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I admit I’d never heard of “Watermelon Man” before Harry Reid came to my kids’ elementary school to put together a concert band. He wasn’t a salaried teacher, but a part-time outsider brought in by the PTA.
...When that first rumbling bass line
Tells me I’m listening to Gordon Goodwin’s
Big Phat Band playing “Jazz Police,”
I can’t help it, I always see an LAPD squad car
swinging out of the station
flipping on that groovy trumpet siren
as they join a pursuit with the whole horn section.
Jazz
is
a charged trap in chill-charmed, ginger jams.
Chaz
says
their charts changed the channel from the jejune chants.
An impeccably researched biography of an influential figure in American music, the goal of which is “to draw attention away from the circumstances surrounding Ayler’s death and bring it sharply back to the legacy he left behind.”
...Albert Ayler, the Cleveland-born saxophonist whose unorthodox style was inspirational to a generation of free jazz-era and contemporary musicians, is noted in four poems, by four poets
...The community of poets, writers, artists and photographers who have recently contributed their work and time to Jerry Jazz Musician to answer this question, “What one song best represents your experience with 2020?”
...23 poets contribute 26 poems that speak to the era of COVID, Black Lives Matter, and a heated political season
...33 poets from all over the globe contribute 47 poems. Expect to read of love, loss, memoir, worship, freedom, heartbreak and hope – all collected here, in the heart of this unsettling spring.
...For over 60 years, the legendary recording engineer Rudy Van Gelder devoted himself to the language of sound. And although he recorded everything from glee clubs to classical music, he was best known for recording jazz – specifically the musicians associated with Blue Note and Prestige records. Joel Lewis writes about his impact on the sound of jazz, and what has become of his Englewood Cliffs, New Jersey studio.
...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March – September, 2024)
...Few music industry executives have had as meaningful an impact on jazz music as Michael Cuscuna, who passed away on April 20 at the age of 75. He dedicated his life to music – particularly to the concept of mining and marketing the music recorded a generation ago by essential and under-appreciated jazz musicians buried deep in record label catalogs.
...The introduction is excerpted from Tad Richards’ terrific book that explores the small group swing artists who made music from bebop to rhythm and blues.
...The journalist and poet Joel Lewis shares his immensely colorful story of falling in love with jazz, and living with it and reporting on it during his younger days in New Jersey and New York
...“Don Quixote’s Adventures in the World of Jazz: 200 Examples and a Few Remarks” reveals remarkable presence of Miguel de Cervantes’ classic Don Quixote in the history of jazz.
.... . “Guy Ryan,” a short story by Alice Sherman Simpson, was a short-listed entry in our recently concluded 62nd Short Fiction Contest, and is published with the consent of the author. . This story is a chapter from author’s book-in-progress, One For Sorrow. . . ___ . . photo by Lalesh Aldarwish/via Pexels … Continue reading ““Guy Ryan” – a short story by Alice Sherman Simpson”
...This is the 14th extensive collection of jazz poetry published on Jerry Jazz Musician since the fall of 2019, when the concept was initiated. Like all previous volumes, the beauty of this edition is not solely evident in the general excellence of the published works; it also rests in the hearts of the individuals from diverse backgrounds who possess a mutual desire to reveal their life experiences and interactions with the music, its character, and its culture.
...Fletcher Henderson biographer Jeffrey Magee discusses the influential bandleader, and the emergence of modern jazz
...Mr. Mott discusses this posthumous anthology of extraordinary, thought-provoking uncollected essays by Stanley Crouch.
...A broad collection of jazz poetry authored by an impressive assemblage of regular contributors and established poets new to this publication – all of whom open their imagination and hearts to the abundant creative experience they derive from this art.
...Duke Ellington, Dizzy Gillespie, Quincy Jones and Toots Thielemans are featured in this edition of photographs and stories from Veryl Oakland’s book
...In a November 16, 2020 interview with Jerry Jazz Musician, Ricky Riccardi, author of Heart Full of Rhythm: The Big Band Years of Louis Armstrong, discusses his vital book and Armstrong’s enormous and underappreciated achievements during the era he led his big band.
