News regarding the poet John Stupp

December 4th, 2019

 

.

.

John Stupp

.

___

.

 

…..I have had the privilege of publishing John Stupp’s poetry for several years now.  Every time he gifts me with an email stuffed with submissions, I eagerly open it like a kid unwrapping the shiniest package under the tree.  His creativity is really, honestly, that special.

…..John has a remarkable ability to clearly command his reader’s attention with wit, wisdom, perception, and character.   His work is consistently filled with the grit and richness of his beloved Pittsburgh — its scenic (and sordid) environs, its economic hardship, and its cultural significance.  He admires hard work, worshiping the likes of steel workers, guitarists, boxers, and the every day Major-Leaguer who wasn’t quite the superstar.

…..His most effective poetry is written simply, yet evokes complex feelings.  For example, like this one:

.

The Ride Home

He must
have been separated
from a herd of boys
thus he was lost
in his early ‘20’s
blue jeans and an old J & L mill jacket
from Goodwill
in the old days this bus went to Aliquippa
Henry Mancini’s home town
but not now
he tried out several seats
as we left Pittsburgh
but nothing satisfied
then scratched his legs
over and over until they bled
this went on for miles
to him it didn’t matter if the sun was out or not
it wasn’t
it didn’t matter if we made steel anymore or not
we don’t
it didn’t matter if there were good jobs left in this valley
there weren’t
when the driver put him off
I saw how he kept walking behind the bus
getting smaller and smaller
I thought
all day there was snow on the Ohio River
and the storm clouds were low
but not now
because God was watching over him and not us

.

.

 

…..And try this one, which combines his love for jazz and his dog, enveloped in a lively, endearing wit:

.

I Tell Him it’s OK

My dog
is a jazz dog
after listening to Tal Farlow
and Eddie Costa
he is not much impressed with my playing
keeps looking at his watch
until I finish
after a couple hours
when I put the guitar down
he jumps on my lap
and loves my silent hands

.

.

…..John has informed me that his fourth book of poetry, When Billy Conn Fought Fritzie Zivic, is being published by Red Flag Poetry Press, and will be available in January. The publisher’s website says that John’s book “tells the story of boxing in its pre-television days between the First and Second World Wars and into the 1950’s through poetry. Men like Harry Greb, Billy Conn, and Fritzie Zivic, and the steel city of Pittsburgh come alive in these pages. Poetry is as much history and deeds, as truth and beauty. Remember when Pittsburgh was a tough town? This is it.”

…..This is indeed a book worthy of your consideration.   For information, including how to order it, click here.

 

.

.

 

 

.

..

___

.

.

 

John Stupp’s third poetry collection.Pawleys Island.was published in 2017. His manuscript.Summer Job.won the 2017 Cathy Smith Bowers Poetry Prize and was published in August 2018.  From 1975-1985 he worked professionally as a mediocre jazz guitarist.  He lives near Pittsburgh, Pennsylvania.

.

.

.

 

 

 

Share this:

3 comments on “News regarding the poet John Stupp”

  1. I am most pleased to read Mr. Maita’s supportive words for John Stupp’s new chapbook. I have had the good fortune to read the chapbook in its manuscript form and can attest to its excellence. The book is filled with the interesting characters, command of everyday lexicon, and insight into the psychology of everyday people that make Mr. Stupp’s work always worth reading. If you like sports, if you like poetry about people struggling and working to survive, if you appreciate a writer with a good ear for everyday speech, you should get a copy of Mr. Stupp’s new book. You will be pleased with your purchase. The book is lively, musical in its rhythms and word choices, and displays great empathy for the average joe’s battles to overcome the daily vicissitudes of life. You will also learn a lot about the history of boxing.

Comment on this article:

Your email address will not be published. Required fields are marked *

In this Issue

A Collection of Jazz Poetry – Spring, 2020 Edition There are many good and often powerful poems within this collection, one that has the potential for changing the shape of a reader’s universe during an impossibly trying time, particularly if the reader has a love of music. 33 poets from all over the globe contribute 47 poems. Expect to read of love, loss, memoir, worship, freedom, heartbreak and hope – all collected here, in the heart of this unsettling spring. (Featuring the art of Martel Chapman)

Interview

Ornette Coleman 1966/photo courtesy Mosaic Images
In a Jerry Jazz Musician interview, Ornette Coleman: The Territory And The Adventure author Maria Golia discusses her compelling and rewarding book about the artist whose philosophy and the astounding, adventurous music he created served to continually challenge the skeptical status quo, and made him a guiding light of the artistic avant-garde throughout a career spanning seven decades.

Poetry

Mood Indigo by Matthew Hinds
An invitation was extended recently for poets to submit work that reflects this time of COVID, Black Lives Matter, and a heated political season. The first volume of this poetry is now published.

Features

Red Meditation by James Brewer
Creative artists and citizens of note respond to the question, "During this time of social distancing and isolation at home, what are examples of the music you are listening to, the books you are reading, and/or the television or films you are viewing?”

Interview

A now timely 2002 interview with Tim Madigan, author of The Burning: Massacre, Destruction, and the Tulsa Race Riot of 1921. My hope when I produced this interview was that it would shed some light on this little-known brutal massacre, and help understand the pain and anger so entrenched in the American story. Eighteen years later, that remains my hope. .

Book Excerpt

In the introduction to Dave Brubeck: A Life in Time – the author Philip Clark writes about the origins of the book, and his interest in shining a light on how Brubeck, “thoughtful and sensitive as he was, had been changed as a musician and as a man by the troubled times through which he lived and during which he produced such optimistic, life-enhancing art.”

