Four poets, four poems…on John Coltrane
John Coltrane was the absolute
the decorated, the preternatural
and acknowledged master of what fury
can pour out of the body of a saxophone.
Search Results for: john coltrane
Interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lost Empire of Cool
The esteemed writer tells a story about the jazz world before, during, and after the 1959 recording of Kind of Blue, and how the album’s three genius musicians came together, played together, and grew together (and often apart) throughout the experience.
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The Sunday Poem: “The Church of St. John Coltrane” by Mark Fogarty
Coltrane said a prayer to his musical God
Straight through the horn of his saxophone.
Not a metaphor; he spoke the words
Through the reed and the music into the air.
John Coltrane…in two poems
The poets Richard Radcliffe and Svi A. Sesling share their experience of listening to and interacting with to the music of John Coltrane
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“A Love Supreme (On John Coltrane)” — an essay by Carlo Rey Lacsamana
The author considers John Coltrane’s intensity and tenderness, and how these two qualities intertwine in his improvisations.
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“Pressed For All Time,” Vol. 12 — producer Bob Thiele on John Coltrane’s A Love Supreme
In this edition, producer Bob Thiele talks with Michael Jarrett, author of Pressed For All Time: Producing the Great Jazz Albums from Louis Armstrong and Billie Holiday to Miles Davis and Diana Krall about working with John Coltrane on his classic 1964 recording A Love Supreme
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A broadside and poem of John Coltrane, by Russell duPont
Hunkered down
listening to Coltrane’s
Once in a While
and the smooth flow
of his sax, a whiskey
beside me, thinking
of those Jazz-infused
moments before life
began to drift away.
“John Coltrane (for Amiri Baraka)” — a poem (with collage) by Steve Dalachinsky
John Coltrane
A bitter wind blows thru A LOVE SUPREME
& people are still waiting for the Ascension
with their eyes closed teeth clenched & fingers crossed
John Coltrane — musical innovator “with physics at his fingertips”
In a 2016 Business Insider post, the physicist Stephon Alexander – author of The Jazz of Physics: The Secret Link Between Music and the Structure of the Universe – writes about the connections between John Coltrane, described by Alexander as a “musical innovator, with physics at his fingertips,” and Albert Einstein, who “was an innovator in physics, with music at his fingertips.”
Coltrane’s music, particularly his final three records, helped Alexander realize that improvisation is a characteristic of both music and physics. “Much like Einstein working with his thought experiments, some jazz improvisers construct
...Dylan, The Byrds, and John Coltrane
In Robbie Robertson’s entertaining biography Testimony, the rock guitarist tells a short story about a conversation he overheard Bob Dylan having with The Byrd’s Jim (a.k.a. “Roger”) McGuinn concerning John Coltrane’s influence on McGuinn when he wrote “Eight Miles High.”
The setting was Los Angeles, 1966, during a Dylan tour that employed Robertson and, among others, bandmates Rick Danko and Richard Manuel, who are referred to in the excerpt. The “Levon” in the story was the drummer Levon Helm, who left the tour after a month out of frustration of playing with Dylan during his initial “electric” period, when folk music purists routinely
...“The Runner” — a poem (for John Coltrane) by Freddington
The purpose of motion begins,
A clear mind, aware and in focus,
Ahead, the optical pathway lies empty and silent,
Slow at the start, breathing steady,
Stepping through the changes,
Favouring a motif,
Blowing hard,
As the intensity builds,
A Moment in Time — John Coltrane and Eric Dolphy, 1961
In 1960, Eric Dolphy told Down Beat magazine, “At home I used to play, and the birds always used to whistle with me. I would stop what I was working on and play with the birds.” This imitation of birds (who, according to Dolphy, sing in “quarter tones”) was embraced by none other than John Coltrane, who said that the addition of Dolphy — and his philosophy — to his quartet “turned [the quartet] all around.” Dolphy’s playing helped set the stage for the music Coltrane would create later.
Also critical was their friendship, which was especially important to Coltrane since he was so consumed at the time by his alcohol and heroin abuse. Quoting a Coltrane friend, John Fraim writes in his 1996 biography Spirit Catcher: The Life and Art of John Coltrane that “outside of Sonny Rollins, Eric Dolphy was his [Coltrane’s] only true
...Great Encounters #2: When Miles Davis hired John Coltrane
Excerpted from A Love Supreme: The Story of John Coltrane’s Signature Album, by Ashley Kahn
Miles Davis was desperate. He was in the midst of preparing for his first national tour arranged by a high-powered booking agent, and Columbia Records — the most prestigious and financially generous record company around — was looking over his shoulder, checking on him. “If you can get and keep a group together, I will record that group,” George Avakian, Columbia’s top jazz man, had promised. To Miles, an alumnus of Charlie Parker’s groundbreaking bebop quintet, “group” still meant a rhythm trio plus two horn players, but he still had only one: himself.
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“The A Love Supreme Interviews” — Ashley Kahn, author of A Love Supreme: The Story of John Coltrane’s Signature Album
A successful recording generally entertains and communicates passion on an earthly, mortal level. We typically respond to an effective performance by humming the melody, tapping our feet, and sharing it with friends. It might even “stomp the blues,” as the critic Albert Murray suggests.
Few recordings, however, actually challenge a listener to address one’s personal essence.
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Conversations with Gary Giddins: on John Coltrane
Village Voice writer Gary Giddins, winner of the National Book Critics Circle Award, and who is the country’s eminent jazz critic, joins us in a June 21, 2002 conversation about jazz great John Coltrane.
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The A Love Supreme Interviews: Poet Michael Harper discusses John Coltrane
Brown University professor Michael Harper, the first Poet Laureate of the State of Rhode Island, and author of the National Book Award nominated collection, Dear John, Dear Coltrane, discusses John Coltrane and reads his poems.
...The A Love Supreme Interviews: Saxophonist Joshua Redman on John Coltrane
Joshua Redman entered the jazz world with tons of expectation and perhaps an unreasonable amount of hope. Pat Metheny went so far as to suggest Redman is “the most important new musician in twenty years.”
While Methenys point can be argued, Redman has created some of the most consistently compelling jazz during the last ten years. His music borrows from a storied past and experiments with an elegant future.”
While Methenys point can be argued, Redman has created some of the most consistently compelling jazz during the last ten years. His music borrows from a storied past and experiments with an elegant future.
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Francis Davis on his career as a critic, and on John Coltrane
Philadelphian Francis Davis is the author of several books, including The History of the Blues, Bebop and Nothingness and a forthcoming biography of John Coltrane. A contributing editor of The Atlantic Monthly, he also writes regularly about music for the New York Times, among others.
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Nat Hentoff: on his life as a jazz critic, and memories of John Coltrane’s A Love Supreme
Nat Hentoff was born in Boston in 1925 and lived there until he moved to New York City at the age of twenty-eight. For many years he has written a weekly column for the Village Voice. His column for the Washington Times is syndicated nationally, and he writes regularly about music for the Wall Street Journal. His numerous books cover subjects ranging from jazz to civil rights and civil liberties to First Amendment issues.
...John Fraim, author of Spirit Catcher: The Life and Art of John Coltrane
Author John Fraim is a very interesting man. Taking on a subject like John Coltrane is not a left-brain experience. He knew wisdom and historical perspective were required before writing about a complex, musical prophet, and wrote this biography the way Coltrane lived his life In his award-winning book, Spirit Catcher, The Life and Art of John Coltrane, he presents Coltrane’s life as spiritual quest, and in it creates a piece of art not often found in biographical form.
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“On Coltrane: 4th of July Reflections” – a poem by Connie Johnson
Audible pain
Introspective
Like the composition he wrote called
Alabama about the 4 little girls from
Birmingham:
“Alabama: Jack DeJohnette, Ravi Coltrane, Matthew Garrison” — a poem by John McCluskey
Yes, it is hot,
night sweats beneath
Spanish moss and the terror in trees
now knowing no cover of darkness
to greet a Sunday morning
10:22 a.m.
under the stairs
16th Street Baptist Church.
“Three minutes”
and the siren wails
“And I’m Not Even Here” – a poem by Connie Johnson
Cacophonous —
The honk, the blare of the tenor sax
And the scream! The guttural cry
Who are you, man…who are
You? “I’m nobody,” is my
Only reply
In a Place of Dreams: Connie Johnson’s album of jazz poetry, music, and life stories
A collection of Connie Johnson’s poetry is woven among her audio readings, a personal narrative of her journey and music she considers significant to it, providing readers the chance to experience the full value of her gifts.
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A handful of jazz haiku…by Connie Johnson
The poet covers the spirit of the music, and the likes of Coltrane, Handy, and Ella…
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“Back in the Day” – a poem by John Menaghan
The poet remember jazz pianist Horace Tapscott
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“Wow, Space Is the Place After All” — a book review by John Kendall Hawkins
A review of Stephon Alexander’s book, “The Jazz of Physics: The Secret Link Between Music and the Structure of the Universe”
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Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of John McLaughlin and Carlos Santana
In this edition, the jazz photographer Veryl Oakland’s photographs and stories feature John McLaughlin and Carlos Santana
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“Smoke” — a true jazz story by John Riley
The author’s experience with racism, ignorance, poverty, and jazz in the American South of the 1960s.
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“Coltrane and the Flower Moon” — a poem by Gene Hyde
Gene Hyde’s poem connects nature and the moon to the music of John Coltrane
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“Coltrane” — a poem by Paul Juhasz
I sit on a balcony,
a cup of coffee held for warmth
on a chill spring morning,
as waxwings and vireos flit and flash,
percolating with song.
“Opus For Mary Lou,” a true jazz story by John Bliss
. . photo by William Gottlieb/Library of Congress Mary Lou Williams, c. 1938 . . ___ . . Opus for Mary Lou By John Bliss . …..“Baloney Bliss,” Mary Lou Williams said, lacing into my father. …..Mary Lou was Black and brought a spiritual magic into my white world. Her nose was petite like an … Continue reading ““Opus For Mary Lou,” a true jazz story by John Bliss”
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“First Cold Night Of Autumn” — a poem by John Stupp
In the mountains
trees practice for winter,
dropping their leaves.
Birds, like thin farmhands,
sweep down on rutted back roads,
begging for food.
It’s Thanksgiving.
Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of Dexter Gordon, Art Farmer and Johnny Griffin
In this edition of photographs and stories from Mr. Oakland’s book, Dexter Gordon, Art Farmer and Johnny Griffin are featured.
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“Climate Change” — Ten poems in sequence by John Stupp
If the sea keeps rising
it will reach Pittsburgh tomorrow
and I will put on new clothes
and forget Myrtle Beach
and Charleston
and the Outer Banks
“Coltrane Upstate” — a poem by Jay Franzel
Walking on the wall around Jerusalem’s Old City
I meet Gary, a potter from New Orleans.
He tells me he’s hitchhiking to Africa
but talks mostly about music—
Interview with Con Chapman, author of Rabbit’s Blues: The Life and Music of Johnny Hodges
In a Jerry Jazz Musician interview, Con Chapman, author of Rabbit’s Blues: The Life and Music of Johnny Hodges – the first-ever biography of the immortal musician – talks about the enigmatic man and his unforgettable sound.
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Poems for Rahsaan Roland Kirk — by John L. Stanizzi
. . Rahsaan Roland Kirk at the Jazz Workshop, San Francisco April, 1967 (photo by permission Veryl Oakland) . . FROM FLYTOWN When I die I want them to play the Black and Crazy Blues, I want to be cremated, put in a bag of pot and I want beautiful people to smoke me … Continue reading “Poems for Rahsaan Roland Kirk — by John L. Stanizzi”
...Miles and Coltrane’s final tour together
In a March 29 post on Slate, Fred Kaplan writes about the newly released bootleg recording of Miles Davis’ quintet (featuring John Coltrane), The Final Tour, a four-CD box set of live concerts in Europe from 1960. The tour happened a year after the release of Kind of Blue, so many of the tunes played during it is from that classic album. According the Kaplan, the music found on this Columbia/Legacy set is “radically different” and such a “jarring departure” from the album that “it demands we revise the conventional wisdom about these two musicians (Miles and Coltrane) and fills in some blanks…in the story of jazz, and where it was going, in those pivotal years.”
Kaplan’s essay includes a critique of the music itself – but of particular interest is his reminder of the
...Universal Consciousness: The Spiritual Awakening of Alice Coltrane
In a brilliant piece titled “Universal Consciousness: The Spiritual Awakening of Alice Coltrane,” Britt Robson writes that “the closer one examines the genuinely phenomenal life, music and spirit of Alice Coltrane, the more inevitable it seems that she will also someday receive her proper due. The most striking aspect of her biography is that she became a master musician and a spiritual guru in the same way, by carrying forth all her accumulated wisdom in a welcoming synthesis, rather than shedding, judging and discriminating her way to ‘growth’ and ‘maturity.'”
This extensive biography focuses on Alice’s musical path, her marriage to John Coltrane, her ensuing spiritual awakening, and her influence on
...A Moment in Time — Monk and Coltrane at the Five Spot, 1957
The Five Spot Café, a club located in New York City’s Bowery neighborhood, was the site of a six month gig for the quartet of Thelonious Monk, John Coltrane, drummer Shadow Wilson, and bassist Wilbur Ware. This engagement — coming on the heels of Monk’s cabaret card reinstatement — marked the merging of two of the most original voices in American music, Monk and Coltrane, in a space where cheap beer and good music attracted some of the city’s most influential artists and writers. Regulars included Larry Rivers, Willem de Kooning, Franz Kline, Jack Kerouac, Frank O’Hara and Allen Ginsberg.
In Thelonious Monk: The Life and Times of an American Original, author Robin D.G. Kelley quotes Five Spot co-owner Joe Termini remembering the impact Monk’s quartet had on his club: “Once we hired Monk, all of a sudden the place was crowded every night. And frankly, in the beginning, I just didn’t understand any of it.”
...“Coltrane, Dig?” — a poem by Ed Coletti
Coltrane, Dig?
I suppose what it is with trane and me is
he takes all the time he wants to take
even outside of time, sidereal time,
stardust time, bessie blue time,
through-and-through-him time,
trancey groove time, even arranged time.
Book Excerpt from “Mingus Speaks,” by John Goodman
Charles Mingus is among jazz’s greatest composers and perhaps its most talented bass player. He was blunt and outspoken about the place of jazz in music history and American culture, about which performers were the real thing (or not), and much more. These in-depth interviews, conducted several years before Mingus died, capture the composer’s spirit and voice, revealing how he saw himself as composer and performer, how he viewed his peers and predecessors, how he created his extraordinary music, and how he looked at race.
