“The Blues Are Always With Us” — a short story by Michael L. Newell

Rain sang off the roof for hours.  The ancient on the porch rocked, strummed his guitar, whispered, “Make Me a Pallet on the Floor,” one minute sounding like Sam Chatmon, the next his licks would have made Mance Lipscomb proud.

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“A Jazz Thanksgiving of a Sort” — a poem by Michael L. Newell

It was a rainy Thanksgiving when
everyone I was related to
or knew even somewhat
were out of town.

I found some semi-edible
turkey at Hughes Market, along
with frozen stuffing that proved
reasonably tasty, adequate

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Poetry by Michael L. Newell and John Stupp

    . . Photo by. Marco Chilese .on. Unsplash . .   Prayer to the Three Rivers in Pittsburgh . Who I love who I pray for more than anyone but my wife and children do you think of me beautiful Allegheny when you reach the Gulf of Mexico? Monongahela what about you? and … Continue reading “Poetry by Michael L. Newell and John Stupp”

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“Serendipity” — a poem by Michael L. Newell

. .   . . SERENDIPITY As I walk down the dirt road from my job, headed slowly home, I pass a few people wandering here and there as their work day ends; I amble past an old home with a corrugated metal roof, bricks holding down the sheets of metal from blowing away, a … Continue reading ““Serendipity” — a poem by Michael L. Newell”

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Two poems for the New Year…by Alan Yount and Michael L. Newell

. . . . AS DAY ENDS . Clark Terry’s horn unleashes a silvery note ……………….that ascends ………………………ever higher ………………………………to join a golden full moon ………………………………………rising into early evening orbit. When the note ends, listeners discover they have forgotten ……………….to breathe, ………………………and slowly rejoin ………………………………………their quiet neighborhood and prepare for sleep ………where they will drift … Continue reading “Two poems for the New Year…by Alan Yount and Michael L. Newell”

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“Songbird” — a poem by Michael L. Newell

    SONGBIRD a blues note broken in the middle the songbird in the brambles startled into silence shame for the intrusion all autumn I have wandered in search of a music which would still this dull grief for every person I see wandering alone every child I see looking at the world with a … Continue reading ““Songbird” — a poem by Michael L. Newell”

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“Mel Torme and Buddy Rich Rip Roaring” — a poem by Michael L. Newell

two hepcats scat sing
            drum the hippest
of hip music
            advertise “Love for Sale”
in wild musical riffs
            dancing through air
nothing held back
            all is passion
imagination
            total physical commitment

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News about poet Michael L. Newell

     I am always happy to report when a writer published on Jerry Jazz Musician finds success with their work.  Michael L. Newell informs me that a new book of his poetry, “Meditation of an Old Man Standing on a Bridge,” is now available from Seattle’s Bellowing Ark Press.  This is particularly rewarding as I have proudly published many of the poems Michael has submitted to me since 2015 – two of which appear in this collection.

     Michael’s poetry is a gift to those of us who love and appreciate the culture inspired by jazz music.  His creative spirit is aligned with those musicians he writes about, maintaining a sensitivity critical to communicating the music’s cultural aesthetic.  

     Whenever I receive submissions from Michael, I know I will be reading the poetry of a well-traveled man whose work can lead me anywhere – a rainy window in Kigali, a snowy stroll in Tashkent, a Christmas spent alone in Jordan, a puzzling evening in

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“Miles of Highways and Open Roads” — a poem by Michael L. Newell

The carpenter (whose hands have grown
too large for the twenty house town
he was born in) sticks out his thumb
and catches a jet to Los Angeles where
he drowns off the Santa Monica beach trying
to ride a wave to beautiful downtown Burbank.

 

II.

His sister stays home and marries
the county’s star high school running back
who turns into the

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Jazz poetry by Steven Dalachinsky, Michael L. Newell, John Stupp, Ron Kolm, and Freddington

A wealth of excellent poetry has been submitted recently.  Poems by Steven Dalachinsky, Michael L. Newell, John Stupp, Ron Kolm, and Freddington are examples…

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“Illinois Jacquet” — a poem by Michael L. Newell

(in response to an invitation
musical and raucous from the fingers
of Wild Bill Davis tickling the keys
of his organ seeking a musical response
by someone and something of equal stature)

Illinois I say accepted the challenge and blew
some blue some very blue blue blue notes
that set listeners

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“Christmas Alone 1992” – a poem by Michael L. Newell

The slow tumble of snow past
my partially open window
recalls the year in Amman
I sat for hours watching
a bleak whiteness deepen

all through the abandoned farm fields
surrounding my apartment
while the cool sound of Miles
gave shape and form to my grief
thousands of miles from

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“One Evening Walking in London, December 2002” — a poem by Michael L. Newell

 

Just off Oxnard Street (littered with last minute shoppers
two days before Christmas), an old man decked out
in a ragged trench coat and a torn stocking cap
played a slow mournful jazzy interpretation
of “Time after Time” on a battered flute.
 
