Posts tagged “john coltrane”

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Dylan, The Byrds, and John Coltrane

In Robbie Robertson’s entertaining biography Testimony, the rock guitarist tells a short story about a conversation he overheard Bob Dylan having with The Byrd’s Jim (a.k.a. “Roger”) McGuinn concerning John Coltrane’s influence on McGuinn when he wrote “Eight Miles High.” 

The setting was Los Angeles, 1966, during a Dylan tour that employed Robertson and, among others, bandmates Rick Danko and Richard Manuel, who are referred to in the excerpt.  The “Levon” in the story was the drummer Levon Helm, who left the tour after a month out of frustration of playing with Dylan during his initial “electric” period, when folk music purists routinely

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Literature » Poetry

“Alabama: Jack DeJohnette, Ravi Coltrane, Matthew Garrison” — a poem by John McCluskey

                Yes, it is hot,
     night sweats beneath
     Spanish moss and the terror in trees
     now knowing no cover of darkness
     to greet a Sunday morning

     10:22 a.m.
                      under the stairs
                                     16th Street Baptist Church.

     “Three minutes”
     and the siren wails

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Literature » Poetry

“The Quick Hands of Hampton Hawes” and two other poems by Daniel Shapiro

For years, the autobiography proved elusive,
speeding east like the double-jointed run
that skipped from white keys to black,
soldiers chased from Central Avenue battles.
Then the book took a rest, hiding out
in a nondescript store among academic texts,
tomes whose covers bore geometric shapes.
Cardboard screamed orange, red, and white,
the slow burn of a

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Literature » Short Fiction

“Psalm” — a short story by Ian Rictor

     I watch my hand remove the phone from the wall above the couch’s arm and there is a sweat in my ear as I hear a distant Miles Davis. I am called by the distorted voice of Miles Davis rasping my name.

     John, he says, are you busy?

     I let my eyes blur into my mother’s sofa, melting a monotonous no out of my mouth toward the receiver. I feel the room sloshing peacefully in waves around me and the buzzing of my lips from my mouthpiece and reed. My saxophone sits strewn across the floor along with my

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Interviews » Biographers

Ben Ratliff on John Coltrane

Longtime accomplished New York Times music critic Ben Ratliff has left the paper. He was a terrific writer who had the ability to pique my interest in an artist in short, reliable, and often brilliant reviews.

I had the privilege of meeting him a few times over the telephone and in person. He joined me in a 2003 conversation with Bruce Lundvall and Joshua Redman about the business of jazz music, talked with Paul Morris about his book Jazz: A Critic’s Guide to the 100 Most Important Recordings, and in 2008, we talked about his book on John Coltrane, The Story of a Sound, which is published

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Universal Consciousness: The Spiritual Awakening of Alice Coltrane

In a brilliant piece titled “Universal Consciousness: The Spiritual Awakening of Alice Coltrane,” Britt Robson writes that “the closer one examines the genuinely phenomenal life, music and spirit of Alice Coltrane, the more inevitable it seems that she will also someday receive her proper due. The most striking aspect of her biography is that she became a master musician and a spiritual guru in the same way, by carrying forth all her accumulated wisdom in a welcoming synthesis, rather than shedding, judging and discriminating her way to ‘growth’ and ‘maturity.'”

This extensive biography focuses on Alice’s musical path, her marriage to John Coltrane, her ensuing spiritual awakening, and her influence on

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Features » Liner Notes

Liner Notes: The New Wave in Jazz, by LeRoi Jones and Steve Young

On March 28, 1965, a concert benefiting the Black Arts Repertory Theatre/School was held at New York’s Village Gate. Featuring John Coltrane, Archie Shepp, Sun Ra (he played but his music didn’t make the album) and Albert Ayler – artists described by Black Arts Music Coordinator Steve Young as “The Beautiful Warriors” and “magicians of the soul”– the performance was recorded and subsequently released on Impulse Records as The New Wave in Jazz.

This recording is significant for its brilliant “free jazz” performances, but also for Amiri Baraka’s (known as LeRoi Jones at the time) liner notes’ connection of music and politics. It is a reminder of the historic, turbulent times in which this music was created. The Selma to Montgomery marches took place in March, 1965. Malcolm X was assassinated in February. The war in Vietnam was dramatically escalating. And, jazz music was continuing to evolve, the most obvious example being the

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Features » Book Excerpts

Gil Scott-Heron and the influence of John Coltrane’s A Love Supreme on his life

Yet more evidence demonstrating the influence John Coltrane’s A Love Supreme has had on musicians…This book excerpt from Marcus Baram’s excellent biography, Gil Scott-Heron: Pieces of a Man demonstrates how Coltrane’s legendary recording “inspired Gil with his mercurial independence in the face of criticism” at a time when the creative artist was contemplating his future as a novelist, poet, musician, and […] Continue reading »