“Thinking about Ida B. Wells” — a photo-narrative by Charles Ingham

April 5th, 2019

.

.

.

“Thinking about Ida B. Wells,” .2018

.
From the series Pastoral Scenes of the Gallant South
Archival inkjet print, 4½ x 6½ inches, framed to 14 x 14 inches

.

.

___

.

.

 

“Thinking about Ida B. Wells,” comes from a seven-work series entitled Pastoral Scenes from the Gallant South (from Billie Holiday’s “Strange Fruit”).

The educator and investigative journalist, Ida B.Wells (1862-1931) was born into slavery in Holly Springs, Mississippi. A co-founder of the NAACP, Wells was a pioneer in the anti-lynching campaign.

 

Other subjects in this series, all of which will be published on Jerry Jazz Musician, include the legendary blues artist Robert Johnson (click here to view), the Memphis photographer and preacher L. O. Taylor, Homer Plessy, and Booker T. Washington. In two pieces, the artist takes the series “up South” to Brooklyn, focusing on the Truesdells, husband-and-wife conductors on the Underground Railroad in New York, and the contemporary African-American photographer Nona Faustine.

The series comes out of a road trip through the South that the artist took in 2018. The pieces can be interpreted as a form of self-portrait, of the artist paying homage in his own way to an individual, and of the place which that person occupied and continues to occupy. This is the South that the photographer Sally Mann describes as “a place extravagant in its beauty, reckless in its fecundity, terrible in its indifference, and dark with memories.”

Ingham’s photo-narratives explore invented spaces, alternative histories, and visual fictions, sometimes incorporating altered, appropriated images. In some pieces, images alone form a narrative; a horizontal row of five to seven photographs creates a “cinematic” form. In others, words and images create a dynamic interplay, and in the fotonovela series, the photographs move closer to a traditional illustrative function for the text. None of these interchanges between image and text are straightforward, however. Placing verbal and visual elements together immediately creates a tension for the viewer that they want to find/interpret in order to “explain” the narrative of the piece; thus, the artist expects viewers to find a unique narrative of their own in the work.

.

.

Click here to view “Thinking About Robert Johnson”

.

.

___

.

.

photo by Jacqueline Ramirez

.

Born and educated in England, Charles Ingham moved to California in 1982. He has always been interested in hybrid forms and the intersection of literature and the visual arts, his photography often seeking to transgress the traditional boundaries separating the verbal and the visual.

Ingham lives in San Diego and shows his work at Distinction Gallery in Escondido. His work may also be found at his website: charlesingham.com

.

.

.

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

In This Issue

Michael Cuscuna, Mosaic Records co-founder, is interviewed about his successful career as a jazz producer, discographer, and entrepreneur...Also in this issue, in celebration of Blue Note’s 80th year, we asked prominent writers and musicians the following question: “What are 4 or 5 of your all-time favorite Blue Note albums; a new collection of jazz poetry; “On the Turntable,” is a new playlist of 18 recently released jazz recordings from six artists – Joshua Redman, Joe Lovano, Matt Brewer, Tom Harrell, Zela Margossian and Aaron Burnett; two new podcasts by Bob Hecht; a new “Jazz History Quiz”; a new feature called “Pressed for All Time,”; a new photo-narrative by Charles Ingham; and…lots more.

On the Turntable

This month, a playlist of 18 recently released jazz recordings by six artists -- Joshua Redman, Joe Lovano. Matt Brewer, Tom Harrell, Zela Margossian, and Aaron Burnett

Poetry

In this month’s collection, with great jazz artists at the core of their work, 16 poets remember, revere, ponder, laugh, dream, and listen

The Joys of Jazz

In this new volume of his podcasts, Bob presents two stories, one on Clifford Brown (featuring the trumpeter Charlie Porter) and the other is part two of his program on stride piano, including a conversation with Mike Lipskin

Short Fiction

We had many excellent entrants in our recently concluded 50th Short Fiction Contest. In addition to publishing the winning story on March 11, with the consent of the authors, we have published several of the short-listed stories...

“What are 4 or 5 of your all-time favorite Blue Note albums?”

Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

Pressed for All Time

In an excerpt from his book Pressed for All Time, Michael Jarrett interviews producer Creed Taylor about how he came to use tape overdubs during the 1957 Lambert, Hendricks, and Ross Sing a Song of Basie recording session

Art

"Thinking About Charlie Parker" -- a photo narrative by Charles Ingham

Jazz History Quiz #128

Although he was famous for modernizing the sound of the Tommy Dorsey Orchestra -- “On the Sunny Side of the Street” was his biggest hit while working for Dorsey (pictured) -- this arranger will forever be best-known for his work with the Jimmie Lunceford Orchestra. Who is he?

Great Encounters

In this edition, Bob Dylan recalls what Thelonious Monk told him about music at New York’s Blue Note club in c. 1961.

Art

Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland's photographs and stories feature Stan Getz, Sun Ra, and Carla Bley.

Interviews

Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon, discusses her late husband’s complex, fascinating life.

Cover Stories with Paul Morris

In this edition, Paul writes about jazz album covers that offer glimpses into intriguing corners of the culture of the 1950’s

Coming Soon

"The Photography Issue" will feature an interview with jazz photographer Carol Friedman (her photo of Wynton Marsalis is pictured), as well as with Michael Cuscuna on unreleased photos by Blue Note's Francis Wolff.

In the previous issue

Jeffrey Stewart, National Book Award and Pulitzer Prize-winning author of The New Negro: The Life of Alain Locke, is interviewed about Locke (pictured), the father of the Harlem Renaissance. Also in this issue…A new collection of jazz poetry; "On the Turntable," a new playlist of 19 recommended recordings by five jazz artists; three new podcasts by Bob Hecht; a new “Great Encounters”; several short stories; the photography of Veryl Oakland and Charles Ingham; a new Jazz History Quiz; and lots more…

Contributing writers

Site Archive