...In this edition, Gold writes about two Harlem jazz clubs – Connie’s Inn and Smalls’ Paradise – and shares photographs and memorabilia from his collection.
...December has once again produced a large number of year-end “Best Of” lists, and the goal of this post is to present those albums oft mentioned by the critics. While these 21 albums hardly constitute a comprehensive assessment of the “Best Of the ‘Best Of’” lists, it does provide some guidance about 2021 recordings critics seemed to agree about, and suggest we check out more thoroughly.
...“It’s not exclusive, but inclusive, which is the whole spirit of jazz.”
-Herbie Hancock
.
And…this spirit is not limited to the musicians, because celebrating jazz is rich in creative opportunity for writers and visual artists as well. The 54 poets who contribute to this poetry collection are living proof of that.
As always, thanks to the poets, and I hope you enjoy…
Joe
...Few artists inspire creativity like Miles Davis. This collection of poetry by 50 poets from all over the world is evidence of that.
...An interview with The Art of Jazz author Alyn Shipton, whose book is an exploration of how jazz influenced sheet music art, album art, posters, photography, and individual works of fine art.
...In this winter collection of diverse themes and poetic styles, 55 poets wander the musical landscape to explore their spirit and enthusiasm for jazz music, its historic figures, and the passion, sadness, humor and joy it arouses.
.... . In a 2009 Jerry Jazz Musician interview, Robin D. G. Kelley, author of Thelonious Monk: The Life and Times of an American Original, talks about the legendary composer/pianist who was a founding father of modern jazz. . . .Robin D. G. Kelley, author of Thelonious Monk: The Life and Times of an … Continue reading “A Black History Month Profile: Thelonious Monk, a founding father of modern jazz”
...In a November 16, 2020 interview with Jerry Jazz Musician, Riccardi discusses his vital book and Armstrong’s enormous and underappreciated achievements during the era he led his big band.
...On the cusp of an election of consequence the likes of which America hasn’t experienced for 150 years, and in the midst of continued Black Lives Matter protests and an indisputable surge of COVID, 29 poets sharing perspectives from all over the world contribute to this volume of poetry reflecting our tumultuous, unsettling era…
.... . Drawn from interviews with prominent producers, engineers, and record label executives, Michael Jarrett’s Pressed For All Time: Producing the Great Jazz Albums is filled with interesting stories behind some of jazz music’s most historic, influential, and popular recordings. In cooperation with Jarrett and University of North Carolina Press, Jerry Jazz Musician will occasionally … Continue reading ““Pressed for All Time,” Vol. 8 — producer Ed Michel on Art Pepper’s 1980 album Winter Moon“
.... . “Clifford Brown” is a painting by Warren Goodson, a Saxapahaw, North Carolina artist whose work is driven by his appreciation for Black culture. With his gracious consent, Mr. Goodson’s art is featured throughout this collection. . . _____ . . “Poetry is eternal graffiti written in the heart of everyone.” -Lawrence Ferlinghetti … Continue reading “A Collection of Jazz Poetry — Summer, 2020 Edition”
...A ten page excerpt that features correspondence in the time frame of June to August, 1953, including those Porter had with George Byron (the man who married Jerome Kern’s widow), fellow writer Abe Burrows, Noel Coward, his secretary Madeline P. Smith, close friend Sam Stark, and his lawyer John Wharton.
...The winter collection of poetry offers readers a look at the culture of jazz music through the imaginative writings of its 32 contributors. Within these 41 poems, writers express their deep connection to the music – and those who play it – in their own inventive and often philosophical language that communicates much, but especially love, sentiment, struggle, loss, and joy.
.... . . …..Jazz in Available Light, Illuminating the Jazz Greats from the 1960s, ’70s, and ’80s is one of the most impressive jazz photo books to be published in a long time. Featuring the brilliant photography of Veryl Oakland — much of which has never been published — it is also loaded with his … Continue reading “Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of violinists Joe Venuti, Stephane Grappelli, Jean-Luc Ponty, Zbigniew Seifert, and Leroy Jenkins”
...Twenty-eight poets contribute 37 poems to the Jerry Jazz Musician Fall Poetry Collection, living proof that the energy and spirit of jazz is alive — and quite well.
(Featuring the art of Russell Dupont)
.