The flute echoed through neighboring streets,
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“Harry Inspired by the Preservation Hall Jazz Band” — a poem by Michael L. Newell

 
rattlin’ bones rattlin’ bones just the cost an old man pays
dancin’ round his livin’ room tryin’ to enjoy life alone
but full of zest ripplin’ with vim vigor and hot sauce fuelin’
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“A Brubeck Landscape” — a poem by Michael L. Newell

all day a light breeze baptizes the landscape
gentle and captivating as a Paul Desmond solo
bushes rap windows and walls with rhythms

unusual and unexpected that Joe Morello would

approve would groove to and trees sway with

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“Living the Blues” — a poem by Michael L. Newell

Her voice shredded, turned to gravel
by cigarettes and whiskey, she navigates
grocery aisles and checkout lines

as sotto voce she sings old songs
both jazz and country. People stare
in amazement as her ruined voice

elicits tears from listening bystanders.
In her living room she croons with

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“Visionaries,” a poem by Michael L. Newell

A marsh harrier soars above the Norfolk broads
circling higher and higher

rather like a Gillespie trumpet solo that rises and rises
to dizzying heights of pitch and volume

eventually the bird slides behind billowing clouds
and vanishes into distance

so the trumpet reaches and

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Two poems by Michael L. Newell

Rikki spun, spun
and leaped, twirled
and dipped,
                 James Brown
on the jukebox, the small
bar filled with smoke, clinking
glasses, Filipinas in short dresses,
and a couple dozen G.I.’s profane,
obscene, and three-quarters in the bag;

Rikki, half-black, half-
Filipino, ten, living
in alleys and under bars, danced

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“Senor Blues, Why is Your Opus de Funk?” — a poem by Michael L. Newell

Oh, Mister Silver, please please please,
don’t make me beat my feet
no more no more no more.

I’ve been finger poppin’, thinking
about Juicy Lucy, dreaming
of some sweet stuff,

wanting to come on home to some

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A Collection of Jazz Poetry — Winter, 2020 Edition

The winter collection of poetry offers readers a look at the culture of jazz music through the imaginative writings of its 32 contributors.  Within these 41 poems, writers express their deep connection to the music – and those who play it – in their own inventive and often philosophical language that communicates much, but especially love, sentiment, struggle, loss, and joy.

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Interview with Con Chapman, author of Rabbit’s Blues: The Life and Music of Johnny Hodges

In a Jerry Jazz Musician interview, Con Chapman, author of Rabbit’s Blues: The Life and Music of Johnny Hodges – the first-ever biography of the immortal musician – talks about the enigmatic man and his unforgettable sound.

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A Collection of Jazz Poetry — Fall, 2019 Edition

Twenty-eight poets contribute 37 poems to the Jerry Jazz Musician Fall Poetry Collection, living proof that the energy and spirit of jazz is alive — and quite well.
(Featuring the art of Russell Dupont)

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A collection of jazz poetry — Summer, 2019 edition

Seventeen poets contribute to a collection of jazz poetry reflecting an array of energy, emotion and improvisation

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A collection of jazz poetry — June, 2019 edition

In this month’s collection, with great jazz artists at the core of their work, 16 poets remember, revere, ponder, laugh, dream, and listen

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Seven poets, seven poems…a septet of jazz poetry

A low tide
in South Carolina recedes
like the end of a Sonny Rollins solo
until
sand leaves its resume in the inlet
or until
pelicans take the remaining choruses
out where the ocean says I am the God

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A special collection of poetry devoted to mothers and fathers

This month, in a special collection of poetry, eight poets contribute seventeen poems focused on stories about family, and honoring mothers and fathers

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A collection of jazz poetry — April, 2019 edition

Seventeen poets contribute 21 poems in this month’s edition…

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Reminiscing in Tempo: “What are some of your all-time favorite record album covers?”