...“9 23 99: Coltrane Notes on the Millenium,” a poem by Michael Harper
9 23 99: Coltrane Notes on the Millenium
by Michael Harper
“Alabama”
no protection still
that is not churchdriven
James Weldon Johnson’s alternate tune
John Gennari, author of Blowin Hot and Cool: Jazz and its Critics
In the illustrious and richly documented history of American jazz, no figure has been more controversial than the jazz critic. Jazz critics can be revered or reviled often both but they should not be ignored. And while the tradition of jazz has been covered from seemingly every angle, until now, nobody has ever turned the pen back on itself to chronicle the many writers who have helped define how we listen to and how we understand jazz. In Blowin Hot and Cool: Jazz and its Critics, John Gennari provides a definitive history of jazz criticism from the 1920s to the present.
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John Szwed, author of So What: The Life of Miles Davis
More than half a century after his bebop debut, and more than eleven years after his death, Miles Davis lives on. His music is used to pitch jeans, shape films, and personify an era. To this day, he is revered as the archetype of cool.
While several books have been written about Davis, including his own autobiography, due to his passion for reinvention and his extreme reticence the real story of Miles Davis has been obscured by the legend and widely misunderstood.
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John Kruth, author of Bright Moments: The Life and Legacy of Rahsaan Roland Kirk
Bright Moments, the first biography of the legendary jazz musician Rahsaan Roland Kirk, establishes once and for all the brilliant multi-instrumentalist’s place in the pantheon of jazz giants alongside Charlie Parker, Miles Davis and Thelonious Monk. Culled from three years of in-depth interviews and research, Bright Moments chronicles the tumultuous life of the neglected genius through enlightening observations and hilarious anecdotes by Kirk’s friends and family, as well as by famous contemporaries such as Quincy Jones, Allen Ginsberg, Yusef Lateef, Eric Burdon, Ken Kesey and Jethro Tull’s Ian Anderson.
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Jazz History Quiz #162
This saxophonist — described by Art Blakey as knowing more about the saxophone (technically) than anyone, including Charlie Parker — was a soloist in the bands of Don Redman and Lionel Hampton, was an influence on John Coltrane, and ultimately became a prolific R&B bandleader. Who was he?
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Short Fiction Contest-winning story #62 — “Mr. P.C.” by Jacob Schrodt
A saxophonist and his teenage daughter – a drummer –bond over their club performance of John Coltrane’s “Mr. P.C,” but it doesn’t come without its parental challenges, and the father’s warm remembrance of her childhood.
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The Sunday Poem: “An Urban Symphony” — by Anthony Ward
The poet is inspired by John Coltrane’s 1961 recording, “Ole”
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Trading Fours, with Douglas Cole, No. 9: “Fire From Heaven”
“Fire From Heaven” arises from the poet Douglas Cole listening to John Coltrane’s 1964 album A Love Supreme
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“Old J.S.— Running Through the Changes” — a poem by Joel Glickman
So long ago, before Ornette Coleman,
Coleman Hawkins, John Coltrane—
all those free spirits running up and down
the alphabet of jazz, there was old
J.S. Bach, running through the changes.
I always picture him, and hear him,
at the pipe organ in Tomas Kirsche
all by himself,
Jazz History Quiz #147
This saxophonist – best known for his Blue Note soul-jams of the 1960s – replaced John Coltrane in Earl Bostic’s early R&B/jazz band, played in Max Roach’s band after his time in the military, and was married to the organist Shirley Scott. Who is he?
.
Jimmy Scott
Benny Golson
Tom Scott
Eddie “Lockjaw” Davis
Eddie Harris
James Moody
Lou Donaldson
Stanley Turrentine
...“Acknowledgement” — a poem by Michael D. Amitin
A poem by Michael Amitin celebrating John Coltrane’s classic “A Love Supreme” recording
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“North Beach Offering” — a poem by Kristofer Collins
I will accept this one day. I won’t have a choice.
The way I spent my time in San Francisco not finding
the Saint John Coltrane Church,
Jazz History Quiz #127
Before his tragic early death, this trumpeter played with Max Roach, Abbey Lincoln, and John Coltrane, and most famously during a 1961 Five Spot gig with Eric Dolphy. Who is he?
.
Fats Navarro
Booker Little
Howard McGhee
Kenny Dorham
Red Rodney
Lee Morgan
Blue Mitchell
Clifford Brown
Go to the next page for the answer!
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It was 50 years ago today — the anniversary of the A Love Supreme recording date
Ask just about any jazz musician, scholar or fan for a list of the greatest jazz albums ever recorded, and John Coltrane’s A Love Supreme — recorded 50 years ago today — resides on it. My own first experience with it was in 1975, on a late evening in a dark, smoke-filled, back alley cottage on North Oakland’s Alcatraz Avenue. My listening was guided by a dear friend who understood that this was not just music — it is what happens when musical genius meets intensity, sensitivity, and spirituality. So many details of that evening remain with me 40 years later, not the least of which was how I sunk into the couch, eyes closed, the worn Impulse album jacket never leaving my grip. I was amazed and I was hooked.
Over the years, I have found that a favorite discussion among jazz fans is their recollections of their first experience with this album. When I began developing content for Jerry Jazz Musician, one of the first ideas I had was to interview people who were either
...“Such Sweet Thunder” — a boxed portfolio of classic jazz photographs by Herb Snitzer
I received an email yesterday from noted photographer (and friend) Herb Snitzer, who is announcing the distribution of “Such Sweet Thunder,” a boxed portfolio containing 10 of his finest iconic photographs. The collection of 16″ x 20″ silver gelatin prints includes photographs of artists like Louis Armstrong, Nina Simone, Miles Davis, and John Coltrane. Snitzer wrote that this portfolio is “a wonderful investment for children and grandchildren as the value increases with each passing year.” Originally valued at $1500, the collection is now worth
...Monday Jazz Quiz #34
This artist may be best known as the author of a book whose concept was playing jazz based on scales rather than chord changes — a theory that helped pave the way for the modal revolutions of Miles Davis and John Coltrane. Who is he?
Herbie Nichols
Bill Evans
George Russell
Lennie Tristano
Gil Evans
Anthony Braxton
Tadd Dameron
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Monday Jazz Quiz #29
Who was known as the “middleweight champion of the tenor?”
John Coltrane
Johnny Griffin
Ike Quebec
Gene Ammons
Hank Mobley
Eddie Lockjaw Davis
Cannonball Adderley
Cleanhead Vinson
...Monday Quiz Show #14
What was the first jazz LP to sell one million copies?
Miles Davis, Kind of Blue
John Coltrane, Giant Steps
Dave Brubeck, Time Out
Charles Lloyd, Forest Flower
Bill Evans, Waltz for Debby
Duke Ellington and His Orchestra, featuring Mahalia Jackson, Black, Brown and Beige
...Poetry by Bobbi Dykema
My father was a Catholic jazz musician
Say one Our Father, two Hail Marys,
and listen to twelve recordings of John Coltrane.
Dip your fingers in the font of holy water,
cross yourself,
make your way to a pew,
genuflect, take your seat,
and meditate on the perfection of Thelonious chords.
Harlem of the West: The San Francisco Fillmore Jazz Era author Elizabeth Pepin
Billie Holiday singing at the New Orleans Swing Club. Dexter Gordon hanging out at Bop City. Dizzy Gillespie, Lionel Hampton, Charlie Parker, John Coltrane all swinging through town for gigs. Sound like a nostalgic snapshot from the New York jazz scene, or perhaps New Orleans? Nope. This particular sentimental journey describes San Francisco’s Fillmore District in its heyday.
...Ashley Kahn, author of The House That Trane Built: The Story of Impulse Records
Following the path of its star musician John Coltrane, Impulse Records cut a creative swath through the 1960s and 1970s with the politically charged avant-garde jazz that defined the labels musical and spiritual identity. Ashley Kahn’s The House That Trane Built tells the story of the label, balancing tales of individual passion, artistic vision, and commercial motivation.
...Keith Shadwick, author of Bill Evans: Everything Happens to Me
Bill Evans (1929 – 1980) played a major role in the history of modern jazz. The New Jersey-born pianist’s groundbreaking ideas were so widely absorbed by his peers and subsequently by every new generation of musicians that he can be classed among the most influential figures in post-war jazz, ranking alongside Thelonious Monk, Charles Mingus, Miles Davis, John Coltrane, Charlie Parker and Dizzy Gillespie.
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Eric Nisenson, author of Open Sky: Sonny Rollins and His World of Improvisation
Author Eric Nisenson has devoted much of his adult life to reporting jazz. The genesis of his passion for jazz was his introduction to Miles Davis’ Kind of Blue at an early age – a passion so strong it eventually led to a friendship with Miles. The subjects for his three biographies are no less than Miles, John Coltrane, and now, Sonny Rollins, all key musicians and all strong, unique personalities worthy of icon status in the world of music. Nisenson discusses his friendship with Miles and his new book, Open Sky : Sonny Rollins and His World of Improvisation
...The A Love Supreme Interviews: pianist McCoy Tyner
Few musicians have had the impact on the world of music that McCoy Tyner has. His sound has influenced pianists in each of his six decades as a performer. Noted jazz critic Scott Yanow says, “Along with Bill Evans, Tyner has been the most influential pianist in jazz of the past 40 years with his chord voicings being adopted and utilized by virtually every younger pianist.”
While his career continues to move ahead, he will forever be best known as the pianist in John Coltrane’s famed Quartet of the early 1960’s, a group long since recognized as the ultimate jazz combo, whose eclectic, spirited work constantly demanded listeners to reach well beyond their safest star. A Love Supreme, recorded in 1964, is a landmark in music, and to this day the centerpiece to the Quartet’s vast, unparalled universe.
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Jazz History Quiz #174
This pianist was Billie Holiday’s regular accompanist during her last two years (1957 – 1959), and also played in the Eric Dolphy-Booker Little Quintet that recorded extensively at New York’s Five Spot in 1961. Who is he?
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Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 4: “Jazz, Dancing, Nightclubs: A Bonded Culture”
In this fourth edition featuring excerpts from his book, Rife writes about five novels/short fiction that include stories about the interconnected cultures of jazz, dancing and nightclubs.
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A book excerpt from Designed for Success: Better Living and Self-Improvement with Midcentury Instructional Records, by Janet Borgerson and Jonathan Schroeder
In this excerpt from Designed for Success, the authors write extensively about music instruction and appreciation records dealing with the subject of jazz.
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“An Evening at the Genesee” – a short story by Salvatore Difalco
The story – a finalist in the recently concluded 65th Short Fiction Contest – concerns a heart-broken man trying to deal with his sadness via journaling and jazz.
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The Sunday Poem: “Ten-Suite Epistrophies and Improvisations: for T. Monk” by Bill Siegel
When he plays he wears invisible glasses
picks his keys with patience and purpose
a tornado with time on his hands
while in walks light
If You Want to Go to Heaven, Follow a Songbird – Mary K O’Melveny’s album of poetry and music
While consuming Mary K O’Melveny’s remarkable work in this digital album of poetry, readings and music, readers will discover that she is moved by the mastery of legendary musicians, the wings of a monarch butterfly, the climate and political crisis, the mysteries of space exploration, and by the freedom of jazz music that can lead to what she calls “the magic of the unknown.”
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A Collection of Jazz Poetry — Spring/Summer, 2024 Edition
In this, the 17th major collection of jazz poetry published on Jerry Jazz Musician, 50 poets from all over the world again demonstrate the ongoing influence the music and its associated culture has on their creative lives.
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The Photographs of Giovanni Piesco: Archie Shepp
Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition is of the saxophonist Archie Shepp, taken at Bimhuis in 2001.
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The Sunday Poem: “You Never Forget Your First” – by Brian Kates
My high school girlfriend’s older brother
lived in a garret in the Village, like something
out of La Boheme, and she said maybe if we
went there, he’d leave us alone and we could
…well, you know
“The Pianoless Tradition in Modern Jazz” – a playlist by Bob Hecht
An extensive playlist built around examples of prominent pianoless modern jazz.
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From the Interview Archive: Jazz Producer, Discographer, and Entrepreneur Michael Cuscuna
Few music industry executives have had as meaningful an impact on jazz music as Michael Cuscuna, who passed away on April 20 at the age of 75. He dedicated his life to music – particularly to the concept of mining and marketing the music recorded a generation ago by essential and under-appreciated jazz musicians buried deep in record label catalogs.
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Book excerpt from Jazz with a Beat: Small Group Swing 1940 – 1960, by Tad Richards
The introduction is excerpted from Tad Richards’ terrific book that explores the small group swing artists who made music from bebop to rhythm and blues.
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The Sunday Poem: “Thelonious Monk’s Hat” by Gary Jude
washes up
on the keyboard.
Bill Evans’ glasses too.
I put Monk’s hat on
and suddenly feel
like the captain of a ship.
The Sunday Poem: “Soultrane” by George Held
Soultrane came out when Ike governed.
1958. Before our nation
Would build up its war machine to invade
Viet Nam, training its Green Berets
A Black History Month Profile: Miles Davis
In a 2003 Jerry Jazz Musician interview, John Szwed, author of So What: The Life of Miles Davis, reveals a brilliant, inventive, intensely driven musician who was plagued by a host of internal conflicts and contradictions. “Miles’ life as a whole is not easy to grasp,” Szwed reflects, “and the meaning of it, with or without his help, is resistant to quick interpretations.”
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A Black History Month Profile: The Harlem Globetrotters
in this 2005 interview, Ben Green, author of Spinning the Globe: The Rise, Fall, and Return to Greatness of the Harlem Globetrotters, discusses the complex history of the celebrated Black touring basketball team.
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A collection of jazz haiku, Vol. 2
The 19 poets included in this collection effectively share their reverence for jazz music and its culture with passion and brevity.
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“Latin Tinges in Modern Jazz” – a playlist by Bob Hecht
A nine-hour long Spotify playlist featuring songs by the likes of Horace Silver, Lee Morgan, Miles Davis, Wayne Shorter, Ahmad Jamal, and Dizzy Gillespie that demonstrates how the Latin music influence on jazz has been present since the music’s beginnings.
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The Photographs of Giovanni Piesco: Mal Waldron
Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition is of the pianist/composer Mal Waldron, taken on three separate appearances at Bimhuis (1996, 2000 and 2001).
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A Collection of Jazz Poetry — Winter, 2024 Edition
One-third of the Winter, 2024 collection of jazz poetry is made up of poets who have only come to my attention since the publication of the Summer, 2023 collection. What this says about jazz music and jazz poetry – and this community – is that the connection between the two art forms is inspirational and enduring, and that poets are finding a place for their voice within these virtual pages.
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Interview with Gary Carner, author of Pepper Adams: Saxophone Trailblazer
The author speaks with Bob Hecht about his book and his decades-long dedication to the genius of Pepper Adams, the stellar baritone saxophonist whose hard-swinging bebop style inspired many of the top-tier modern baritone players.