.... . Carol Friedman . ___ . …..During a career now spanning over three decades, the esteemed New York portrait photographer Carol Friedman’s iconic images have appeared on hundreds of album and CD covers. Her poignant, often spontaneous work – a generous sampling of which is on display within and following the interview – includes … Continue reading “Interview with renowned jazz photographer Carol Friedman”
.... . Speak No Evil, a 1964 recording session by saxophonist Wayne Shorter (released in 1966), was among those listed by noted critics, authors and musicians as their all-time favorite Blue Note albums . __________ . “Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of … Continue reading “Reminiscing in Tempo: “What are 4 or 5 of your all-time favorite Blue Note albums?””
...Interview with jazz record producer, discographer, and entrepreneur Michael Cuscuna.
...Gary Giddins, Jimmy Heath, Fred Hersch, Joe Hagan, Maxine Gordon, Tim Page, Veronica Swift and Marcus Strickland are among the 25 writers, musicians, poets, educators, and photographers who responded to our question, “What are some of your favorite record album covers of all time?”
...Twelve poets contribute 15 poems to this month’s collection
...While he was a jazz pianist known to frequently accompany blues singers, he was also a composer (“Royal Garden Blues,” “West End Blues,” “Taint Nobody’s Business If I Do”), show producer, song publisher, emcee with a minstrel show, artist manager (including Bessie Smith, whom he helped get started), A & R man for Okeh Records, and one of the most successful African American businessmen of his era. Who is he?
Meade Lux Lewis
Albert Ammons
Eddie Heywood
Teddy Wilson
Jimmy Blythe
Clarence Williams
Tommy Flanagan
Herbie Nichols
Jimmy Rowles
Go to the next page for the answer!
...
In anticipation of Valentine’s Day, I recently invited many of our contributing poets to submit work that combines the themes of jazz music and love, with the result being a collection of voices expressing their own contributions to the language of love…
Dozens of writers submitted over 100 poems, and the best of the submissions — 29 poems by 18 poets — are found on the following 12 pages. Advance through the selections by utilizing the page monitor at the bottom of each page.
Many thanks to everyone who submitted their work.
JJM
...Near the end of high school I thought myself sophisticated, a fan of Pink Floyd and King Crimson and Kevin Ayers, but at a Weather Report Concert in 1972 I had a nearly religious conversion. It was as though a stranger had run up to me and said, “hold this for minute” and ran off. Then the music exploded. I had never heard anything like this. Everything changed.
It was as though I grew hair in secret places and a new appendage. I became a different creature. After that night few of my suburban DC white friends’ guitar and lyrics-oriented ears could hear what mine could; the joy and heartbreak in this unfamiliar and ebonic timbre, this canvas painted in horn, acoustic bass, and polyrhythm; this blues, this brokenness, this homesickness.
There it was, though, for anyone who had ears for it—there, in the absence of verse, in the uncertainty and unpredictability of lengthy solos, in the timelessness of power beyond the moment from which
...This pianist with a “categorization problem” is known primarily for his songwriting. His songs have been recorded by the Who, Leon Russell and Bonnie Raitt, and is admired by the likes of Tom Waits, John Mayall, the Rolling Stones and Van Morrison. He credited the songwriter Percy Mayfield, “the Poet Laureate of the Blues,” as being a major inspiration on his songwriting. Who is he?
Dave Frishberg
Mose Allison
Ramsey Lewis
Phineas Newborn, Jr.
Vince Guaraldi
Tommy Flanagan
Paul Bley
Go to the next page for the answer!
...
Long admired by the likes of Tom Waits, John Mayall, and the Rolling Stones, and having had his songs recorded by Bonnie Raitt (“Everybody’s Cryin’ Mercy”), Leon Russell (“I’m Smashed”), and The Who (“Young Man Blues”), this pianist/vocalist has long suffered from a “category” problem, once even saying; “There’s a lot of places I don’t work because they’re confused about what I do.” Who is he?
Bob Dorough
Mose Allison
Paul Bley
Bob Dorough
Dave Frishberg
Ben Sidran
Dave McKenna
Monty Alexander
Go to the next page for the answer!
