Ralph Blumenthal, author of The Stork Club: America’s Most Famous Nightspot and the Lost World of Cafe Society

January 14th, 2002

JJM You said that during the war, the Stork Club came to represent the home front normalcy and “why we fight.”

RB Today, you might think that in wartime, people would resent rich people carrying on, eating all the food they wanted, and drinking all the liquor they could get their hands on, while in the rest of the country everything was rationed.  But in a strange way, the fighting man looked back on the Stork Club as some fond icon of America. They painted the logo on bombers. They set up little Stork Clubs in the Pacific on these tiny Pacific islands they were fighting the Japanese for. In Europe and North Africa were little Stork Clubs. Guys would write in from the war zone, saying to hold a reservation at the Stork Club for me as soon as the war is over. So, it became a symbol of what we were fighting for. Billingsley, of course, fed into this by giving out victory pins and treating servicemen very well. They would get free drinks and their uniform would get them in the door.

JJM The image of the Stork Club carried over well beyond the citizens of New York. The whole country was well aware of its appeal…

RB Yes, he had a show called The Stork Club Show that ran from 1950 – 1955. It eventually ran on all three networks. It wasn’t filmed in the Cub Room of the Stork Club, but in a specially built studio upstairs. The studio looked like the Stork Club, and he had his celebrity guests in the studio.  He went around from table to table, chatting people up. That is what people around the country saw. Thus, it exemplified the glamour of New York, all these celebrities there together in the Stork Club. It started off with images of a gloved hand pouring champagne into a glass, which would sometimes slop over because it was live TV. But it seemed to echo the elegance the country was searching for.

JJM Who owns that material? The networks?

RB They have all disappeared. I think there was seven shows left, and I saw all seven. I am not aware of any others. CBS, as far as I know doesn’t have them. They might exist in the cache somewhere. Peter Lind Hayes and Mary Healy, who were the host and hostess of the show, had some and they donated them to the museum of television and radio.

JJM The chapter on the TV show was absolutely hilarious…

RB It was prone to a lot of gaffes, and Billingsley was kind of wooden, not the perfect host. He was a very charming man, but we forget what TV was like at its inception. It was a very innocent medium, and people would freeze in front of the camera. There was no tape – everything was live – so if something didn’t work, it would happen in front of millions of viewers. Things like that regularly happened. Dishes fell down, Billingsley fell down, he would get tongue-tied. Once Hayes and Healy were lip-synching a song and the record skipped. These things became kind of notorious.

JJMHe had a ton of labor trouble during his ownership. He repeatedly stood up to the unions who attempted to organize his workers, even the unions led by mobster such as Dutch Schultz. What was his relationship with his workers like?

RB It was very paternalistic. I think he felt he was very good to his workers. He was paying them more than a lot of other places paid. For that, I think he felt he should be given special consideration. He did not want his workers to join the union. He hated unions because he always identified them with gangsters, which is what the situation was when he started out. During prohibition and for a good time afterwards, the racketeers controlled the unions, and it was a shakedown scheme. You had to pay off the bosses in order to ensure you weren’t getting a labor action or strike called on you. So, he never forgot that. Even when the racketeering influence waned, he always thought of the unions as crooked. So, he couldn’t stand that and chose to pay his workers well. They did very well at the Stork Club, got great tips, and he expected that to give him their loyalty and not join the unions. Well, when some of them decided to join the union anyway, during the organizing wave of the 1950’s, he went nuts, and started retaliating, firing people.  That is when the trouble started. But his labor problems went back to the 1930’s.


JJM He did some amazing things with his employees. Some of the memos he wrote in an effort to communicate with them indicated he was pretty paranoid. He even went so far as taping conversations of his key employees. What was the source of this paranoia?

RB Remember, he was a bootlegger from Oklahoma, in an illegal business. He was always on the boundaries of the law, if not on the far side of it, and he believed people were conspiring against him. He had a lot of tough opponents – the gangsters that moved in on him certainly gave him a lot of grief. A lot of people were “on the take” in New York, a lot of political corruption during the era of Jimmy Walker, Frank Costello…So, he wasn’t that far off in terms of seeing plots all around him. But that was the way his mind worked. He was quite distrustful, and often he caught his employees cheating. I like to the story of how he used to stand at the exit and watch his employees try to sneak stuff out. Often he would spot a guy trying to smuggle out cheese in a napkin, and he would stop him and hand him a loaf of bread, and he would say, “Here, have some bread with your cheese, don’t come back!”  The employees were always trying to pull some scam. It was said you could go through the employees’ locker room and you could smell the steaks in their lockers.

