“Autumn Leaves” — a poem by Patricia Carragon

October 11th, 2019

.

.

photo Creative Commons CCO/pxhere.com

.

Autumn Leaves

 

 

Like the song,
“Autumn Leaves,”
thoughts of him
drifted by her windowsill.
As trees turned red and gold,
her days grew longer.
Her red and gold life
scattered in summer kisses
amid wastelands best forgotten.
She remembered
an old winter’s song,
where red and gold prayers
lay ruined in the cold rain.
Her broken season
needed refuge.
The old winter’s song
tightened her lips.
From her once
sunburnt hands,
his letters drifted into the fire—
like autumn leaves,
they turned to red and gold.

.

.

___

.

.

.

.

___

.

.

.

Patricia Carragon’s recent publications include Bear Creek Haiku, First Literary Review-East, A Gathering of the Tribes, The Café Review, Muddy River Poetry Review, Poetrybay, and Krytyka Literacka. Her latest books are The Cupcake Chronicles (Poets Wear Prada) and Innocence (Finishing Line Press). Patricia hosts the Brooklyn-based Brownstone Poets and is the editor-in-chief of its annual anthology. She is an executive editor for Home Planet News Online.

.

.

.

 

 

Share this:

5 comments on ““Autumn Leaves” — a poem by Patricia Carragon”

  1. Nice poem., “…amid wastelands best forgotten…” great line! Great song too. You’ll have to do Autumn in New York next.

  2. Nice poem, Patricia. “red and gold prayers” especially interesting. I might steal the idea for Autumn in NY; I’ve got a really good Mel Torme version of the song. Keep on!

Comment on this article:

Your email address will not be published. Required fields are marked *

In this Issue

Art by Russell Dupont
Twenty-eight poets contribute 37 poems to the Jerry Jazz Musician Fall Poetry Collection, living proof that the energy and spirit of jazz is alive — and quite well.

Short Fiction

Photo/CC0 Public Doman
Short Fiction Contest-winning story #52 — “Random Blonde,” by Zandra Renwick

Interview

photo by Michael Lionstar
In a wide-ranging interview, Nate Chinen, former New York Times jazz critic and currently the director of editorial content for WBGO (Jazz) Radio, talks about his book Playing Changes: Jazz for the New Century,, described by Herbie Hancock as a “fascinating read” that shows Chinen’s “firm support of the music

Great Encounters

photo by William Gottlieb/Library of Congress
In this edition, Con Chapman, author of Rabbit’s Blues: The Life and Music of Johnny Hodges, writes about Hodges’ early musical training, and the first meeting he had with Sidney Bechet, the influential and legendary reed player who Hodges called “tops in my book.”

Essay

photo of Esbjorn Svensson Trio/Pkobel/Creative Commons
“The Trio That Should Have Reshaped Jazz” — an essay by Scott Archer Jones

Photography

Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of Mal Waldron, Jackie McLean and Joe Henderson

“What are 4 or 5 of your all-time favorite Blue Note albums?”

"What are 4 or 5 of your all-time favorite Blue Note albums?"
Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

Pressed for All Time

"Jazz Samba"/Verve Records
In this edition, excerpted from Michael Jarrett's Pressed For All Time, legendary producer Creed Taylor remembers the 1962 Stan Getz recording, Jazz Samba

Interview

Photographer Carol Friedman
In an entertaining conversation that also features a large volume of her famous photography, Carol Friedman discusses her lifelong work of distinction in the world of jazz photography

Art

"Dreaming of Bird at Billy Bergs" - by Charles Ingham
“Charles Ingham’s Jazz Narratives” — a continuing series

Humor

photo by William Gottlieb/Library of Congress
"Every Soul is a Circus," by Dig Wayne

Interview

photo by Francis Wolff, courtesy of Mosaic Records
Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon, discusses her late husband’s complex, fascinating life.

Short Fiction

photo/Creative Commons CC0.
Con Chapman, author of Rabbit's Blues: The Life and Music of Johnny Hodges, contributes a humorous short story, "Father Kniest: Jazz Priest"

In the Previous Issue

photo of Sullivan Fortner by Carol Friedman
“The Jazz Photography Issue” features an interview with today’s most eminent jazz portrait photographer Carol Friedman, news from Michael Cuscuna about newly released Francis Wolff photos, as well as archived interviews with William Gottlieb, Herman Leonard, Lee Tanner, a piece on Milt Hinton, a new edition of photos from Veryl Oakland, and much more…

Contributing writers

Site Archive