Yusef Lateef’s poetic description of music

     As his website reminds us, the late Yusef Lateef was “universally acknowledged as one of the greatest masters and innovators in the African American tradition of autophysiopsychic music – that which comes from one’s spiritual, physical and emotional self.”  He defined music as “a medium through which we express our feelings of love, sorrow, and joy.”

     Lateef, who died in 2013, was a virtuoso musician on a multitude of international instruments

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May 30th, 2018

Masters of Jazz Photography — Val Wilmer

In honor of the late jazz photographer Lee Tanner, Jerry Jazz Musician presents a number of editions of “Master of Jazz Photography,” featuring a work by one of the photographers featured in Tanner’s book The Jazz Image.



This edition: Val Wilmer

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April 17th, 2015

Liner Notes — Joel Dorn on Yusef Lateef’s 1963 recording Jazz ‘Round The World

In his New York Times obituary of Yusef Lateef – who died on December 23rd at the age of 93 – Peter Keepnews describes him as a “decidedly unconventional musician,” and quotes Lateef as saying “My attempts to experiment with new instruments grew out of the monotony of hearing the same old sounds played by the same old horns. When I looked into those other cultures, I found that good instruments existed there.”

Keepnews also writes that Lateef “professed to find the word ‘jazz’ limiting and degrading; he preferred ‘autophysiopsychic music,’ a term he invented. He further distanced himself from the jazz mainstream in 1980 when he declared that he would no longer perform any place where alcohol was served. ‘Too much blood, sweat and tears have been spilled creating this music to play it where people are smoking, drinking and talking,’ he explained to The Boston Globe in 1999.”

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December 27th, 2013

In This Issue

Jeffrey Stewart, National Book Award and Pulitzer Prize-winning author of The New Negro: The Life of Alain Locke, is interviewed about Locke (pictured), the father of the Harlem Renaissance.

Also in this issue…A new collection of jazz poetry; "On the Turntable," a new playlist of 19 recommended recordings by five jazz artists; three new podcasts by Bob Hecht; a new “Great Encounters”; several short stories; the photography of Veryl Oakland and Charles Ingham; a new Jazz History Quiz; and lots more…

On the Turntable

This month, a playlist of 19 recently released jazz recordings, including those by Branford Marsalis, Joe Martin, Scott Robinson, Allison Au and Warren Vache

Poetry

In a special collection of poetry, eight poets contribute seventeen poems focused on stories about family, and honoring mothers and fathers

The Joys of Jazz

In this new volume of his podcasts, Bob Hecht presents three very different stories; on Harlem Stride piano, Billy Strayhorn's end-of-life composition "Blood Count," and "Lester-ese," Lester Young’s creative verbal wit and wordplay.

Short Fiction

We had many excellent entrants in our recently concluded 50th Short Fiction Contest. In addition to publishing the winning story on March 11, with the consent of the authors, we have published several of the short-listed stories...

“What are some of your all-time favorite record album covers?”

Gary Giddins, Jimmy Heath, Fred Hersch, Joe Hagan, Maxine Gordon, Neil Tesser, Tim Page, Veronica Swift and Marcus Strickland are among the 25 writers, musicians, poets, educators, and photographers who write about their favorite album cover art

Art

“Thinking about Homer Plessy” — a photo narrative by Charles Ingham

Jazz History Quiz #127

Before his tragic early death, this trumpeter played with Max Roach, Abbey Lincoln, and John Coltrane, and most famously during a 1961 Five Spot gig with Eric Dolphy (pictured). Who is he?

Great Encounters

In this edition, Bob Dylan recalls what Thelonious Monk told him about music at New York’s Blue Note club in c. 1961.

Art

Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland's photographs and stories feature Stan Getz, Sun Ra, and Carla Bley.

Interviews

Romare Bearden biographer Mary Schmidt Campbell discusses the life of the important 20th century American artist

Cover Stories with Paul Morris

In this edition, Paul writes about jazz album covers that offer glimpses into intriguing corners of the culture of the 1950’s

Coming Soon

Michael Cuscuna, the legendary record producer and founder of Mosaic Records, is interviewed about his life in jazz...Award-winning photographer Carol Friedman, on her career in the world of New York jazz photography

In the previous issue

Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon, talks about her book, and the complex life of her late husband.

Also in this issue…A new collection of jazz poetry; "On the Turntable," a new playlist of 22 recommended recordings by seven jazz artists; three new podcasts by Bob Hecht; a new “Great Encounters”; several short stories; the photography of Veryl Oakland and Charles Ingham; a new Jazz History Quiz; and lots more…

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