JJMHe had some pretty powerful allies, a significant one being J. Edgar Hoover.

RB Interesting story.  He got to know Hoover through Ethel Merman, who was Billingsley’s mistress for some years in the late 30’s and early 40’s. Hoover and his companion Clyde Tolson, his deputy director, were great fans of Merman. They came to New York to see her, and they all met at the Stork Club. Billingsley loved the idea that Hoover was a regular at his club, and he came to use Hoover a lot to investigate problems at the Stork Club. Hoover liked to party and he liked the social world, so they got quite close until they had a falling out when Billingsley’s middle daughter eloped and Billingsley wanted Hoover to investigate where they had gone and arrest her suitor. The FBI didn’t really do that and didn’t want to get involved.  Billingsley slammed down the phone on Hoover, which was not taken well.

JJM Hoover investigated a variety of fairly trivial complaints of Billingsley’s, the type of complaints you wouldn’t expect the director of the FBI to get involved with.

RB Yes, it was really penny-ante stuff. Every time Billingsley got a threatening note – which was very often – he turned it over to the FBI, and the FBI did a complete investigation. This was a day when there were plenty of other things that should have occupied the FBI’s attention. There was organized crime, there were a lot of security risks in the country, there was a lot of political agitation and corruption, yet Billingsley would get Hoover to assign his agents to find out who had sent this latest threatening note to him.  Often it didn’t get very far.

JJM In fact, once or twice it was discovered these threatening notes were coming from inside the Club.

RB Yes, often threats came from a disgruntled employee and it got to be kind of buffoonish. On one occasion they were trying to figure out where a threatening note came from and they investigated an elementary school .  They thought the paper had come from this one neighborhood where there was a school and they interviewed fifth and sixth graders to see if they had sent the note.

JJM There was a part of the story I would like to focus on for a couple of questions. Billingsley was described as “an equal opportunity bigot.” You spent a good part of the book on the circumstances around Josephine Baker’s claim of discrimination against Billingsley and the Stork Club.  Can you explain what happened to incite this claim?

RB Yes. This remains one of the more enduring mysteries of the time. The popular conception is that Josephine Baker, who was a black singer and erotic dancer, and quite an imposing figure in her time, was denied service at the Stork Club. The Stork Club, like most institutions of its time, were not particularly hospitable to minorities, especially blacks. This was a fact in America in the 20’s and 30’s and 40’s. It was a segregated society, particularly when it came to nightclubs and country clubs, universities, law firms. Blacks were second-class citizens, there is no doubt about it. Some black celebrities were admitted to the Stork Club, but generally the bar was much higher for blacks. With that said, Josephine Baker came by one night with a party of friends and they were served drinks and admitted to the Cub Room, where they were seated. They ordered wine and food and it didn’t come for a long time. In my book I suggest that Billingsley ordered they not be served when he noticed them, and that may indeed be the explanation.  But, for whatever reason the party stormed out after waiting and set in motion an apparently well prepared scenario of picketing and demonstrations against the Stork Club. It was a flash point, and it was really one of the first civil rights issues in American history. It really galvanized society. The New York Post jumped on it –  a liberal paper with a black reporter – and clearly there was some justification for it, but it also seems from my research that Josephine Baker had been preparing to make this social statement. Whether or not she was really discriminated against that night, they were prepared to make an issue of something. They did, and the Stork Club never quite recovered.

JJM The person she attended the dinner with was hopeful that she and Baker and their male escort could perhaps create a scene?

RB Yes. Roger Rico, the French star of South Pacific, was her host that night at the table. His wife and Bessie Buchanan, who was Josephine’s friend and who later became the first black Assemblywoman in New York State, and her husband, Charles, who ran the Savoy Ballroom, were with them. Even Adam Clayton Powell, Jr, one of the great civil rights pioneers, realized later that Baker had gone there with an issue. So, it looked like it was something they cooked up together. But, as I say, the larger truth was that of course blacks were not given equal access….

JJM So many people got involved in this. The issue became less about discrimination and more about who was on which side of the argument.