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“Improvisation 101” – a poem by Marianne Peel
We begin to study Uncle George
in a cavern of disintegration.
A hospital bed wrenched through
a narrow doorway. Shag carpeting
cauterized and peeled from the concrete floor.
A hoyer lift wheeled in. A pully installed
so George can shift from horizontal to vertical.
The Sunday Poem: “Leap of Faith,” by Steve Trenam
I take my daughter to the ballet studio
at a former convent in Marin.
She will be dancing for hours.
At the edge of the church’s property
is an old gymnasium.
Interview Archive: Gary Giddins on Thelonious Monk
The former Village Voice writer Gary Giddins, who was prominently featured in Ken Burns’ documentary Jazz, and who is the country’s preeminent jazz critic, joins us in a December 23, 2002 conversation about jazz legend Thelonious Monk.
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The Sunday Poem: “Love & Monk,” by Carrie Magness Radna
La La Love,
even when the cold raindrops
pounded against the window,
we snuggled close like fuzzy cats,
purring with Thelonious Monk
as we drank our Guinness.
True Jazz Stories: “Well You Needn’t: My Life as a Jazz Fan” by Joel Lewis
The journalist and poet Joel Lewis shares his immensely colorful story of falling in love with jazz, and living with it and reporting on it during his younger days in New Jersey and New York
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Interview with Brent Hayes Edwards, co-author (with Henry Threadgill) of Easily Slip Into Another World: A Life in Music
Co-author Mr. Edwards discusses his work with Henry Threadgill, widely recognized as one of the most original and innovative voices in contemporary music, and the winner of the 2016 Pulitzer Prize for Music.
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A Collection of Jazz Poetry — Summer, 2023 Edition
This edition features poetry chosen from hundreds of recent submissions, and from a wide range of voices known – and unknown – to readers of these collections. The work is unified by the poets’ ability to capture the abundance of jazz music, and their experience with consuming it.
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The Sunday Poem: “Blue Ash” by Sean Howard
free
what
bars?
intra-
views,
posit-
ions
o-
pen.
The Sunday Poem: “Village” by Michel Krug
The light aspires to be equatorial
but each eroded moment quiets otherwise.
The twilight Superior shore fills
with pine smoke from fire pits
just as Coltrane played in the
smoldering light at the Village Vanguard.
“The Spider Who Loved Jazz” – a short musical fantasy, by Seb Duncan
A fantasy involving a spider and Miles Davis’ recording of “All Blues”
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“Mumbles” – a poem by Michael L. Newell
The poet describes his joyful experience of listening to “Mumbles,” a 1964 recording by Oscar Peterson with Clark Terry
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Interview with Alyn Shipton, author of The Gerry Mulligan 1950’s Quartets
In this May, 2023 interview, Shipton and Jerry Jazz Musician contributing writer Bob Hecht talk about Mulligan’s unique contributions to modern jazz.
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“Elvin Jones at the WGBH-TV studio in Boston, 1966” – a poem by George Kalamaras
The poet writes a profile of the jazz drummer Elvin Jones, inspired by a photograph by Lee Tanner
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Trading Fours, with Douglas Cole, No. 13: “What We Talk About When We Talk About Kind of Blue”
The poet writes about the significance of Miles Davis’s “Kind of Blue”, and why it is the “it” jazz recording…
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A Collection of Jazz Poetry — Spring, 2023 Edition
This is the 14th extensive collection of jazz poetry published on Jerry Jazz Musician since the fall of 2019, when the concept was initiated. Like all previous volumes, the beauty of this edition is not solely evident in the general excellence of the published works; it also rests in the hearts of the individuals from diverse backgrounds who possess a mutual desire to reveal their life experiences and interactions with the music, its character, and its culture.
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“Riff ‘n’ Tiff” – humor by Dig Wayne
. . “Modus Dualis,” by Martel Chapman . . Riff ‘n’ Tiff There was no time signature to save Louis Armstrong from the shivery brine. Monk volunteered to heave his piano overboard to give the lifeboat more zest but it wouldn’t budge or stay in tune for that matter. Moisture had initiated a rift between … Continue reading ““Riff ‘n’ Tiff” – humor by Dig Wayne”
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Interview with Richard Koloda, author of Holy Ghost: The Life & Death of Free Jazz Pioneer Albert Ayler
An impeccably researched biography of an influential figure in American music, the goal of which is “to draw attention away from the circumstances surrounding Ayler’s death and bring it sharply back to the legacy he left behind.”
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A Women’s History Month Profile — Bessie Smith
Bessie Smith biographer Chris Albertson talks about the life of “The Empress of the Blues,” one of popular music’s most important figures during the 1920’s and 1930’s
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Playlist – “The Promise of Spring”
An hour-long playlist of recordings by legendary jazz musicians, inspired by the outset of spring
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A Black History Month Profile: Bandleader Fletcher Henderson
Fletcher Henderson biographer Jeffrey Magee discusses the influential bandleader, and the emergence of modern jazz
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A story of “My Funny Valentine,” and a poem by George Held
A brief history of Rodgers and Hart’s composition “My Funny Valentine,” and a poem by George Held, who reflects on the song
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Rosalinda Kolb’s “Jazz Portrait Series”
Rosalinda Kolb’s art is filled with creative energy and spirit that uniquely connects viewers to the soul, inner beauty, and complexity of jazz musicians.
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Book Excerpt from Holy Ghost: The Life and Death of Free Jazz Pioneer Albert Ayler, by Richard Koloda
The preface introduces the reader to Ayler’s influence on jazz, and to the compelling and often misrepresented history of Ayler’s life story.
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A collection of short jazz poems – Vol. 1
A collection in which over 30 poets communicate their appreciation for jazz music in poems no longer than seven lines.
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The Sunday Poem: “Wood Ticks on Fire: Cecil Taylor and the Forests of Sound that Plant Themselves in Us” – by George Kalamaras
The poet writes about the complexity of pianist Cecil Taylor’s music, and the liberation he feels from listening to it
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On the Turntable — The “Best Of the ‘Best Of’” in 2022 jazz recordings
A year-end compilation of jazz albums oft mentioned by a wide range of critics as being the best of 2022
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Interview with Aidan Levy, author of Saxophone Colossus: The Life and Music of Sonny Rollins
The author discusses the iconic tenor saxophonist who is one of the greatest jazz improvisers of all time, a lasting link to the golden age of jazz
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A Collection of Jazz Poetry — Fall/Winter, 2022-23 Edition
.This collection of jazz poetry – the largest yet assembled on Jerry Jazz Musician – demonstrates how poets who are also listeners of jazz music experience and interact with the spontaneous art that arises from jazz improvisation, which often shows up in the soul and rhythm of their poetic language.
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Don’t Fret: Jazz Poems — a collection by Michael L. Newell
News concerning a new collection of jazz poetry by Michael L. Newell
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In Memoriam…Pharoah Sanders
Brief personal memories about the experience of listening to the saxophonist Pharoah Sanders
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Three poems…by Michael L. Newell
Cool, cool, ineffably cool,
his trumpet grieves with
a restraint barely able to be
embraced by listeners, his music
is pain on ice, whiskey frozen
“Wood Ticks on Fire: Cecil Taylor and the Forests of Sound that Plant Themselves in Us” — a poem by George Kalamaras
As if the stars contained wood ticks
on fire. As if there were forests within
forests. Trees within stones. Stones
folded over into water.
The most secret nocturnal animals
walk around during the day, unseen.
A Collection of Jazz Poetry — Summer, 2022 Edition
A broad collection of jazz poetry authored by an impressive assemblage of regular contributors and established poets new to this publication – all of whom open their imagination and hearts to the abundant creative experience they derive from this art.
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“A personal loss, and a self-restoration” – by editor/publisher Joe Maita
The editor/publisher of Jerry Jazz Musician reflects on a major life change, and what lies ahead
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Jazz History Quiz #155
This pianist – known for his tasteful swinging and bop-based style – was Ella Fitzgerald’s regular accompanist from 1963 – 1965, and again from 1968 – 1978. Who was he?
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“What Music Can Do” — a poem by Mary K O’Melveny
When I hear Sketches of Spain or Kind of Blue – Miles Davis masterpieces from his earlier career – I am always calmed, thrilled by the ways that music can take over every portion of a person from head to toe, from inside to outside, from innermost mind to outermost layer of skin.
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Book excerpt from The Real Ambassadors: Dave and Iola Brubeck and Louis Armstrong Challenge Segregation, by Keith Hatschek
In the book’s prologue, published here in its entirety, the author writes about some of “The Real Ambassador’s” challenges getting to the stage.
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“When (A Melody For Jazz)” — a poem by Arya F. Jenkins
When in spring/Miles’s horn awakens/The nodding giant of the streets…
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“So What!…or, Where were you when you first heard Kind of Blue?” — a true jazz story by Bob Hecht
Bob Hecht recalls his experience of first hearing “Kind of Blue,” the 1959 jazz album by trumpeter Miles Davis
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A Collection of Jazz Poetry — Spring, 2022 Edition
Over 60 poets from all over the world celebrate their love of jazz…in poetry.
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Interview with Richard Brent Turner, author of Soundtrack to a Movement: African American Islam, Jazz, and Black Internationalism
. . Richard Brent Turner is Professor in the Department of Religious Studies and the African American Studies Program at the University of Iowa, and the author of Soundtrack to a Movement: African American Islam, Jazz, and Black Internationalism [New York University Press] . . ___ . . …..In Richard Brent Turner’s … Continue reading “Interview with Richard Brent Turner, author of Soundtrack to a Movement: African American Islam, Jazz, and Black Internationalism“
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Book Excerpt: Soundtrack to a Movement: African American Islam, Jazz, and Black Internationalism, by Richard Brent Turner
In an excerpt from his book Soundtrack to a Movement: African American Islam, Jazz, and Black Internationalism, Richard Brent Turner writes about Max Roach and his wife, the singer Abbey Lincoln, and the contributions they made to social justice, constructed in the intersecting worlds of African American Islam and jazz.
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“J_A_Z_Z (or Between the Notes) ” — a poem by Antoinette Winstead
Between the notes
lies the silenced passion and pain
of a people
too enormous for lyric expression
though the black dots on the page
attempt to decode the encrypted message.
A Collection of Jazz Poetry — Fall/Winter, 2021-22 Edition
Molly Larson Cook’s abstract-expressionist paintings accompany the 50 poets contributing to this collection. Her art has much in common with the poetry and music found within it; all three art forms can be described as “landscapes of the imagination,” created by artists from all over the world who are inspired in a meaningful way by jazz music, and whose work can be uniquely interpreted and appreciated (or not!) by those who consume it.
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True Jazz Stories: A remembrance of jazz aficionado Al Summ
Friends remember Al Summ, whose love and appreciation of jazz showed up in a variety of ways. His artwork was found (and rescued) by his friends Dan Brown, Dave Watson, Bob Crimi and “Andy” – a.k.a. “The Gang of Four”.
This remembrance is a reminder of how jazz and its culture can touch the soul of an enthusiast, and a demonstration of a longtime, devoted friendship. I am proud to assist the “Gang” in sharing their heartfelt connection to their departed friend.
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“The Gospel According to Nikki Giovanni” — the poet collaborates with saxophonist Javon Jackson
News concerning the renowned activist and poet Nikki Giovvani curating the tenor saxophonist Javon Jackson’s upcoming album of gospel hymns and spirituals.
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News concerning the poet Aurora M. Lewis
Along with the satisfaction of publishing countless outstanding poems over the years comes my delight in getting to know many of the poets responsible for them. From this experience an active community of writers has taken shape, most of whom share a common vision of communicating their love and appreciation for jazz music and the historic artists they revere. One such poet is Ms. Aurora M. Lewis of Morena Valley, California, whose new book, Jazz Poems: Reflections on a Broken Heart has just been published.
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Interview with jazz impresario George Wein
A 2003 interview with jazz impresario George Wein, the founder of the Newport Jazz Festival who died last week at the age of 95
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A Collection of Jazz Poetry — Summer, 2021 Edition
“It’s not exclusive, but inclusive, which is the whole spirit of jazz.”
-Herbie Hancock
.
And…this spirit is not limited to the musicians, because celebrating jazz is rich in creative opportunity for writers and visual artists as well. The 54 poets who contribute to this poetry collection are living proof of that.
As always, thanks to the poets, and I hope you enjoy…
Joe
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Veryl Oakland’s “Jazz in Available Light” — “Keeping Jazz Alive in the Desert”…Monk Montgomery and the jazz musicians of Las Vegas
In this edition, “Keeping Jazz Alive in the Desert,” Mr. Oakland’s photographs and stories focus on Monk Montgomery’s efforts to bring jazz to Las Vegas, and the notable jazz musicians who played in that city
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Jazz History Quiz #146
This pianist was Billie Holiday’s regular accompanist during her last two years (1957 – 1959), and also played in the Eric Dolphy-Booker Little Quintet that recorded extensively at New York’s Five Spot in 1961. Who is he?
Mal Waldron
Al Haig
Duke Jordan
Hampton Hawes
Joe Albany
George Wallington
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Thelonious Monk…and five poems
He hovers,
flesh and presence,
round the story of midnight jazz….
a single note hangs, suspended
in a cigarette-whiskey haze
as ears perk open, anticipate
the pleasure of surprise
Interview with Travis Atria, author of Better Days Will Come Again: The Life of Arthur Briggs, Jazz Genius of Harlem, Paris, and a Nazi Prison Camp
…..The Grenada-born trumpeter Arthur Briggs was among the first to introduce and popularize jazz music, and did so from Europe, where he permanently settled after arriving from Harlem in 1919, and where he eventually grew to be considered “the Louis Armstrong of Paris.” Little-known in America, his musical biography features his befriending and performing with the likes of Sidney Bechet (who Briggs was with when he bought his first soprano saxophone), Josephine Baker, Coleman Hawkins, and Django Reinhardt.
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“Kind of Blue” — a poem by Kathleen S. Burgess
Spring rains watercolor the earth leaf, daffodil, violet,
then soften to a blue-gray mist,
and clear. Day’s begun transitioning, sky-bright blue to
lapis lazuli. Moon dreams in the north.
“Life Is…” — a poem by Antoinette F. Winstead
a Saturday night
Blue Note
jam session
chaotic improvisation
settling into discordant conjunction
“Sittin’ In: Jazz Clubs of the 1940s and 1950s” Vol. 2 — Birdland
In this edition, Gold writes about New York’s Midtown Manhattan club Birdland, and shares photographs and memorabilia from his collection.
