“Serendipity” — a poem by Michael L. Newell

February 1st, 2019

.

.

.

.

SERENDIPITY

As I walk down the dirt road from my job, headed
slowly home, I pass a few people wandering here
and there as their work day ends; I amble past
an old home with a corrugated metal roof, bricks
holding down the sheets of metal from blowing away,
a light breeze tossing laundry on ropes strung between trees,

my mind wandering in a thousand directions
with no particular destination in mind, just
the pleasure of reverie–when I hear song,
not the radio, not a recording, but a small choir
singing in Kinyarwanda, six or seven
female voices and a couple of men, their

voices rising and falling from the home’s
living room, a beautiful repetitive melody
enhanced by constantly shifting harmonies,
counterpoint melodies, and one male voice
chanting or speaking underneath the rise
and fall, the same voice lifting in ecstatic

soaring flight above the others, a song at once
celebratory and deeply sad, the melody ascending
and tumbling, repeating itself again and again, every time
it seems to reach an end, the male leader
bursts into an impassioned chant which leads
all back into close harmonies which

stop my homeward journey; I stand still,
eyes shut, and listen, nearly weeping.
I hear someone close by and open my eyes to see
two young women passing by who ignore me but are
quietly singing with the song coming from the home.
I realize I have been standing in one place for ten minutes

or more. People at a nearby cross street are staring at me,
but I can’t move along; I sway in slow time
to the music which continues to flow through
the neighborhood; and then I realize a large vehicle
has stopped by me, and a Rwandan friend leans out the window
to ask whether I am okay. I explain why I am standing there,

and he says, “Ah, a choir,” and turns off
his engine with a smile to listen, only
to discover the music has ceased. I decline
a ride and walk homeward with the music
still rising and falling in my memory.
I do not know whether the music was religious,

or folk song, or political, or celebratory, or grieving,
but hours later I still hear the music
as I go about my nightly ablutions. I realize
I have been changed without ever seeing those
responsible for the change. I have heard
on a dirt road from a ramshackle home, music

rough-hewn, homemade, finer than what I could find
in a concert hall while entertained by highly trained
professional musicians. I have heard music
from the blood and marrow of people singing
because it defines who they are.
I have listened to the heartbeat of a people.

.

…………………………………………………………………….January 2013, Kigali, Rwanda

.

by Michael L. Newell

.

.

_______

 

.

.

Michael L. Newell was a long-time expat (23.5 years) who was an English and Theatre teacher.  He has had more than 900 poems published in approximately 80 journals, most in the United States, a handful in England.  A few of the journals in which he has appeared includeBellowing Ark, Current, The Iconoclast, Rattle, College English, Lilliput Review, Ship of Fools,  and Verse-Virtual. His most recent book (from Bellowing Ark Press) is Meditation of an Old Man Standing on a Bridge.  Newell currently lives on the south-central Oregon coast.

Click here .to access all of Michael L. Newell’s poetry published on Jerry Jazz Musician

To order a copy of the book, contact BELLOWING ARK PRESS 18040 7th Avenue NE Shoreline, WA 98155

.

.

.

.

.

.

.

.

.

.

.

Share this:

4 comments on ““Serendipity” — a poem by Michael L. Newell”

  1. Michael: You … have overdone, yourself again. I don’t know how many times I have heard, just part of a melody, that stays with me. This affected me very much! Great feeling! Alan.

  2. Mike,

    This one of my favorites! Your way with words (which connect us to music) and, perhaps more important to me, your connection to those you encounter in your journeys always amaze me.
    I envy you.

  3. Thank you for that, Michael. In these dark times we need all the serendipities we can get – and indeed the poems that re-create the serendipities for us.

Comment on this article:

Your email address will not be published. Required fields are marked *

In This Issue

Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon, talks about her book, and the complex life of her late husband.

Also in this issue…A new collection of jazz poetry; "On the Turntable," a new playlist of 22 recommended recordings by seven jazz artists; three new podcasts by Bob Hecht; a new “Great Encounters”; several short stories; the photography of Veryl Oakland and Charles Ingham; a new Jazz History Quiz; and lots more…

On the Turntable

This month, a playlist of 22 recently released jazz recordings, including those by Chris Potter, Sons of Kemet, Stephan Crump, Brittany Anjou, Julian Lage, Joey DeFrancesco and Antonio Sanchez

Poetry

Seventeen poets contribute 21 poems in this month’s edition…

The Joys of Jazz

In new podcasts, Bob Hecht tells three stories; one about Miles Davis’ use of space in his music, one on the mutual admiration society of Sinatra, Lady Day, and Lester Young, and the other about the train in jazz and blues music.

“What are some of your all-time favorite record album covers?”

Gary Giddins, Jimmy Heath, Fred Hersch, Joe Hagan, Maxine Gordon, Neil Tesser, Tim Page, Veronica Swift and Marcus Strickland are among the 25 writers, musicians, poets, educators, and photographers who write about their favorite album cover art

Art

“Thinking about Ida B. Wells” — a photo narrative by Charles Ingham

Jazz History Quiz #126

In 1964, along with the orchestra of arranger Lalo Schifrin (pictured), this flutist/alto sax player recorded one of the first “Jazz Masses,” and soon after studied transcendental meditation in India. He would eventually become well known as a composer of music for meditation. Who is he?

Great Encounters

Dexter Gordon tells the story of joining Louis Armstrong’s band in 1944, and how they enjoyed their intermission time.

Art

In this edition of Veryl Oakland’s “Jazz in Available Light,” photographs of Red Garland, Dizzy Gillespie and Rahsaan Roland Kirk are featured.

Short Fiction

"Strings of Solace," a short story by Kimberly Parish Davis

Interviews

Romare Bearden biographer Mary Schmidt Campbell discusses the life of the important 20th century American artist

Cover Stories with Paul Morris

In this edition, Paul writes about jazz album covers that offer glimpses into intriguing corners of the culture of the 1950’s

Short Fiction

"And so we went to Paris," a short story by Sophie Jonas-Hill

Coming Soon

National Book Award winning author for non-fiction Jeffrey Stewart is interviewed about his book The New Negro: The Life of Alain Locke

In the previous issue

The question “What are some of your all-time favorite record album covers?” was posed via email to a small number of prominent and diverse people, and the responses of Gary Giddins, Jimmy Heath, Fred Hersch, Joe Hagan, Maxine Gordon, Tim Page, Veronica Swift and Marcus Strickland are among the 25 writers, musicians, poets, educators, and photographers who participated...Also, the publication of the winning story in our 50th Short Fiction contest; an interview with Romare Bearden biographer Mary Schmidt Campbell; a collection of jazz poetry; two new podcasts by Bob Hecht; the March edition of "On the Turntable," and lots more...Click here to be taken to the issue.

Contributing writers

Site Archive