In this edition, Ralph J. Gleason’s liner notes to this classic 1959 recording describe the epic four week stint of Cannonball Adderley’s Quintet in San Francisco’s Jazz Workshop, as well as the vibrant late-50’s jazz scene in the city’s North Beach neighborhood.
Gleason — who at the time was a music critic at the San Francisco Chronicle — would go on to co-found Rolling Stone Magazine. North Beach (particularly Broadway) — while forever bohemian — would subsequently became the home to Carol Doda and a boundary-breaking strip club scene.
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Julian “Cannonball” Adderley’s stellar career began in the era of hard bop and ended (far too soon) during the time of jazz fusion. In between, he played on some of the most prominent recordings in the history of jazz — Miles Davis’ Kind of Blue and his own Somethin’ Else among them — and ultimately became what the critic Gary Giddins described as “the patron saint of the soul-hymn movement,” a music that would reach a broad affluent audience while also keeping jazz relevant in the African-American neighborhoods. […] Continue reading »