• “The Wailing Wall” is the winner of the 48th Jerry Jazz Musician Short Fiction Contest
  • Hecht writes of a life-changing evening at a Roger Kellaway-Red Mitchell performance

     

  • The honored jazz writer Dan Morgenstern’s liner notes to the Pee Wee Russell Memorial Album are published in their entirety…

     

     

     

  • The Trailblazer

    (for Anita O’Day)

    Her name practically scats itself,
    Say it out loud, and you’re on your way,
    It’s a grand stand big band criss-cross delivery,

  • "The Wailing Wall" - a story by Justin Short
  • "The Sober Years" a true jazz story by Bob Hecht
  • Liner Notes: The Pee Wee Russell Memorial Album
  • "The Trailblazer" a poem by Freddington
Quiz Show » Jazz History Quiz

Jazz History Quiz #113

Before recording his most notable work (to that point) as a saxophonist in Miles Davis’ “Birth of the Cool” nonet, his initial reputation was as an arranger, including a stint in 1946 as the staff arranger in Gene Krupa’s Orchestra.  He would eventually become one of the leading voices on his instrument for almost 50 years.  Who is he?

 

Kai Winding

Gil Evans

Lee Konitz

Gerry Mulligan

J.J. Johnson

Al McKibbon

Max Roach

Sonny Stitt

 

Go to the next page for the answer!

 

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Uncategorized

A true jazz story: “Woody ‘n Me” — by Robert Hecht

I’m driving up Raymond Boulevard toward downtown Newark. In the darkness the huge lighted sign atop the Public Service Electric & Gas Company serves as a beacon for approaching the city. Yet tonight something is off with the sign, and I laugh out loud as I see that its ‘L’ has burned out…and that it is now offering ‘PUBIC SERVICE’ to the community!

I am on my way to work at radio station WHBI where I am a staff announcer but also produce a nightly jazz show. On the car seat next to me is my

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Art

The art of John Allinson

In his description of Welsh painter John Allinson’s work “House of Dreams” – a mural in progress “celebrating a viewpoint of entertainment as an art form” that will eventually be 1000 feet wide – the art critic Rex Harley wrote that “a host of artists and entertainers emerge from a swirl of colours, in the same way that their counterparts stepped out from the stream of history to entertain and enrich our lives.” 

This is also an apt view of Allinson’s prolific and noteworthy interpretations of jazz ensembles.  His work evokes appropriate nostalgia and sentimentality while expressing passion for the culture of jazz music by

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