After several years of an uncertain jazz scene caused by the closure of many of the city’s iconic clubs, Washington, D.C. is feeling optimistic thanks to the emergence of small venues in the city and its surrounding suburbs, which, according to Washington Post writer Fritz Hahn, is “helping to fill the void of…lost venues. Musicians are exploring opportunities beyond the usual hot spots, playing Saturday night gigs in the basement bar at the
What are the boundaries of the jazz idiom? What is the role of jazz in today’s world? To download or not to download? What is the future of retailing and how does that affect the art of making music? What is the value of recorded music?
As ever, jazz faces an array of questions, certainly more than three people can address in an hour. The hour spent in this particular discussion among men at the top of their respective fields focuses on confronting the challenge of marketing a music filled with nuance and passion to a modern audience conditioned by technology for instant gratification, and the issue of competing with its own historic past.
In a Roundtable hosted by Jerry Jazz Musician publisher Joe Maita, Blue Note Records president Bruce Lundvall, saxophonist Joshua Redman, and New York Times critic Ben Ratliff lend their perspectives.
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