Reminiscing in Tempo: “What are 3 or 4 of your favorite jazz recordings of the 1940’s?”

Photo William Gottlieb Charlie Parker is frequently found on the lists of noted critics and musicians answering the question, “What are 3 or 4 of your favorite jazz record recordings of the 1940’s?” __________ “Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of “edu-tainment.” As … Continue reading “Reminiscing in Tempo: “What are 3 or 4 of your favorite jazz recordings of the 1940’s?””

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December 4th, 2018

Interview with Bing Crosby biographer Gary Giddins

Gary Giddins, his generation’s most eminent jazz writer and author of the award winning biography Bing Crosby: A Pocketful of Dreams: The Early Years, 1903 – 1940, talks with us about his brilliant second book on Crosby, Swinging on a Star: The War Years, 1940 – 1946. The interview is a fascinating read — a virtual history of Crosby’s life and his impact on America during its most consequential decade. Featuring photos, music and film clips, and information about Giddins’ experience studying Crosby for 25 years.

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October 25th, 2018

On the Turntable — Miles Ahead

I have been fortunate – thus far – to have avoided the many summer colds going around this season, but I have been afflicted, once again, by “Miles Fever.”  Every so often, I am struck by an irresistible urge to dig into the catalog of this artist so present during virtually every season of my life, and rediscover the thrill of his sound, and of his cultural significance.   

I contracted the virus this morning, and spent the morning (in bed, of course) listening to Miles Ahead, the 1957 recording featuring Miles Davis and 19 musicians under the direction of Gil Evans – his first collaboration with Miles since the Birth of the Cool sessions of 1950, and one of his earliest recordings for Columbia Records.  An early example of

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July 23rd, 2018

Nat Hentoff’s childhood hero

The topic of “childhood heroes” almost always makes a great conversation.  It is a highly personal discussion and often provides a revealing window into a person’s past and character development.  For many years, I have asked those I interview this basic question:

“Who was your childhood hero?”

The recently deceased jazz advocate and journalist Nat Hentoff was a frequent contributor to Jerry Jazz Musician, and an early admirer of the work of this website.  I had the privilege of getting to know him a little bit over the years, and interviewed him several times, as did my friend and contributing writer Paul Morris, who, during his 2001 interview with Hentoff, asked him who his childhood hero was…Here is that conversation:

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July 17th, 2018

Publication date for second volume of Gary Giddins’ biography on Bing Crosby is November 13

The publisher Little, Brown recently announced a November 13, 2018 publication date for Gary Giddins’ Bing Crosby: Swinging on a Star: The War Years, 1940-1946, the second volume of the author’s definitive account of Crosby, the enormously popular 20th century entertainer he describes as  “quintessentially American, cool and upbeat, never pompous, belligerent, or saccharine, never smug or superior. He looked down on

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June 5th, 2018

Gary Giddins…on Cecil Taylor

In 2003, as part of the Jerry Jazz Musician “Conversations with Gary Giddins” series, I was fortunate to interview Giddins — his generation’s most esteemed jazz writer — about Cecil Taylor, who died earlier today at age 89.  It is an excellent read for anyone with an interest in Cecil (or Gary). You can access it by

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April 6th, 2018

On Nat Hentoff

I am saddened to read of the passing of journalist Nat Hentoff, who died yesterday at the age of 91. Hentoff’s work was published by the Village Voice for 50 years, and was also frequently found in the New Yorker, the Atlantic Monthly, the Wall Street Journal, and Jazz Times. He was also editor of Downbeat during the mid-1950’s. There are many obituaries available to read about Nat and his career – including Robert McFaddin’s in today’s New York Times.

As I began publishing original content on Jerry Jazz Musician in 1999, I had the privilege of having my site embraced by the three most prominent jazz writers of the time, Gary Giddins, Stanley Crouch, and Nat Hentoff. All three of them got involved in Jerry Jazz Musician in their own way.

Giddins — who I was able to catch up with during a recent trip I took to New York — and I developed an interview series called

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January 8th, 2017

Gary Giddins discusses Thelonious Monk

If you do a blindfold test and play Monk, the listener is likely going to know it’s him after about two bars. Everything about the way he approaches the piano and music is so distinctive. People used to use words like idiosyncratic and eccentric, but there is, of course, more than that — there is a tremendous beauty in Monk’s music, and it is peculiar to him. Everything about his attack, the particular percussiveness of his style, his use of chords, his astonishing time, can only be described as “Monkian.” And in terms of his almost exclusive reliance on jazz, most great jazz pianists have some

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October 17th, 2016

Gary Giddins on jazz criticism

Jazz history is filled with great moments and musicians, reported on over the years by critics whose work influenced the music’s path. Rudi Blesh, Martin Williams, Albert Murray, Dan Morgenstern, Nat Hentoff, Gene Lees, Leonard Feather, Whitney Balliett, and Stanley Crouch are just a handful of the critics whose liner notes, columns, opinions and histories we read while deepening our desires to grow with the music. The writer whose work is perhaps most renown is Gary Giddins, the award-winning writer who for years wrote about jazz for the Village Voice, and who I was privileged to interview several times about a variety of interesting topics in our Conversations with Gary Giddins series.