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A Poetry Collection — inspired by Miles Davis
Few artists inspire creativity like Miles Davis. This collection of poetry by 50 poets from all over the world is evidence of that.
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Playlist: A sampling of soprano saxophonists
. . photo by William Gottlieb/Library of Congress Sidney Bechet at Jimmy Ryan’s, New York, N.Y., ca. 1947 . …..I don’t know about you, but ever since Kenny G made himself known in the world of pop music, the soprano saxophone has been a challenge for me to enjoy. His “smooth” approach to the … Continue reading “Playlist: A sampling of soprano saxophonists”
...“A Love Supreme” — a poem by Dan Franch
“What’s he even mean by that,” my son asked the other day.
Whose love? What love? And for whom?
Interview with Alyn Shipton, author of The Art of Jazz
An interview with The Art of Jazz author Alyn Shipton, whose book is an exploration of how jazz influenced sheet music art, album art, posters, photography, and individual works of fine art.
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Short Fiction Contest-winning story #56 — “Celestial Vagabonds” by Max Talley
He drove uptown on Riverside Drive, the motor noise magnificent. Traffic increased as he approached Harlem. Other drivers jostling to get ahead noticed the car first. A red Ferrari was not subtle in gray Manhattan, and the engine roared money and power and European elegance. Then neighbors would study the man in outsized sunglasses. Some recognized him, smiling or shaking their heads in disbelief. Others looked aggrieved, even outraged that a person like him could be driving a vehicle like that. Ferrari only built three-hundred of their 275 GTB.
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A Collection of Jazz Poetry — Winter, 2021 Edition
In this winter collection of diverse themes and poetic styles, 55 poets wander the musical landscape to explore their spirit and enthusiasm for jazz music, its historic figures, and the passion, sadness, humor and joy it arouses.
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Interview with Dave Chisholm, author of the graphic novel Chasin’ the Bird: Charlie Parker in California
Author Dave Chisholm talks about the experience creating his graphic novel about Charlie Parker in California, “Chasin’ the Bird”
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“Life in E Flat” — a conversation about Phil Woods, with pianist Bill Charlap and jazz journalist Ted Panken
Bob Hecht talks with pianist Bill Charlap and writer Ted Panken about the late Phil Woods, and his book Life in E Flat: The Autobiography of Phil Woods
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“The Egret Thigh Deep In Evening Creek” — a poem by Michael L. Newell
Wading through the gloaming, almost majestic,
looking ready for a coronation, the bird stretches
wings as though sweeping night air from his regal
“What one song best represents your experience with 2020?”
The community of poets, writers, artists and photographers who have recently contributed their work and time to Jerry Jazz Musician to answer this question, “What one song best represents your experience with 2020?”
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A Collection of Jazz Poetry — Autumn, 2020 Edition
Jazz and poetry have always had a symbiotic relationship. Their creative languages share the common soil of imagination and improvisation, from which their audiences discover inspiration and spirit, and perhaps even a renewed faith in life itself.
This collection features 50 gifted poets from places as disparate as Ohio and Nepal, Estonia and Boston, Guyana and Pittsburgh, each publicly sharing their inner world reverence for the culture of jazz music.
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“Pressed for All Time,” Vol. 8 — producer Ed Michel on Art Pepper’s 1980 album Winter Moon
. . Drawn from interviews with prominent producers, engineers, and record label executives, Michael Jarrett’s Pressed For All Time: Producing the Great Jazz Albums is filled with interesting stories behind some of jazz music’s most historic, influential, and popular recordings. In cooperation with Jarrett and University of North Carolina Press, Jerry Jazz Musician will occasionally … Continue reading ““Pressed for All Time,” Vol. 8 — producer Ed Michel on Art Pepper’s 1980 album Winter Moon“
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“Album Unfinished” — a short story by Geoff Polk
“Album Unfinished,” a story by Geoffrey Polk, was a short-listed entry in our recently concluded 54th Short Fiction Contest. It is published with the permission of the author
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A Collection of Jazz Poetry — Summer, 2020 Edition
. . “Clifford Brown” is a painting by Warren Goodson, a Saxapahaw, North Carolina artist whose work is driven by his appreciation for Black culture. With his gracious consent, Mr. Goodson’s art is featured throughout this collection. . . _____ . . “Poetry is eternal graffiti written in the heart of everyone.” -Lawrence Ferlinghetti … Continue reading “A Collection of Jazz Poetry — Summer, 2020 Edition”
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Interview with Philip Clark, author of Dave Brubeck: A Life in Time
The author discusses the enigmatic and extraordinary pianist, composer, and band leader, whose most notable achievements came during a time of major societal and cultural change, and often in the face of critics who at times found his music too technical and bombastic.
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Poetry reflecting the era of COVID, Black Lives Matter, and a heated political season — Vol. 1
I recently extended an invitation to poets to submit work that reflects this time of COVID, Black Lives Matter, and a heated political season.
What follows are some of those submitted. More will appear in the future.
-Joe Maita/Editor and Publisher
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Interview with Maria Golia, author of Ornette Coleman: The Territory And The Adventure
Ms. Golia discusses her book and the artists whose philosophy and the astounding, adventurous music he created served to continually challenge the skeptical status quo, and made him a guiding light of the artistic avant-garde throughout a career spanning seven decades.
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Francis Wolff photo contact sheets from classic Blue Note recording sessions
Mosaic Records is offering prints of entire contact sheets of classic Blue Note recording sessions that, as described by Mosaic owner Michael Cuscuna, shows Francis Wolff’s “thought process and the progression of shots that lead to his final best image.”
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Reminiscing in Tempo: “Life during the time of isolation and social distancing”
Prominent artists and educators reflect on the pandemic and how they are spending their time during isolation and social distancing
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Book Excerpt: Dave Brubeck: A Life in Time, by Philip Clark
The introduction to Philip Clark’s book “Dave Brubeck: A Life in Time” is excerpted here in its entirety.
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“Life during the time of isolation and social distancing” Vol. 3 — journalist Joe Hagan and photographer Tim Davis
Journalist Joe Hagan and photographer Tim Davis respond to the question; “During this time of social distancing and isolation at home, what are examples of the music you are listening to, the books you are reading, and/or the television or films you are viewing?”
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“Charles Ingham’s Jazz Narratives” — Vol. 6
Charles Ingham’s “Jazz Narratives” connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history. This edition’s narratives are “”The Artists Salute Each Other”, “Monk’s Mood at the It Club” and “Communing with Ghosts”
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A 2001 Jerry Jazz Musician Interview with McCoy Tyner
With yesterday’s passing of pianist McCoy Tyner, the world lost a major creative voice of the past 60 years. So much joy and awe in virtually every groove he carved…
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A Collection of Jazz Poetry — Winter, 2020 Edition
The winter collection of poetry offers readers a look at the culture of jazz music through the imaginative writings of its 32 contributors. Within these 41 poems, writers express their deep connection to the music – and those who play it – in their own inventive and often philosophical language that communicates much, but especially love, sentiment, struggle, loss, and joy.
...Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of violinists Joe Venuti, Stephane Grappelli, Jean-Luc Ponty, Zbigniew Seifert, and Leroy Jenkins
. . . …..Jazz in Available Light, Illuminating the Jazz Greats from the 1960s, ’70s, and ’80s is one of the most impressive jazz photo books to be published in a long time. Featuring the brilliant photography of Veryl Oakland — much of which has never been published — it is also loaded with his … Continue reading “Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of violinists Joe Venuti, Stephane Grappelli, Jean-Luc Ponty, Zbigniew Seifert, and Leroy Jenkins”
...Interview with Gerald Horne, author of Jazz and Justice: Racism and the Political Economy of the Music
. . . . photo by Bouna Ndaiye/used by permission of Gerald Horne Gerald Horne, author of Jazz and Justice: Racism and the Political Economy of the Music . ___ . . …..Jazz music — complex, ground breaking and brilliant from its early 20th century beginnings — would eventually become America’s … Continue reading “Interview with Gerald Horne, author of Jazz and Justice: Racism and the Political Economy of the Music“
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Book Excerpt — Jazz and Justice: Racism and the Political Economy of the Music, by Gerald Horne
Jazz music — complex, ground breaking and brilliant from its early 20th century beginnings — would eventually become America’s popular music. That it did so in the face of the severe obstacles of blatant racism and sexism, organized crime and corrupt labor exploitation so prevalent in America at the time is at the heart of historian Gerald Horne’s new book, Jazz and Justice: Racism and the Political Economy of the Music.
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Interview with Paul Lopes, author of Art Rebels: Race, Class and Gender in the Art of Miles Davis and Martin Scorsese
Paul Lopes — associate professor of sociology at Colgate University — talks about how ethnicity, class and hypermasculinity impacted the work of these two visionary, independent artists.
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“The Elvin Jones Standard” — an appreciation by Evan Nass
His style is unique, expressive, bombastic, heavy and rolling. He became one of the most famous drummers, making vast contributions to the hard bop and post-bop jazz movements. He had great influence on all the jazz musicians he played with, but more importantly, they influenced him.
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“broken embouchure” — a poem by M.T. Whitington
warped certified gold hangs over the shoulder,
…………………………………blue on the wall,
……………..notes on Trane (Coltrane).
Interview with Nate Chinen, author of Playing Changes: Jazz for the New Century
Nate Chinen, the former New York Times jazz critic who is now director of editorial content for WBGO Radio, talks about his book, Playing Changes: Jazz for the New Century
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The Jazz Photography Issue
. . Carol Friedman’s 1976 photograph of Chet Baker . _____ . …..For many of us who revere jazz music – especially those fortunate enough to have grown up during the era of the 12 x 12 record album jacket and coffee table photography books– the images of great musicians taken by photographers like William … Continue reading “The Jazz Photography Issue”
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Interview with renowned jazz photographer Carol Friedman
. . Carol Friedman . ___ . …..During a career now spanning over three decades, the esteemed New York portrait photographer Carol Friedman’s iconic images have appeared on hundreds of album and CD covers. Her poignant, often spontaneous work – a generous sampling of which is on display within and following the interview – includes … Continue reading “Interview with renowned jazz photographer Carol Friedman”
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Michael Cuscuna announces the release of Francis Wolff’s Blue Note session photographs
Mosaic Records co-founder Michael Cuscuna shares news concerning the availability of previously unreleased photographs of Blue Note Records sessions taken by Francis Wolff
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David Friesen’s film, “More Than Jazz”
A multi-episodes film about the musical and personal life of David Friesen, the legendary American jazz musician, composer, educator.
...Reminiscing in Tempo: “What are 4 or 5 of your all-time favorite Blue Note albums?”
. . Speak No Evil, a 1964 recording session by saxophonist Wayne Shorter (released in 1966), was among those listed by noted critics, authors and musicians as their all-time favorite Blue Note albums . __________ . “Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of … Continue reading “Reminiscing in Tempo: “What are 4 or 5 of your all-time favorite Blue Note albums?””
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Interview with Mosaic Records co-founder Michael Cuscuna
Interview with jazz record producer, discographer, and entrepreneur Michael Cuscuna.
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A collection of jazz poetry — April, 2019 edition
Seventeen poets contribute 21 poems in this month’s edition…
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“Jazz in Available Light” — photos by Veryl Oakland, Vol. 1
In this edition of Veryl Oakland’s “Jazz in Available Light,” photographs of Red Garland, Dizzy Gillespie and Rahsaan Roland Kirk are featured.
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Reminiscing in Tempo: “What are some of your all-time favorite record album covers?”
Gary Giddins, Jimmy Heath, Fred Hersch, Joe Hagan, Maxine Gordon, Tim Page, Veronica Swift and Marcus Strickland are among the 25 writers, musicians, poets, educators, and photographers who responded to our question, “What are some of your favorite record album covers of all time?”
...A collection of poetry celebrating the culture of jazz — January, 2019
. . In this collection, nine poets contribute ten poems celebrating jazz in poems as unique as the music itself . . . . I Am Jazz . I Am Jazz. It is my nature to evolve, to change and adapt. I’m restless. I move towards a future I cannot see or predict. … Continue reading “A collection of poetry celebrating the culture of jazz — January, 2019”
...“All Blues: The Story of a Lost Friendship” — a true jazz story by Bob Hecht
…..I have to wonder how many friendships have been forged over mutual love of Miles Davis’ album, Kind of Blue. The one I want to tell you about came to pass in an unlikely setting back during the winter of 1963…
...Reminiscing in Tempo: “What are 3 or 4 of your favorite jazz recordings of the 1940’s?”
. . Photo William Gottlieb/Library of Congress Charlie Parker is frequently found on the lists of noted critics and musicians answering the question, “What are 3 or 4 of your favorite jazz record recordings of the 1940’s?” This photograph by William Gottlieb was taken at Carnegie Hall in New York, c. 1947 . __________ … Continue reading “Reminiscing in Tempo: “What are 3 or 4 of your favorite jazz recordings of the 1940’s?””
...Jazz History, Culture, Community
IN THIS ISSUEPublisher's Notes On turning 70, and contemplating the future of Jerry Jazz Musician Thoughts on embracing a new stage in life, and where I hope to go next with Jerry Jazz Musician Read the StoryInterview Interview with Larry Tye, author of The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America … Continue reading "Jazz History, Culture, Community"...
Ralph Ellison’s record collection
In a wonderfully entertaining and informative 2004 New Yorker piece titled “Ralph Ellison’s Record Collection,” Richard Brody reminds us of the Invisible Man author’s passion for jazz music — what he referred to as “American music” — and of his somewhat controversial (for the time) opinion of the musicians coming up. While often revering the music of Armstrong, Ellington, and Lester Young (and who can blame him?), of Charlie Parker’s music, he wrote “there is in it a great deal of loneliness, self-deprecation and self-pity,” and, in a letter to friend Albert Murray following a 1958 Newport Jazz Festival performance, described Miles Davis as “poor, evil, lost little Miles Davis.” He famously characterized bebop as “a listener’s music” that “few people are capable of dancing to it” — although this critique was probably more of a lament of a lost culture.
But the crux of the story is not Ellison’s opinion about music, rather the recordings he collected, reported by Brody as
...“Transcending the Blues” — a critical essay by Matt Sweeney
Mac’s Restaurant and Nightclub in Eugene, Oregon is where the blues aficionados in Central Oregon congregate to enjoy Cajun type bar food and dance joyously to pounding, power guitar driven blues. Our friends Alan and Susan go there a couple times a month to satisfy their boogie dance cravings. Whenever my wife and I pass through Eugene, we end up at Mac’s with Alan and Susan. They also attend a lot of blues festivals around their neck of the woods and can be considered connoisseurs.
