The art of John Allinson

In his description of Welsh painter John Allinson’s work “House of Dreams” – a mural in progress “celebrating a viewpoint of entertainment as an art form” that will eventually be 1000 feet wide – the art critic Rex Harley wrote that “a host of artists and entertainers emerge from a swirl of colours, in the same way that their counterparts stepped out from the stream of history to entertain and enrich our lives.” 

This is also an apt view of Allinson’s prolific and noteworthy interpretations of jazz ensembles.  His work evokes appropriate nostalgia and sentimentality while expressing passion for the culture of jazz music by

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May 18th, 2018

Nancy Ostrovsky — performance artist inspired by jazz music

Jazz music has long been inspiration for artists, poets, and writers (Romare Bearden, Jack Kerouac and Langston Hughes are some obvious examples)…For more contemporary evidence, check out these remarkable videos featuring performance artist Nancy Ostrovsky, who creates wondrous paintings while accompanied by 1) the Roswell Rudd Trio, 2) saxophonist Patrick Cress, 3) saxophonist Stan Strickland, and 4) by a

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September 13th, 2017

The Art of Romare Bearden

Romare Bearden (1911 – 1988) was one of America’s great artistic innovators,blazing his own trail in a time of turbulent cultural change. Whilehis work offers an invaluable view of mid-twentieth-century African-Americanexperience, it has also come to occupy a significant place in the wider historyof American art and speaks to the universal concerns of artists everywhere.

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February 10th, 2013

Graham Lock and David Murray, editors of Thriving on a Riff: Jazz & Blues Influences in African American Literature and Film

The widespread presence of jazz and blues in African American visual art has long been overlooked. The Hearing Eye makes the case for recognizing the music’s importance, both as formal template and as explicit subject matter. Moving on from the use of iconic musical figures and motifs in Harlem Renaissance art, this groundbreaking collection explores the more allusive — and elusive — references to jazz and blues in a wide range of mostly contemporary visual artists.

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August 14th, 2009

Alfred Appel, author of Jazz Modernism

How does the jazz of Louis Armstrong, Duke Ellington, Fats Waller, Billie Holiday, and Charlie Parker fit into the great tradition of the modern arts between 1920 and 1950? In his book Jazz Modernism, cultural historian Alfred Appel compares the layering of sex, vitality, and the vernacular in jazz with the paper collages of Picasso, and the vital mix of high and low culture found in Joyce.

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June 2nd, 2003

The Jazz Album Art of Jim Flora

Vintage record buffs have long been bedazzled by the bizarre, cartoonish album covers tagged with the signature “Flora.” For Columbia in the 1940s and RCA Victor in the mid-1950s, James (Jim) Flora (1914-1998) designed diabolic and hallucinatory covers that enticed music shop habitués browsing in the jazz, ethnic, and classical aisles. His jaw-dropping boldness and savory color combinations invited lingering glances. Although you shouldn’t judge an album by its cover, in the case of Flora’s work, the disc inside almost seemed an afterthought.

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March 2nd, 2002

In This Issue

This issue features a roundtable discussion about how the world of religion may have impacted the creative lives of Billie Holiday, Langston Hughes and Ralph Ellison. Also, previous winners of the Jerry Jazz Musician Short Fiction Contest reflect on their winning story; three new podcasts from Bob Hecht; new collection of poetry; recommendations of recently released jazz recordings, and lots more.

Short Fiction

"The Wailing Wall" -- a short story by Justin Short

Interviews

Three prominent religious scholars -- Wallace Best, Tracy Fessenden and M. Cooper Harriss -- join us in a conversation about how the world of religion during the life and times of Langston Hughes (pictured), Billie Holiday and Ralph Ellison helps us better comprehend the meaning of their work.

Poetry

Nine poets contribute ten poems celebrating jazz in poems as unique as the music itself

Short Fiction

In celebration of our upcoming 50th Short Fiction Contest, previous contest winners (dating to 2002) reflect on their own winning story, and how their lives have since unfolded.

The Joys of Jazz

In this edition, award winning radio producer Bob Hecht tells three stories; 1) on Charlie Christian, the first superstar of jazz guitar; 2) the poet Langston Hughes’ love of jazz music, and 3) a profile of the song “Strange Fruit”

On the Turntable

25 recently released jazz tunes that are worth listening to…including Bobo Stenson; Medeski, Martin and Wood; Muriel Grossman and Rudy Royston

Features

Chick Corea, Rickie Lee Jones, Gary Giddins, Michael Cuscuna, Randy Brecker and Tom Piazza are among those responding to our question, "What are 3 or 4 of your favorite jazz recordings of the 1940's?"

Poetry

"Billie Holiday" -- a poem (with collage) by Steve Dalachinsky

Coming Soon

Thomas Brothers, Duke University professor of music and author of two essential biographies of Louis Armstrong, is interviewed about his new book, HELP! The Beatles, Duke Ellington, and the Magic of Collaboration; also, Spelman College President Mary Schmidt Campbell, author of An American Odyssey: The Life and Work of Romare Bearden, in a conversation about the brilliant 20th Century artist

In the previous issue

This issue features an interview with Bing Crosby biographer Gary Giddins; a collection of poetry devoted to the World War II era; and a new edition of “Reminiscing in Tempo,” in which the question “What are 3 or 4 of your favorite jazz recordings of the 1940’s” is posed to Rickie Lee Jones, Chick Corea, Tom Piazza and others.

Contributing writers

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