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On the web since 1999

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About

About Jerry Jazz Musician

 

Founded and published in Portland, Oregon since 1997, Jerry Jazz Musician’s mission is to explore the culture of 20th Century America with, as noted jazz critic Nat Hentoff wrote, “jazz as the centerpiece.”

 

We focus on publishing content geared toward readers with interests in jazz music, its rich history, and the culture it influenced – and was influenced by.

 

We regularly publish original interviews, poetry, literature, and art, and encourage our readers to share their own perspectives.  Information about how to do so is provided further down this page.

Praise for Jerry Jazz Musician

Nominated by the Jazz Journalists Association for “Best Website Concentrating on Jazz,” 2006 and 2007 Twice honored by Amazon.com as “Associate of the Month,” chosen from hundreds of thousands of Associate Websites.

 

“Of the jazz websites I visit, the most far-ranging – and therefore, most often surprising – is Jerry Jazz Musician…The site encompasses what could be called American civilization with jazz as the centerpiece.” 

– journalist Nat Hentoff

 

“Your site is a wonder.”

– author Greil Marcus

 

“It’s a tremendous site, full of surprise and information.”

– critic and author Gary Giddins

 

“You do an astonishing job with these materials.  More power to you – and many thanks for picking me to receive the full JJM treatment!”

– Jack Johnson biographer Geoffrey Ward

 

“First time visiting your site, to read the [Pulitzer Prize-winning author] Diane McWhorter interview, which was so good.  The way the graphics and links are tied in is really wonderful, and the interview was serious.  Your site is a hip experience.”

– author Tom Piazza

 

“There is a much richer level of thought in your magazine than what one encounters in any other American magazine – the most ambitious and the most remarkable jazz magazine I have ever seen.  What a sweep!  What you are doing for American culture is so unique and so well considered, all the rest of us can do is observe it with awe.”

– critic Stanley Crouch

 

The origins of “Jerry Jazz Musician”

The origins of the character “Jerry Jazz Musician” came out of a Woody Allen stand-up routine from the 1960’s called “Unhappy Childhood.”   During the routine, Allen jokes about riding the subway to his clarinet lesson, dressed  “Jerry Jazz Musician style.” The description conjured up images of someone who is hip – a guy who “made the scene.”

 

This image became inspiration for creating a fictional character who embodies all the qualities of the mid-century urbanite – stylish, well read, loves music, sports and culture, and hangs out in night clubs, record and book stores, and travels around the world.

 

In 1997, a logo was developed, and two years later, the site was launched as part catalog, part magazine.  The magazine portion of the site continues to be published.

 

Woody Allen’s reference to “Jerry Jazz Musician” in “Unhappy Childhood” can be heard at the 1:10 mark.

 

Founder and Publisher:

Joe Maita

I grew up in the San Francisco Bay area listening to the sounds of my father practicing his trumpet and viola in the basement of our suburban home.  While our house consisted mostly of the sounds of Montovani and Al Hirt, thankfully Ellington and Basie recordings were also at my disposal (as were the Beatles, Creedence, Stones, the Who, Santana, the Doors, and all the rock gods of the era).

 

My life changed, like so many others, upon hearing Kind of Blue for the first time (at age 14).  I subsequently spent most of my time (and paychecks) in the record stores of Berkeley and San Francisco, chasing down the recorded lives of everyone from Armstrong to Ornette — a quest that continues to this day.

 

I wanted to be a writer, but, in 1978 I moved to Portland, where I started a career in the record business, at first stocking record warehouse shelves with LP and 8-track recordings by the Bee Gees, Peter Frampton, and Billy Joel (not the hip existence I was expecting from the record business), and then gaining access to the company’s front office via sales, promotion, marketing and various management positions, which included selling records to some of the coolest record stores in the western U.S.

 

I have since been a veteran of the record and entertainment software business for 40 years (recently retired), and am also Past President of PDX Jazz, the presenting organization of the Portland (Oregon) Jazz Festival.

 

I started Jerry Jazz Musician as a way to communicate my passion for the culture of jazz, and for the associated history it altered and inspired.  I hope you enjoy…

 

Jerry Jazz Musician regularly publishes work by contributing artists, and encourages you to consider submitting work for consideration.  The following addresses general questions about how to submit and terms/conditions.

What we seek to publish:

Any creative offerings are considered for publication, including original poetry, short fiction, memoirs, criticism, essays, nonfiction, interviews, fine art, short films, and photographs.  Ideally your submission will appeal to readers who have an interest in jazz music and related culture.

While we don’t wish to restrict your submissions, basic guidelines are as follows:

Short fiction, nonfiction, essays, etc. – no more than 5,000 words, please

Short fiction can be entered into our Short Fiction Contest, which is held three times every year. Details on how to submit your story can be found here

Poetry – submit three to five at a time

Fine art and photography – send samples via JPG attachment or provide a link to your work

Multimedia – before submitting, explain your work in an email (you will be requested to send your file after that).  Please limit your submissions to up to ten minutes.