...Following Martin Luther King Jr.’s 1968 assassination, this famous singer was offered unofficial leadership in the civil rights movement by King’s widow, Coretta Scott King. Who is she?
Ethel Waters
Aretha Franklin
Josephine Baker
Ivie Anderson
Dinah Washington
Carmen McRae
Alberta Hunter
Go to the next page for the answer!
...In this edition of “Reminiscing in Tempo: Memories and Opinion,” noted critics and musicians list their favorite jazz record albums of the 1970’s.
...“Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of “edu-tainment.” As often as possible, Jerry Jazz Musician poses one question via e mail to a small number of prominent and diverse people. The question is designed to provoke a lively response that will potentially include the memories and/or opinion of those solicited.
This edition asks the question “What are 3 or 4 of your favorite jazz record albums of the 1960’s?” Respondents include the musicians John McLaughlin, Vijay Iyer, Warren Wolf, Jane Ira Bloom, Don Byron, Robin Eubanks, and journalists Gary Giddins, Dan Morgenstern, Terry Teachout, Neil Tesser, John Goodman and lots more…
...Charles Mingus is among jazz’s greatest composers and perhaps its most talented bass player. He was blunt and outspoken about the place of jazz in music history and American culture, about which performers were the real thing (or not), and much more. These in-depth interviews, conducted several years before Mingus died, capture the composer’s spirit and voice, revealing how he saw himself as composer and performer, how he viewed his peers and predecessors, how he created his extraordinary music, and how he looked at race.
...“The piano ain’t got no wrong notes!” So ranted Thelonious Sphere Monk, who proved his point every time he sat down at the keyboard. His angular melodies and dissonant harmonies shook the jazz world to its foundations, ushering in the birth of “bebop” and establishing Monk as one of America’s greatest composers. Yet throughout much of his life, his musical contribution took a backseat to tales of his reputed behavior. Writers tended to obsess over Monk’s hats or his proclivity to dance on stage. To his fans, he was the ultimate hipster; to his detractors, he was temperamental, eccentric, taciturn, or childlike. But these labels tell us little about the man or his music.
...Although it only encompasses about six square miles, the New York City neighborhood of Harlem has played a central role in the development of American culture. Originally rural farmland, then an affluent suburb, since 1911 Harlemhas been predominantly an African American community. Its residents havehad a disproportionately large impact on all aspects of American culture,leaving their mark on literature, art, comedy, dance, theater, music, sports, religion and politics.
...“Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of “edu-tainment.” As often as possible, Jerry Jazz Musician poses one question via e mail to a small number of prominent and diverse people. The question is designed to provoke a lively response that will potentially include the memories and/or opinion of those solicited.
If you could have dinner with three people, who would they be?
Featuring Gary Bartz, Esperanza Spalding, Billy Cobham, John Scofield and others…
...The widespread presence of jazz and blues in African American visual art has long been overlooked. The Hearing Eye makes the case for recognizing the music’s importance, both as formal template and as explicit subject matter. Moving on from the use of iconic musical figures and motifs in Harlem Renaissance art, this groundbreaking collection explores the more allusive — and elusive — references to jazz and blues in a wide range of mostly contemporary visual artists.
...Albert Murray: There was a piano player, a guitar player who seemed like a legend to me, and there was the great Satchel Paige, who lived on the outskirts of Mobile. Baseball was a big thing there, and he was the greatest baseball player in the world.
...Leadbelly, Robert Johnson, Charley Patton — we are all familiar with the story of the Delta blues. Fierce, raw voices; tormented drifters; deals with the devil at the crossroads at midnight.
In an extraordinary reconstruction of the origins of the Delta blues, historian Marybeth Hamilton demonstrates that the story as we know it is largely a myth. The idea of something called Delta blues only emerged in the mid-twentieth century, the culmination of a longstanding white fascination with the exotic mysteries of black music.
...“Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of “edu-tainment.” As often as possible, we pose one question via e mail to a small number of prominent and diverse people. The question is designed to provoke a lively response that will potentially include the memories and/or opinion of those solicited.
What were five of your favorite record albums (or CDs) when you were twenty years old, and what are five of your favorite CDs today?
