“All Blues: The Story of a Lost Friendship” — a true jazz story by Bob Hecht

December 19th, 2018

.

.

.

 

.

All Blues: the Story of a Lost Friendship

by Bob Hecht

.

_____

.

 

…..I have to wonder how many friendships have been forged over mutual love of Miles Davis’ album, Kind of Blue. The one I want to tell you about came to pass in an unlikely setting back during the winter of 1963…

 

…..Fort Dix, New Jersey was, in my view at least, a surreal kind of place to be at any time; but to be there in Basic Training at the moment when President John F. Kennedy was assassinated was especially bizarre. When the shocking news was announced to us ‘troops’ as we stood frozen in formation and when “Taps” had been played over loud speakers mounted high on telephone poles, the entire base seemed stunned into silence. At least momentarily, that is, before the relentlessly noisy, self-propulsion of the military machine kicked back in after that brief silent stutter, and things once more returned to the Army’s version of normal.

 

…..That all happened just days after the start of my time at Fort Dix. I had entered the Army, like many, with extreme reluctance and trepidation, and with deep feelings of alienation, not being of a military ‘bent’ shall we say, and viscerally opposed to the growing military involvement in Vietnam. I just wanted to be back in New York bopping around jazz clubs and continuing to do my jazz radio shows… but the U.S. Army had other plans, and rather than be drafted for two years, I had enlisted in the Army Reserves, requiring only six months of active duty. Nonetheless, Basic Training was quite an endurance test for me, physically and psychologically, and honestly, I wasn’t cutting it too well. All that shouting and shooting—some guys ate it up but it was stress city for me.

 

…..And then a friendship came along out of the blue—or out of the blues really—and things became a little bit more tolerable.

 

…..Here’s how it all went down…

 

…..I was sitting on my footlocker in the barracks one night before lights out, polishing my boots and buckles for an inspection in the morning, when I got to talking with a fellow soldier-in-training. He was a tall, handsome black man named John Evans, who hailed from Boston and was a recent English Lit graduate from an Ivy League college. We chatted about some authors we admired but when the subject came around to music, we quickly discovered we had something even bigger in common than literature—a deep love of jazz.

 

…..But it wasn’t just that we both adored jazz in general; it was also that we both considered Miles Davis’ Kind of Blue to be our all-time favorite jazz record. The album had come out a few years before; I knew virtually every note of it and regarded it as a high-water mark not only in jazz but in the realm of high art in general.

 

…..Looking back now—given that the album is the best selling jazz album of all time, and still sells over 5,000 copies a month these nearly sixty years after being recorded—I suppose it’s not all that uncommon for two jazz fans to have that record in common as their favorite, but right there at that moment, in the context of our shared daily adversities courtesy of the U.S. Army, our synchrony seemed significant. It felt like a kind of life raft to hold onto in the midst of all that military turbulence and chaos.

 

…..John and I talked enthusiastically about some of the great tunes on Kind of Blue: including “All Blues,” “So What,” and “Blue in Green,” and about the exquisite beauty of both the ensemble work and the solos. Miles had assembled one of the most perfect teams, with John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers and Jimmy Cobb; and as pianist Bill Evans wrote in the liner notes for the album, “…you will hear something close to pure spontaneity in these performances.”

 

…..I told John that just a few days before, shortly after the assassination, I had been talking with my girlfriend on the phone and she had told me that on the day of Kennedy’s death, the big middle-of-the-road radio station in New York City, WNEW—not a jazz station in any way—had played “Blue in Green,” that most poignant, elegiac piece from Davis’ album.

 

…..As the weeks of basic training dragged grindingly on, John and I developed a nice friendship and talked whenever we had any down time. I was increasingly impressed by what an admirable guy he was—smart, sensitive and charismatic. Soon, his obvious leadership abilities and maturity resulted in his being named a platoon leader.

 

…..However, some of the other white soldiers in the unit were not so pleased at John’s advancement, nor at my obvious friendship with him. On one occasion, several complained to me that he was promoted when there were white soldiers who were “more qualified.”  I also overheard the term “n-lover” used to describe me, and once an ignorant young kid, egged on by several of his pals, actually went with that old racist trope and asked me if I “would want one of them to marry my sister.” (I recall replying with something along the lines of “that would be up to my sister,” and thereafter made a point to avoid that group for the rest of Basic.)