Simultaneous submissions are accepted.  If your submission is accepted elsewhere while being considered by Jerry Jazz Musician, please inform us.

Submit your work via email (with PDF or Word document attached) to jerryjazzmusician@gmail.com. Please submit a short biography (two sentences for starters) with your work.  Once submitted you will be contacted within a reasonable amount of time that it has been received.

Publishing terms and conditions

The artist retains complete copyright of published submission.

 

When you agree to these terms and allow your work to be published on Jerry Jazz Musician (www.jerryjazzmusician.com), you extend your rights on a worldwide basis (the breadth of the Internet).

 

Once your work has been published on Jerry Jazz Musician, you may publish and sell your work at any time, and to anyone you choose.  We only ask artists to note that the work was originally published on Jerry Jazz Musician.

Editing/Display/Publication

Your work may or may not be edited prior to publication.  If extensive edits are required, the artist will be notified well in advance of publication for appropriate discussion.  If a minimal amount of editing is required, Jerry Jazz Musician reserves the right to publish without review of the artist.

 

While artist input is welcome, Jerry Jazz Musician will make all decisions regarding a) images used in association with your work, 2) formatting of the work, and 3) the music selection (if any) associated with the work.

 

Jerry Jazz Musician may use your name and the name of your work in order to market and publicize the work.

Payment

Short Fiction Contest winners receive $100.  (Contest details can be viewed here).  Unless otherwise stated, all other accepted and published submissions are done so without compensation to the artist.

Artist representations

Artist represents and warrants that the submission is an original work of art and will not infringe or misappropriate the Intellectual Property Rights of any third party.  Artist agrees to indemnify and hold harmless Jerry Jazz Musician for any loss, injury, or damages resulting from a breach of these warranties.

 

If you have additional questions, please don’t hesitate to reach out to me at jerryjazzmusician@gmail.com and I will do my best to answer them.

 

Thanks for considering sharing your work with the Jerry Jazz Musician community.

 

 

 

Contact:

 

In This Issue

This issue features an interview with Thomas Brothers, author of Help! The Beatles, Duke Ellington, and the Magic of Collaboration…Also, previous winners of the Jerry Jazz Musician Short Fiction Contest reflect on their winning story; two new podcasts from Bob Hecht; a new collection of poetry; recommendations of recently release jazz recordings, and lots more…

Poetry

"The Thing of it Is" -- a poem by Alan Yount

Short Fiction

In celebration of our upcoming 50th Short Fiction Contest, previous winners reflect on their own winning story, and how their lives have unfolded since.

Poetry

Twelve poets contribute 15 poems to the February collection

Interviews

In Help! The Beatles, Duke Ellington, and the Magic of Collaboration, Duke University musicologist Thomas Brothers – author of two essential studies of Louis Armstrong – tells a fascinating account of how creative cooperation inspired two of the world’s most celebrated groups. He joins us in an interview to discuss his book, described by the Wall Street Journal as “a historically masterly and musically literate unraveling of some of the most-admired credits in 20th-century popular music.”

The Joys of Jazz

In this podcast, Bob Hecht tells the story of the song now synonymous with Feb. 14

Poetry

Steve Dalachinsky's poem of John Coltrane is dedicated to Amiri Baraka

Black History Month Profile

The life of Rosa Parks is discussed with biographer Douglas Brinkley

On the Turntable

Recommended listening…20 recently released jazz tunes by, among others, Brad Mehldau, Matt Penman, Ethan Iverson/Mark Turner, Ben Wendel, Julian Lage, and Don Byron

Great Encounters #54

In this edition, Joe Hagan, author of STICKY FINGERS: .The Life and Times of Jann Wenner and Rolling Stone Magazine, writes about how co-founders Wenner and legendary San Francisco music critic Ralph Gleason came upon the name for their revolutionary publication, Rolling Stone magazine.

“What are 3 or 4 of your favorite recordings of the 1940s?”

Chick Corea, Rickie Lee Jones, Gary Giddins, Michael Cuscuna, Randy Brecker and Tom Piazza are among those responding to our question, "What are 3 or 4 of your favorite jazz recordings of the 1940's?"

Cover Stories with Paul Morris

In this edition, Paul writes about the album art of the 1950's classical label Westminster Records

Coming Soon

Romare Bearden biographer Mary Schmidt Campbell is interviewed about the great American artist; Maxine Gordon discusses her biography of Dexter Gordon, her late husband... . . .

In the previous issue

This issue features a roundtable discussion among religious scholars Tracy Fessenden, Wallace Best and M. Cooper Harriss, who talk about how the world of religion may have impacted the creative lives of Billie Holiday, Langston Hughes and Ralph Ellison; also a new collection of poetry; previous winners of the Jerry Jazz Musician Short Fiction Contest reflect on their winning stories; three podcasts from Bob Hecht; recommended jazz listening; and lots more

Contributing writers

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