We can learn from how jazz musicians communicate

August 3rd, 2018

 

 

From Wynton Marsalis’ 2008 book Moving to Higher Ground:  How Jazz Can Change Your Life comes another example of how humanity (and even the world of politics) can learn from how jazz musicians communicate…

 

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At [age] 12, I began listening to John Coltrane, Clifford Brown, Miles Davis, and Freddie Hubbard.  Just by paying serious attention to these musicians every day, I came to realize that each musician opens a chamber in the very center of his being and expresses that center in the uniqueness of his sound.  The sound of a master musician is as personalized and distinct as the sound of a person’s voice.  After that basic realization, I focused on what they were communicating through music – pure truth, delivered with the intimacy of friends revealing some secret, sensitive detail about themselves.  It takes courage and trust to share things.   Many times the act of revelation brings someone closer to you.  In learning about a person, you learn something about the world and about yourself, and if you can handle what you learn, you can get closer, much closer to them.

That’s why, I came to understand, the scuffling jazzmen around my father were so self-assured.  They didn’t mind you knowing who they were.  With Coltrane, of course, I was impressed with his virtuosity, his ability to run up and down his horn.  Everyone who heard him was.  But I noticed that the most meaningful phrases were almost never technically challenging.  They were succinct phrases that would run right through you, the way profound nuggets from Shakespeare’s plays can both cut through you and linger; all those words in Hamlet, but you remember “To be or not to be” or “to sleep perchance to dream.”  Something in those types of phrases reveals universal truth.

The best way I can describe this is by comparing it to the feeling between two people.  Before any words are spoken, before one makes any gesture toward the other, there is a feeling.  And that feeling loses intensity and purity when translated into words or gestures.  When someone reaches up to kiss you or says, “I love you,” those acts are reductions of that bigger feeling.  But if someone figures out how to communicate that big feeling – how to master a moment of soul – he or she just looks at you with directness and honesty and love.  Eyes along can warm your entire body.  We most often experience this unencumbered feeling from children.  But some adults give it, too.  Because jazz musicians improvise under the pressure of time, what’s inside comes out pure.  It’s like being pressed to answer a question before you have a chance to get your lie straight.  The first thought is usually the truth.

 

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Excerpted from Moving to Higher Ground:  How Jazz Can Change Your Life

by Wynton Marsalis, with Geoffrey C. Ward

 

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In a 2015 TED talk titled “Jazz Democracy,” saxophonist Dimitri Vassilakis talks about how jazz — a great American art form — embraced the broad democratic values that were first established in ancient Greece.

 

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In This Issue

This issue features an interview with Bing Crosby biographer Gary Giddins; a collection of poetry devoted to the World War II era; and a new edition of “Reminiscing in Tempo,” in which the question “What are 3 or 4 of your favorite jazz recordings of the 1940’s” is posed to Rickie Lee Jones, Chick Corea, Tom Piazza and others.

Features

In this edition of Reminiscing in Tempo,, Chick Corea, Rickie Lee Jones, Tom Piazza, Gary Giddins, Randy Brecker, Michael Cuscuna, Terry Teachout and many others answer the question, “What are 3 or 4 of your favorite recordings of the 1940’s?”

Interviews

Interview with Bing Crosby biographer Gary Giddins, author of the new book "Swinging on a Star: The War Years, 1940 - 1946"

Poetry

Eight poets — John Stupp, Aurora Lewis, Michael L. Newell, Robert Nisbet, Alan Yount, Roger Singer, dan smith and Joan Donovan — write about the era of World War II

The Joys of Jazz

Award winning radio producer and host Bob Hecht shares his love of jazz through his podcasts on his site “The Joys of Jazz.” In this edition, he tells two stories; the history of the virtual anthem of World War II, “I’ll Be Seeing You,” and the friendship and musical rapport of Bing Crosby and Louis Armstrong.

Short Fiction

Hannah Draper of Ottawa, Ontario is the winner of the 49th Jerry Jazz Musician New Short Fiction Award. Her story is titled "Will You Play For Me?"

Coming Soon

Three prominent scholars in a conversation about the lives of Billie Holiday, Ralph Ellison, and Langston Hughes (pictured)

Contributing writers

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