I too love the blues. I also love jazz. Susan loves the blues. She does not love jazz, “modern” jazz to be specific. Susan explains that when she’s dancing at Mac’s, she feels the pounding bass and drums and screaming vocalist and Fender Stratocaster vibrating her bones and muscles and eyeballs. That’s her heaven. That’s how she wants to
...“The Color of Jazz” — an essay by Bob Hecht
The late, great trumpeter Clark Terry once offered one of the most pointed, and humorous, comments about the perennial controversies in jazz over race and the perceived abilities of white versus black musicians…
He said, “My theory is that a note doesn’t give a
...
On the Turntable — Miles Ahead
I have been fortunate – thus far – to have avoided the many summer colds going around this season, but I have been afflicted, once again, by “Miles Fever.” Every so often, I am struck by an irresistible urge to dig into the catalog of this artist so present during virtually every season of my life, and rediscover the thrill of his sound, and of his cultural significance.
I contracted the virus this morning, and spent the morning (in bed, of course) listening to Miles Ahead, the 1957 recording featuring Miles Davis and 19 musicians under the direction of Gil Evans – his first collaboration with Miles since the Birth of the Cool sessions of 1950, and one of his earliest recordings for Columbia Records. An early example of
...
A true jazz story: “Woody ‘n Me” — by Robert Hecht
I’m driving up Raymond Boulevard toward downtown Newark. In the darkness the huge lighted sign atop the Public Service Electric & Gas Company serves as a beacon for approaching the city. Yet tonight something is off with the sign, and I laugh out loud as I see that its ‘L’ has burned out…and that it is now offering ‘PUBIC SERVICE’ to the community!
I am on my way to work at radio station WHBI where I am a staff announcer but also produce a nightly jazz show. On the car seat next to me is my
...“His Sound is Sacred” — a poem by Michael L. Newell
he blows a mighty sound
lifts every roof within hearing skyward
lilts and sets every foot dancing
...A collection of poetry celebrating love and jazz
In anticipation of Valentine’s Day, I recently invited many of our contributing poets to submit work that combines the themes of jazz music and love, with the result being a collection of voices expressing their own contributions to the language of love…
Dozens of writers submitted over 100 poems, and the best of the submissions — 29 poems by 18 poets — are found on the following 12 pages. Advance through the selections by utilizing the page monitor at the bottom of each page.
Many thanks to everyone who submitted their work.
JJM
...“Grasping” — a poem by Fred Shaw
I.
All those good times
might’ve been what Duke
had in mind when vamping
his silky-fingered B-flats,
letting Coltrane counter
until tenor notes cluster
close to the
...“Icarus” — a short story by Ian MacAgy
Near the end of high school I thought myself sophisticated, a fan of Pink Floyd and King Crimson and Kevin Ayers, but at a Weather Report Concert in 1972 I had a nearly religious conversion. It was as though a stranger had run up to me and said, “hold this for minute” and ran off. Then the music exploded. I had never heard anything like this. Everything changed.
It was as though I grew hair in secret places and a new appendage. I became a different creature. After that night few of my suburban DC white friends’ guitar and lyrics-oriented ears could hear what mine could; the joy and heartbreak in this unfamiliar and ebonic timbre, this canvas painted in horn, acoustic bass, and polyrhythm; this blues, this brokenness, this homesickness.
There it was, though, for anyone who had ears for it—there, in the absence of verse, in the uncertainty and unpredictability of lengthy solos, in the timelessness of power beyond the moment from which
...“Jazz” — a poem by William Chene
Somewhere between the wide open spaces
And those tiny, secret places in the heart,
The sound of nursery rhymes and temple chimes
Mingle with incense and nonsense
Until even the air has to smile.
That’s where you’ll find me, in my hiding place,
Making up rhymes and trying to keep time
To the pace of the
“The Quick Hands of Hampton Hawes” and two other poems by Daniel Shapiro
For years, the autobiography proved elusive,
speeding east like the double-jointed run
that skipped from white keys to black,
soldiers chased from Central Avenue battles.
Then the book took a rest, hiding out
in a nondescript store among academic texts,
tomes whose covers bore geometric shapes.
Cardboard screamed orange, red, and white,
the slow burn of a
Jazz History Quiz #88
Who was occasionally billed as “The World’s Fastest Saxophonist”?
Illinois Jacquet
Flip Phillips
Ike Quebec
Charlie Ventura
Charlie Parker
Arnett Cobb
Johnny Griffin
Go to the next page for the answer!
...
A story of “My Funny Valentine”
So many great songs to choose from for marking Valentine’s Day…The standard that most immediately comes to mind is an obvious choice, Richard Rodgers and Lorenz Hart’s “My Funny Valentine.” Written for their 1937 Broadway musical Babes in Arms, the piece was overshadowed on Broadway (and in the film version starring Mickey Rooney and Judy Garland) by “Where or When,” “I Wish I Were in Love Again,” and “The Lady is a Tramp,” and was not made relevant until Frank Sinatra’s recording of it in 1953. It was eventually recorded by more than 600 artists on countless albums, and became synonymous with Chet Baker, who recorded it over 100 times. Will Friedwald, author of Stardust Melodies: The Biography of Twelve of America’s Most Popular Songs — an entertaining and essential work of popular music history — wrote that “the tune could be said to follow Baker from the grave, since it’s usually included in memorial tributes to him.”
Friedwald writes, “What makes the whole [song] so remarkable is the happy/sad nature of the lyric, brilliantly mirroring the major/minor nature of the music. It’s a love song, but far from those ‘I love you and everything’s rosy’ tunes so popular in the twenties (vis-a-vis Iriving Berlin’s ‘Blue Skies’). It’s vaguely optimistic, but it couldn’t
...Jazz History Quiz #80
Throughout his career, this saxophonist was known as the “Vice Prez” because he sounded so similar to Lester Young. Who was he?
Earl Bostic
Paul Quinichette
Ben Webster
Coleman Hawkins
Johnny Hodges
Arnett Cobb
Herschel Evans
Go to the next page for the answer!
...Meadowlark Lemon and the complexity of being a Globetrotter (and Globetrotter fan)
This morning came news of the passing of Meadowlark Lemon, the face of the Harlem Globetrotters for more than 20 years, his peak coming during the height of the civil rights movement. It was a complex time to be a Globetrotter, who at one time (prior to Lemon’s tenure with the team) was a legitimate and powerful basketball entity that was so good in 1948 it beat George Mikan’s Minneapolis Lakers, to that of a team so focused on clowning that, in the words of Bruce Weber in today’s New York Times obituary, “some thought to be a discomforting resurrection of the minstrel show.”
It was also a complex time to be a fan of the Globetrotters, whose occasional appearance on national television always elicited
...Bruce Lundvall, 1935 – 2015
Bruce Lundvall, a record executive best known among fans of jazz music as Blue Note Records president for 25 years, died yesterday at the age of 79. In addition to his work at Blue Note, Lundvall was president of CBS Records during the heyday of the LP business, and was responsible for signing many of that label’s major artists, and for expanding the jazz division of Columbia Records.
My own experience with him was always very favorable. Although I hadn’t spoken to him for several years, whenever I did reach out to him, either as a record executive myself or as publisher of Jerry Jazz Musician, he always made himself available and was supportive of my work.
In 2003, I hosted a conversation on the state of the business of jazz with Lundvall, New York Times columnist Ben Ratliff, and saxophonist Joshua Redman. Part of the discussion dealt with
...“In a Blue Moon, Once” — a short story by Richard Herring
“Night of the living dead,” a voice screamed in Tom’s head. A softer voice pointed out it was still late afternoon. It sure wasn’t life as he wanted to know it. In reality, it was just another long Thursday afternoon of monthly staff meetings, with new mandates and standards flowing downhill from the top. All the nodding mannequins around the conference room would take it all in, shoot a few inane, brown nose comments back at the presenter, then go back to do their jobs tomorrow the same as always.
Sylvia’s attention was on the crochet hoop in her lap. Jack’s eyes had been closed for the better part of 45 minutes. Tom’s life support system came through the cord fed neatly up beneath the lapel, to the headphones partially obscured by thick sideburns and abundant head of hair. A collection of earpieces was present among these old codgers, but his was connected to the brand new cassette player in his suit coat pocket.
The tape Mikki turned him on to seemed to emanate from a place beyond his routine, tired existence. It was as if the music offered a
...“Peace on Earth” — a poem by Michael Harper
Tunes come to me at morning
prayer, after flax sunflower
seeds jammed in a coffee can;
when we went to Japan
I prayed at the shrine
for the war dead broken
at Nagasaki;
the tears on the lip of my soprano
glistened in the sun.
In interviews
I talked about my music’s
voice of praise to our oneness,
them getting caught up in techniques
of the electronic school
lifting us into assault;
in live sessions, without an audience
I see faces on the flues of the piano,
cymbals driving me into ecstasies on my knees,
the demonic angel, Elvin,
answering my prayers on African drum,
Interview with Cary Ginell — author of Walk Tall: The Music and Life of Julian “Cannonball” Adderley
Julian “Cannonball” Adderley’s stellar career began in the era of hard bop and ended (far too soon) during the time of jazz fusion. In between, he played on some of the most prominent recordings in the history of jazz — Miles Davis’ Kind of Blue and his own Somethin’ Else among them — and ultimately became what the critic Gary Giddins described as “the patron saint of the soul-hymn movement,” a music that would reach a broad affluent audience while also keeping jazz relevant in the African-American neighborhoods.
...Monday Jazz Quiz #46
Who was known as the “middleweight champion of the tenor saxophone?”
Dony Byas
Gato Barbieri
Chu Berry
Gene Ammons
Sonny Stitt
Stan Getz
Hank Mobley
Chico Freeman
...A short history of New York’s iconic jazz clubs
Where would jazz be without New York’s “joints’ of the 1920’s – 1950’s? If Ellington hadn’t been hired to play the Cotton Club, what direction would his orchestra have taken? Without the Royal Roost, would Parker play with Miles and Max Roach, and would Miles have had a venue to perform “Birth of the Cool” in? And, where would Monk and Coltrane have played if not at the Five Spot?
I came upon this terrific history today, “Jazz Joints Through the Ages.” Written by noted jazz historian Ashley Kahn and originally published in Jazz Times in 2006, the feature provides short biographies of many of the most important clubs in jazz music’s past.
...Monday Jazz Quiz #42
In the mid-1950’s, after a failed audition for the Benny Goodman band, this drummer found work in New York, toured with Charles Mingus’s band, and performed on J.J. Johnson’s J Is for Jazz. Who is he?
Jimmy Cobb
Joe Morello
Clifford Jarvis
Philly Joe Jones
Jo Jones
Joe Chambers
Jack De Johnette
Elvin Jones
...Monday Jazz Quiz #41
Before becoming a full time musician, this pianist was a welterweight boxer who once fought “Sugar” Ray Robinson. Who is he?
Red Garland
Mel Powell
John Lewis
Billy Taylor
Elmo Hope
Wynton Kelly
Barry Harris
Hank Jones
...Jazz: Through the Life and Lens of Milt Hinton — A Photo Exhibit
As a jazz musician for seven decades, and as a chronicler of its intellectual and spiritual development through his fascinating, award-winning photography, Milt Hinton acts as an essential connecting point for the music and its associated culture. Hinton played bass alongside iconic figures like Cab Calloway, Dizzy Gillespie, and Louis Armstrong, and, as a photographer, brought these men and a host of others into focus as musicians, artists, and vital contributors to twentieth-century American life.
With the generous consent of David G. Berger and Holly Maxson, who along with Milt Hinton co-authored Playing the Changes: Milt Hinton’s Life in Stories and Photographs, Jerry Jazz Musician presents a photo exhibit, “Jazz: Through the Life and Lens of Milt Hinton.”
...
Reminiscing in Tempo: Memories and Opinion, Volume 15: What are 3 or 4 of your favorite jazz record albums of the 1960’s?
“Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of “edu-tainment.” As often as possible, Jerry Jazz Musician poses one question via e mail to a small number of prominent and diverse people. The question is designed to provoke a lively response that will potentially include the memories and/or opinion of those solicited.
This edition asks the question “What are 3 or 4 of your favorite jazz record albums of the 1960’s?” Respondents include the musicians John McLaughlin, Vijay Iyer, Warren Wolf, Jane Ira Bloom, Don Byron, Robin Eubanks, and journalists Gary Giddins, Dan Morgenstern, Terry Teachout, Neil Tesser, John Goodman and lots more…
...“My Funny Valentine”
So many great songs to choose from for marking Valentine’s Day…The standard that most immediately comes to mind is an obvious choice, Richard Rodgers and Lorenz Hart’s “My Funny Valentine.” Written for their 1937 Broadway musical Babes in Arms, the piece was overshadowed on Broadway (and in the film version starring Mickey Rooney and Judy Garland) by “Where or When,” “I Wish I Were in Love Again,” and “The Lady is a Tramp,” and was not made relevant until Frank Sinatra’s recording of it in 1953. It was eventually recorded by more than 600 artists on countless albums, and became synonymous with Chet Baker, who recorded it over 100 times. Will Friedwald, author of Stardust Melodies: The Biography of Twelve of America’s Most Popular Songs — an entertaining and essential work of popular music history — wrote that “the tune could be said to follow Baker from the grave, since it’s usually included in memorial tributes to him.”
Friedwald writes, “What makes the whole [song] so remarkable is the happy/sad nature of the lyric, brilliantly mirroring the major/minor nature of the music. It’s a love song, but far from those ‘I love you and everything’s rosy’ tunes so popular in the twenties (vis-a-vis Iriving Berlin’s ‘Blue Skies’). It’s vaguely optimistic, but it couldn’t
...Interview with Marc Myers, author of Why Jazz Happened
Marc Myers is a busy guy…In addition to being a frequent contributor to the Wall Street Journal (where he writes about jazz, rock, and other culture), he also posts daily on his award-winning blog Jazz Wax and travels around the world promoting his pursuits. Perhaps his most important contribution is his book Why Jazz Happened, described by his publisher (University of California Press) as “the first comprehensive social history of jazz.” Myers’ perspective is fresh and thorough and wonderfully entertaining. For those who love the history of this music, it should be on your night table.
I recently interviewed Myers about his book, which he took the time to converse in great detail about — topics like how the G.I. Bill altered the direction of jazz; the advent of the extended jazz solo that came with the introduction of the LP; and how the suburbanization of Southern California ushered in a new harmony-rich jazz style in contrast to the music played in urban markets. It is a great read!
What follows is part conversation/part history class about Myers’ fascinating cultural study of why, in his opinion, “jazz happened.”
...Monday Jazz Quiz #24: Lester Young was the “Pres.” Who became known as the “Vice Pres?”
Lester Young was the “Pres.” Who became known as the “Vice Pres?”
