• Ms. Larson’s story, “The Happy Thing of Bayou de Manque,” is the winner of the 47th Jerry Jazz Musician Short Fiction Contest.


  • In an interview originally published on Jerry Jazz Musician in 2014, Louis Armstrong biographer Thomas Brothers talks about his second volume devoted to the most eminent jazz musician’s life, Louis Armstrong:  Master of Modernism.


  • An open free reed.
    The winds of blues under
    Paris lights.  Crystal rain.



  • A collection of 29 poems by 18 poets celebrating love and jazz music…
  • A short story by Erin Larson
  • A Black History Month Profile: Louis Armstrong
  • "Toots Thielemans" - a poem by Roger Singer
  • A collection of poetry celebrating love and jazz
Literature » Short Fiction Contest Details

Submit your stories for the 47th Jerry Jazz Musician Short Fiction Contest

Heads up to all interested short fiction writers…The deadline for submitting your story for consideration in our 47th Short Fiction Contest is January 31. Contest details are found here.

The winner of our 46th Contest was Julie Parks.  Her story, “Cotton Candy on Alto Sax,” can be read by clicking here.  This story was one of six short stories/poems nominated for the prestigious Pushcart Prize.  You can view those nominations by

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Literature » Jazz Fiction by Arya Jenkins

“Lulu and Me” — a short story by Arya Jenkins

     The winter I ran away, I moved into a garret in Provincetown, where I wrote poetry under the light of a candle far into the wee hours. Out my window, two stories up, I could see snow glistening on slanted rooftops that led like an uneven staircase to the bay. Below me, a twisted narrow path led to Commercial Street, peaceful and stark as an unwritten page. It was 1973 and I had run to the end of the world as I knew it to find freedom.

       I knew Provincetown from spending summers with my dad and Grandma Tess in her cottage in Truro. It seemed she’d lived most of her life since Grandpa’s passing as a beachcomber. I liked following behind her when we collected

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Dylan, The Byrds, and John Coltrane

In Robbie Robertson’s entertaining biography Testimony, the rock guitarist tells a short story about a conversation he overheard Bob Dylan having with The Byrd’s Jim (a.k.a. “Roger”) McGuinn concerning John Coltrane’s influence on McGuinn when he wrote “Eight Miles High.” 

The setting was Los Angeles, 1966, during a Dylan tour that employed Robertson and, among others, bandmates Rick Danko and Richard Manuel, who are referred to in the excerpt.  The “Levon” in the story was the drummer Levon Helm, who left the tour after a month out of frustration of playing with Dylan during his initial “electric” period, when folk music purists routinely

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