Posts tagged “dizzy gillespie”

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“Even the drummers on 52nd St. sound like Dizzy Gillespie!”

While the romantic notion is to imagine that the music coming out of the clubs lining New York’s 52nd Street during the 1940’s was universally applauded, we of course know that is not the case.  In an example of this dissent, consider the words of Los Angeleno Norman Granz, who told Downbeat this during his April, 1945 visit to New York:

“Jazz in New York stinks!  Even the drummers on 52nd St. sound like Dizzy Gillespie!” 

“I can’t tell you how disappointed I am in the quality of music here.  We keep getting great reports out west about the renaissance of jazz along 52nd St. but I’d like to know where it is.  Literally, there isn’t one trumpet player in any of the clubs with the exception of ‘Lips’ Page and he was blowing a mellophone the night I caught him.  Maybe Gillespie was great but the ‘advanced’ group that Charlie Parker is fronting at the Three Deuces doesn’t

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Features » In Memoriam

Dizzy is 100 today

Dizzy Gillespie — born 100 years ago today — recalls his childhood in this excerpt from his 1979 autobiography, To BE, or not…to BOP

 

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The pictures show me as a very beautiful boy, but I was the last of nine children and my arrival probably didn’t excite anybody. So many people had been born at our house before. I don’t think Mama felt too blessed about having nine children, unless “blessed” means “wounded” like it does in French. She probably figured someone had put the bad mouth on us.

Every Sunday morning, Papa would whip us. That’s mainly how I remember him. He was unusually mean; and hated to see or hear about his

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Features » Book Excerpts

“Diz for President”

Claiming that his first order of business as president would be changing the name of the White House to the Blues House, Dizzy Gillespie’s run for President in 1964 wasn’t as illogical (or comical) as it seems on the surface. (In fact, given the ignorance of one of our current major party nominees, it is easy to write that Dizzy put much more thought into his vision for the country, and was without question more evolved as a candidate). As election day approaches, it is time to ask ourselves, what better time than today for a candidate whose platform includes disbanding the FBI and giving major foreign ambassadorships to jazz musicians?

In his 1979 autobiography To Be, or not…to Bop, Dizzy devotes an entire chapter to the story of his experience as a candidate for the presidency. The entire

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Quiz Show » Jazz History Quiz

Jazz History Quiz #86

In addition to composing the theme to films like Mission Impossible, The Cincinnati Kid, Dirty Harry and Cool Hand Luke, this pianist was Dizzy Gillespie’s musical director from 1960 – 1962. Who is he?

Randy Weston

Mal Waldron

Lalo Schifrin

Dodo Marmarosa

Dick Human

Dave Frishberg

Jimmy Rowles

Go to the next page for the answer!

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Literature » Poetry

“Liner Notes for ‘Stardust’ — In Seven Choruses,” a cycle of short poems by Doug Fowler

“Liner Notes for ‘Stardust’ — In Seven Choruses” is a cycle of short poems framed as imaginary liner notes and prompted by poet Doug Fowler’s favorite musical covers of Hoagy Carmichael’s “Stardust.” In essence, according to Fowler, they are “imaginary liner notes for a real song about an imaginary song about love.”

The cycle is also partially a tribute to Chu Berry, who died as the result of a car accident in Conneaut, Ohio, in 1941, not far from where Fowler lives.

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Features » Book Excerpts

From What the Eye Hears — when the connection between jazz music and tap dancing became strained

I have been spending some time recently with an excellent new book, What the Eye Hears — A History of Tap Dancing. Written by New York Times dance critic Brian Seibert, the book — recently named a finalist for the National Book Critics Award in Nonfiction — is an informative, entertaining history of tap dancing, and a reminder of its central role in American popular culture. A particularly interesting part of its history is its relation to jazz music, especially in the vaudeville circuit and in the nightclubs of the early twentieth century.

Regarding this, Seibert wrote in an email to me: “Jazz and tap dancing grew up together. Both came, in W.C. Handy’s words, ‘down the same drain’ of minstrelsy, and origin stories for ragtime include the syncopated stepping of

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Literature » Poetry

“A Night in Havana,” a poem by Doralee Brooks

Dizzy in Thurston Howell garb steps samba-like
through the airport exit. On film, he and his entourage
move like dancers tapping clave in a Las Vegas
revue called A Night in Havana. His embrace
of space defies ground and grounding.
Amiri, you called him high priest, royalty,
a monarch who flew you from dusty bebop
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