Paul Quinichette
Dexter Gordon
Hank Crawford
Paul Gonsalves
Don Byas
Johnny Griffin
Arnett Cobb
Lou Donaldson
...“The Bluest Train,” a short story by Arya Jenkins
My friend Carl lived in a house full of ghosts with an evil sonofabitch brother who stole his shit, I mean all of it. But Carl himself, man, Carl was good as gold. He would give you the shirt off his back–everything, and did.
I moved in with my ex-old lady across the street from him in the late 80s when I was drying out and desperate for change. Marcy took me in, even after I had been such a dick. She knew it was the booze made me sleep around, and even though she kicked my drunken ass out on the curb, she took me in once she saw I was sober and clean. By then, she was already shacked up with a polite, fat, slob who was everything I wasn’t or would ever be.
Homestead Avenue, where we lived, was a pleasant street in a nice section of Fairfield called Black Rock, near the water. At the time, people were starting to navigate to the hood, although since then real estate prices have dropped due to the many storms–there have been too many storms in the area, man. But because of Black Rock’s proximity to the sound, which is like the sea, artists and strange people gravitate there.
I noticed Carl right off the bat. You couldn’t help but see him sitting on his porch with his supersized feet, head and limbs, a Franken monster. So I crossed the street one day to meet my neighbor, who looked a sorry sight–blackish long hair
...McCoy Tyner’s Childhood Hero
We all had Childhood Heroes…Excerpted from exclusive Jerry Jazz Musician interviews, our guests talk of theirs.
This edition…McCoy Tyner
JJM Who were your heroes?
MT When I was growing up, Bud Powell, Thelonious Monk were basically the people who inspired me on the piano. Later on, I found out about Art Tatum and others. Bud and Thelonious were the main people who inspired me. Bud Powell, fortunately, moved around the corner from me when I was about 15.
...On the Influence of Albert Murray
One of my more interesting experiences as publisher of Jerry Jazz Musician was producing a series of interviews that focused on the work of the novelist Ralph Ellison. Invisible Man was a favorite novel of mine as a young man, but it wasn’t until I reread it in the 1990’s before I began to understand the enormity of its cultural significance. At that time, Ellison’s second (and unfinished) novel Juneteenth was being published, and a variety of books on Ellison were released at the same time – among them Living with Music, a collection of Ellison’s writings on jazz music edited by Columbia University scholar Robert O’Meally, and Trading Twelves: The Selected Letters of Ralph Ellison and Albert Murray.
...
On the Passing of Jazz Photographer Lee Tanner
There is no disputing the fact that the power of jazz lies within the music itself. Giants of the art like Armstrong, Duke, Basie, Dizzy, Bird, Monk, Miles and Coltrane ushered us into this music with a display of genius so great that an entire lifetime isn’t ample space to fully absorb all their passion.
...
“Accent on Youth,” by Sam Bishoff
Sam Bishoff, a high school student from Bainbridge Island, Washington, is the 2012 Jerry Jazz Musician “Accent on Youth” writer. His passion for jazz and the challenges he faces as a youthful fan of it is the focus of the column.
...Poetry by Robert L. Martin
Scales
My fingers flying like the wind
Dexterous and all so disciplined
From the bottom to the top and back
In a flash and right on track
Short Fiction Contest-winning story #30: “So What,” by Arya Jenkins
Whenever I’m pissed off, I escape to the pit. Out the kitchen door, fists deep in the pockets of my tight ass jeans, I head towards the woods back of the house.
I cross the backyard, past Moreno, the poor chained up son-of-a-bitch boxer. Rosa clinches his leash, pulling him close like a kid. The poor son-of-a-bitch tenses as I go by, his spindly legs and stubby tail shivering at my wrath, ears perked, head cocked – Was up girl, grounded again?
...
Conversations with Gary Giddins: On his books Jazz and Warning Shadows
Giddins has been a frequent contributor to Jerry Jazz Musician. This is the 15th interview in our “Conversations with Gary Giddins” series. He joins us in a June 1, 2010 discussion about his two new books.
...Poetry by E. C. Jones
Terry on Bass, 1974
Tall
slim straight
long red hair
that cops and rednecks hated
he’d stride to his deep honey bass
feel its pleasure in his big hands
urge out music that turned souls to listen
his freedom plucking up down strings
Graham Lock and David Murray, editors of Thriving on a Riff: Jazz & Blues Influences in African American Literature and Film
The widespread presence of jazz and blues in African American visual art has long been overlooked. The Hearing Eye makes the case for recognizing the music’s importance, both as formal template and as explicit subject matter. Moving on from the use of iconic musical figures and motifs in Harlem Renaissance art, this groundbreaking collection explores the more allusive — and elusive — references to jazz and blues in a wide range of mostly contemporary visual artists.
...Who was your childhood hero? Page 3
McCoy Tyner: When I was growing up, Bud Powell, Thelonious Monk were basically the people who inspired me on the piano. Later on, I found out about Art Tatum and others. Bud and Thelonious were the main people who inspired me.
...Who was your childhood hero? Page 1
Albert Murray: There was a piano player, a guitar player who seemed like a legend to me, and there was the great Satchel Paige, who lived on the outskirts of Mobile. Baseball was a big thing there, and he was the greatest baseball player in the world.
...Reminiscing in Tempo: Memories and Opinion/Volume Eleven: What were five of your favorite record albums (or CDs) when you were twenty years old, and what are five of your favorite CDs today?
“Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of “edu-tainment.” As often as possible, we pose one question via e mail to a small number of prominent and diverse people. The question is designed to provoke a lively response that will potentially include the memories and/or opinion of those solicited.
What were five of your favorite record albums (or CDs) when you were twenty years old, and what are five of your favorite CDs today?
Featuring Peter Erskine, Rufus Reid, Terri Lynne Carrington, Ben Ratliff, Steve Khan and others…
...Poetry by Loraine Campbell
The road to Giverny,
winter, 1885, by Claude
Monet, looks sad.
It looks like the
twisted road to San
Quentin, where an
execution is planned
before Christmas 2005.
“Accent on Youth,” by Zach Ferguson
Zach Ferguson, a junior at Battleground High School in Battleground, WA, was the winner of the 2007 Accent on Youth Essay Contest. His passion for jazz and the challenges he faces as a youthful fan of it is the focus of the column.
...
Reminiscing in Tempo: Memories and Opinion/Volume Ten: What three or four songs best epitomize the era of the Civil Rights Movement?
“Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of “edu-tainment.” As often as possible, we pose one question via e mail to a small number of prominent and diverse people. The question is designed to provoke a lively response that will potentially include the memories and/or opinion of those solicited.
What three or four songs best epitomize the era of the Civil Rights Movement?
Featuring Bruce Lundvall, Chico Hamilton, Gerald Early, Juan Williams, Arthur Kempton and others…
...
Reminiscing in Tempo: Memories and Opinion/Volume Nine: What are four or five of the the most romantic tunes ever recorded?
“Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of “edu-tainment.” As often as possible, we pose one question via e mail to a small number of prominent and diverse people. The question is designed to provoke a lively response that will potentially include the memories and/or opinion of those solicited.
What are four or five of the the most romantic tunes ever recorded?
Featuring, Famoudou Don Moye, Geri Allen, Delfeayo Marsalis, Bennie Maupin and others…
...
Reminiscing in Tempo: Memories and Opinion/Volume Eight: When you were growing up, what were three or four of your parents’ favorite recordings?
“Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of “edu-tainment.” As often as possible, we pose one question via e mail to a small number of prominent and diverse people. The question is designed to provoke a lively response that will potentially include the memories and/or opinion of those solicited.
When you were growing up, what were three or four of your parents’ favorite recordings?
Featuring Dee Dee Bridgewater, Hubert Laws, Jacky Terrasson, Jimmy Owens, Kurt Elling and others…
...
Reminiscing in Tempo: Memories and Opinion/Volume Seven: What do you recall about the first live music performance you ever attended?
“Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of “edu-tainment.” As often as possible, we pose one question via e mail to a small number of prominent and diverse people. The question is designed to provoke a lively response that will potentially include the memories and/or opinion of those solicited.
What do you recall about the first live music performance you ever attended?
Featuring Alan Broadbent, Cyrus Chestnut, Dave Frishberg, David Evanier, and others…
...
Stanley Crouch, author of Considering Genius: Writings on Jazz
Stanley Crouch — MacArthur “genius” award recipient, co-founder of Jazz at Lincoln Center, National Book Award nominee, and perennial bull in the china shop of black intelligentsia — has been writing about jazz and jazz artists for over thirty years. His reputation for controversy is exceeded only by a universal respect for his intellect and passion. As Gary Giddins notes: “Stanley may be the only jazz writer out there with the kind of rhinoceros hide necessary to provoke and outrage and then withstand the fulminations that come back.”
...Reminiscing in Tempo: Memories and Opinion/Volume Six: What are the five greatest albums (LP or CD) of all time?
“Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of “edu-tainment.” As often as possible, we pose one question via e mail to a small number of prominent and diverse people. The question is designed to provoke a lively response that will potentially include the memories and/or opinion of those solicited.
What are the five greatest albums (LP or CD) of all time?
Featuring Ahmad Jamal, Ashley Kahn, John Pizzarelli, John Szwed, Nancy Wilson and others…
...
“Up From New Orleans: Life Before, During and After Hurricane Katrina” — A conversation with transplanted New Orleans musicians Devin Phillips and Mark DiFlorio
“I’m always wondering,” Louis Armstrong wrote in 1966, “if it would have been best in my life if I’d stayed like I was in New Orleans, having a ball.”
In 1922, Armstrong left his city of New Orleans by choice, boarding a Chicago-bound train in his long underwear, carrying a “little” suitcase with a “few” clothes in it, his cornet, and a trout sandwich packed by mother Mayann.
In late August of 2005, an unimaginable number of New Orleans residents in the path of an oncoming Hurricane Katrina were left with little choice but to flee the city. One can only assume that few had the luxury of leisurely packing a suitcase, let alone a trout sandwich
...
Brian Priestley, author of Chasin’ The Bird : The Life and Legacy of Charlie Parker
Charlie Parker has been idolized by generations of jazz musicians and fans. Indeed, his spectacular musical abilities — his blinding speed and brilliant improvisational style — made Parker a legend even before his tragic death at age thirty-four.
In Chasin’ The Bird, Brian Priestley tells Parker’s life story, from his Kansas City childhood to his final harrowing days in New York. Priestley offers new insight into Parker’s career, beginning as a teenager single-mindedly devoted to mastering the saxophone, to his first trip to New York, where he washed dishes for $9.00 a week at Jimmy’s Chicken Shack, a favorite hangout of the great pianist Art Tatum, whose stunning speed and ingenuity were an influence on the young musician.
...
Reminiscing in Tempo: Memories and Opinion/Volume Three: What recording session do you wish you could have witnessed?
“Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of “edu-tainment.” As often as possible, we pose one question via e mail to a small number of prominent and diverse people. The question is designed to provoke a lively response that will potentially include the memories and/or opinion of those solicited.
What recording session do you wish you could have witnessed?
Featuring Herman Leonard, Jane Ira Bloom, Lalo Schifrin, Buddy Bregman, Ingrid Jensen, Dave Liebman and others…
...Reminiscing in Tempo: Memories and Opinion/Volume Two: What musical recording(s) changed your life?
“Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of “edu-tainment.” As often as possible, we pose one question via e mail to a small number of prominent and diverse people. The question is designed to provoke a lively response that will potentially include the memories and/or opinion of those solicited.
What musical recording(s) changed your life?
Featuring Dianne Reeves, Francis Davis, Fred Hersch, Jim Hall, Joshua Redman, Nat Hentoff and others…
...Reminiscing in Tempo: Memories and Opinion/Volume One: What is the greatest saxophone solo in the history of jazz?
“Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of “edu-tainment.” As often as possible, we pose one question via e mail to a small number of prominent and diverse people. The question is designed to provoke a lively response that will potentially include the memories and/or opinion of those solicited.
What is the greatest saxophone solo in the history of jazz?
Featuring Dan Morgenstern, Ishmael Reed, James Carter, Jason Moran, Martha Bayles, Terry Teachout, Kitty Margolis and others…
...
Ben Green, author of Spinning the Globe: The Rise, Fall, and Return to Greatness of the Harlem Globetrotters
Before Wilt Chamberlain, Bill Russell, Julius Erving, or Michael Jordan — before Magic Johnson and Showtime — the Harlem Globetrotters revolutionized basketball and spread the game around the world. In Spinning the Globe: The Rise, Fall, and Return to Greatness of the Harlem Globetrotters, author Ben Green tells the story of this extraordinary franchise and iconic American institution.
...
Louis Armstrong biographer Terry Teachout
“I suppose you could say that the seeds of my next book, a full-length biography of Louis Armstrong, were planted three years ago, when I was writing an essay for the New York Times about Armstrongs centenary in which I called him “jazz’s most eminent Victorian,” Terry Teachout wrote in his August 17, 2004 Arts Journal blog.
Three years after the Times piece was published, he took a tour of the Louis Armstrong House in Queens and came away with the enthusiasm required of such an endeavor.
...
Interview with jazz historian Dan Morgenstern, author of Living with Jazz
Buying a vinyl long playing jazz album in the format’s heyday — from the 1950s through the 1980s — was a three-step sensual process that stirred an almost irrational enthusiasm for the entire culture the music ignited. The record industry’s flair for creating passionate cover art seduced the imagination, the sounds etched into the grooves promised diversion and surprise, and the densely-typed liner notes on the back cover fired up an eagerness for enlightenment. The process continued at the turntable, where the cut of a stylus transformed the listener into an aural witness to the performer’s character and improvisational skills. It was, quite simply, a bonding experience.
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Jeffrey Magee, author of Fletcher Henderson and Big Band Jazz: The Uncrowned King of Swing
If Benny Goodman was the “King of Swing,” then Fletcher Henderson was the power behind the throne. Not only did Henderson arrange the music that powered Goodman’s meteoric rise, he also helped launch the careers of Louis Armstrong and Coleman Hawkins, among others. In Fletcher Henderson and Big Band Jazz: The Uncrowned King of Swing, Jeffrey Magee offers a fascinating account of this pivotal bandleader, throwing new light on the emergence of modern jazz and the world that created it.
...Great Encounters #11: Duke Ellington and George Wein at Newport, 1956
Excerpted from Myself Among Others: A Life in Music by George Wein
Nineteen fifty-six was the Newport debut of the Duke Ellington Orchestra. I had struck an agreement with Irving Townsend, Columbia Records’s A&R man, earlier in the year. It would be good publicity to have some recordings from Newport. Our arrangement seemed like a good deal: for each artist recorded, the record company was to pay us an amount equal to that artist’s performance fee. As it turned out, it was a terrible deal, because the record company got exclusive rights and all of the royalties.
