A collection of poetry celebrating love and jazz

February 14th, 2018

 

 

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Jazz music is a language of love.  Love is found in,

the elegance of the Ellington orchestra
the artistry of Bird and Diz
the adventure of Miles
the humor of Armstrong’s growl
the romance of Johnny Hodges
the playfulness of Monk
the strength and character of Mary Lou Williams
the joy of the Basie horn section
the seduction in Sarah Vaughan’s vibrato
the erotic interplay of Prez and Lady Day
the tenderness of Bill Evans’ trio
the heartbreak in Dinah Washington’s cry
the optimism of Clifford Brown and Max Roach
the raw energy of Ornette Coleman
the enthusiasm of Ella
the masculinity of Coleman Hawkins
the muscularity of Gerry Mulligan
the tension of Cecil Taylor
the relentlessness of Sonny Rollins
the coolness of Desmond
the boldness of Nina Simone
the urgency of Elvin Jones
the sexuality of Mingus
the passion of Coltrane
the tears in Chet Baker’s horn.

 

 

In anticipation of Valentine’s Day, I recently invited many of our contributing poets to submit work that combines the themes of jazz music and love, with the result being a collection of voices expressing their own contributions to the language of love…

Dozens of writers submitted over 100 poems, and the best of the submissions — 29 poems by 18 poets — are found on the following 12 pages. Advance through the selections by utilizing the page monitor at the bottom of each page.

Many thanks to everyone who submitted their work.

 

JJM

 

 

 

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7 comments on “A collection of poetry celebrating love and jazz”

  1. To bring from the lips to the ear or the fingers to the ear and into the body so much of life and love is such a fine thing that the poet and the musician have married here that all we can do that is celebrate and hallelujah.

  2. This collection has too many good poems and poets to acknowledge every poem and every poet worthy of attention. I will, therefore, single out a handful of poets who moved me deeply. The list would include Gannon Daniels, Robert Nisbet, Susana Case, Dan Franch, Patricia Carragon, John Stupp, and Aurora Lewis. If I went back and reread all the poems for a fourth or fifth time, I would likely expand this list considerably. I tip my hat to all the fine artists in this collection, and I thank Joseph Maita for putting all these fine poems together in such an appealing way.

  3. Michael,

    I especially like the way the way the two settings, outside and inside the Inn in the first poem, as in these lines:

    outside the night is filled
    with cigarette smoke lightning
    and Lithia Creek swirling over rocks

    In the second poem, I hear the music playing in the background of the second poem.

  4. I am pleased that I was able to participate in a poetry writing event which includes the deeply felt emotions of jazz music and love and its individual expressions in form and format. I will read these with great pleasure. This idea to showcase it on Valentines date was terrific.

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In this Issue

Art by Russell Dupont
Twenty-eight poets contribute 37 poems to the Jerry Jazz Musician Fall Poetry Collection, living proof that the energy and spirit of jazz is alive — and quite well.

Short Fiction

Photo/CC0 Public Doman
Short Fiction Contest-winning story #52 — “Random Blonde,” by Zandra Renwick

Interview

photo by Michael Lionstar
In a wide-ranging interview, Nate Chinen, former New York Times jazz critic and currently the director of editorial content for WBGO (Jazz) Radio, talks about his book Playing Changes: Jazz for the New Century,, described by Herbie Hancock as a “fascinating read” that shows Chinen’s “firm support of the music

Great Encounters

photo by William Gottlieb/Library of Congress
In this edition, Con Chapman, author of Rabbit’s Blues: The Life and Music of Johnny Hodges, writes about Hodges’ early musical training, and the first meeting he had with Sidney Bechet, the influential and legendary reed player who Hodges called “tops in my book.”

Jazz History Quiz #132

photo of Dizzy Gillespie by Brian McMillen
This legendary saxophonist has worked with Lionel Hampton, Johnny Hodges, Dizzy Gillespie (pictured), Art Blakey, and Art Farmer, and has become known as much for his compositions as the greatness of his horn playing, having written standards like “I Remember Clifford,” “Killer Joe,” and “Along Came Betty.” Who is he?

Essay

photo of Esbjorn Svensson Trio/Pkobel/Creative Commons
“The Trio That Should Have Reshaped Jazz” — an essay by Scott Archer Jones

Photography

Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of Mal Waldron, Jackie McLean and Joe Henderson

“What are 4 or 5 of your all-time favorite Blue Note albums?”

"What are 4 or 5 of your all-time favorite Blue Note albums?"
Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

Pressed for All Time

"Jazz Samba"/Verve Records
In this edition, excerpted from Michael Jarrett's Pressed For All Time, legendary producer Creed Taylor remembers the 1962 Stan Getz recording, Jazz Samba

Interview

Photographer Carol Friedman
In an entertaining conversation that also features a large volume of her famous photography, Carol Friedman discusses her lifelong work of distinction in the world of jazz photography

Art

"Dreaming of Bird at Billy Bergs" - by Charles Ingham
“Charles Ingham’s Jazz Narratives” — a continuing series

Humor

photo by William Gottlieb/Library of Congress
"Every Soul is a Circus," by Dig Wayne

Interview

photo by Francis Wolff, courtesy of Mosaic Records
Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon, discusses her late husband’s complex, fascinating life.

Short Fiction

photo/Creative Commons CC0.
Con Chapman, author of Rabbit's Blues: The Life and Music of Johnny Hodges, contributes a humorous short story, "Father Kniest: Jazz Priest"

In the Previous Issue

photo of Sullivan Fortner by Carol Friedman
“The Jazz Photography Issue” features an interview with today’s most eminent jazz portrait photographer Carol Friedman, news from Michael Cuscuna about newly released Francis Wolff photos, as well as archived interviews with William Gottlieb, Herman Leonard, Lee Tanner, a piece on Milt Hinton, a new edition of photos from Veryl Oakland, and much more…

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