Gary Giddins, Jimmy Heath, Fred Hersch, Joe Hagan, Maxine Gordon, Tim Page, Veronica Swift and Marcus Strickland are among the 25 writers, musicians, poets, educators, and photographers who responded to our question, “What are some of your favorite record album covers of all time?”

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A collection of jazz poetry — March, 2019 edition

18 poets contribute 20 poems to the March collection

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A collection of poetry celebrating the culture of jazz — January, 2019

  . . In this collection, nine poets contribute ten poems celebrating jazz in poems as unique as the music itself . . . .   I Am Jazz . I Am Jazz. It is my nature to evolve, to change and adapt. I’m restless. I move towards a future I cannot see or predict. … Continue reading “A collection of poetry celebrating the culture of jazz — January, 2019”

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Poetry celebrating jazz and the holiday season

  . . 12 poets contribute 19 poems dedicated to the culture of jazz music, and to the holiday season… .   .   Collage by Steve Dalachinsky     John Stupp’s third poetry collection Pawleys Island was published in 2017 by Finishing Line Press. His manuscript Summer Job won the 2017 Cathy Smith Bowers Poetry Prize and will … Continue reading “Poetry celebrating jazz and the holiday season”

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2018 Pushcart Prize nominees

Jerry Jazz Musician is fortunate to have had hundreds of accomplished writers and poets submit their work for consideration of publication during this calendar year.  Many thanks to everyone who thinks enough of this website to desire sharing their creative vision with our readers.  The works published are outstanding examples of the connections that exist between jazz music, its culture, and the literary arts.

I am proud to report that I have nominated six exceptional published pieces for the prestigious

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A collection of poetry celebrating love and jazz

In anticipation of Valentine’s Day, I recently invited many of our contributing poets to submit work that combines the themes of jazz music and love, with the result being a collection of voices expressing their own contributions to the language of love… 

Dozens of writers submitted over 100 poems, and the best of the submissions — 29 poems by 18 poets — are found on the following 12 pages. Advance through the selections by utilizing the page monitor at the bottom of each page. 

Many thanks to everyone who submitted their work.

 

JJM

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2017 Pushcart Prize nominees

Jerry Jazz Musician is fortunate to have had hundreds of accomplished writers and poets submit their work for consideration of publication during this calendar year. Thanks to everyone who thinks enough of this website to desire sharing their creative vision with our readers.  The works published are outstanding examples of the connections that exist between jazz music, its culture, and the literary arts.

I am proud to report that I have nominated six exceptional published pieces for the prestigious Pushcart Prize, and they are

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In this Issue

Interviews with three outstanding, acclaimed writers and scholars who discuss their books on Irving Berlin, George Gershwin, and Cole Porter, and their subjects’ lives in and out of music. These interviews – which each include photos and several full-length songs – provide readers easy access to an entertaining and enlightening learning experience about these three giants of American popular music.

Poetry

The winter collection of poetry offers readers a look at the culture of jazz music through the imaginative writings of its 32 contributors. Within these 41 poems, writers express their deep connection to the music – and those who play it – in their own inventive and often philosophical language that communicates much, but especially love, sentiment, struggle, loss, and joy.

Interview

NBC Radio-photo by Ray Lee Jackson / Public domain
In a Jerry Jazz Musician interview, acclaimed biographer James Kaplan (Frank: The Voice and Sinatra: The Chairman) talks about his book, Irving Berlin: New York Genius, and Berlin's unparalleled musical career and business success, his intense sense of family and patriotism during a complex and evolving time, and the artist's permanent cultural significance.

Interview

Library of Congress, Prints & Photographs Division, Carl Van Vechten Collection
Richard Crawford’s Summertime: George Gershwin’s Life in Music is a rich, detailed and rewarding musical biography that describes Gershwin's work throughout every stage of his career. In a Jerry Jazz Musician interview, Crawford discusses his book and the man he has described as a “fresh voice of the Jazz Age” who “challenged Americans to rethink their assumptions about composition and performance, nationalism, cultural hierarchy, and the racial divide.”

