book excerpt from Jazz with a Beat: Small Group Swing 1940 – 1960, by Tad Richards

Click here to read more book excerpts published on Jerry Jazz Musician

Jazz History Quiz #176

photo of Lester Young by William Gottlieb/Library of Congress
While legendary as a saxophonist, his first instrument was a violin and his second the piano — which he played well enough to work as an accompanist to silent movies. Ultimately it was Lester Young’s father who taught him the saxophone well enough that he switched instruments for good. (It was during this time that he also saved Lester from drowning in a river). Who is he?

Community

photo via Picryl.com
“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March – September, 2024)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Larry Tye, author of The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America; an interview with Jonathon Grasse, author of Jazz Revolutionary: The Life & Music of Eric Dolphy; A new collection of jazz poetry; a collection of jazz haiku; a new Jazz History Quiz; short fiction; poetry; photography; interviews; playlists; and lots more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.