 

…..An intense experience like being in the Army can forge friendships that can last a lifetime. In fact, John and I remained close during our time together in Basic, and even kept up an active correspondence over the next year and a half. But then something happened…

 

…..When I completed my active duty at Fort Dix, I got a cheap apartment with my girlfriend in Manhattan (in those days it was still possible to find a cheap pad, especially if you were willing to share it with the colonies of cockroaches, who were, after all, there first.) John, meanwhile, had been shipped off to Fort Hood, Texas, to serve out the remainder of his two-year commitment as a medic.

 

…..To support myself, I had settled for a job in the public relations department of a monolithic New York life insurance company, writing news releases no one would read about the successes of life insurance salesmen no one cared about.

 

…..Before the Army I had been a jazz disc jockey for a radio station in Newark, New Jersey—my dream job in many ways—but family pressure had convinced me I should find a more ‘respectable’ profession that also paid an actual living wage. I would not, however, last long in the corporate world.

 

…..During the same period I bought an alto saxophone and began regular lessons with a saxophonist friend who was a disciple of Lee Konitz, one of my jazz heroes. Starting so late in life, at 22, I had no illusions about becoming a real musician; I just wanted to get a little closer to the music I adored. So, by night I was an aspiring saxophonist—much to the dismay of my neighbors who heard me playing endless scales—and jazz club-hopping hipster… and by day I was a corporate publicity flack.

 

…..This was not exactly a balanced, healthy lifestyle, to say the least, and after a year or so of seriously burning the candle at both ends, my body surrendered: I came down with a severe case of mononucleosis, resulting in a hospitalization followed by months of recovery at home. My girlfriend and soon-to-be first wife, Lynnette, gradually nursed me back to health.

 

…..Meanwhile, my correspondence with John had continued during this time and was a real tonic, as we regularly exchanged news and our thoughts on books and music. He had gotten married while serving in Texas, and one day I got a letter saying that he would soon be discharged, and that he and his wife would like to stop in New York for a couple of days to see us on their way north to his family home in Boston.

 

…..When the time came for their visit, I was between jobs, having quit the insurance company gig after my prolonged illness. Lynnette and I were living in a small, extremely cramped one-bedroom apartment in an old tenement building on the Upper East Side (picture bathtub in the kitchen and toilet down the hall). Regardless, we welcomed John and his wife to our humble pad, and to try to make them as comfortable as possible for their two-night stay we gave them the bedroom, and Lynnette and I crashed on a daybed in the living room.

 

…..They had made the long drive from Texas in their station wagon, which was packed to the max with their essential belongings: clothes, records, books, etc. When they arrived, John parked outside our building on East 75th Street, and said he hoped it would be okay to leave their voluminous stuff in the car. We discussed it and figured that since everything was carefully covered with blankets and nothing was visible (and also considering that there was no space for any of it in our tiny apartment), that it would likely be all right. After all, this was the Upper East Side…

 

…..And thankfully, all was well in the morning. We hung out for the day and that evening John and I went downtown and heard Thelonious Monk at the Five Spot. It felt great to see each other again and to dig Monk’s music together.

 

…..But the next morning John went out to get some coffee, and when he returned to the apartment he looked stricken. In the night, thieves had smashed most of the windows of his station wagon and removed every single one of their possessions—his entire jazz record collection, all their books, everything they owned. With tears welling up in his eyes, he looked at me as if I had totally betrayed him. And I suppose in a sense that was true, as I had been part of an extremely unwise decision. With hardly another word spoken, he and his wife left to return home in their empty and mostly windowless station wagon.

 

…..I never heard from John again after that terrible day, and had no way to reach him. Even now in the age of digital contacts, I have not been able to locate him.

 

…..Now and then, especially when I hear something from Kind of Blue, I find myself wondering if John still listens to that music, too… or if he is even alive. To this day, more than fifty years after his fateful visit to New York, I can feel the searing guilt of his awful loss, as well as my own—the loss of a friend whom I admired so much.

 

………………..The blues are more than a color
………………..They’re a moan of pain
………………..A Taste of strife
………………..And a sad refrain*

.

.

 

* from the lyrics to Miles Davis’ “All Blues” by Oscar Brown, Jr..

copyright 2018 Bob Hecht

 

.

 

Click to listen to “All Blues”.

.

.

_____________

.

.

Bob Hecht’s love of jazz music has, as he writes on his website, The Joys of Jazz, “sustained” him for over seven decades.   As a former prominent jazz radio host, writer, producer, and film editor, he is uniquely qualified to tell the abundant history of jazz — and his personal experiences with it — in rich, polished and entertaining podcasts that are wonderfully rewarding.

His work will periodically appear on the pages of Jerry Jazz Musician, for which we are grateful.  For complete listings of available programs, and to subscribe to his podcast series, we encourage you to visit his website.

