Reminiscing in Tempo: Memories and Opinion/Volume Three: What recording session do you wish you could have witnessed?

February 4th, 2006

 

Reminiscing in Tempo

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Memories and Opinion

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“Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of “edu-tainment.” Every month (or as often as possible), Jerry Jazz Musician poses one question via e mail to a small number of prominent and diverse people. The question is designed to provoke a lively response that will potentially include the memories and/or opinion of those solicited.

Since it is not possible to know who will answer the question, the diversity of the participants will often depend on factors beyond the control of the publisher. The responses from the people who chose to participate in this edition are published below with only minor stylistic editing. No follow-up questions take place.

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What recording session do you wish you could have witnessed?

Originally published February, 2006

 


It was not too difficult for me to find an answer to your question.   Although I was privileged to witness many great sessions, the ones I most regret having missed were all the Miles Davis/Gil Evans series.   Combining these two geniuses with such great composers as Gershwin and Rodrigo has produced a monumental musical experience unlike any other in jazz history. These recordings will be the first on my list when I retire to that desert island.

 

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Concierto De Aranjuez

 

 


 

I didn’t think there were any at first — but then — seconds later I thought how interesting it would have been to be at an early Ella Fitzgerald session with Chick Webb and/or the Jazz at the Philharmonicconcert recordings. Both situations were totally opposed to my quite “formal” recordings with Ella in later years of seventy-seven arrangements I did for her!

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I’ll Chase The Blues Away

 

 


 

To answer your question, the musical recording session that I wish I could have witnessed is: The studio recording of “Manteca” by Dizzy Gillespie, his big band, and Chano Pozo on congas in the 1940’s.

 

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Manteca

 

 


 

I wish I could have been sitting in a front row table at the Village Vanguard when Bill Evans recorded the Village Vanguard Sessionswith his trio with Paul Motion and Scott LaFaro.

 

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All Of You

 

 

 


 

The Jazz at the Philharmonic Concert, Vol #4 in Los Angeles, with Nat Cole, piano and Les Paul, guitar on “Blues.”  Illinois Jacquet (ts), Jack McVea (ts), J. J. Johnson (tb), “Shorty” Nadine ( = Nat King Cole) (p), Les Paul (g), Johnny Miller (b), Lee Young (ds).   Recorded live at the Philharmonic Auditorium, Los Angeles, CA, on July 02, 1944.

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Flying Home

 

 

 

 

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In This Issue

Michael Cuscuna, Mosaic Records co-founder, is interviewed about his successful career as a jazz producer, discographer, and entrepreneur...Also in this issue, in celebration of Blue Note’s 80th year, we asked prominent writers and musicians the following question: “What are 4 or 5 of your all-time favorite Blue Note albums; a new collection of jazz poetry; “On the Turntable,” is a new playlist of 18 recently released jazz recordings from six artists – Joshua Redman, Joe Lovano, Matt Brewer, Tom Harrell, Zela Margossian and Aaron Burnett; two new podcasts by Bob Hecht; a new “Jazz History Quiz”; a new feature called “Pressed for All Time,”; a new photo-narrative by Charles Ingham; and…lots more.

On the Turntable

This month, a playlist of 18 recently released jazz recordings by six artists -- Joshua Redman, Joe Lovano. Matt Brewer, Tom Harrell, Zela Margossian, and Aaron Burnett

Poetry

In this month’s collection, with great jazz artists at the core of their work, 16 poets remember, revere, ponder, laugh, dream, and listen

The Joys of Jazz

In this new volume of his podcasts, Bob presents two stories, one on Clifford Brown (featuring the trumpeter Charlie Porter) and the other is part two of his program on stride piano, including a conversation with Mike Lipskin

Short Fiction

Short Fiction Contest-winning story #51 — “Crossing the Ribbon,” by Linnea Kellar

“What are 4 or 5 of your all-time favorite Blue Note albums?”

Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

Pressed for All Time

In an excerpt from his book Pressed for All Time, Michael Jarrett interviews producer Creed Taylor about how he came to use tape overdubs during the 1957 Lambert, Hendricks, and Ross Sing a Song of Basie recording session

Art

“Thinking about the Truesdells” — a photo-narrative by Charles Ingham

Jazz History Quiz #128

Although he was famous for modernizing the sound of the Tommy Dorsey Orchestra -- “On the Sunny Side of the Street” was his biggest hit while working for Dorsey (pictured) -- this arranger will forever be best-known for his work with the Jimmie Lunceford Orchestra. Who is he?

Great Encounters

In this edition, Bob Dylan recalls what Thelonious Monk told him about music at New York’s Blue Note club in c. 1961.

Art

Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland's photographs and stories feature Stan Getz, Sun Ra, and Carla Bley.

Interviews

Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon, discusses her late husband’s complex, fascinating life.

Cover Stories with Paul Morris

In this edition, Paul writes about jazz album covers that offer glimpses into intriguing corners of the culture of the 1950’s

Coming Soon

"The Photography Issue" will feature an interview with jazz photographer Carol Friedman (her photo of Wynton Marsalis is pictured), as well as with Michael Cuscuna on unreleased photos by Blue Note's Francis Wolff.

In the previous issue

Jeffrey Stewart, National Book Award and Pulitzer Prize-winning author of The New Negro: The Life of Alain Locke, is interviewed about Locke (pictured), the father of the Harlem Renaissance. Also in this issue…A new collection of jazz poetry; "On the Turntable," a new playlist of 19 recommended recordings by five jazz artists; three new podcasts by Bob Hecht; a new “Great Encounters”; several short stories; the photography of Veryl Oakland and Charles Ingham; a new Jazz History Quiz; and lots more…

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