“A personal loss, and a self-restoration” – by editor/publisher Joe Maita

July 25th, 2022

.

.

My home in Portland, Oregon

.

___

.

.

 

“The only way to make sense out of change is to plunge into it, move with it and join the dance.”

-Alan Watts

.

 

 

…..I write this from the basement office space in my home of 35 years.  I am surrounded by stuff I love – record albums, books, photographs, art.  All are reminders of a life well-spent and well-lived.

…..My girlfriend and I serendipitously found this four-story home in a classic Northeast Portland, Oregon neighborhood while taking a wondrous evening walk in April of 1987.   We had been together a year and spoke of how beautifully matched we were, and symbolically compared our love to a peeling onion – the more we peeled its layers back, the closer we got to its core.  We were ready for big things together.

…..A sign in front of the house read: “For sale by owner.”    We stopped, shared an interested glance, and agreed to investigate.  Would it be rude to do so?  We sheepishly knocked on the door.  A friendly couple several years older invited us in.  They showed us around and we instantly fell in love with its charms and warmth, and began to do what young couples tend to  – imagine living in the space.  Here is where we will put the baby crib.  Those are the steps our daughter will walk down, dressed for the prom.  Blue is the color for this bedroom, beige in that one.  And those vinyl kitchen countertops have to go.  We returned to our rental duplex and told each other that, along with our undying love, this home could become the foundation of a life together.  We bought the house in May, moved into it in July, and married in August.

…..Over the years our home was central to our family’s life. We hosted holiday dinners and set up the backyard barbeque.  Our children’s schools and friends were a short walk away.  Our parents could easily visit from Seattle and San Francisco.  They’d sleep on the fold-out couch in the family room and, in winter, sit with us in front of the fire at 7:00 AM for coffee and at 5:00 PM for cocktail hour.  They’d watch our kids unwrap gifts under the Christmas tree and gleefully listen to their clumsy rendition of “We Three Kings” on the piano.  Our life wasn’t a Rockwell painting, but it was close.

…..Our house was built in 1894, the oldest home in this neighborhood.  Unsightly mid-century remodels faded its charm, but the bones were good, and after 20 years here we chose to open our wallets and make a major investment in reviving it.  We tore off exterior shingles and restored its original 19th century siding, added ornamental touches, ripped up carpeting and rescued the original hardwood flooring underneath, tore apart walls and added insulation, installed air conditioning, and brought the plumbing and electricity up to code.  After several years of reconstruction and exhausting expenses, the house became its Victorian farmhouse self again.

…..These efforts made our house cosmetically gorgeous.  It was featured in local and national home restoration magazines.  It was part of Portland’s Architectural Home Tour.  Neighbors and passers-by would stand outside and take it in, often thanking us for revitalizing our home.   It was a wonderful feeling, and we basked in this for a time, but I knew something they didn’t – that all of this beauty was held up by a 110-year-old brick-and-mortar foundation that would likely crumble in even the slightest Pacific Northwest earthquake.  We had performed impeccable cosmetic surgery on its outer layers, but overlooked its interior core.

…..So, we took a breath and then set out to learn about foundation work and what option for rebuilding it would give our house the best chance of surviving a major earthquake.  The contractors we hired convinced us the best solution was to cut a three-foot-deep trench alongside the original brick foundation, fill it with concrete and rebar, nail 2×4’s from the new foundation to the floor joists in the basement ceiling, and, finally, build new walls and paint them.  Now, in addition to the house being the symbolic foundation of our family, it was literally secured by a strong, technologically-sound, 21st century foundation.  We had braced the house, and seemingly ourselves, for impending old age.

…..But things changed.  I retired.  My wife didn’t.  We started taking separate vacations and pursued different interests and friendships.  We were growing more distant.  And then, COVID hit, confining us to our house, and to a feeling, at times, of a separate existence within it. During this time, vulnerabilities became harder to effectively share, my old and weary feeling of “unworthiness” re-emerged, and only the outer layers of our relationship onion were being peeled – its core harder to get to.

…..Then, in the late winter of last year, an “earthquake” hit our home.  My wife left.  It wasn’t what I anticipated or wanted, and I was hurt for me, for us, and for all who love us.  It was (and is) distressing, depressing, sad, and awful.  But it happened.  I was plunged into change.

…..Since, I have felt the support of loving family and longtime friends.  I’ve also made a couple of transformative, soulful friendships.  My relationships with my children and siblings have deepened.  I walk an awful lot.  I also read, keep a daily journal, listen to music, meditate, explore podcasts, publish this website, and even play a little bit more golf.  I am working through my grief and am generally doing better, but I have my days when a new realization hits hard – like the one that surfaced the other day, about how my wife of 35 years won’t be sitting with me by the fire in old age, reflecting on a life together.  It can be heartbreaking.