Featuring Peter Erskine, Rufus Reid, Terri Lynne Carrington, Ben Ratliff, Steve Khan and others…
...“Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of “edu-tainment.” As often as possible, we pose one question via e mail to a small number of prominent and diverse people. The question is designed to provoke a lively response that will potentially include the memories and/or opinion of those solicited.
What three or four songs best epitomize the era of the Civil Rights Movement?
Featuring Bruce Lundvall, Chico Hamilton, Gerald Early, Juan Williams, Arthur Kempton and others…
...Long recognized as America’s most brilliant jazz writer, the winner of many major awards — including the prestigious National Book Critics Circle Award — and author of a highly popular biography of Bing Crosby, Gary Giddins has also produced a wide range of stimulating and original cultural criticism in other fields. With Natural Selection, he brings together the best of these previously uncollected essays, including a few written expressly for this volume.
...Featuring the complete text of chapter 4 rom “Hear Me Talkin’ To Ya: The Story of Jazz As Told By the Men Who Made It”, a 1955 book by Nat Shapiro and Nat Hentoff
...An Online Story of Jazz in New Orleans With an introduction by Nat Hentoff __________ Featuring the complete text of chapters 1 – 5 from Hear Me Talkin’ To Ya: The Story of Jazz As Told By the Men Who Made It, a 1955 book by Nat Shapiro and Nat Hentoff (Published with the consent … Continue reading “An Online Story of Jazz in New Orleans – Chapter 3”
...While many think of Elvis Presley as rock n rolls driving force, the truth is that Fats Domino, whose records have sold more than 100 million copies, was the first to put it on the map with such hits as Aint That a Shame and Blueberry Hill.
In Blue Monday, acclaimed R&B scholar Rick Coleman draws on a multitude of new interviews with Fats Domino and many other early musical legends to create a definitive biography of not just an extraordinary man but also a unique time and place: New Orleans at the birth of rock n roll.
...Stanley Crouch — MacArthur “genius” award recipient, co-founder of Jazz at Lincoln Center, National Book Award nominee, and perennial bull in the china shop of black intelligentsia — has been writing about jazz and jazz artists for over thirty years. His reputation for controversy is exceeded only by a universal respect for his intellect and passion. As Gary Giddins notes: “Stanley may be the only jazz writer out there with the kind of rhinoceros hide necessary to provoke and outrage and then withstand the fulminations that come back.”
...In the illustrious and richly documented history of American jazz, no figure has been more controversial than the jazz critic. Jazz critics can be revered or reviled often both but they should not be ignored. And while the tradition of jazz has been covered from seemingly every angle, until now, nobody has ever turned the pen back on itself to chronicle the many writers who have helped define how we listen to and how we understand jazz. In Blowin Hot and Cool: Jazz and its Critics, John Gennari provides a definitive history of jazz criticism from the 1920s to the present.
...Following the path of its star musician John Coltrane, Impulse Records cut a creative swath through the 1960s and 1970s with the politically charged avant-garde jazz that defined the labels musical and spiritual identity. Ashley Kahn’s The House That Trane Built tells the story of the label, balancing tales of individual passion, artistic vision, and commercial motivation.
...“Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of “edu-tainment.” As often as possible, we pose one question via e mail to a small number of prominent and diverse people. The question is designed to provoke a lively response that will potentially include the memories and/or opinion of those solicited.
What are five books that mean a lot to you?
Featuring Ben Ratliff, David Maraniss, Diane McWhorter, Don Byron, Gary Giddins, James Gavin, Kevin Boyle and others…
...If Benny Goodman was the “King of Swing,” then Fletcher Henderson was the power behind the throne. Not only did Henderson arrange the music that powered Goodman’s meteoric rise, he also helped launch the careers of Louis Armstrong and Coleman Hawkins, among others. In Fletcher Henderson and Big Band Jazz: The Uncrowned King of Swing, Jeffrey Magee offers a fascinating account of this pivotal bandleader, throwing new light on the emergence of modern jazz and the world that created it.
...In the final column of his thirty year career as jazz critic of the Village Voice, Gary Giddins wrote, “I’m as besotted with jazz as ever, and expect to write about it till last call, albeit in other formats. Indeed, much in the way being hanged is said to focus the mind, this finale has made me conscious of the columns I never wrote.”