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Publisher’s Notes

Creatives – “This is our time!“…A Letter from the Publisher...A call to action to take on political turmoil through the use of our creativity as a way to help our fellow citizens “pierce the mundane to find the marvelous.”

In This Issue

Announcing the book publication of Kinds of Cool: An Interactive Collection of Jazz Poetry...The first Jerry Jazz Musician poetry anthology published in book form includes 90 poems by 47 poets from all over the world, and features the brilliant artwork of Marsha Hammel and a foreword by Jack Kerouac’s musical collaborator David Amram. The collection is “interactive” (and quite unique) because it invites readers – through the use of QR codes printed on many of the book’s pages – to link to selected readings by the poets themselves, as well as to historic audio and video recordings (via YouTube) relevant to many of the poems, offering a holistic experience with the culture of jazz.

Interview

photo Louis Armstrong House Museum
Interview with Ricky Riccardi, author of Stomp Off, Let’s Go: The Early Years of Louis Armstrong...The author discusses the third volume of his trilogy, which includes the formation of the Armstrong-led ensembles known as the Hot Five and Hot Seven that modernized music, the way artists play it, and how audiences interact with it and respond to it.

The Sunday Poem

photo of Billy Wilder via Wikimedia Commons


“You Know by the Laughter,” by Joan E. Bauer


The Sunday Poem is published weekly, and strives to include the poet reading their work....

Joan E. Bauer reads her poem at its conclusion


Click here to read previous editions of The Sunday Poem

Feature

“What one song best represents your expectations for 2025?” Readers respond...When asked to name the song that best represents their expectations for 2025, respondents often cited songs of protest and of the civil rights era, but so were songs of optimism and appreciation, including Bob Thiele and George David Weiss’ composition “What a Wonderful World,” made famous by Louis Armstrong, who first performed it live in 1959. The result is a fascinating and extensive outlook on the upcoming year.

Poetry

Sax in a Blue Suit by Samuel Dixon
21 jazz poems on the 21st of March, 2025...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician by poets sharing their relationship to the music, and with the musicians who perform it.

Interview

photo by Brian McMillen
Interview with Phillip Freeman, author of In the Brewing Luminous: The Life and Music of Cecil Taylor...The author discusses Cecil Taylor – the most eminent free jazz musician of his era, whose music marked the farthest boundary of avant-garde jazz.

Feature

photo of Rudy Van Gelder via Blue Note Records
“Rudy Van Gelder: Jazz Music’s Recording Angel” – by Joel Lewis...For over 60 years, the legendary recording engineer Rudy Van Gelder devoted himself to the language of sound. And although he recorded everything from glee clubs to classical music, he was best known for recording jazz – specifically the musicians associated with Blue Note and Prestige records. Joel Lewis writes about his impact on the sound of jazz, and what has become of his Englewood Cliffs, New Jersey studio.

Poetry

photo of Charlie Parker by William Gottlieb/Library of Congress; Design by Rhonda R. Dorsett
Jerrice J. Baptiste’s 2025 Jazz Poetry Calendar...Jerrice J. Baptiste’s 12-month 2025 calendar of jazz poetry winds through the upcoming year with her poetic grace while inviting us to wander through music by the likes of Hoagy Carmichael, Antonio Carlos Jobim, Sarah Vaughan, Melody Gardot and Charlie Parker.

Playlist

“Sextets: The Joy of Six” – a playlist by Bob Hecht...The cover of the 1960 debut album by the Jazztet, co-founded by the trumpeter Art Farmer and the tenor saxophonist Benny Golson, and which always featured a trombonist and a piano-bass-drums rhythm section. Golson wrote much of the music, but “Hi-Fly” – a tune featured on Bob Hecht’s two-hour playlist devoted to sextets – was written by pianist Randy Weston, and appears on the 1960 album Big City Sounds.

Interview

Interview with Jonathon Grasse: author of Jazz Revolutionary: The Life and Music of Eric Dolphy....The multi-instrumentalist Eric Dolphy was a pioneer of avant-garde technique. His life cut short in 1964 at the age of 36, his brilliant career touched fellow musical artists, critics, and fans through his innovative work as a composer, sideman and bandleader. Jonathon Grasse’s Jazz Revolutionary is a significant exploration of Dolphy’s historic recorded works, and reminds readers of the complexity of his biography along the way. Grasse discusses his book in a December, 2024 interview.

Feature

Dmitry Rozhkov, CC BY-SA 4.0 via Wikimedia Commons
“Thoughts on Matthew Shipp’s Improvisational Style” – an essay by Jim Feast..Short of all the musicians being mind readers, what accounts for free jazz musicians’ – in this instance those playing with the pianist Matthew Shipp – incredible ability for mutual attunement as they play?

