Poems by Roger Singer and Michael L. Newell

March 25th, 2018

 

 

 

SOLO DANCE TO BLUES

by Michael L. Newell

a girl dances alone in a room
to an old blues tune sung
on a boom box by Mance Lipscomb

she whirls leaps and floats
on her toes with eyes shut
head laid back on an air cushion

an effortless whirlwind in a space
shared only with a funky slide guitar
and roughhewn marvelous voice

carving sound into pain intense and casually revealed
the singer states Joe Turner Killed a Man
the dancer wilts like a dying flower

then brings the man and her dance back to life
wild utterly free life and the guitar and voice
slice a listener’s heart into a slow beat beat beat

 

 

_______

 

 

HER WORLD

by Roger Singer

 

The red fire of her lipstick beckons eyes onto her;
she accepts the cloth of desire, conquering
the lust of men.
Fingers thirst at the words released from her.
Songs rich with the blood of her jazz
form rivers, drowning men, setting women
adrift in jealous seas.
The sax draws close to the satin covering
her long legs; she whispers into night.
Her eyes reduce jewels to sand.

The earth spins at the calling of her voice.

 

 

__________

 

 

 

Michael L. Newell, an expatriate English/Theatre teacher for twenty years, retired to the south-central Oregon coast in 2014.  Among his published works are Traveling without Compass or Map (Bellowing Ark Press, 2006), A Long Time Traveling (Four-Sep Publications, 2004), Seeking Shelter (Four-Sep Publications, 2004), and A Stranger to the Land (Garden Street Press, 1997).  He has loved jazz for over fifty years.

 

______

 

 

Roger Singer is a prolific and accomplished contributing poet who we have proudly published for well over ten years.  Singer has had almost 800 poems published in magazines, periodicals and online journals — 400 of which are jazz poems — and has recently self-published a Kindle edition of his book of jazz poetry called Poetic Jazz.

“Jazz poetry flows out with such ease,” Singer writes on his blog. “The people and places, the alleys and sawdust jazz clubs. The stories that bring jazz alive with horns and voices, from sadness and grief to highs at midnight and love gone wrong. The jazz is within us all. Find your poem and feel the music.”

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In this Issue

Art by Russell Dupont
Twenty-eight poets contribute 37 poems to the Jerry Jazz Musician Fall Poetry Collection, living proof that the energy and spirit of jazz is alive — and quite well.

Interview

photo by Francis Wolff/© Mosaic Images
Interview with Paul Lopes, author of Art Rebels: Race, Class and Gender in the Art of Miles Davis and Martin Scorsese

Short Fiction

Photo/CC0 Public Doman
Short Fiction Contest-winning story #52 — “Random Blonde,” by Zandra Renwick

Poetry

Photo by. Adrianna Calvo from Pexels
“Sandra’s Vigil” — a poem by Robert Nisbet

Great Encounters

photo by William Gottlieb/Library of Congress
In this edition, Con Chapman, author of Rabbit’s Blues: The Life and Music of Johnny Hodges, writes about Hodges’ early musical training, and the first meeting he had with Sidney Bechet, the influential and legendary reed player who Hodges called “tops in my book.”

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photo of Dizzy Gillespie by Brian McMillen
This legendary saxophonist has worked with Lionel Hampton, Johnny Hodges, Dizzy Gillespie (pictured), Art Blakey, and Art Farmer, and has become known as much for his compositions as the greatness of his horn playing, having written standards like “I Remember Clifford,” “Killer Joe,” and “Along Came Betty.” Who is he?

Essay

photo of Esbjorn Svensson Trio/Pkobel/Creative Commons
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Photography

Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of Mal Waldron, Jackie McLean and Joe Henderson

Interview

photo by Michael Lionstar
In a wide-ranging interview, Nate Chinen, former New York Times jazz critic and currently the director of editorial content for WBGO (Jazz) Radio, talks about his book Playing Changes: Jazz for the New Century,, described by Herbie Hancock as a “fascinating read” that shows Chinen’s “firm support of the music

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Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

Pressed for All Time

"Jazz Samba"/Verve Records
In this edition, excerpted from Michael Jarrett's Pressed For All Time, legendary producer Creed Taylor remembers the 1962 Stan Getz recording, Jazz Samba

Interview

Photographer Carol Friedman
In an entertaining conversation that also features a large volume of her famous photography, Carol Friedman discusses her lifelong work of distinction in the world of jazz photography

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Humor

photo by William Gottlieb/Library of Congress
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Short Fiction

photo/Creative Commons CC0.
Con Chapman, author of Rabbit's Blues: The Life and Music of Johnny Hodges, contributes a humorous short story, "Father Kniest: Jazz Priest"

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“The Jazz Photography Issue” features an interview with today’s most eminent jazz portrait photographer Carol Friedman, news from Michael Cuscuna about newly released Francis Wolff photos, as well as archived interviews with William Gottlieb, Herman Leonard, Lee Tanner, a piece on Milt Hinton, a new edition of photos from Veryl Oakland, and much more…

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