In June, 2003, Giddins and I talked about his ascension as a jazz writer, and included his candid observations of other prominent critics. The discussion concluded with a unique “Blindfold Test” that asked Giddins to name the jazz writer responsible for the essay excerpt he is spontaneously shown. It is a timeless view of

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May 24th, 2016

Gary Giddins on underrated saxophonists

Fans of the saxophone may enjoy reading a January, 2004 interview I did with critic Gary Giddins on underrated jazz musicians. (This was part of my 15 part series of interviews with him called “Conversations with Gary Giddins.”) In this snippet from the interview, Giddins talks about George Coleman, Booker Ervin, Paul Gonsalves, Charlie Rouse and others who he considered “underrated.”

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April 14th, 2016

Jazz writer Gary Giddins on underrated jazz guitarists

“If you look at the Grove Dictionary of Jazz, it is three volumes of jazz history and it embodies a never-ending challenge to discover all those artists. I think the important thing is to look beyond the most celebrated names. In this regard, jazz is profoundly different from nineteenth century classical music, where the pantheon has proven remarkably stable. A jazz listener will want to hear Miles Davis — his reputation is there for a reason — but so much of the fun in jazz lies in finding those distinct personalities who were extremely individual and inventive, yet abide in relative obscurity.”

This comment was made by the most eminent jazz writer Gary Giddins during our “Conversations with Gary Giddins” series, in which he talked about underrated jazz musicians. This particular conversation — from 2004 — concerns underrated jazz guitarists.

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January 26th, 2016

Booker Ervin and other “underrated” saxophonists

I got caught up into listening to Booker Ervin this morning, and was reminded about my first experience listening to him as a leader — on a big band session he led called Booker ‘n’ Brass, a 1967 Pacific Jazz recording that has found its way to my turntable for the first time in probably 25 years. Forty-eight years since its recording, Ervin’s crisp attack over the top of the stalwart Teddy Edwards-led band on songs like “St. Louis Blues,” “Baltimore Oriole,” and “Harlem Nocturne” sounds as good as it did when I first discovered this record in a Portland used record shop for $2.99 , c. 1980.

Getting into Ervin again reminds me of a conversation I hosted in January, 2004, with the most eminent jazz critic of his era, Gary Giddins, who shared his thoughts with me in a three part series regarding the jazz musicians he deemed as being “underrated.” Here is the part where he talks about

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April 28th, 2015

In This Issue

This issue features a roundtable discussion about how the world of religion may have impacted the creative lives of Billie Holiday, Langston Hughes and Ralph Ellison. Also, previous winners of the Jerry Jazz Musician Short Fiction Contest reflect on their winning story; three new podcasts from Bob Hecht; new collection of poetry; recommendations of recently released jazz recordings, and lots more.

Short Fiction

"The Wailing Wall" -- a short story by Justin Short

Interviews

Three prominent religious scholars -- Wallace Best, Tracy Fessenden and M. Cooper Harriss -- join us in a conversation about how the world of religion during the life and times of Langston Hughes (pictured), Billie Holiday and Ralph Ellison helps us better comprehend the meaning of their work.

Poetry

Nine poets contribute ten poems celebrating jazz in poems as unique as the music itself

Short Fiction

In celebration of our upcoming 50th Short Fiction Contest, previous contest winners (dating to 2002) reflect on their own winning story, and how their lives have since unfolded.

The Joys of Jazz

In this edition, award winning radio producer Bob Hecht tells three stories; 1) on Charlie Christian, the first superstar of jazz guitar; 2) the poet Langston Hughes’ love of jazz music, and 3) a profile of the song “Strange Fruit”

On the Turntable

25 recently released jazz tunes that are worth listening to…including Bobo Stenson; Medeski, Martin and Wood; Muriel Grossman and Rudy Royston

Features

Chick Corea, Rickie Lee Jones, Gary Giddins, Michael Cuscuna, Randy Brecker and Tom Piazza are among those responding to our question, "What are 3 or 4 of your favorite jazz recordings of the 1940's?"

Poetry

"Billie Holiday" -- a poem (with collage) by Steve Dalachinsky

Coming Soon

Thomas Brothers, Duke University professor of music and author of two essential biographies of Louis Armstrong, is interviewed about his new book, HELP! The Beatles, Duke Ellington, and the Magic of Collaboration; also, Spelman College President Mary Schmidt Campbell, author of An American Odyssey: The Life and Work of Romare Bearden, in a conversation about the brilliant 20th Century artist

In the previous issue

This issue features an interview with Bing Crosby biographer Gary Giddins; a collection of poetry devoted to the World War II era; and a new edition of “Reminiscing in Tempo,” in which the question “What are 3 or 4 of your favorite jazz recordings of the 1940’s” is posed to Rickie Lee Jones, Chick Corea, Tom Piazza and others.

Contributing writers

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