Art

Photo of Joe Lovano by Giovanni Piesco
The Photographs of Giovanni Piesco: Joe Lovano...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features 1999 photographs of the saxophonist Joe Lovano.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 11: “Chick” and “Hen” Lit...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 11th edition, Rife writes about the “chicks” (energetic women, attractive, and open to experience) and “hens” (older women who have either buried or lost a loved one, and who seem content with their lives) who are at the center of stories with jazz within its theme.

Interview

photo by Carl Van Vechten, Library of Congress
A Black History Month Profile: The legendary author Richard Wright...In a 2002 Jerry Jazz Musician interview, Richard Wright biographer Hazel Rowley discusses the life and times of legendary author Richard Wright, whose work included the novels Native Son andBlack Boy

Feature

On the Turntable — The “Best Of the ‘Best Of’” in 2024 jazz recordings...Our annual year-end compilation of jazz albums oft mentioned by a wide range of critics as being the best of 2024

In Memoriam

photo via Pexels.com
“Departures to the Final Arms Hotel in 2024” – poetic tributes, by Terrance Underwood...2024 produced its share of losses of legendary jazz musicians. Terrance Underwood pays poetic homage to a handful who have touched his life, imagining their admittance to the Final Arms Hotel, a destination he introduces in his prelude.

Community

Stewart Butterfield, CC BY 2.0, via Wikimedia Commons
Community Bookshelf #4...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2024 – March, 2025)

Feature

Trading Fours, with Douglas Cole, No. 23: “The Wave”...In this edition of an occasional series of the writer’s poetic interpretations of jazz recordings and film, Douglas’ poem is written partly as a reference to the Antonio Carlos Jobin song “Wave,” but mostly to get in the famed Japanese artist Hokusai’s idea of the wave as being a huge, threatening thing. (The poem initially sprang from listening to Cal Tjader’s “Along Came Mary”).

Short Fiction

Stan Shebs, CC BY-SA 3.0 , via Wikimedia Commons/blur effect added
Short Fiction Contest-winning story #67 — “Bluesette,” by Salvatore Difalco...The author’s award-winning story is a semi-satirical mood piece about a heartbroken man in Europe listening to a recording by the harmonica player Toots Thielemans while under the influence of a mind-altering substance.

Interview

Interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lost Empire of Cool...The esteemed writer tells a vibrant story about the jazz world before, during, and after the 1959 recording of Kind of Blue, and how the album’s three genius musicians came together, played together, and grew together (and often apart) throughout the experience.

Feature

photo of Lester Young by William Gottlieb/Library of Congress
Jazz History Quiz #179...Throughout his career, this saxophonist was known as the “Vice Prez” because he sounded so similar to “Prez,” Lester Young (pictured). Who was he?

Community

Nominations for the Pushcart Prize XLIX...Announcing the six writers nominated for the Pushcart Prize v. XLIX, whose work was published in Jerry Jazz Musician during 2024.

Publisher’s Notes

photo by Rhonda Dorsett
On turning 70, and contemplating the future of Jerry Jazz Musician...

Feature

“Are Jazz-Hop Instrumentals Jazz?” – an observation (and playlist) by Anthony David Vernon...Google “what is jazz-hop?” and the AI overview describes it is “a subgenre of hip-hop that combines jazz and hip-hop music. It developed in the late 1980s and early 1990s.” In Mr. Vernon’s observation, he makes the case that it is also a subgenre of jazz.

Community

Notes on Bob Hecht’s book, Stolen Moments: A Photographer’s Personal Journey...Some thoughts on a new book of photography by frequent Jerry Jazz Musician contributing writer Bob Hecht

Art

“The Jazz Dive” – the art of Allen Mezquida...The artist's work is inspired by the counterculture music from the 1950s and 60s, resulting in art “that resonates with both eyes and ears.” It is unique and creative and worth a look…

True Jazz Stories

Columbia Records; via Wikimedia Commons
“An Evening with Michael Bloomfield” – a true blues story by David Eugene Everard...The author recounts his experience meeting and interviewing the great blues guitarist Mike Bloomfield in 1974…

Short Fiction

photo via PxHere
“The Magic” – a story by Mark Bruce...Most bands know how to make music. They learn to play together so that it sounds good and maybe even get some gigs. Most bands know that you have your chord progressions and your 4/4 beat and your verses and bridges. Some bands even have a guy (or a woman, like Chrissy Hynde) who writes songs. So what gives some bands the leg up into the Top 40?

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers;, Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.