Posts tagged “george gershwin”

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James Baldwin writes about the 1959 film Porgy and Bess

In this September 1, 1959 essay in Commentary, James Baldwin writes of filmmaker Otto Preminger’s treatment of George Gershwin’s revered opera Porgy and Bess, expertly weaving film criticism and social commentary, addressing the film’s shortcomings and the complexity of racism of the era — much (actually, most) of which still exists…

 

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Grandiose, foolish, and heavy with the stale perfume of self-congratulation, the Hollywood-Goldwyn-Preminger production of Porgy and Bess lumbered into the Warner theater shortly before the death of Billie Holiday. These two facts are not, of course, related in any concrete or visible way. Yet, at the time I was watching Bess refuse Sporting Life’s offer of “happy dust,” Billie was in the hospital. A day or so later, I learned that she was under arrest for possession of heroin and that the police were at her

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Features » Historic Journalism

Revisiting “An Experiment in Modern Music”

The February 12, 1924 concert by Paul Whiteman at New York’s Aeolian Hall was billed as “An Experiment in Modern Music.” As reported by New York Times critic Olin Downes, who attended the event, “the concert was referred to as ‘educational,’ to show the development of this type of music [jazz].” The concert is now best remembered for being the setting for the world premiere of Rhapsody in Blue, with composer George Gershwin at the piano. As Times critic John S. Wilson wrote in 1987, “this concert is today considered a defining event of the Jazz Age and the cultural history of New York City.”

In this excerpt from Whiteman’s 1926 autobiography Jazz – written with essayist Mary Margaret McBride – Whiteman writes about his Aeolian Hall concert experience, and in particular the appeal of Rhapsody, which he described as

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Interviews

Will Friedwald, author of Stardust Melodies: A Biography of Twelve of America’s Most Popular Songs

In Stardust Melodies: A Biography of Twelve of America’s Most Popular Songs, author Will Friedwald takes these legendary songs apart and puts them together again, with unprecedented detail and understanding. Each song’s history is explored — the circumstances under which it was written and first performed — and then its musical and lyric content. […] Continue reading »