Masters of Jazz Photography – Herb Snitzer

August 29th, 2007

Masters of Jazz Photography

The great improvisational American jazz musicians of the mid-20th century inspired a generation of photographers to develop a looser, moodier style of visual expression. That evocative approach is on striking display in The Jazz Image: Masters of Jazz Photography. Covering six decades of performers — from Louis Armstrong and Duke Ellington to John Coltrane and Miles Davis — this unique collection is as much a comprehensive catalogue of jazz greats as it is a salute to the photographers who captured them.

     Lee Tanner, a leading authority on jazz photography, has selected works — by such noted jazz photographers as Herman Leonard, Bob Willoughby, Milt Hinton, and Bill Claxton — that are iconic, candid, explosive, and intimate. They provide a simultaneous look at jazz, photography, and America from 1935 into the 1990s.#

_____

 In cooperation with Tanner, Jerry Jazz Musician will present a number of editions of “Master of Jazz Photography,” featuring a work by one of the photographers featured in The Jazz Image.  

This edition:  Herb Snitzer


“Music should always be an adventure.”

– Coleman Hawkins

Roy Eldridge and Coleman Hawkins, musical partners for years, at the Museum of Modern Art, New York, 1960

Photograph by Herb Snitzer

_____

Sound samples of Coleman Hawkins and Roy Eldridge

Bean Stalkin’

The Nearness of You

Tea For Two

Blue Moon


Herb Snitzer was born in 1932 and grew up in Philadelphia. After graduating from the Philadelphia College of Art in 1957, he moved to New York City, where he quickly established himself as a busy photojournalist. In 1959 Snitzer became the photography editor of Metronome, then associate editor until 1961. During what proved to be a twenty-year break in his photography career, he earned a master’s degree in education and worked in that field. The jazz world beckoned once again in 1986, when Snitzer’s friend of many years, singer-pianist Nina Simone, asked him to accompany her to Switzerland and document several of her concerts. In the 1990s Snitzer moved to St. Petersburg, Florida, and opened a studio for fine-art photography. His work is displayed in galleries and museums throughout the country, and he has authored five books on music and education. His most recent book, Jazz: A Visual Journey, contains the best of his jazz photography. His work is found online at www.herbsnitzer.com.

     About the Author

     Lee Tanner has been photographing jazz musicians for nearly half a century. His photographs have appeared in Down Beat, Jazz Times, American Photo, and Popular Photography, on the covers of many record albums, and in several books. He lives in Sonora, CA.

“Masters of Jazz Photography” Index

# Text from the publisher

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

In This Issue

Michael Cuscuna, Mosaic Records co-founder, is interviewed about his successful career as a jazz producer, discographer, and entrepreneur...Also in this issue, in celebration of Blue Note’s 80th year, we asked prominent writers and musicians the following question: “What are 4 or 5 of your all-time favorite Blue Note albums; a new collection of jazz poetry; “On the Turntable,” is a new playlist of 18 recently released jazz recordings from six artists – Joshua Redman, Joe Lovano, Matt Brewer, Tom Harrell, Zela Margossian and Aaron Burnett; two new podcasts by Bob Hecht; a new “Jazz History Quiz”; a new feature called “Pressed for All Time,”; a new photo-narrative by Charles Ingham; and…lots more.

On the Turntable

This month, a playlist of 18 recently released jazz recordings by six artists -- Joshua Redman, Joe Lovano. Matt Brewer, Tom Harrell, Zela Margossian, and Aaron Burnett

Poetry

In this month’s collection, with great jazz artists at the core of their work, 16 poets remember, revere, ponder, laugh, dream, and listen

The Joys of Jazz

In this new volume of his podcasts, Bob presents two stories, one on Clifford Brown (featuring the trumpeter Charlie Porter) and the other is part two of his program on stride piano, including a conversation with Mike Lipskin

Short Fiction

We had many excellent entrants in our recently concluded 50th Short Fiction Contest. In addition to publishing the winning story on March 11, with the consent of the authors, we have published several of the short-listed stories...

“What are 4 or 5 of your all-time favorite Blue Note albums?”

Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

Pressed for All Time

In an excerpt from his book Pressed for All Time, Michael Jarrett interviews producer Creed Taylor about how he came to use tape overdubs during the 1957 Lambert, Hendricks, and Ross Sing a Song of Basie recording session

Art

"Thinking About Charlie Parker" -- a photo narrative by Charles Ingham

Jazz History Quiz #128

Although he was famous for modernizing the sound of the Tommy Dorsey Orchestra -- “On the Sunny Side of the Street” was his biggest hit while working for Dorsey (pictured) -- this arranger will forever be best-known for his work with the Jimmie Lunceford Orchestra. Who is he?

Great Encounters

In this edition, Bob Dylan recalls what Thelonious Monk told him about music at New York’s Blue Note club in c. 1961.

Art

Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland's photographs and stories feature Stan Getz, Sun Ra, and Carla Bley.

Interviews

Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon, discusses her late husband’s complex, fascinating life.

Cover Stories with Paul Morris

In this edition, Paul writes about jazz album covers that offer glimpses into intriguing corners of the culture of the 1950’s

Coming Soon

"The Photography Issue" will feature an interview with jazz photographer Carol Friedman (her photo of Wynton Marsalis is pictured), as well as with Michael Cuscuna on unreleased photos by Blue Note's Francis Wolff.

In the previous issue

Jeffrey Stewart, National Book Award and Pulitzer Prize-winning author of The New Negro: The Life of Alain Locke, is interviewed about Locke (pictured), the father of the Harlem Renaissance. Also in this issue…A new collection of jazz poetry; "On the Turntable," a new playlist of 19 recommended recordings by five jazz artists; three new podcasts by Bob Hecht; a new “Great Encounters”; several short stories; the photography of Veryl Oakland and Charles Ingham; a new Jazz History Quiz; and lots more…

Contributing writers

Site Archive