“Sax in a Zone” — a poem by Lawrence J. Klumas

November 5th, 2018

 

 

 

Sax in a Zone

 

I saw the nod of the piano-man —
Launched into the written introduction
Of melody & theme weaving practiced notes
Inside and around the bass & percussion’s tempo.
Delightful eight bars — an in-unison quartet
Of Sixties innovation, different time signatures & harmonics.

Oh, to soar. Oh, to float.

There — the prearranged signal, I took off
Eyes closed, climbing away from the background beat,
My thoughts clear, my fingers nimble,
My mouth relaxed, my mind open to the direction
My seeking soul wished me to take,
No longer in the space with the others. My own space,
Creating, new combinations, new heralds of sax ingenuity,
Leaving long remnants of minor scale & harmonics floating behind.

Oh, to soar.  Oh, to float.

Too soon, too soon, called back to the group,
Reluctantly, so reluctantly I came back down
To join the songs’ statement, its finale.
After last note, the sound manager flashed thumbs up.
My four-minute solo captured. The piano-man,
Bassist and drummer held their mouths wide open.

Oh, to soar.  Oh, to float.

 

 

 

_____

 

 

 

Lawrence J. Klumas has written poetry since 1958, and continued writing for his engineering profession — but, most recently re-immersed himself into poetry with a passion.  He has been published in Que sais-je, on-line atJerryJazzMusician, Diocesan Messenger. He contributes a poem weekly to the Fallbrook, CA Episcopal Church newsletter. He has a chapbook submitted for San Diego Book Awards.

He is a retired USAF officer, an engineer, a Viet Nam veteran, and a past Assoc VP Occidental College (Facilities).  He has a BS In Business Administration (with a minor in Literature) from Eastern Nazarene College, and both a BS and MS in Industrial Engineering from Arizona State University.

 

 

Share this:

One comments on ““Sax in a Zone” — a poem by Lawrence J. Klumas”

Comment on this article:

Your email address will not be published. Required fields are marked *

In this Issue

Art by Russell Dupont
Twenty-eight poets contribute 37 poems to the Jerry Jazz Musician Fall Poetry Collection, living proof that the energy and spirit of jazz is alive — and quite well.

Interview

photo by Francis Wolff/© Mosaic Images
Interview with Paul Lopes, author of Art Rebels: Race, Class and Gender in the Art of Miles Davis and Martin Scorsese

Short Fiction

Photo/CC0 Public Doman
Short Fiction Contest-winning story #52 — “Random Blonde,” by Zandra Renwick

Poetry

Photo by. Adrianna Calvo from Pexels
“Sandra’s Vigil” — a poem by Robert Nisbet

Great Encounters

photo by William Gottlieb/Library of Congress
In this edition, Con Chapman, author of Rabbit’s Blues: The Life and Music of Johnny Hodges, writes about Hodges’ early musical training, and the first meeting he had with Sidney Bechet, the influential and legendary reed player who Hodges called “tops in my book.”

Jazz History Quiz #132

photo of Dizzy Gillespie by Brian McMillen
This legendary saxophonist has worked with Lionel Hampton, Johnny Hodges, Dizzy Gillespie (pictured), Art Blakey, and Art Farmer, and has become known as much for his compositions as the greatness of his horn playing, having written standards like “I Remember Clifford,” “Killer Joe,” and “Along Came Betty.” Who is he?

Essay

photo of Esbjorn Svensson Trio/Pkobel/Creative Commons
“The Trio That Should Have Reshaped Jazz” — an essay by Scott Archer Jones

Photography

Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of Mal Waldron, Jackie McLean and Joe Henderson

Interview

photo by Michael Lionstar
In a wide-ranging interview, Nate Chinen, former New York Times jazz critic and currently the director of editorial content for WBGO (Jazz) Radio, talks about his book Playing Changes: Jazz for the New Century,, described by Herbie Hancock as a “fascinating read” that shows Chinen’s “firm support of the music

“What are 4 or 5 of your all-time favorite Blue Note albums?”

"What are 4 or 5 of your all-time favorite Blue Note albums?"
Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

Pressed for All Time

"Jazz Samba"/Verve Records
In this edition, excerpted from Michael Jarrett's Pressed For All Time, legendary producer Creed Taylor remembers the 1962 Stan Getz recording, Jazz Samba

Interview

Photographer Carol Friedman
In an entertaining conversation that also features a large volume of her famous photography, Carol Friedman discusses her lifelong work of distinction in the world of jazz photography

Art

"Dreaming of Bird at Billy Bergs" - by Charles Ingham
“Charles Ingham’s Jazz Narratives” — a continuing series

Humor

photo by William Gottlieb/Library of Congress
"Every Soul is a Circus," by Dig Wayne

Short Fiction

photo/Creative Commons CC0.
Con Chapman, author of Rabbit's Blues: The Life and Music of Johnny Hodges, contributes a humorous short story, "Father Kniest: Jazz Priest"

In the Previous Issue

photo of Sullivan Fortner by Carol Friedman
“The Jazz Photography Issue” features an interview with today’s most eminent jazz portrait photographer Carol Friedman, news from Michael Cuscuna about newly released Francis Wolff photos, as well as archived interviews with William Gottlieb, Herman Leonard, Lee Tanner, a piece on Milt Hinton, a new edition of photos from Veryl Oakland, and much more…

Contributing writers

Site Archive