RB Yes, the argument became much larger than the immediate issue of the argument. It became a metaphor stand-in for other fights of society. For example, the New York Post was very eager to get its mitts on Walter Winchell. They hated him, who had become quite conservative by then and was an ally of Joseph McCarthy and the red-baiters. So, the Post was trying to get at Winchell.  He had been at the Stork Club the night all this occurred, but apparently not present at the time of the alleged incident. Still, the Post took out after Winchell. When Winchell was attacked, he lashed back and found out that Baker had supported Mussolini and Ethiopia and it became really quite ugly. This is why I found it so fascinating from today’s standpoint, that it became a metaphor for a lot of other things that were going on. It was really the first civil rights struggle before the Montgomery bus boycott. It sensitized the country to the inequities of what was going on.

JJM It was reported in all the major media. The newspapers were fighting over it, and Ed Sullivan got involved…

RB That’s right. Sullivan hated Winchell, so he used this as a chance to pile on. Winchell, of course, fought back. It became a celebrated feud. This is one of the joys of writing history because you find out so much of the atmosphere and the tenor of the times. It’s like a window back into what New York was into the 50’s and you understand so much more about how the city and the country developed.

JJM You mentioned something about Louis Armstrong, and how he came out and decried what Baker had done.

RB Yes. Josephine had lost a lot of support, even among black leaders who would ostensibly be in her corner. Armstrong didn’t like her very much. He thought she was an opportunist. As I said, Adam Clayton Powell had supported her in a march in Harlem and then realized she was really just out for herself. She was a bit of a weirdo and a kind of a nut-job in many ways. Although she certainly had many admirable qualities, including serving in the resistance against the Vichy regime in France, she also had a dark side and this may have been it.

JJM Clearly, it affected her career.

RB Yes, years later she tried to make up with Winchell and he would have none of it. She said that maybe she had been mistaken. Well, of course, that is quite an admission after the uproar she caused.

JJM The Baker saga exposed Billingsley’s imperfections to the New York public, didn’t it?

RB Yes, it provided an opening wedge to go into his history, which is something he had always hidden.

JJM It even pitted his older brother against him.

RB Yes, that’s right, because his older brother, Logan, who was a real maverick under the guise of sticking up for Sherman, said some very racist things. That, of course, just poured more fuel on the fire. So, instead of calming things, Logan said he discriminated against blacks, and he used a very crude “n” word and that of course made everything much worse.

JJM What effect did all of this exposure have on the Stork Club’s business?

RB This, coupled with a lot of other things that were happening at the time really conspired to spell the doom of the Stork Club. In the 50’s it was still riding high, but there were various social forces under way that were going to destroy it. One was the move to the suburbs. People weren’t hanging around anymore at night, at least not in the same numbers. Instead of going to nightclubs, they were catching commuter buses and trains to get to their homes in the suburbs. Television came along and people liked to spend their evenings around the tube, watching their favorite programs. The privileged classes of society who made up the core of the Stork Club’s clientele was shifting too. Society didn’t have the same class distinctions as it had before. A great democratization had taken place after the Second World War, so the Club sort of lost the patronage of these affluent, aristocratic types. That, coming on top of the labor troubles that he started to get in the 50’s again, coming on top of the taint of racism, all put nails in the Stork Club’s coffin.

JJM Was there a club that cashed in during the time as a kind of “anti Stork Club?”

RB There was one, actually. It was very funny, even earlier than this, in the 30’s and 40’s there was a place called the Café Society, and they really became an anti-Stork Club. They had no dress code, the waiters were better dressed than the clientele, and they welcomed blacks. It was a left-wing communistic kind of place because the guys who ran it were clearly active members of the Communist Party, the Josephson brothers. But it was a pleasant counterpart, in a way, to the Stork Club because it was much more democratic, it would welcome ordinary people and encouraged, for example, Billie Holiday. She first performed “Strange Fruit,” the wonderful anti-lynching lament, there. You have to remember that the appetite of the public was for glamour, and the Stork Club was much more in tenor with its time in terms of what the people dreamed about and wished for and aspired to than these so-called democratic clubs. That was the image the country had before it, right or wrong. It filled a need, and it was that dream of glamour that drove places like the Stork Club to the heights they attained. This was through the Depression and World War II, when people needed something to dream about. As I said in the book, the Stork Club survived the Depression, survived World War II, and was finally brought down by prosperity.

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