...In the final column of his thirty year career as jazz critic of the Village Voice, Gary Giddins wrote, “I’m as besotted with jazz as ever, and expect to write about it till last call, albeit in other formats. Indeed, much in the way being hanged is said to focus the mind, this finale has made me conscious of the columns I never wrote.”
...Village Voice writer Gary Giddins, who was prominently featured in Ken Burns’ documentary Jazz, and who is the country’s preeminent jazz critic, joins us in a conversation recorded on June 20, 2003 — and then slightly revised in October — about the profession of jazz criticism.
The conversation is an autobiographical look at the writer’s ascension in his field, and includes candid observations of other prominent critics. It concludes with a unique “Blindfold Test” that asks Giddins to name the jazz writer responsible for the essay excerpt he is spontaneously shown.
...While Ralph Ellison will forever be best remembered as author of the classic American novel of identity, Invisible Man, he also contributed significant essays on jazz that stand as compelling testaments to his era. His work included an homage to Duke Ellington, stinging critiques of Charlie Parker and Miles Davis, and recognition of the changing-of-the-guard taking place at Harlem’s Minton’s in the 1940’s. He wrote on musical topics from flamenco to Charlie Christian, and from Jimmy Rushing to Mahalia Jackson.
...Author, intellectual and social critic, Ralph Ellison was a pivotal figure in American literature and history, and arguably the father of African-American modernism. Universally acclaimed for Invisible Man, a masterpiece of modern fiction, and more recently for the posthumously edited and published Juneteenth, Ellison was recognized with a succession of honors, including the 1953 National Book Award.
Lawrence Jackson’s Ralph Ellison: Emergence of Genius is the first thoroughly researched biography of Ellison.
...Brown University professor Michael Harper, the first Poet Laureate of the State of Rhode Island, and author of the National Book Award nominated collection, Dear John, Dear Coltrane, discusses John Coltrane and reads his poems.
...Nat Hentoff was born in Boston in 1925 and lived there until he moved to New York City at the age of twenty-eight. For many years he has written a weekly column for the Village Voice. His column for the Washington Times is syndicated nationally, and he writes regularly about music for the Wall Street Journal. His numerous books cover subjects ranging from jazz to civil rights and civil liberties to First Amendment issues.
...Stanley Crouch is an essayist, poet, former musician, jazz critic and author of the novel Don’t the Moon Look Lonesome. He is outspoken, controversial, clever, and right more often than many seem willing to admit. He is also a very thoughtful admirer of Invisible Man author Ralph Ellison, whose work and friendship touched Crouch enough that, when asked if he considered Ellison a mentor, without hesitation answered “Yes!” Crouch takes part in a very lively conversation about Ellison and a variety of associated topics, including Charlie Parker, and music’s place in American ritual.
...Few observers of cultural history articulate their viewpoints quite like Martha Bayles. Her opinions on popular culture are intelligent, controversial, and in demand. Her essay on Miles Davis recently appeared in the New York Times, and for years she was the television and arts critic for the Wall Street Journal, where her work still appears. Her book, Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music, was hailed by the Chicago Tribune as an “important book.” The New York Times said, “Ms. Bayles tells a morality tale of how culture lost its way by adopting attitudes that undermine its finest achievements.”
...Matt Glaser is the only tenured professor of violin in the United States who specializes in jazz, folk and swing instead of classical music. Matt has appeared on over thirty recordings, is the head of the string department at Bostons Berklee College of Music, and co-authored the book “Jazz Violin” with legendary jazz violinist Stephane Grappelli.
A close friend of Ken Burns, Glaser has played on numerous Burns documentaries. He was a Senior Advisor to Burns during the filming of Jazz – A Film by Ken Burns. Glaser’s colorful interviews throughout the film are a dynamic part of the experience.
...
”Every Time” by Michel Krug
The Sunday Poem is published weekly, and strives to include the poet reading their work.... Michel Krug reads his poem at its conclusion
Click here to read previous editions of The Sunday Poem
Click here to read more short fiction published on Jerry Jazz Musician
Click here to read more book excerpts published on Jerry Jazz Musician
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