Columbia recorded the equivalent of four LPs during the 1956 festival:
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Don’t the Moon Look Lonesome: A roundtable discussion with Stanley Crouch, Gerald Early and Kitty Margolis
Although it has had its share of detractors, critical acclaim for Stanley Crouch’s first novel, Don’t the Moon Look Lonesome, is quite impressive — particularly among scholars and fellow writers. For example, Susan di Sesa, former Executive Editor of The Modern Library called it “one of the most profound novels in the English language,” while Pulitzer Prize-winning author James Alan McPherson wrote, “In attempting to employ ‘riffs’ to explore the emotional and psychological dimensions of his characters, Stanley Crouch has evolved a new narrative technique.”
Crouch — known primarily as an outspoken New York cultural critic — clearly understands that a serious writer’s role is to provoke his audience with potentially new avenues of thought
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Martin Torgoff, author of Can’t Find My Way Home: America in the Great Stoned Age
Illicit drugs have transfigured the American cultural landscape in the past half-century, leaving their mark on everything from art, music, literature, sexuality, spirituality, pop culture, the economy, and politics, to crime, public health, and national law enforcement policy. In Can’t Find My Way Home: America in the Great Stoned Age, 1945 – 2000, documentary filmmaker and writer Martin Torgoff traces the tangled trajectory of illegal drug use in America, as it spread post-World War II from the Beats and bebop musicians, all the way to the Ecstasy-fueled rave culture.
...“Remembering Dizzy Gillespie,” a conversation with Nat Hentoff and James Moody
Saxophonist James Moody, whose significant achievements include employment in a variety of Gillespie’s best groups, and journalist Nat Hentoff, whose chronicles on jazz during Gillespie’s era were the benchmarks of his craft, remember Dizzy and his remarkable life in a March 19, 2004 Jerry Jazz Musician hosted conversation.
...Short Fiction Contest-winning story #5: “Traveling Magic,” by Kay Sexton
There are coyote in The Balcones Canyonlands Preserve in West Travis County, Texas. One family; with three cubs. As always, the alpha female is the only one to breed, her two sisters will help her rear the cubs to maturity. She is a young female, less than two years old, and her sisters are her littermates: this family, barely more than striplings themselves, have fought hard to establish themselves in this reserve, managed for deer and birds, but not for coyote. Most Texans still shoot first, and ask themselves only afterwards if the beautiful golden corpse in front of them could possibly have posed a risk to livestock or pets.
...“Jazz in the Modern World” — a Roundtable discussion with Joshua Redman, Bruce Lundvall and Ben Ratliff
What are the boundaries of the jazz idiom? What is the role of jazz in today’s world? To download or not to download? What is the future of retailing and how does that affect the art of making music? What is the value of recorded music?
As ever, jazz faces an array of questions, certainly more than three people can address in an hour. The hour spent in this particular discussion among men at the top of their respective fields focuses on confronting the challenge of marketing a music filled with nuance and passion to a modern audience conditioned by technology for instant gratification, and the issue of competing with its own historic past.
In a Roundtable hosted by Jerry Jazz Musician publisher Joe Maita, Blue Note Records president Bruce Lundvall, saxophonist Joshua Redman, and New York Times critic Ben Ratliff lend their perspectives.
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Chris Albertson, author of Bessie
Considered by many to be the greatest blues singer of all time, Bessie Smith was also a successful vaudeville entertainer who became the highest paid African-American performer of the roaring twenties.
First published in 1971, author Chris Albertson ‘s Bessie was described at the time by critic Leonard Feather as the most devastating, provocative, and enlightening work of its kind ever contributed to the annals of jazz literature. New Yorker critic Whitney Balliett called it the first estimable full-length biography not only of Bessie Smith, but of any black musician.
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Conversations with Gary Giddins: on Jazz Criticism
Village Voice writer Gary Giddins, who was prominently featured in Ken Burns’ documentary Jazz, and who is the country’s preeminent jazz critic, joins us in a conversation recorded on June 20, 2003 — and then slightly revised in October — about the profession of jazz criticism.
The conversation is an autobiographical look at the writer’s ascension in his field, and includes candid observations of other prominent critics. It concludes with a unique “Blindfold Test” that asks Giddins to name the jazz writer responsible for the essay excerpt he is spontaneously shown.
...Newport Jazz founder George Wein, author of Myself Among Others: My Life in Music
No one has had a better seat in the house than George Wein. The legendary impresario has known some of the most celebrated figures of jazz — from Duke Ellington to Count Basie, and from Thelonious Monk to Miles Davis. As a founder of the Newport Jazz Festival and countless other festivals around the world, Wein has brought a broad spectrum of musical artists to millions, forever changing the country’s cultural landscape.
...“Blues for Clement Greenberg,” a Jerry Jazz Musician hosted roundtable on jazz criticism, with Stanley Crouch, Martha Bayles and Loren Schoenberg
The fact that writer Stanley Crouch is willing to speak his mind has been known to readers of cultural criticism for three decades. Depending on one’s outlook, his views on jazz, politics, and race often spark outrage, applause, or provoke debate. In April, 2003, Jazz Times magazine, host to Crouch’s monthly column “Jazz Alone,” published “Putting the White Man in Charge,” a provocative essay covering topics familiar to Crouch readers, most notably his aggressive defense of the jazz idiom and its African American heritage. In the essay he wrote that critics like respected Atlantic Monthly writer Francis Davis see “jazz that is based on swing and blues as the enemy and, therefore, lifts up someone like, say, Dave Douglas as an antidote to too much authority from the dark side of the tracks.”
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Conversations with Gary Giddins: on pianist Cecil Taylor
Village Voice writer Gary Giddins, who was prominently featured in Ken Burns’ documentary Jazz, and who is the countrys preeminent jazz critic, joins us in a March 13, 2003 conversation about pianist Cecil Taylor.
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Jerry Zolten, author of Great God A’Mighty – The Dixie Hummingbirds: Celebrating the Rise of Soul Gospel Music
From the Jim Crow world of 1920s Greenville, South Carolina, to Greenwich Village’s Café Society in the ’40s, to their 1974 Grammy-winning collaboration on “Loves Me Like a Rock,” the Dixie Hummingbirds have been one of gospel’s most durable and inspiring groups.
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Conversations with Gary Giddins: on Thelonious Monk
Village Voice writer Gary Giddins, who was prominently featured in Ken Burns’ documentary Jazz, and who is the country’s preeminent jazz critic, joins us in a December 23, 2002 conversation about jazz legend Thelonious Monk.
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Conversations with Gary Giddins: on Sonny Rollins
Village Voice writer Gary Giddins, winner of the National Book Critics Circle Award, and who is the country’s preeminent jazz critic, joins us in an October 21, 2002 conversation about jazz legend Sonny Rollins.
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Loren Schoenberg, author of The NPR Curious Listener’s Guide to Jazz
Loren Schoenberg is a noted conductor, saxophonist and author who has appeared internationally and won the 1994 Grammy Award for Best Album Notes. He has recorded several albums with his own big band, and also with Benny Goodman, Benny Carter and Bobby Short. He is on the faculties of the Juilliard School, the Manhattan School of Music, Jazz at Lincoln Center’s Essentially Ellington Band Director’s Academy, and is program director of the Jazz Aspen Snowmass Jazz Colony and is Executive Director of The Jazz Museum In Harlem.
He is the author of The NPR Curious Listener’s Guide to Jazz, a book Wynton Marsalis describes as a “thorough guide to the music from a few basic perspectives: what it is and how it’s made, its history, the people who made and continue to make it, some suggestions on how to approach it — and a whole pile of ideas.”
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The Ralph Ellison Project: Robert O’Meally, editor of Living With Music, discusses Invisible Man author Ralph Ellison
While Ralph Ellison will forever be best remembered as author of the classic American novel of identity, Invisible Man, he also contributed significant essays on jazz that stand as compelling testaments to his era. His work included an homage to Duke Ellington, stinging critiques of Charlie Parker and Miles Davis, and recognition of the changing-of-the-guard taking place at Harlem’s Minton’s in the 1940’s. He wrote on musical topics from flamenco to Charlie Christian, and from Jimmy Rushing to Mahalia Jackson.
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Jazz Photographer Lee Tanner discusses his life in jazz
Lee Tanner began using a camera as a teenager in New York City. An avid jazz fan from the age of eight and inspired by the jazz photography of Gjon Mili, Bill Claxton, Herb Snitzer, and Herman Leonard, he turned to documenting the jazz scene with a love for the music comparable only to his creative drive for visual expression. Photography, however, was only an avocation.
...Kind of Blue: The Making of the Miles Davis Masterpiece author Ashley Kahn
In the spring of 1959, seven musicians got together in a converted church on 30th Street in Manhattan and made jazz history. Over forty years have passed since Miles Davis assembled his famed sextet to record Kind of Blue, and in that time the album has risen to the level of masterpiece.
In Kind of Blue: The Making of the Miles Davis Masterpiece, Ashley Kahn gives readers the unprecedented opportunity to enter the 30th Street studio and witness the creation of this remarkable album
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Interview with Douglas Henry Daniels, author of Lester Leaps In: The Life and Times of Lester “Pres” Young
ester Young was jazz music’s first hipster. He performed onstage in sunglasses and coined and popularized the enigmatic slang “that’s cool” and “you dig?” He was a snazzy dresser who always wore a suit and his trademark porkpie hat. He influenced everyone from B. B. King to Stan Getz to Allen Ginsberg. When he died, he was the subject of musical tributes by Charles Mingus (“Goodbye Pork Pie Hat”) and Wayne Shorter (“Lester Left Town”), and incidents from his life were featured in the movie ‘Round Midnight.
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Gerald Early, author of Miles Davis and American Culture
Gerald Early is Merle Kling Professor of Modern Letters at Washington University in St. Louis, and is one of Americas most respected essayists. His work on American and African American culture is collected in Tuxedo Junction, The Culture of Bruising (National Book Award), and One Nation Under a Groove, a book on Motown.
He has edited collections on African American rhetoric, black consciousness, sports, Muhammad Ali, and African American writing about St. Louis.
...The Ralph Ellison Project: Albert Murray, author of Trading Twelves: The Selected Letters of Ralph Ellison and Albert Murray
When Albert Murray arrived at Tuskeegee Institute in 1935, Ralph Ellison was an upperclassman who was, in Murray’s words, “dressed like a ‘Joe College’ right out of Esquire magazine.” According to Murray, Ellison “represented the type of aspirations that I had been expecting for myself.”
While their paths split geographically, the two kindled an emotional and intellectual friendship that gained momentum during the era of Ellison’s creative peak, when his timeless novel of identity Invisible Man was being written, distributed, reviewed, and rewards reaped upon. They honored successes, encouraged intellectual growth, and shared a deep love of music. They were best friends.
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Jazz Poet Sascha Feinstein
Jazz and poetry seem intertwined somehow, not just because of its historical union, but because of their immense opportunity for self-expression. Sascha Feinstein has written extensively about jazz poetry, and most recently he has published Misterioso , a collection of his own work which won the Hayden Carruth Award. Sascha was kind enough to share his thoughts with Jerry Jazz Musician during a July, 2000 interview.
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T.S. Monk on father Thelonious Monk and his music
T.S. Monk has done what few children of cultural genius’ have done before him….forge a successful, highly respected career of his own. His current release, the enhanced CD “Monk on Monk”, is not only one of the best Monk tribute albums ever recorded, critics have mentioned it as among the best jazz releases of 1997.
...The Sunday Poem: “Straight, No Chaser” by Steve Trenam
When he entered a club ‘round midnight,
all 88 keys would break into a grin
and the stool would slide out from under
to invite him to sit down and play.
Community Bookshelf #3
“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March – September, 2024)
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The Sunday Poem(s): 23 Poets remember their father…
. . This space on Sunday is generally reserved for a single poet to read one of their works, but this week’s issue -Father’s Day – features 23 poets who weigh in on the complexity of their relationship with their father, revealing love, warmth, regret, sorrow – and in many cases a strong connection … Continue reading “The Sunday Poem(s): 23 Poets remember their father…”
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Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 2: “Fathers in Jazz Fiction”
In this edition, Rife writes about four novels/short stories that include stories involving relationships between fathers and children.
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“Resilience: For David Sanborn” – a poem by Alan Yount
my claim to jazz fame:
I have had fun telling people …
I got to know david sanborn
in high school band.
Jazz…in eight poems
A myriad of styles and experiences displayed in eight thoughtful and provocative poems about jazz music…
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“Jazz and American Poetry” – an essay by Tad Richards
Tad Richards is a prolific visual artist, poet, novelist, and nonfiction writer who has been active for over four decades. ..He frequently writes about poetry, and the following piece about the history of the connection of jazz and American poetry first appeared in the Greenwood Encyclopedia of American Poetry (2005). It is published with the permission of the author.
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A collection of jazz haiku
Earlier this year I invited poets to submit jazz-themed poetry that didn’t need to strictly follow the 5-7-5 syllabic structure of formal haiku, but had to at least be faithful to the spirit of it (i.e. no more than three lines, brief, expressive, emotionally insightful).
This collection, featuring 22 poets, is a good example of how much love, humor, sentimentality, reverence, joy and sorrow poets can fit into their haiku devoted to jazz.
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Short Fiction Contest-winning story #61 — “Equal” by Chris Simpson
The winner of the the 61st edition of the Jerry Jazz Musician Short Fiction Contest is a story of reflection on a coming-of-age mentorship, gone awry.
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Eight poems from a new book by Michael L. Newell
A selection of poems from Michael L. Newell’s new collection of poetry, Still the World Beckons: New and Selected Poems (cyberwit.net)
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Interview with Joe La Barbera, co-author of Times Remembered: The Final Years of the Bill Evans Trio
Drummer Joe La Barbera talks about his book, and the significance of his experience working in Bill Evans’ last trio
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“Satin Doll” — a short story by Jack Tasker
. . “Satin Doll,” a story by Jack Tasker, was a short-listed entry in our recently concluded 54th Short Fiction Contest. It is published with the permission of the author . . photo Creative Commons CC0 . Satin Doll by Jack Tasker . The Pianist and The Cabbie . …..When the music stops … Continue reading ““Satin Doll” — a short story by Jack Tasker”
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A Collection of Jazz Poetry — Spring, 2020 Edition
33 poets from all over the globe contribute 47 poems. Expect to read of love, loss, memoir, worship, freedom, heartbreak and hope – all collected here, in the heart of this unsettling spring.
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A Collection of Jazz Poetry — Fall, 2019 Edition
Twenty-eight poets contribute 37 poems to the Jerry Jazz Musician Fall Poetry Collection, living proof that the energy and spirit of jazz is alive — and quite well.