Interview

NBC Radio-photo by Ray Lee Jackson / Public domain
In a Jerry Jazz Musician interview, acclaimed biographer James Kaplan (Frank: The Voice and Sinatra: The Chairman) talks about his book, Irving Berlin: New York Genius, and Berlin's unparalleled musical career and business success, his intense sense of family and patriotism during a complex and evolving time, and the artist's permanent cultural significance.

Book Excerpt

In the introduction to Maria Golia’s Ornette Coleman: The Territory and the Adventure – excerpted here in its entirety – the author takes the reader through the four phases of the brilliant musician’s career her book focuses on.

Art

Art by Charles Ingham
Charles Ingham’s “Jazz Narratives” connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history. Volume 8 of the narratives are “The Entrance of Bessie Smith into San Diego”, “Lionel Hampton Is Coming to Dinner at Dr. Gordon’s House”, and “Lionel Hampton: Central Avenue Breakdown”

Interview

Library of Congress, Prints & Photographs Division, Carl Van Vechten Collection
Richard Crawford’s Summertime: George Gershwin’s Life in Music is a rich, detailed and rewarding musical biography that describes Gershwin's work throughout every stage of his career. In a Jerry Jazz Musician interview, Crawford discusses his book and the man he has described as a “fresh voice of the Jazz Age” who “challenged Americans to rethink their assumptions about composition and performance, nationalism, cultural hierarchy, and the racial divide.”

Jazz History Quiz #139

photo by William Gottlieb/Library of Congress
This bassist played with (among others) Charlie Parker, Erroll Garner, Art Tatum, Nat “King” Cole (pictured), Dexter Gordon, James Taylor and Rickie Lee Jones, and was one of the earliest modern jazz tuba soloists. He also turned down offers to join both Duke Ellington’s Orchestra and the Louis Armstrong All-Stars. Who is he?

Interview

photo unattributed/ Public domain
In a Jerry Jazz Musician interview with The Letters of Cole Porter co-author Dominic McHugh, he explains that “several of the big biographical tropes that we associate with Porter are either modified or contested by the letters,” and that “when you put together these letters, and add our quite extensive commentary between the letters, it creates a different picture of him.” Mr. McHugh discusses his book, and what the letters reveal about the life – in-and-out of music – of Cole Porter.

Book Excerpt

The introduction to John Burnside's The Music of Time: Poetry in the Twentieth Century – excerpted here in its entirety with the gracious consent of Princeton University Press – is the author's fascinating observation concerning the idea of how poets respond to what the Russian poet Osip Mandelstam called “the noise of time,” weaving it into a kind of music.

Short Fiction

photo Creative Commons CC0
Short Fiction Contest-winning story #53 — “Market & Fifth, San Francisco, 1986,” by Paul Perilli

Photography

photo by Veryl Oakland
In this edition of photographs and stories from Veryl Oakland’s book Jazz in Available Light, Frank Morgan, Michel Petrucciani/Charles Lloyd, and Emily Remler are featured

Interview

photo by Fred Price
Bob Hecht and Grover Sales host a previously unpublished 1985 interview with the late, great jazz saxophonist Lee Konitz, who talks about Miles, Kenton, Ornette, Tristano, and the art of improvisation...

Book Excerpt

A ten page excerpt from The Letters of Cole Porter by Cliff Eisen and Dominic McHugh that features correspondence in the time frame of June to August, 1953, including those Porter had with George Byron (the man who married Jerome Kern’s widow), fellow writer Abe Burrows, Noel Coward, his secretary Madeline P. Smith, close friend Sam Stark, and his lawyer John Wharton.

Interview

photo by William Gottlieb/Library of Congress
Con Chapman, author of Rabbit's Blues: The Life and Music of Johnny Hodges discusses the great Ellington saxophonist

Humor

photo by William Gottlieb/Library of Congress
"Louis Armstrong on the Moon," by Dig Wayne

Book Excerpt

This story, excerpted from Irving Berlin: New York Genius by James Kaplan, describes how Berlin came to write his first major hit song, “Alexander’s Ragtime Band,” and speaks to its historic musical and cultural significance.

Pressed for All Time

A&M Records/photo by Carol Friedman
In this edition, producer John Snyder recalls Sun Ra, and his 1990 Purple Night recording session

Interview

photo by Bouna Ndaiye
Interview with Gerald Horne, author of Jazz and Justice: Racism and the Political Economy of the Music

Great Encounters

photo of Sidney Bechet by William Gottlieb/Library of Congress
In this edition of "Great Encounters," Con Chapman, author of Rabbit’s Blues: The Life and Music of Johnny Hodges, writes about Hodges’ early musical training, and the first meeting he had with Sidney Bechet, the influential and legendary reed player who Hodges called “tops in my book.”

Poetry

The winter collection of poetry offers readers a look at the culture of jazz music through the imaginative writings of its 32 contributors. Within these 41 poems, writers express their deep connection to the music – and those who play it – in their own inventive and often philosophical language that communicates much, but especially love, sentiment, struggle, loss, and joy.

“What are 4 or 5 of your all-time favorite Blue Note albums?”

"What are 4 or 5 of your all-time favorite Blue Note albums?"
Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

In the Previous Issue

Interviews with three outstanding, acclaimed writers and scholars who discuss their books on Irving Berlin, George Gershwin, and Cole Porter, and their subjects’ lives in and out of music. These interviews – which each include photos and several full-length songs – provide readers easy access to an entertaining and enlightening learning experience about these three giants of American popular music.

In an Earlier Issue

photo by Carol Friedman
“The Jazz Photography Issue” features an interview with today’s most eminent jazz portrait photographer Carol Friedman, news from Michael Cuscuna about newly released Francis Wolff photos, as well as archived interviews with William Gottlieb, Herman Leonard, Lee Tanner, a piece on Milt Hinton, a new edition of photos from Veryl Oakland, and much more…

Contributing writers

Site Archive