…..So, while shaken, it turns out that my own foundation is made of sturdier material than brick-and-mortar.  It has mostly held up well during these tough days, but like my house several years ago, it is currently undergoing a necessary restoration.

…..The most recent effort at this took place in June, when I went on a 30-day road/camping trip with Terry – a cherished friend of 45 years – and his dog “Moose.”  We drove his van along the back roads of Ohio, Pennsylvania, New York and much of New England, witnessing the sacred beauty of the country, but also how fractured it is economically, spiritually, and politically.  (This country’s foundation is made of brick-and-mortar).  From there we explored the Maritime Provinces of Canada, and into Quebec.  All along the way we laughed and listened and explored, and I allowed myself time to think.  What will I do now? What opportunities will come from the death of my marriage, and the death of the old me?  What will tether me to the world, and shield me from another psychic earthquake?

…..The most meaningful decision I’ve made during this time is to keep this beloved home.  It’s probably too big and it can feel empty at times, but its walls hold loving voices and cherished history, and I’m embraced by a community of supportive and respectful neighbors.  It is also a place in which I can pull my chair beside the warmth of a familiar fire.

…..During the road trip, when looking toward a future I hadn’t originally pictured, thoughts frequently brought me to this website, and how blessed I have been to publish it for 25 years, to sense its worth to the community grow, and to feel a critical vitality from editing it.  It is a link to a world I find comfort in, a place to flourish and learn, and a space in which to develop and honor new relationships.  Along with family and friends, it is a critical part of my foundation.

…..And, while I imagined new avenues for contributors to participate in, I became aware that I have only shared my own outer layers here, that my interior core is not often revealed.  So, I am making a conscious commitment to share myself a bit more and move beyond the malignant  feeling of unworthiness, to further engage with readers and writers, and to write more, with the intention of sharing my personal experiences with the music and culture that connects this community – to plunge deeper into this change, move with it, and passionately join the dance.

.

Joe Maita
Editor/Publisher
.

 

.

 

 

On Prince Edward Island, along the Gulf of St. Lawrence

June 19, 2022

.

.

Listen to the 1960 recording of John Coltrane playing “Giant Steps” [Rhino/Atlantic]

.

.

.

 

Share this:

21 comments on ““A personal loss, and a self-restoration” – by editor/publisher Joe Maita”

  1. How brave you are to share these feelings. And gracious. I think when you openly peel back layers it makes us all feel less alone. Thanks for sharing!

  2. What a beautiful, yet sad peek into your life, Joe. I consider you a friend and I am reminded of the song by Gladys Knight, I Hope You Dance. Much love to you.

  3. Joe, life goes on even after major breakups. I should know.
    You are valued by so many poets and jazz enthusiasts,
    worth your weight in gold, platinum, and all the blue note
    records put together.

  4. With admiration for your strong foundation and everything you continue to build. Wishing you many better and happier days.

  5. Joe, I was so touched by your story. I could only write a short poem. Please Be well.

    Almost four decades/so much dust/swirling dry monsoons/outlines of footprints/imprinted with rain/trace your walk/while moving forward/on the beach/red blue sunsets/in your hands.

  6. I love your website! Newby reader here of 2 yrs . . . and it’s now more lovelier to savor after allowing us all to peek inside the founder of this wonderful website, thank you!

  7. Dear, dear Joe,
    I am so happy to get insights into the email/invisible you. A photo! A warm and revealing you in words. Gosh, gosh, so brave and yet so necessary (as you can often see from my jazz themed poetry – autobiographical all. It was gladdening and inspiring.
    Yes, by all means (well, by means of writing, really) include your modest and obviously productive self in every issue. First of all, it’s obvious you write well! Interestingly, gently,,and importantly, philosophically yet everyday-ly. (I guess there is no second or third of all, first of all covering all my needs) It will be a pleasure to be enriched by your additions to JerryJazzMusician ( I never have understood the name).

  8. Joe, along with being a great ally to our music you are also a brilliant writer. Thanks for sharing and keep in mind that James Moody re- married in his 70’s! and also that loss in these cases goes two ways… all best to you from Alto Manhattan

  9. Joe, after emailing you this morning, I read all the comments folks have made and am pleased it’s out there how much you mean to so many of us and how much we all appreciate your work and you.

  10. Thank you, Joe, for sharing your story. Continue your journey of self-revelation. We, your readers, can only be enriched by your sincerity. And thank you for Jerry Jazz Musician, a valuable site for jazz lovers. You posted some of my poems. I am now working on a novel.
    And my father was born on Prince Edward Island, a preciouys place whose beaches promote self-reflection.
    Best.

  11. Thanks for sharing your story with us. For strategies in processing the trauma of what you are experiencing, may I suggest talk or emdr therapy to help you take care of the anger and the sadness that you have understandably been suffering.
    Thanks again for giving us the chance to meet with Amy Albany, Buck O’Neil, David Maraniss and Sue Mingus who sadly died this week. Fortaleza!

