Alabama: Jack DeJohnette, Ravi Coltrane, Matthew Garrison
Yes, it is hot,
night sweats beneath
Spanish moss and the terror in trees
now knowing no cover of darkness
to greet a Sunday morning
under the stairs
16th Street Baptist Church.
and the siren wails a ways away.
There’s tension in the backbeat of cymbals and toms.
Menacing bass line rises one step up in the deep wail
of the lowest register of hate
that God may drop his tear on Alabama’s motherless child.
Yes, the sax finds the same full step rise,
yea though it walks through the valley of the shadow of death,
it soars in pain
that screams of night in broad daylight
shall not follow us. All the days of our lives.
The lights are out in Birmingham now; no one sleeps.
sixteen-second run, then out.
With sixteen-second cymbals, the music had begun.
Magnificent dissonance and consonance soar
beneath the wings
of angels 4.
Photos taken by John McCluskey during the Jack DeJohnette Trio performance at Jazz Fest in New Orleans. McCluskey writes that he “stylized each to illustrate the beauty, color, and starkness of their rendition of John Coltrane’s “Alabama.”
John McCluskey works in the IT industry and lives in Connecticut with his family. He has had poetry, short fiction, and photography published in various literary journals and anthologies including Quill & Parchment, The Red Booth Review, Inkwell, Lullwater Review, The Dirty Goat, The Griffin, One For The Road, and Cradle Songs: an Anthology of Poems on Motherhood (2013 International Book Award winner and one of 4 finalists for the NIEA). John’s poem “My Gray Child” from Cradle Songs was nominated for a Pushcart Prize and read at a poetry reading in Taos, New Mexico by actor Tony Huston