The Sunday Poem: “The Divine Comedy as a Jazz Piece” by Matthew Johnson
I was preparing to make my exit from Heaven back to Earth,
And it was late March, so the lounge had transitioned
To their hot jazz band after playing the cool for months.
I was preparing to make my exit from Heaven back to Earth,
And it was late March, so the lounge had transitioned
To their hot jazz band after playing the cool for months.
I wonder if it will take another body to stream into the Infinite….
For this was the odd idea that stirred me eerie
Like a push into the wild past from my future spirit to relive my final day,
Or a siren calling me to steal the virtuose of fire.
I was looking for Charlie Parker that night,
Improvising my footsteps under porch lights which spotted
“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March – September, 2024)
...In which poets connect the swing of the bat with that of the bandstand…
...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share information about their recently authored books.
...Tad Richards is a prolific visual artist, poet, novelist, and nonfiction writer who has been active for over four decades. ..He frequently writes about poetry, and the following piece about the history of the connection of jazz and American poetry first appeared in the Greenwood Encyclopedia of American Poetry (2005). It is published with the permission of the author.
...Over 60 poets from all over the world celebrate their love of jazz…in poetry.
...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This poem is written to the 1957 Coleman Hawkins recording of “Juicy Fruit.”
...Molly Larson Cook’s abstract-expressionist paintings accompany the 50 poets contributing to this collection. Her art has much in common with the poetry and music found within it; all three art forms can be described as “landscapes of the imagination,” created by artists from all over the world who are inspired in a meaningful way by jazz music, and whose work can be uniquely interpreted and appreciated (or not!) by those who consume it.
...In this fifth collection of poetry reflecting these times, 33 poets offer their perspectives…
...Kevin Whitehead, the longtime jazz critic for NPR’s Fresh Air, discusses jazz music and the movies – the “natural allies” that both grew out of existing creative traditions, and, since the mid-1920’s have told stories about “child prodigies, naturals who pick up the music the first time they hear it, hard workers with a painstaking practice regimen, talented players diverted into soul-killing commercial work, and even non-improvisers taught to fake it.”
...The introduction to Philip Clark’s book “Dave Brubeck: A Life in Time” is excerpted here in its entirety.
...Jazz music — complex, ground breaking and brilliant from its early 20th century beginnings — would eventually become America’s popular music. That it did so in the face of the severe obstacles of blatant racism and sexism, organized crime and corrupt labor exploitation so prevalent in America at the time is at the heart of historian Gerald Horne’s new book, Jazz and Justice: Racism and the Political Economy of the Music.
...Slow slow slooooooooooooooow; the river was practically dry, a river in name only, a few puddles on the mudflats where standing water reflected the cottony clouds that moved perpetually east, dropping nothing anymore but empty promises. Unsettling in the most literal sense. Many people sold their houses or just abandoned them, heading north, and those who stayed finally got serious about
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