  12. I was deeply moved by your very well written article revealing your loss. It is reassuring that you have the love and support of your children, friends and community. As they say, learning to dance in the rain is a key skill to survival. Keep on dancing Joe. You do it well.

  13. A beautiful and heart-breaking story, Joe. This point in life for so many of us can be so poignant with depth opening up when we least expect it. I love your words here. They likely give strength to all of us reading them. I’m glad you are remaining connected to your house. Glad too that you are still publishing Jerry Jazz Musician. It really is a gem and why the internet still has value.

  14. Been reading your Website for years. If its not true that ” writers must read constantly to become great writers ” it will be Ok by me. You craft jazz stories from your heart ❤️. Your personal story brought me near tears. Comfort and strength to you. We need recipes for love and aging. Thank God for Jazz cuz ” Rhythm will save the world ???? “

  15. Joe – I read this when it first appeared, but tonight re-read it and was even more touched by your story. The world is a mess right now, but it’s the personal stories, one at a time, that really move us. I’ve been listening to more jazz these days and I know why. Years ago, in a magazine article about jazz a man was quoted saying, “The music never lets you down.” Sometimes you hang on to whatever you can. Working now on poetry. Soon…
    Molly

Comment on this article:

Your email address will not be published. Required fields are marked *

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Site Archive

In This Issue

Announcing the book publication of Kinds of Cool: An Interactive Collection of Jazz Poetry...The first Jerry Jazz Musician poetry anthology published in book form includes 90 poems by 47 poets from all over the world, and features the brilliant artwork of Marsha Hammel and a foreword by Jack Kerouac’s musical collaborator David Amram. The collection is “interactive” (and quite unique) because it invites readers – through the use of QR codes printed on many of the book’s pages – to link to selected readings by the poets themselves, as well as to historic audio and video recordings (via YouTube) relevant to many of the poems, offering a holistic experience with the culture of jazz.

Feature

“What one song best represents your expectations for 2025?” Readers respond...When asked to name the song that best represents their expectations for 2025, respondents often cited songs of protest and of the civil rights era, but so were songs of optimism and appreciation, including Bob Thiele and George David Weiss’ composition “What a Wonderful World,” made famous by Louis Armstrong, who first performed it live in 1959. The result is a fascinating and extensive outlook on the upcoming year.

The Sunday Poem

art by Allen Mezquida

“Jazz clouds under the undulating sky of Riga while digging the Epistrophy of Thelonious Monk” by Namaya


The Sunday Poem is published weekly, and strives to include the poet reading their work....

Namaya reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Feature

photo of Rudy Van Gelder via Blue Note Records
“Rudy Van Gelder: Jazz Music’s Recording Angel” – by Joel Lewis...For over 60 years, the legendary recording engineer Rudy Van Gelder devoted himself to the language of sound. And although he recorded everything from glee clubs to classical music, he was best known for recording jazz – specifically the musicians associated with Blue Note and Prestige records. Joel Lewis writes about his impact on the sound of jazz, and what has become of his Englewood Cliffs, New Jersey studio.

Poetry

photo of Charlie Parker by William Gottlieb/Library of Congress; Design by Rhonda R. Dorsett
Jerrice J. Baptiste’s 2025 Jazz Poetry Calendar...Jerrice J. Baptiste’s 12-month 2025 calendar of jazz poetry winds through the upcoming year with her poetic grace while inviting us to wander through music by the likes of Hoagy Carmichael, Antonio Carlos Jobim, Sarah Vaughan, Melody Gardot and Charlie Parker.

Interview

Interview with Jonathon Grasse: author of Jazz Revolutionary: The Life and Music of Eric Dolphy....The multi-instrumentalist Eric Dolphy was a pioneer of avant-garde technique. His life cut short in 1964 at the age of 36, his brilliant career touched fellow musical artists, critics, and fans through his innovative work as a composer, sideman and bandleader. Jonathon Grasse’s Jazz Revolutionary is a significant exploration of Dolphy’s historic recorded works, and reminds readers of the complexity of his biography along the way. Grasse discusses his book in a December, 2024 interview.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 9: “Heroic Quests”...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this ninth edition of excerpts from his book, Rife writes about the “quest” theme in contemporary jazz fiction, where long-lost instruments and rumored recordings take the place of more dramatic artifacts like the Holy Grail.

Feature

On the Turntable — The “Best Of the ‘Best Of’” in 2024 jazz recordings...Our annual year-end compilation of jazz albums oft mentioned by a wide range of critics as being the best of 2024

In Memoriam

photo via Pexels.com
“Departures to the Final Arms Hotel in 2024” – poetic tributes, by Terrance Underwood...2024 produced its share of losses of legendary jazz musicians. Terrance Underwood pays poetic homage to a handful who have touched his life, imagining their admittance to the Final Arms Hotel, a destination he introduces in his prelude.

