The Sunday Poem: “Sticks and Stones” by Laura Trigg
The shadow from the brick facade
of Central High School did not seem
to spread much shade on the streets
of our Little Rock neighborhood.
August 27th, 2023
charles mingus
The Sunday Poem: “Charles Mingus’s Memento*” by Sean Murphy
The poet profiles the larger-than-life figure of the legendary jazz bassist Charles Mingus
...March 26th, 2023
“Duke Ellington Max Roach Charles Mingus Swing Sing”– a poem by Michael L. Newell
The poet writes of the collaboration of Ellington, Roach and Mingus on the 1962 album “Money Jungle”
...May 13th, 2022
Interview with Wayne Enstice, co-author of The Lady Swings: Memoirs of a Jazz Drummer
The book’s co-author in conversation about the little-known life story of the pioneering Ms. Dodgion, who defied the odds to become a world-class jazz drummer in a world – and on an instrument – dominated by men.
...December 11th, 2021
Interview with Alyn Shipton, author of The Art of Jazz
An interview with The Art of Jazz author Alyn Shipton, whose book is an exploration of how jazz influenced sheet music art, album art, posters, photography, and individual works of fine art.
...April 25th, 2021
A broadside and poem of Charles Mingus, by Russell duPont
Nineteen fifty-nine –
1-9-5-9 – things changed.
Coltrane took Giant Steps –
Miles was Kind of Blue
and Brubeck played
with Time.
November 9th, 2020
“Mingus On Freedom” — a poem by Michael L. Newell
1963 and Mingus and his mighty band
of musicians play and sing “Freedom,”
as marchers for freedom fill streets
throughout the South,
August 30th, 2020
“Charles Ingham’s Jazz Narratives” — Vol. 6
Charles Ingham’s “Jazz Narratives” connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history. This edition’s narratives are “”The Artists Salute Each Other”, “Monk’s Mood at the It Club” and “Communing with Ghosts”
...May 1st, 2020
Interview with Gerald Horne, author of Jazz and Justice: Racism and the Political Economy of the Music
. . . . photo by Bouna Ndaiye/used by permission of Gerald Horne Gerald Horne, author of Jazz and Justice: Racism and the Political Economy of the Music . ___ . . …..Jazz music — complex, ground breaking and brilliant from its early 20th century beginnings — would eventually become America’s … Continue reading “Interview with Gerald Horne, author of Jazz and Justice: Racism and the Political Economy of the Music“
...February 12th, 2020
“Pressed for All Time,” Vol. 3 — producer Nat Hentoff on Charles Mingus
In this edition, Michael Jarrett interviews producer Nat Hentoff about his experience of producing recordings for Candid Records, and in particular the 1961 album, Charles Mingus Presents Charles Mingus
...September 18th, 2019
Two poems by R. Bremner
In the circus mind of my dying spirit
I listen for the tinkling keys of Monk-
Yeah, Monk Mingus moonlight madness
I long to be, though tonight it’s a new
moon, meaning no moon and my madness
May 19th, 2017
The Beatles — post Ed Sullivan appearance critical reviews, a Charles Mingus rant, and perspective
With the 50th anniversary of the Beatles’ appearance on Ed Sullivan prominently in the news this past week, it is interesting (and entertaining) to revisit some of the critical perspectives of their music following the performance.
On February 10, 1964, Theodore Strongin, music critic for the New York Times (who Wikipedia describes as a “champion of new music”) wrote that “The Beatles’ vocal quality can be described as hoarsely incoherent, with the minimal enunciation necessary to communicate the schematic texts.” Three days later, acknowledging the phenomenon that hit our shores, George Dixon of the Washington Post wrote, “Just thinking about the Beatles seems to induce mental disturbance. They have a commonplace, rather dull act that hardly seems to merit mentioning, yet people hereabouts have mentioned scarcely anything else for a couple of days.”
Months later, William F. Buckley, the era’s chief conservative voice and founder of the National Review got into the act, writing
...February 11th, 2014
John Goodman on Charles Mingus — An Interview Fragment
I recently published an interview with John Goodman, author of Mingus Speaks, a terrific book of interviews Goodman conducted with Mingus in the early ’70’s.
The following is an interview fragment…
...September 25th, 2013
John Goodman, author of Charles Mingus Speaks
As a writer for Playboy, John F. Goodman reviewed Mingus’s comeback concert in 1972 and went on to achieve an intimacy with the composer that brings a relaxed and candid tone to the ensuing interviews. Much of what Mingus shares shows him in a new light: his personality, his passions and sense of humor, and his thoughts on music. The conversations are wide-ranging, shedding fresh light on important milestones in Mingus’s life such as the publication of his memoir, Beneath the Underdog, the famous Tijuana episodes, his relationships, and the jazz business.
Goodman discusses his book in a July, 2013 interview with Jerry Jazz Musician publisher Joe Maita.
...September 6th, 2013
Book Excerpt from “Mingus Speaks,” by John Goodman
Charles Mingus is among jazz’s greatest composers and perhaps its most talented bass player. He was blunt and outspoken about the place of jazz in music history and American culture, about which performers were the real thing (or not), and much more. These in-depth interviews, conducted several years before Mingus died, capture the composer’s spirit and voice, revealing how he saw himself as composer and performer, how he viewed his peers and predecessors, how he created his extraordinary music, and how he looked at race.
...July 3rd, 2013
Poetry by Michael James O’Neill
Bad Luck Moan
Hard luck and trouble have hounded me all my days.
Oh yes, hard luck and trouble have hounded me all my days.
If I got some good news, I could change my ways.
April 15th, 2013
Sue Mingus, author of Tonight at Noon: A Love Story
In Tonight at Noon, Sue Graham Mingus gives us an elegant and unsparingly honest memoir of a romance between American opposites: she, a product of privilege, a former midwestern WASP debutante and Smith College graduate who worked as a journalist in Europe and in New York; he (Charles Mingus), an authentic jazz titan, a brilliant, eccentric, difficult artist, a scion of Watts, Los Angeles, who would become one of America’s foremost composers.*
...July 24th, 2002
Nat Hentoff: on his life as a jazz critic, and memories of John Coltrane’s A Love Supreme
Nat Hentoff was born in Boston in 1925 and lived there until he moved to New York City at the age of twenty-eight. For many years he has written a weekly column for the Village Voice. His column for the Washington Times is syndicated nationally, and he writes regularly about music for the Wall Street Journal. His numerous books cover subjects ranging from jazz to civil rights and civil liberties to First Amendment issues.
...November 20th, 2001
In This Issue
The Sunday Poem
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Poetry
Publisher’s Notes
Poetry
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Essay
Interview
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Poetry
Interview
Trading Fours with Douglas Cole
Review
Short Fiction
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Book Excerpt
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Poetry
Jazz History Quiz #171
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Community
Contributing Writers
Coming Soon
Interview Archive
