Poems by Roger Singer and Michael L. Newell

March 25th, 2018

“Think they fit?” by Maya Green

 

 

SOLO DANCE TO BLUES

by Michael L. Newell

a girl dances alone in a room
to an old blues tune sung
on a boom box by Mance Lipscomb

she whirls leaps and floats
on her toes with eyes shut
head laid back on an air cushion

an effortless whirlwind in a space
shared only with a funky slide guitar
and roughhewn marvelous voice

carving sound into pain intense and casually revealed
the singer states Joe Turner Killed a Man
the dancer wilts like a dying flower

then brings the man and her dance back to life
wild utterly free life and the guitar and voice
slice a listener’s heart into a slow beat beat beat

 

 

_______

 

 

HER WORLD

by Roger Singer

 

The red fire of her lipstick beckons eyes onto her;
she accepts the cloth of desire, conquering
the lust of men.
Fingers thirst at the words released from her.
Songs rich with the blood of her jazz
form rivers, drowning men, setting women
adrift in jealous seas.
The sax draws close to the satin covering
her long legs; she whispers into night.
Her eyes reduce jewels to sand.

The earth spins at the calling of her voice.

 

 

__________

 

 

 

Michael L. Newell, an expatriate English/Theatre teacher for twenty years, retired to the south-central Oregon coast in 2014.  Among his published works are Traveling without Compass or Map (Bellowing Ark Press, 2006), A Long Time Traveling (Four-Sep Publications, 2004), Seeking Shelter (Four-Sep Publications, 2004), and A Stranger to the Land (Garden Street Press, 1997).  He has loved jazz for over fifty years.

 

______

 

 

Roger Singer is a prolific and accomplished contributing poet who we have proudly published for well over ten years.  Singer has had almost 800 poems published in magazines, periodicals and online journals — 400 of which are jazz poems — and has recently self-published a Kindle edition of his book of jazz poetry called Poetic Jazz.

“Jazz poetry flows out with such ease,” Singer writes on his blog. “The people and places, the alleys and sawdust jazz clubs. The stories that bring jazz alive with horns and voices, from sadness and grief to highs at midnight and love gone wrong. The jazz is within us all. Find your poem and feel the music.”

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In This Issue

Jeffrey Stewart, National Book Award and Pulitzer Prize-winning author of The New Negro: The Life of Alain Locke, is interviewed about Locke (pictured), the father of the Harlem Renaissance.

Also in this issue…A new collection of jazz poetry; "On the Turntable," a new playlist of 19 recommended recordings by five jazz artists; three new podcasts by Bob Hecht; a new “Great Encounters”; several short stories; the photography of Veryl Oakland and Charles Ingham; a new Jazz History Quiz; and lots more…

On the Turntable

This month, a playlist of 19 recently released jazz recordings, including those by Branford Marsalis, Joe Martin, Scott Robinson, Allison Au and Warren Vache

Poetry

In a special collection of poetry, eight poets contribute seventeen poems focused on stories about family, and honoring mothers and fathers

The Joys of Jazz

In this new volume of his podcasts, Bob Hecht presents three very different stories; on Harlem Stride piano, Billy Strayhorn's end-of-life composition "Blood Count," and "Lester-ese," Lester Young’s creative verbal wit and wordplay.

Short Fiction

We had many excellent entrants in our recently concluded 50th Short Fiction Contest. In addition to publishing the winning story on March 11, with the consent of the authors, we have published several of the short-listed stories...

“What are some of your all-time favorite record album covers?”

Gary Giddins, Jimmy Heath, Fred Hersch, Joe Hagan, Maxine Gordon, Neil Tesser, Tim Page, Veronica Swift and Marcus Strickland are among the 25 writers, musicians, poets, educators, and photographers who write about their favorite album cover art

Art

“Thinking about Homer Plessy” — a photo narrative by Charles Ingham

Jazz History Quiz #128

Although he was famous for modernizing the sound of the Tommy Dorsey Orchestra -- “On the Sunny Side of the Street” was his biggest hit while working for Dorsey (pictured) -- this arranger will forever be best-known for his work with the Jimmie Lunceford Orchestra. Who is he?

Great Encounters

In this edition, Bob Dylan recalls what Thelonious Monk told him about music at New York’s Blue Note club in c. 1961.

Art

Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland's photographs and stories feature Stan Getz, Sun Ra, and Carla Bley.

Interviews

Romare Bearden biographer Mary Schmidt Campbell discusses the life of the important 20th century American artist

Cover Stories with Paul Morris

In this edition, Paul writes about jazz album covers that offer glimpses into intriguing corners of the culture of the 1950’s

Coming Soon

Michael Cuscuna, the legendary record producer and founder of Mosaic Records, is interviewed about his life in jazz...Award-winning photographer Carol Friedman, on her career in the world of New York jazz photography

In the previous issue

Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon, talks about her book, and the complex life of her late husband.

Also in this issue…A new collection of jazz poetry; "On the Turntable," a new playlist of 22 recommended recordings by seven jazz artists; three new podcasts by Bob Hecht; a new “Great Encounters”; several short stories; the photography of Veryl Oakland and Charles Ingham; a new Jazz History Quiz; and lots more…

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