Short Fiction

Stan Shebs, CC BY-SA 3.0 , via Wikimedia Commons/blur effect added
Short Fiction Contest-winning story #67 — “Bluesette,” by Salvatore Difalco...The author’s award-winning story is a semi-satirical mood piece about a heartbroken man in Europe listening to a recording by the harmonica player Toots Thielemans while under the influence of a mind-altering substance.

Interview

Interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lost Empire of Cool...The esteemed writer tells a vibrant story about the jazz world before, during, and after the 1959 recording of Kind of Blue, and how the album’s three genius musicians came together, played together, and grew together (and often apart) throughout the experience.

Community

Nominations for the Pushcart Prize XLIX...Announcing the six writers nominated for the Pushcart Prize v. XLIX, whose work was published in Jerry Jazz Musician during 2024.

Publisher’s Notes

photo by Rhonda Dorsett
On turning 70, and contemplating the future of Jerry Jazz Musician...

Feature

“Gone Guy: Jazz’s Unsung Dodo Marmarosa,” by Michael Zimecki...The writer remembers the late jazz musician Michael “Dodo” Marmarosa, awarded Esquire Magazine’s New Star Award in 1947, and who critics predicted would dominate the jazz scene for the next 30 years.

Community

Notes on Bob Hecht’s book, Stolen Moments: A Photographer’s Personal Journey...Some thoughts on a new book of photography by frequent Jerry Jazz Musician contributing writer Bob Hecht

Art

“The Jazz Dive” – the art of Allen Mezquida...The artist's work is inspired by the counterculture music from the 1950s and 60s, resulting in art “that resonates with both eyes and ears.” It is unique and creative and worth a look…

True Jazz Stories

Columbia Records; via Wikimedia Commons
“An Evening with Michael Bloomfield” – a true blues story by David Eugene Everard...The author recounts his experience meeting and interviewing the great blues guitarist Mike Bloomfield in 1974…

Playlist

“Quintets – Gimme Five!” – a playlist by Bob Hecht...The Cannonball Adderley Quintet, on the cover of their 1960 Riverside Records album Live at the Lighthouse. The ensemble – including Cannonball’s brother Nat on cornet, Victor Feldman on piano, Sam Jones on bass, and Louis Hayes on drums – is a classic hard bop band, and their performance of “Blue Daniel” is part of the 22-song playlist consisting of memorable quintet performances assembled by jazz scholar Bob Hecht.

Interview

Interview with Larry Tye, author of The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America...The author talks about his book, an intensely researched, spirited, and beautifully told story – and an important reminder that Armstrong, Ellington, and Basie all defied and overcame racial boundaries “by opening America’s eyes and souls to the magnificence of their music.”

Feature

photo of Art Tatum by William Gottlieb/Library of Congress
Trading Fours, with Douglas Cole, No. 22: “Energy Man, or, God is in the House”...In this edition of an occasional series of the writer’s poetic interpretations of jazz recordings and film, Douglas Cole writes about the genius of Art Tatum. His reading is accompanied by the guitarist Chris Broberg.

Short Fiction

photo by Jes Mugley/CC BY-SA 2.0
“The Dancer’s Walk” – a short story by Franklyn Ajaye...The world-renowned saxophonist Deja Blue grew up a sad, melancholy person who could only express his feelings through his music. When he meets a beautiful woman who sweeps him off his feet, will his reluctance to share his feelings and emotion cost him the love of his life?

Feature

photo of Zoot Sims by Brian McMillen
Jazz History Quiz #178...In addition to co-leading a quintet with Zoot Sims (pictured), this tenor saxophonist may be best known as the man who replaced Herbie Steward as one of the “Four Brothers” in Woody Herman’s Second Herd. Who is he?

Art

photo of Johnny Griffin by Giovanni Piesco
The Photographs of Giovanni Piesco: Johnny Griffin and Von Freeman...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition is of saxophonists Johnny Griffin and Von Freeman, who appeared together at the at Bimhuis on June 25/26, 1999.

Essay

“Like a Girl Saying Yes: The Sound of Bix” – an essay by Malcolm McCollum...The first time Benny Goodman heard Bix Beiderbecke play cornet, he wondered, “My God, what planet, what galaxy, did this guy come from?” What was it about this musician that captivated and astonished so many for so long – and still does?

Community

photo via Picryl.com
“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March – September, 2024)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Phil Freeman, author of In the Brewing Luminous: The Life & Music of Cecil Taylor...An interview with Ricky Riccardi, author of Stomp Off, Let's Go: The Early Years of Louis Armstrong. Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.