Interview

photo unattributed/ Public domain
In a Jerry Jazz Musician interview with The Letters of Cole Porter co-author Dominic McHugh, he explains that “several of the big biographical tropes that we associate with Porter are either modified or contested by the letters,” and that “when you put together these letters, and add our quite extensive commentary between the letters, it creates a different picture of him.” Mr. McHugh discusses his book, and what the letters reveal about the life – in-and-out of music – of Cole Porter.

Book Excerpt

The introduction to John Burnside's The Music of Time: Poetry in the Twentieth Century – excerpted here in its entirety with the gracious consent of Princeton University Press – is the author's fascinating observation concerning the idea of how poets respond to what the Russian poet Osip Mandelstam called “the noise of time,” weaving it into a kind of music.

Short Fiction

photo Creative Commons CC0
Short Fiction Contest-winning story #53 — “Market & Fifth, San Francisco, 1986,” by Paul Perilli

Interview

photo by Bouna Ndaiye
Interview with Gerald Horne, author of Jazz and Justice: Racism and the Political Economy of the Music

Poetry

photo by Brian McMillen
"Our Father, Who Art McCoy Tyner" -- a poem by John Stupp

Art

"Out West, Thinking About Miles Davis," by Charles Ingham
Ingham’s “Jazz Narratives” connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history. This edition’s narratives are “"Exactly Where She Is Supposed to Be," "In Memory of Clora Bryant, Standing Outside the Downbeat,” and “Out West, Thinking About Miles Davis”

Book Excerpt

A ten page excerpt from The Letters of Cole Porter by Cliff Eisen and Dominic McHugh that features correspondence in the time frame of June to August, 1953, including those Porter had with George Byron (the man who married Jerome Kern’s widow), fellow writer Abe Burrows, Noel Coward, his secretary Madeline P. Smith, close friend Sam Stark, and his lawyer John Wharton.

Interview

photo by William Gottlieb/Library of Congress
Con Chapman, author of Rabbit's Blues: The Life and Music of Johnny Hodges discusses the great Ellington saxophonist

Jazz History Quiz #134

Photo by Brian McMillen/Brian McMillen Photography
Influenced by Charlie Parker and Phil Woods (pictured), before forming his own group this alto player got his start in Buddy Rich’s Big Band, and shortly thereafter played with Lionel Hampton. While leading his own band, he was famous for playing bebop covers of songs such as “The I Love Lucy Theme,” “Come Fly With Me,” and “Hooray for Hollywood,” and often performed with singer Eddie Jefferson. Who is he?

Book Excerpt

This story, excerpted from Irving Berlin: New York Genius by James Kaplan, describes how Berlin came to write his first major hit song, “Alexander’s Ragtime Band,” and speaks to its historic musical and cultural significance.

Community

News about the poet Arlene Corwin

Photography

photo of Stephane Grappelli by Veryl Oakland
Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of violinists Joe Venuti, Stephane Grappelli, Jean-Luc Ponty, Zbigniew Seifert, and Leroy Jenkins

Great Encounters

photo of Sidney Bechet by William Gottlieb/Library of Congress
In this edition of "Great Encounters," Con Chapman, author of Rabbit’s Blues: The Life and Music of Johnny Hodges, writes about Hodges’ early musical training, and the first meeting he had with Sidney Bechet, the influential and legendary reed player who Hodges called “tops in my book.”

Book Excerpt

In the introduction to Jazz and Justice: Racism and the Political Economy of the Music, author Gerald Horne writes about the severe cultural and economic obstacles jazz musicians have encountered since the music's inception

“What are 4 or 5 of your all-time favorite Blue Note albums?”

"What are 4 or 5 of your all-time favorite Blue Note albums?"
Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

Pressed for All Time

In this edition, producer Helen Keane tells Michael Jarrett, author of Pressed For All Time: Producing the Great Jazz Albums about how the collaboration of Tony Bennett and Bill Evans began, culminating in the 1975 recording, The Tony Bennett/Bill Evans Album.

Humor

photo by William Gottlieb/Library of Congress
"Every Soul is a Circus," by Dig Wayne

In the Previous Issue

photo by Carol Friedman
“The Jazz Photography Issue” features an interview with today’s most eminent jazz portrait photographer Carol Friedman, news from Michael Cuscuna about newly released Francis Wolff photos, as well as archived interviews with William Gottlieb, Herman Leonard, Lee Tanner, a piece on Milt Hinton, a new edition of photos from Veryl Oakland, and much more…

Contributing writers

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