(Featuring the art of Russell Dupont)
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Performance: Abdullah Ibrahim, 1968 — “Jabolani”
A recently released jazz album of significance is Abdullah Ibrahim’s The Balance (pictured), a distinctive and brilliant integration of contemporary exploration with the traditional nod to those who have influenced him over the years – in particular Ellington and Monk.
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A collection of jazz poetry — Summer, 2019 edition
Seventeen poets contribute to a collection of jazz poetry reflecting an array of energy, emotion and improvisation
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A collection of jazz poetry — June, 2019 edition
In this month’s collection, with great jazz artists at the core of their work, 16 poets remember, revere, ponder, laugh, dream, and listen
...“D-Natural Blues” — a short story by Salvatore Difalco
Galinsky was killing my buzz. I could not see his face behind a fuming joint, clenched between his tarry teeth, but I could see his hands—one holding a deck of playing cards, one opened gesturally. They wove with the languid rhythm of a Greek rhetorician as Galinsky droned on about the pratfalls of legalized cannabis: how the government had screwed up a good thing, how the government was greedy, how the government had put the kibosh on a thriving subculture—a tribe to which we after all, at this game, belonged. The black market had provided a beautiful service, in his words, without all the red tape and
...A collection of jazz poetry — March, 2019 edition
18 poets contribute 20 poems to the March collection
...“Both Directions at Once” — a poem by Cathy Porter
there’s new Coltrane out
lost recordings tootin’ the devil’s horn
and while I’ve been leery
of these “new” releases, how
wrong can John Go?
even John on scat is pure
...Poems by eight poets
Eight poets — Michael L. Newell, Aurora Lewis, Roger Singer, Lawrence J. Klumas, Freddington, Victor Enns, dan smith and John Stupp — connect their poems to the spirit of jazz in this eight page collection…
...A memory of Nat Hentoff
Paul Morris is a longtime friend and contributing writer of Jerry Jazz Musician. He currently writes “Cover Stories with Paul Morris,” a frequent column about classic record album art and design.
Paul shares a memory of the legendary jazz writer and journalist Nat Hentoff, who died on January 7 at the age of 91.
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In the late 1970’s I was a jazz fan who liked reading about the music as much as listening to it. My next music choice often came from a recommendation from a jazz critic’s liner notes or articles. Nat Hentoff proved to be a reliable guide in his early jazz books and the occasional article.
These years were the heyday of the Village Voice, where Hentoff was a regular. He concentrated on First Amendment issues in his Voice column, but from time to time he would mention
...On Nat Hentoff
I am saddened to read of the passing of journalist Nat Hentoff, who died yesterday at the age of 91. Hentoff’s work was published by the Village Voice for 50 years, and was also frequently found in the New Yorker, the Atlantic Monthly, the Wall Street Journal, and Jazz Times. He was also editor of Downbeat during the mid-1950’s. There are many obituaries available to read about Nat and his career – including Robert McFaddin’s in today’s New York Times.
As I began publishing original content on Jerry Jazz Musician in 1999, I had the privilege of having my site embraced by the three most prominent jazz writers of the time, Gary Giddins, Stanley Crouch, and Nat Hentoff. All three of them got involved in Jerry Jazz Musician in their own way.
Giddins — who I was able to catch up with during a recent trip I took to New York — and I developed an interview series called
...“Woman Plays Horn” — a short story by Arya Jenkins
She was born into a family of musicians. Her father had played bass in a jazz band and traveled with Dizzy until an accident had cost him his arm and his career. Getting out of a limousine that had stalled on the highway en route to a gig in Chicago, he opened the car door to get out at the wrong time, just as a truck was passing.
“C’est la vie” he always said about that, as if it meant something. He had to go on, a musician without a limb, without his instrument, because he was a man and had children and a legacy to uphold through them, but inside, where nothing touched him, he felt as torn as his shoulder had been that night. Something had shifted. Only his wife, his gentle, meek and attendant wife who saw him sitting at the edge of their bed each night head bowed counting his blessings, all but one, only she knew what
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Cover Stories with Paul Morris, Vol. 14
Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.
“Ornette’s Permanent Revolution” — a 1985 essay by Francis Davis
While hunting around the Internet for tributes of Ornette Coleman (a collection of which I will attempt to point readers toward tomorrow), I was reminded of the critic Francis Davis’s essay titled “Ornette’s Permanent Revolution.” Originally published in the September, 1985 edition of The Atlantic, Davis, now the jazz critic for the Village Voice, writes eloquently about the complexities of the great saxophonist’s “clean break from convention.” It is a worthy and timely read…
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All hell broke loose when the alto saxophonist Ornette Coleman made his East Coast nightclub debut, at the Five Spot Cafe, in Greenwich Village on November 17, 1959—twenty-five years ago last fall.
The twenty-nine-year-old Coleman arrived in New York having already won the approval of some of the most influential jazz opinion makers of the period. “Ornette Coleman is doing the only really new thing in jazz since the innovations in the mid-forties of
...“Just Another Punk Rocker Writing About Jazz” — a poem by Jon Wesick
They must have materialized at the open mike
out of carbon and nitrogen in the air,
those poets you’d never see in a jazz club.
A guy in Roman-helmet-like Mohawk
reads three-chord rhymes about Mingus,
an MC in Phat Farm jeans
fires machine gun words about Miles,
and a woman in high collar and sensible shoes
chops Art Blakey into fourteen lines of ten syllables.
Seems you can’t be a real poet
unless you
“What are 3 or 4 of your favorite jazz record albums of the 1970’s?”
In this edition of “Reminiscing in Tempo: Memories and Opinion,” noted critics and musicians list their favorite jazz record albums of the 1970’s.
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Reminiscing in Tempo: Memories and Opinion, Volume Fourteen — Who was your childhood hero?
“Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of “edu-tainment.” As often as possible, Jerry Jazz Musician poses one question via e mail to a small number of prominent and diverse people. The question is designed to provoke a lively response that will potentially include the memories and/or opinion of those solicited.
This edition’s question is “Who was your childhood hero?” Participants include Gary Burton, Pat Martino, Gary Giddins, Nat Hentoff, and others.
...Poetry by Britt Peter
Minstrel
North Beach evening
Listening to Lonnie Johnson
Through an open door
I didn’t have enough money
To go in
Car noise took away
Many of the notes
Poetry by Jon Wesick
JUST ANOTHER PUNK ROCKER WRITING ABOUT JAZZ
They must have materialized at the open mike
out of carbon and nitrogen in the air,
those poets you’d never see in a jazz club.
A guy in Roman-helmet-like Mohawk
reads three-chord rhymes about Mingus,
an MC in Phat Farm jeans
Short Fiction Contest-winning story #21: “Parker’s Mood,” by Leland Thoburn
In the fall of 1991 I believed I would be the next Charlie Parker. Few of the bands on campus had even heard of Bird, and the few that had did not want a flute player. This did not deter me. I was out on the commons at UCLA riffing on “Confirmation” when Nadine found me.
“That makes my nipples hard.” She smiled.
I lowered my flute and stared. She was wearing a man’s dress shirt, as if she’d spent the night away. The shirt did little to hide the truth of her statement. But that wasn’t what got my attention. It was her face. She had the knack of smiling with her whole face – eyes, cheeks, lips, nose. Everything got into the act.
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Conversations with Gary Giddins: on Jazz Festivals
In a wide-ranging conversation, Gary Giddins — for many years the country’s most eminent jazz critic whose most recent collection of cultural criticism is titled Natural Selection — talks about his recent trip to Brazil’s Ouro Preto International Jazz Festival, the business of jazz festivals and touring, jazz education, and the debate concerning where today’s cutting-edge of jazz resides.
...Short Story Contest-winning story #11: “Stalking Bella,” by Hope Payson
The whole stalking thing started with the footprints. They were so large that his size twelve’s fit easily into the indents in the snow, and the space between them was so wide that following them forced him into an awkward little step-jump. Large paw prints ran parallel to the human prints. He assumed that they belonged to a dog. What else could they be? Yet, what did he know about the customs or recreational habits of these Northern Maine people? For all he knew they strutted through the pines chatting with bears.
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Conversations with Gary Giddins: A History of Jazz in New Orleans
This edition of “Conversation with Gary Giddins” is the first of three Jerry Jazz Musician features devoted to the importance of New Orleans culture. In an enlightening, passionate conversation, Giddins — for many years the country’s most eminent jazz critic — discusses the beginnings of jazz in the city of New Orleans, its prominent figures, and what needs to be done to properly market jazz in a city that has contributed so much toward shaping the soul of America.
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Book Review/”Weatherbird,” by Gary Giddins
The world of jazz criticism is enriched every time Gary Giddins brings out a new book, and Weather Bird: Jazz at the Dawn of its Second Century, bulges with riches. The collection is mostly drawn from his recently-ended Village Voice column (also called “Weather Bird”), with the addition of significant essays published elsewhere. Even faithful readers of the Voice will find ample new Giddins material here.
...Conversations with Gary Giddins: on Jazz Vocalists
In the final column of his thirty year career as jazz critic of the Village Voice, Gary Giddins wrote, “I’m as besotted with jazz as ever, and expect to write about it till last call, albeit in other formats. Indeed, much in the way being hanged is said to focus the mind, this finale has made me conscious of the columns I never wrote.”
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Conversations with Gary Giddins: on Underrated Jazz Musicians, Part Two
In the final column of his thirty year career as jazz critic of the Village Voice, Gary Giddins wrote, “I’m as besotted with jazz as ever, and expect to write about it till last call, albeit in other formats. Indeed, much in the way being hanged is said to focus the mind, this finale has made me conscious of the columns I never wrote.”
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Conversations with Gary Giddins: on Underrated Jazz Musicians, Part One
In the final column of his thirty year career as jazz critic of the Village Voice, Gary Giddins wrote, “I’m as besotted with jazz as ever, and expect to write about it till last call, albeit in other formats. Indeed, much in the way being hanged is said to focus the mind, this finale has made me conscious of the columns I never wrote.”
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Ben Ratliff, author of Jazz: A Critics Guide to the 100 Most Important Recordings
In the preface to his book Jazz: A Critics Guide to the 100 Most Important Recordings, New York Times jazz critic Ben Ratliff writes, “You oughtn’t look at jazz only by its corners, its Hot Fives and Seven’s, its Kind of Blue’s and Love Supreme’s. You have to look at what the corners surround.”
In this spirit, his book is an exploration of jazz in its many varied forms, and opens the reader’s ears to quite surprising recordings comfortably overlooked by other guides.
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The Ralph Ellison Project: Horace Porter, author of Jazz Country: Ralph Ellison in America
The first book to reassess Ralph Ellison after his death and the posthumous publication of Juneteenth, his second novel, Jazz Country: Ralph Ellison in America explores Ellison’s writings and views on American culture through the lens of jazz music.
In Jazz Country, Porter addresses Ellison’s jazz background, including his essays and comments about jazz musicians such as Louis Armstrong, Duke Ellington, and Charlie Parker. Porter further examines the influences of Ellington and Armstrong as sources of the writer’s personal and artistic inspiration and highlights the significance of Ellison’s camaraderie with two African American friends and fellow jazz fans — the writer Albert Murray and the painter Romare Bearden.
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Bill Moody, author of Looking for Chet Baker
Bill Moody’s background as a musician and his talents as a writer have made the Evan Horne Mysteries a favorite of jazz aficionados and crime-fiction fans alike. Investigating the death of Chet Baker, a major cult figure in the world of music, brings out the best in both the author and his pianist sleuth, Evan Horne. Looking for Chet Baker is his fifth Evan Horne mystery.
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Jazz at Lincoln Center Board Chairman Lisa Schiff
On December 12, 2001, Jazz At Lincoln Center, the world’s largest not-for-profit arts organization dedicated to jazz, announced their Board of Directors had unanimously elected longtime member Lisa Schiff as the organizations new Chairman of the Board. Jazz at Lincoln Center Artistic Director Wynton Marsalis said, We are all excited about Lisa Schiff becoming … Continue reading “Jazz at Lincoln Center Board Chairman Lisa Schiff”
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Phil Pastras, author of Dead Man Blues: Jelly Roll Morton Way Out West
When Ferdinand “Jelly Roll” Morton sat at the piano in the Library of Congress in May of 1938 to begin his monumental series of interviews with Alan Lomax, he spoke of his years on the West Coast with the nostalgia of a man recalling a golden age, a lost Eden. He had arrived in Los Angeles more than twenty years earlier, but he recounted his losses as vividly as though they had occurred just recently. The greatest loss was his separation from Anita Gonzales, by his own account “the only woman I ever loved,” to whom he left almost all of his royalties in his will.
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The Ralph Ellison Project: Stanley Crouch discusses Invisible Man author Ralph Ellison
Stanley Crouch is an essayist, poet, former musician, jazz critic and author of the novel Don’t the Moon Look Lonesome. He is outspoken, controversial, clever, and right more often than many seem willing to admit. He is also a very thoughtful admirer of Invisible Man author Ralph Ellison, whose work and friendship touched Crouch enough that, when asked if he considered Ellison a mentor, without hesitation answered “Yes!” Crouch takes part in a very lively conversation about Ellison and a variety of associated topics, including Charlie Parker, and music’s place in American ritual.
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Tony Award winning playwright Warren Leight
The Tony Award winning play Side Man dramatizes the emotional elements of a dying jazz culture and its effects on an American family whose very soul depended on it. Playwright Warren Leight’s fascinating dark comedy chronicles three decades of living through the lives of jazz sidemen, and is filled with humor, honor, passion and pain.
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Whitney Balliet, author of Collected Works: A Journal of Jazz, 1954-2000
As jazz critic for the New Yorker magazine since 1957, and author of fifteen books, Whitney Balliett has spent a lifetime listening to and writing about jazz. Generations of readers have learned to listen to the music with his graceful guidance.
In our interview with Balliett, he discusses his latest book, Collected Works: A Journal of Jazz, 1954-2000 (St. Martin’s Press), which collects a bounty of his reviews, reporting and portraits.
...Pianist Kenny Barron
If you looked up the word ubiquitous in some cosmic jazz dictionary, you’re likely to find “Kenny Barron” as its definition. Long considered one of the finest jazz pianists of his generation, Barron has forged celebrated collaborations as a sideman with such luminaries as Dizzy Gillespie, Freddie Hubbard, Yusef Lateef, Ron Carter, Stan Getz, to name but a few.
...In This Issue
(featuring the art of Paul Lovering)
Interview
Publisher’s Notes
The Sunday Poem
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Essay
Feature
Interview
Short Fiction
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Poetry
Feature
Playlist
Poetry
Book Excerpt
Interview
Short Fiction
Art
Essay
Trading Fours with Douglas Cole
In Memoriam
Book Excerpt
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Jazz History Quiz #175
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