Posts tagged “louis armstrong”

Literature

Three takes on Louis Armstrong

One afternoon at the age of ten, lightning strikes.

Alone in our ramshackle wood-frame house in Hartford, I decide to listen to some of my parents’ 45 RPM records. I watch one slide down the fat spindle and plop onto the turntable to receive the tone arm and needle. The music starts and like a bolt captures not just my ears but my whole being. It’s a guy with a gravelly voice singing something about

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Features » Historic Journalism

Aaron Copland’s favorite jazz musicians

     Aaron Copland, the mid-century classical composer whose work was greatly influenced by American life, had an interest in jazz, particularly, as he told Don Gold in a May, 1958 Downbeat article “the marriage – the fact that the young jazzmen are composers, often bridging the gap between fields. “  He also had some sympathy for jazz musicians because “they have the same trouble getting a big audience we have.”

     The article, titled “Aaron Copland: The Well-Known American Composer Finds Virtues and Flaws in Jazz,” is of special interest because

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Timeline of King Oliver’s Creole Jazz Band (1917-1923)

I was recently contacted via email by Andrew Taylor, a self-described lifelong jazz fan, Armstrong aficionado and history buff who is also an imaging professional and metadata librarian who explores data visualization, timelines and dynamic media in the manner being pioneered by some practitioners of “data journalism.”

Taylor’s coalescing interests and effort has resulted in an entertaining timeline he created leading to the 1923-1924 recordings of King Oliver’s Creole Jazz Band.

Taylor writes that the timeline “chronicles the development of the band that created them – beginning in March 1917 when the pre-Oliver edition of the band left New Orleans for

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Features » Historic Journalism

Satchmo’s Stamp

During a recent stroll through the Internet, I was reminded of the story of Louis Armstrong requesting the use of Yogi Berra’s catcher’s mask during a 1960’s State Department tour of South America, “to fend off,” according to Armstrong’s widow Lucille, “the [enthusiastic South American] fans who wanted to touch his face and lips.”

Lucille’s recollection was disclosed in a December 10, 1981 letter to the U.S. Postal Service as part of a 14-year effort to have a postage stamp created in her husband’s honor.  Duke Ellington’s stamp was issued in 1986, and the likes of Elvis Presley, Bessie Smith, Nat Cole and Billie Holiday had commemorative stamps well before Armstrong.  How come?  Was it politics?

To read about it, check out the two stories below…The first is the letter of advocacy

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Baseball and Jazz

Tomorrow is opening day of the 2017 baseball season. The first day of major league baseball always provokes simultaneous thoughts of renewal and nostalgia – the return of sunshine (at last!) and an optimistic spirit is coupled with the thoughts of days gone by, when the likes of Mays and Mantle and Aaron roamed the outfield and Ellington and Armstrong and Miles set the rhythm of our culture.

Baseball and jazz are well connected, as theorized by trombonist Alan Ferber, who wrote that “baseball players and jazz musicians both strive for a perfect balance between disciplined practice and spontaneity.”  They also shared the spotlight in popular culture, when

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Armstrong and Portland

As board president of PDX Jazz, I have been busy of late in preparation for the Feb. 16 – 26 PDX Jazz Festival…Great lineup this year, including Maria Schneider, John Scofield, Jimmy Heath, Roy Ayers, Branford Marsalis, Kurt Elling and countless others. To keep up on the events of the Festival, check out Doug Ramsey’s blog Rifftides.

Portland has a long history of presenting jazz. In Jumptown: The Golden Years of Portland Jazz, 1942 – 1957, author Bob Dietsche reports on the neighborhoods where jazz thrived, the clubs, the local artists, and of course the national artists who came to town. This mid-1950’s poster announcing the performance of

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Features » Book Excerpts

“Glossary of Jazz Slang” — from Mezz Mezzrow’s 1946 biography, Really the Blues

Really the Blues, the little-known but highly influential autobiographical work by jazz musician Mezz Mezzrow (co-written by Bernard Wolfe), is one man’s account of decades of jazz and American cultural history. The clarinetist’s colorful life – which he described in the 1946 counter-culture classic as having strayed “off the music” which led to his doing “my share of evil” – was adventurous, earthy, and jubilant, and was told not so much as a biography but as a novel that made “the Mezz” a hero with the era’s key counter-culture figures, including Allen Ginsberg and Jack Kerouac.

Much has been made of Mezzrow’s relationship with Louis Armstrong — he managed Armstrong for a time and dealt much of the “gauge” he craved, and Mezzrow’s reputation for dealing pot was so well known that “Mezz” became slang for marijuana. He is also remembered for his

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The “new, subdued Louis Armstrong”

During the 1950’s and 60’s, when Louis Armstrong was one of the most famous people in the world, his opinions were often reported on, and would at times ruffle feathers on both sides of a political argument.

I recently came across an April 27, 1960 newspaper article that was published at a time when Armstrong was caught between 1) advocating for his country (while on tour as the country’s “jazz ambassador”) and 2) for his fellow African-American countrymen in the midst of the struggle for civil rights.

Titled “Satchmo Silent on Racial Crisis,” (from an unknown source but catalogued in the Armstrong file at the Institute of Jazz Studies at Rutgers University) this excerpt – transcribed at the time by the reporter in a

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