Remembering Clifford Brown

October 30th, 2013

October 30 is Clifford Brown’s 83rd birthday. Long since deceased (he died in a car crash in 1956 at age 25), his birthday is a reminder of the musical joy he shared with his listeners, and of his classic sound. For me, it is a time of remembrance and appreciation for the contribution he made to intensifying my interest in jazz. To this day, my memory is thick with the sound of “Joy Spring” filling my Berkeley apartment in the mid-1970’s, when I was falling in love with the music.


Check out what bandmate Harold Land said about Brown, and then treat yourself to a listen to “Joy Spring.”

cliffordbrown

“Clifford Brown was a very beautiful person. He had a very warm personality and usually seemed so relaxed it made me relaxed to be around him. In my opinion Brownie had a very even temperament, if that’s the best way to describe it, and a kind of wisdom or knowledge of himself and those around him, and of life in general, that one associates with someone quite a bit older than he was at the time. And to me these same qualities were evident when he expressed himself through his instrument. I have had more than one talented musician say to me, referring to Brownie, that he played his instrument like a young old man! And in each instance I’m sure they meant this statement to be an extremely beautiful compliment, that a man so young in years could acquire such command, depth, and broad musical scope in such a relatively short span of time. Playing with the fire and creativeness of a young man, and with the depth, tenderness, and insight into past, present, and future of an older man.”


– saxophonist Harold Land

_____

“Joy Spring”

You may enjoy reading our interview with playwright Warren Leight, whose “Sideman” acknowledged the greatness of Clifford Brown; and our interview with Brown biographer Nick Catalano

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

In This Issue

Jeffrey Stewart, National Book Award and Pulitzer Prize-winning author of The New Negro: The Life of Alain Locke, is interviewed about Locke (pictured), the father of the Harlem Renaissance.

Also in this issue…A new collection of jazz poetry; "On the Turntable," a new playlist of 19 recommended recordings by five jazz artists; three new podcasts by Bob Hecht; a new “Great Encounters”; several short stories; the photography of Veryl Oakland and Charles Ingham; a new Jazz History Quiz; and lots more…

On the Turntable

This month, a playlist of 19 recently released jazz recordings, including those by Branford Marsalis, Joe Martin, Scott Robinson, Allison Au and Warren Vache

Poetry

In a special collection of poetry, eight poets contribute seventeen poems focused on stories about family, and honoring mothers and fathers

The Joys of Jazz

In this new volume of his podcasts, Bob Hecht presents three very different stories; on Harlem Stride piano, Billy Strayhorn's end-of-life composition "Blood Count," and "Lester-ese," Lester Young’s creative verbal wit and wordplay.

Short Fiction

We had many excellent entrants in our recently concluded 50th Short Fiction Contest. In addition to publishing the winning story on March 11, with the consent of the authors, we have published several of the short-listed stories...

“What are some of your all-time favorite record album covers?”

Gary Giddins, Jimmy Heath, Fred Hersch, Joe Hagan, Maxine Gordon, Neil Tesser, Tim Page, Veronica Swift and Marcus Strickland are among the 25 writers, musicians, poets, educators, and photographers who write about their favorite album cover art

Art

“Thinking about Homer Plessy” — a photo narrative by Charles Ingham

Jazz History Quiz #127

Before his tragic early death, this trumpeter played with Max Roach, Abbey Lincoln, and John Coltrane, and most famously during a 1961 Five Spot gig with Eric Dolphy (pictured). Who is he?

Great Encounters

In this edition, Bob Dylan recalls what Thelonious Monk told him about music at New York’s Blue Note club in c. 1961.

Art

Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland's photographs and stories feature Stan Getz, Sun Ra, and Carla Bley.

Interviews

Romare Bearden biographer Mary Schmidt Campbell discusses the life of the important 20th century American artist

Cover Stories with Paul Morris

In this edition, Paul writes about jazz album covers that offer glimpses into intriguing corners of the culture of the 1950’s

Coming Soon

Michael Cuscuna, the legendary record producer and founder of Mosaic Records, is interviewed about his life in jazz...Award-winning photographer Carol Friedman, on her career in the world of New York jazz photography

In the previous issue

Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon, talks about her book, and the complex life of her late husband.

Also in this issue…A new collection of jazz poetry; "On the Turntable," a new playlist of 22 recommended recordings by seven jazz artists; three new podcasts by Bob Hecht; a new “Great Encounters”; several short stories; the photography of Veryl Oakland and Charles Ingham; a new Jazz History Quiz; and lots more…

Contributing writers

Site Archive